The study purpose is to identify lingual aspect of Tembang Pangkur (TP) and describe its relationship with culture to represent Warok character. Lingual aspects of TP are identified through lexical cohesion, grammatical cohesion, and other language peculiarities, while relationship of TP with culture is described by transcendental theory. This study method is descriptive qualitative with stages, includes data collection, transcripts, analysis, interpretation, and make conclusions. The object as well as data in this study is TP contained in Serat Wedhatama, 12th stanza by K.G.P.A.A. Mangkunegara IV. The TP is often used by Reog cultivators to represent Warok character. The results of the study, including (1) lingual aspect of TP shows a complete relationship of form and meaning until a meaningful causal relationship is obtained, namely if someone wants to become a wong sepuh (Warok) then must receive divine revelation; (2) relationship between TP and culture shows the existence of Sufism teachings whose implementation is formulated with catur sembah. A person who has performed catur sembah can be said to be a wong sepuh. Likewise in the art of Reog Ponorogo, Warok is represented as a wong sepuh as described in TP.
{"title":"WAROK REