Pub Date : 2022-01-01DOI: 10.34293/english.v10is1-jan2022.4715
S. Bharathi, Binu Anitha Joseph
In the postmodern era, when identities are paradoxically diminished and expanded, terms like globalisation and multiculturalism have evolved to characterise the new world order. While the globe continues to shrink into a global village in which differences become indistinguishable from similarities, civilizations and groups outside the prevailing ideology find methods to assert their uniqueness. The purpose of this Paper is to examine the identity problem that has resulted from Indian migration to the United States of America, as well as the nostalgia that has accompanied immigration and other difficulties. Additionally, the cross-cultural struggle is discussed extensively, with allusions to Mukherjee’s Jasmine from multicultural and feminist viewpoints. On the other side, such misunderstanding about the subject results in identity crisis, which may be defined as the inability to establish a definite position for oneself.
{"title":"Multiculturalism in Bharati Mukherjee’s Novel Jasmine","authors":"S. Bharathi, Binu Anitha Joseph","doi":"10.34293/english.v10is1-jan2022.4715","DOIUrl":"https://doi.org/10.34293/english.v10is1-jan2022.4715","url":null,"abstract":"In the postmodern era, when identities are paradoxically diminished and expanded, terms like globalisation and multiculturalism have evolved to characterise the new world order. While the globe continues to shrink into a global village in which differences become indistinguishable from similarities, civilizations and groups outside the prevailing ideology find methods to assert their uniqueness. The purpose of this Paper is to examine the identity problem that has resulted from Indian migration to the United States of America, as well as the nostalgia that has accompanied immigration and other difficulties. Additionally, the cross-cultural struggle is discussed extensively, with allusions to Mukherjee’s Jasmine from multicultural and feminist viewpoints. On the other side, such misunderstanding about the subject results in identity crisis, which may be defined as the inability to establish a definite position for oneself.","PeriodicalId":155026,"journal":{"name":"Shanlax International Journal of English","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114971039","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.34293/english.v10is1-jan2022.4720
M. Jeya Sudha, S. Anish, G. Georshia
Mahesh Dattani is a Sahitya Akademiaward-winning dramatist. His play projects the problems faced by the marginal and unvoiced community. He represents the unvarnished realities of the contemporary society in a realistic tone. The play Clearing the Rubble dig deep into the marginal mentality that prevails in the mind of the people and also the efforts of marginal people to enhance their social status. Dattani expresses the marginal feel through various signs with beautiful metaphorical expressions. The existential crisis of the marginal people is also highlighted in the play through the marginalized characters created by the playwright. The inner feeling of the marginal people and their feel of marginality is well expressed by the dramatists. His radio plays are mapped out in such a way that the audience feels the pleasure of experiencing a drama on stage. The mental and physical pain ofpeople in a world of injustice due to the impact of marginalization is set forth by Dattani in his play Clearing the Rubble. The BBC radio broadcasted the play on the 17th of January 2002 at 2.00 p.m. The play was written as a remembrance of the earthquake that affected Bhuj in the year 2001. The play discusses the prefixed marginal feel in the mind of the people, their struggle to overcome the feeling of marginality through education and money. The paper analyses the signs and symbols by Dattani to denote the marginal mind, gender discrimination, and the search for identity.
{"title":"Signs of Marginal Frame of Mind in Mahesh Dattani’s Clearing the Rubble","authors":"M. Jeya Sudha, S. Anish, G. Georshia","doi":"10.34293/english.v10is1-jan2022.4720","DOIUrl":"https://doi.org/10.34293/english.v10is1-jan2022.4720","url":null,"abstract":"Mahesh Dattani is a Sahitya Akademiaward-winning dramatist. His play projects the problems faced by the marginal and unvoiced community. He represents the unvarnished realities of the contemporary society in a realistic tone. The play Clearing the Rubble dig deep into the marginal mentality that prevails in the mind of the people and also the efforts of marginal people to enhance their social status. Dattani expresses the marginal feel through various signs with beautiful metaphorical expressions. The existential crisis of the marginal people is also highlighted in the play through the marginalized characters created by the playwright. The inner feeling of the marginal people and their feel of marginality is well expressed by the dramatists. His radio plays are mapped out in such a way that the audience feels the pleasure of experiencing a drama on stage. The mental and physical pain ofpeople in a world of injustice due to the impact of marginalization is set forth by Dattani in his play Clearing the Rubble. The BBC radio broadcasted the play on the 17th of January 2002 at 2.00 p.m. The play was written as a remembrance of the earthquake that affected Bhuj in the year 2001. The play discusses the prefixed marginal feel in the mind of the people, their struggle to overcome the feeling of marginality through education and money. The paper analyses the signs and symbols by Dattani to denote the marginal mind, gender discrimination, and the search for identity.","PeriodicalId":155026,"journal":{"name":"Shanlax International Journal of English","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126184143","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.34293/english.v10is1-jan2022.4716
P. Bibilin Godsmathy, G. Anish S Georshia
Ethnic study has become an expression in the English Literature. Originally it stood for the Jews who dispersed from Israel/Palestine to all kinds of places in the world. Those people carried with them a profound attachment to their last place of residence. Tracing the various processes which Indian communities went through in different regions of the world as they dropped anchor in new lands and adjusted to their new surroundings, it is startling to see how they hold on to their identities as ethnic Indians while remaining loyal to their adopted cultures. Language and cultures are transformed as they come into contact with other languages and cultures. It becomes important to question the nature of one’s relationship with the culture of their origin and to examine the different strategies they adopt in order to negotiate the cultural space of the countries of their adoption. Expatriate occupies a significant position between cultures and countries. Cultures take root or get dislocated. Cultural theory is today being created by people who live on the margins. An important question is how does one define the margin? Do the margins experipheral areas further divide themselves and the centre remains the same, indifferent to what is happening around it. The migrant worker/scholar, who moves from one culture to another, needs to relocate himself/herself in relation to the centre. Sometimes it will even put the migrant in a schizophrenic situation, with regard to crossing from one culture to another. A good amount of instability is also involved at this point.
{"title":"Struggle in Ethnic Existence: A Diasporic Study of Jhumpa Lahiri’s The Namesake","authors":"P. Bibilin Godsmathy, G. Anish S Georshia","doi":"10.34293/english.v10is1-jan2022.4716","DOIUrl":"https://doi.org/10.34293/english.v10is1-jan2022.4716","url":null,"abstract":"Ethnic study has become an expression in the English Literature. Originally it stood for the Jews who dispersed from Israel/Palestine to all kinds of places in the world. Those people carried with them a profound attachment to their last place of residence. Tracing the various processes which Indian communities went through in different regions of the world as they dropped anchor in new lands and adjusted to their new surroundings, it is startling to see how they hold on to their identities as ethnic Indians while remaining loyal to their adopted cultures. Language and cultures are transformed as they come into contact with other languages and cultures. It becomes important to question the nature of one’s relationship with the culture of their origin and to examine the different strategies they adopt in order to negotiate the cultural space of the countries of their adoption. Expatriate occupies a significant position between cultures and countries. Cultures take root or get dislocated. Cultural theory is today being created by people who live on the margins. An important question is how does one define the margin? Do the margins experipheral areas further divide themselves and the centre remains the same, indifferent to what is happening around it. The migrant worker/scholar, who moves from one culture to another, needs to relocate himself/herself in relation to the centre. Sometimes it will even put the migrant in a schizophrenic situation, with regard to crossing from one culture to another. A good amount of instability is also involved at this point.","PeriodicalId":155026,"journal":{"name":"Shanlax International Journal of English","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116888785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.34293/english.v10is1-jan2022.4732
R. Kumara Balaji, V. Vimala
The novel manages brilliantly to portray Indian culture and family life, setting against the backdrop of the subcontinent’s volatile postcolonial politics. The microcosmic family dimension of the story line is not only played upon a political background: quite the contrary, the story shows to which degree political and personal realities are intertwined and how much the microcosm echoes the macrocosm, since the lives of the characters are deeply affected by local corruption and the government inadequacy. The novel itself is a manifestation of the Indian politics on the domestic life of Gustad Noble, thus Mistry mingles public with the private. This novel is a journey of Gustad through the path of sorrow, death, betrayal, disillusion and disappointment. Above all, Mistry’s novels are focused on community differences. Mistry has unfolded the postcolonial condition that affects the community’s identity. Apart from religious identity, historical awareness forms the collective identity of the community
{"title":"An Analysis of Rohinton Mistry’s Such a Long Journey","authors":"R. Kumara Balaji, V. Vimala","doi":"10.34293/english.v10is1-jan2022.4732","DOIUrl":"https://doi.org/10.34293/english.v10is1-jan2022.4732","url":null,"abstract":"The novel manages brilliantly to portray Indian culture and family life, setting against the backdrop of the subcontinent’s volatile postcolonial politics. The microcosmic family dimension of the story line is not only played upon a political background: quite the contrary, the story shows to which degree political and personal realities are intertwined and how much the microcosm echoes the macrocosm, since the lives of the characters are deeply affected by local corruption and the government inadequacy. The novel itself is a manifestation of the Indian politics on the domestic life of Gustad Noble, thus Mistry mingles public with the private. This novel is a journey of Gustad through the path of sorrow, death, betrayal, disillusion and disappointment. Above all, Mistry’s novels are focused on community differences. Mistry has unfolded the postcolonial condition that affects the community’s identity. Apart from religious identity, historical awareness forms the collective identity of the community","PeriodicalId":155026,"journal":{"name":"Shanlax International Journal of English","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124783458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.34293/english.v10is1-jan2022.4724
M. Pramileeswari
This study is about analysing the curmudgeon personality of Ove and Scrooge and the reflection of their ephemeral values on their contemporary society, thereby highlighting the emotion of fatherhood as depicted by their characters. The study also focuses on the reasons that make these characters experience their self - inflicted loneliness. The two greying protagonists are featured in a humorous and heartwarming way. An emerging genre within this literature is the “geezer and grump lit”, as discussed by Swinnen (2019), a genre where older people are active protagonists, and while often portrayed as grumpy usually turn out to have a golden heart. “Solitary as an Oyster”. This simile suggests the nature of a person who is tightly closed and will not open except by force. Like an oyster they don’t group. Charles Dickens uses this simile in his novel, A Christmas Carol in Stave-1. The author compares Ebenezer Scrooge to anoyster, saying that Scrooge was “Solitary as an oyster”. This comparison does not imply anything negative. Dickens uses this simile to highlight how Scrooge lived his life. On a similar platform, is the 59 year old widower and protagonist of Fredrick Backman’s A Man called Ove who bears so much resemblance. Ove is also grumpy, unfeeling and stoic is not necessarily a negative character in the story. Both Scrooge and Ove are curmudgeons in the society, the kind of people who point at people they dislike as if they were burglars caught outside their bedroom window. Both have staunch principles, strict routines, and a short fuse.
本研究是关于分析爱和斯克鲁奇的乖戾性格，以及他们的短暂价值观对当代社会的反映，从而突出他们的角色所描绘的父亲的情感。研究还着重探讨了这些角色产生自我孤独感的原因。两位白发苍苍的主人公以一种幽默而温暖人心的方式出现。正如斯温宁(2019)所讨论的那样，这类文学中的一种新兴流派是“古怪和脾气暴躁的文学”，在这种文学中，老年人是活跃的主角，虽然经常被描绘成脾气暴躁，但事实证明，他们通常有一颗善良的心。“像牡蛎一样孤独”。这个比喻暗示了一个人的本性，他紧闭心扉，除非用武力，否则不会打开。像牡蛎一样，它们不会聚集在一起。查尔斯·狄更斯在他的小说《圣诞颂歌》中使用了这个比喻。作者把埃比尼泽·斯克鲁奇比作一个牡蛎，说斯克鲁奇“像牡蛎一样孤独”。这种比较并不意味着任何负面的东西。狄更斯用这个比喻来强调斯克罗吉是如何生活的。在一个类似的平台上，是59岁的鳏夫，也是弗雷德里克·贝克曼(frederick Backman)的《一个叫爱的男人》(a Man called love)中的主角，他与他非常相似。爱也脾气暴躁，冷酷无情和坚忍在故事中不一定是一个消极的角色。斯克罗吉和欧维在社会上都是乖戾的人，他们会指着自己不喜欢的人，就好像他们是在卧室窗外被抓住的窃贼。他们都有坚定的原则，严格的程序，和一个易怒的人。
{"title":"Solitary as an Oyster: Understanding Ephemeral Values on their Contemporary Society through the Curmudgeon Characters of Fedrick Backman’s Ove and Charles Dickens’ Scrooge","authors":"M. Pramileeswari","doi":"10.34293/english.v10is1-jan2022.4724","DOIUrl":"https://doi.org/10.34293/english.v10is1-jan2022.4724","url":null,"abstract":"This study is about analysing the curmudgeon personality of Ove and Scrooge and the reflection of their ephemeral values on their contemporary society, thereby highlighting the emotion of fatherhood as depicted by their characters. The study also focuses on the reasons that make these characters experience their self - inflicted loneliness. The two greying protagonists are featured in a humorous and heartwarming way. An emerging genre within this literature is the “geezer and grump lit”, as discussed by Swinnen (2019), a genre where older people are active protagonists, and while often portrayed as grumpy usually turn out to have a golden heart. \u0000“Solitary as an Oyster”. This simile suggests the nature of a person who is tightly closed and will not open except by force. Like an oyster they don’t group. Charles Dickens uses this simile in his novel, A Christmas Carol in Stave-1. The author compares Ebenezer Scrooge to anoyster, saying that Scrooge was “Solitary as an oyster”. This comparison does not imply anything negative. Dickens uses this simile to highlight how Scrooge lived his life. On a similar platform, is the 59 year old widower and protagonist of Fredrick Backman’s A Man called Ove who bears so much resemblance. Ove is also grumpy, unfeeling and stoic is not necessarily a negative character in the story. Both Scrooge and Ove are curmudgeons in the society, the kind of people who point at people they dislike as if they were burglars caught outside their bedroom window. Both have staunch principles, strict routines, and a short fuse.","PeriodicalId":155026,"journal":{"name":"Shanlax International Journal of English","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122114392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.34293/english.v10is1-jan2022.4738
G. Naveenkumar
India is famed for its diverse cultures, dialects, religions, traditions, and pride in the country’s integrity, but the mysterious fact is that it is also notorious for casteism. In the name of caste, casteism treats unequal societal behaviour. It’s a harsh system that divides people in general. Women are the primary victims of inter-caste marriages in this country. This article examines how Saroja, the protagonist, is ignorant of the casteist system that exists in many of the places where honour killings have occurred.
{"title":"An Ignorant Protagonist in Perumal Murugan’s Pyre Novel","authors":"G. Naveenkumar","doi":"10.34293/english.v10is1-jan2022.4738","DOIUrl":"https://doi.org/10.34293/english.v10is1-jan2022.4738","url":null,"abstract":"India is famed for its diverse cultures, dialects, religions, traditions, and pride in the country’s integrity, but the mysterious fact is that it is also notorious for casteism. In the name of caste, casteism treats unequal societal behaviour. It’s a harsh system that divides people in general. Women are the primary victims of inter-caste marriages in this country. This article examines how Saroja, the protagonist, is ignorant of the casteist system that exists in many of the places where honour killings have occurred. ","PeriodicalId":155026,"journal":{"name":"Shanlax International Journal of English","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133317755","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.34293/english.v10is1-jan2022.4731
M. Karthik
Dalit poetry is a burgeoning genre in literature that mirrors the excruciating cry of the downtrodden community, Dalit. The objective of this literature is to show the contemporary world of the tormenting experience of long silenced discrimination, poverty and the craving for social equality and human dignity. In order to explicitly express the reality of their narrative Dalit poets wrote poems, short stories, and mostly autobiographies.Dalit poetry altogether gives a message about the community and portrays their exploitive and helpless situation in the society. Poets express the wanting of dignified and peaceful life for the marginalized.
{"title":"Dalit Poetry; An Excruciating Cry of the Unheard","authors":"M. Karthik","doi":"10.34293/english.v10is1-jan2022.4731","DOIUrl":"https://doi.org/10.34293/english.v10is1-jan2022.4731","url":null,"abstract":"Dalit poetry is a burgeoning genre in literature that mirrors the excruciating cry of the downtrodden community, Dalit. The objective of this literature is to show the contemporary world of the tormenting experience of long silenced discrimination, poverty and the craving for social equality and human dignity. In order to explicitly express the reality of their narrative Dalit poets wrote poems, short stories, and mostly autobiographies.Dalit poetry altogether gives a message about the community and portrays their exploitive and helpless situation in the society. Poets express the wanting of dignified and peaceful life for the marginalized.","PeriodicalId":155026,"journal":{"name":"Shanlax International Journal of English","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130279311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.34293/english.v10is1-jan2022.4735
M. Usha Bharathi
Oryx and Crake explored the theme of advancement of science and its challenges are distinct between human and animal. Atwood discusses the theme during a special way in her novel ‘Oryx and Crake’ published within the year 2003. It deals with the protagonist Snowman’s hindering mind about his past and annihilating present. The protagonist is revealed through his attitude with creature called ‘Crakers’ and his deportments throughout the novel.The most frightening thing within the novel is that the pigoons that Jimmy’s father helps to make as a genetic engineer at the Organ Inc Farms Compound. The novel is setting by post-apocalyptic and narrates the story of mankind’s demise as results of a worldwide epidemic deliberately caused by the idealistic scientist Crake. This novel highlights how the Crakers, a scientifically created race meant to out pace humanity, take over man’s place.
{"title":"Exploring the Theme of Human- Animal Kinship in Margaret Atwood’s Oryx and Crake","authors":"M. Usha Bharathi","doi":"10.34293/english.v10is1-jan2022.4735","DOIUrl":"https://doi.org/10.34293/english.v10is1-jan2022.4735","url":null,"abstract":"Oryx and Crake explored the theme of advancement of science and its challenges are distinct between human and animal. Atwood discusses the theme during a special way in her novel ‘Oryx and Crake’ published within the year 2003. It deals with the protagonist Snowman’s hindering mind about his past and annihilating present. The protagonist is revealed through his attitude with creature called ‘Crakers’ and his deportments throughout the novel.The most frightening thing within the novel is that the pigoons that Jimmy’s father helps to make as a genetic engineer at the Organ Inc Farms Compound. The novel is setting by post-apocalyptic and narrates the story of mankind’s demise as results of a worldwide epidemic deliberately caused by the idealistic scientist Crake. This novel highlights how the Crakers, a scientifically created race meant to out pace humanity, take over man’s place.","PeriodicalId":155026,"journal":{"name":"Shanlax International Journal of English","volume":"173 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117345033","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.34293/english.v10is1-jan2022.4726
S. Jarvis Caleb Ithiel Nathan
The present paper deals with the ghost in the house 124, in the Toni Morrison’s novel Beloved. The Beloved is sometimes mislabeled as a ghost story by critics. This article, on the other hand, is about Sethe’s daughter’s ‘Personified Spirit’. Beloved is not a ghost story, as this article demonstrates. In African-American literature, it also discovered a spiritual and oral legacy.
{"title":"Beloved – Ghost as Daughter","authors":"S. Jarvis Caleb Ithiel Nathan","doi":"10.34293/english.v10is1-jan2022.4726","DOIUrl":"https://doi.org/10.34293/english.v10is1-jan2022.4726","url":null,"abstract":"The present paper deals with the ghost in the house 124, in the Toni Morrison’s novel Beloved. The Beloved is sometimes mislabeled as a ghost story by critics. This article, on the other hand, is about Sethe’s daughter’s ‘Personified Spirit’. Beloved is not a ghost story, as this article demonstrates. In African-American literature, it also discovered a spiritual and oral legacy.","PeriodicalId":155026,"journal":{"name":"Shanlax International Journal of English","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121093704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.34293/english.v10is1-jan2022.4740
Srushti Pratik Dodia
{"title":"From Life in a Metro to Ludo- Anurag Basu’s Hyper-Narrative Growth","authors":"Srushti Pratik Dodia","doi":"10.34293/english.v10is1-jan2022.4740","DOIUrl":"https://doi.org/10.34293/english.v10is1-jan2022.4740","url":null,"abstract":"","PeriodicalId":155026,"journal":{"name":"Shanlax International Journal of English","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126428089","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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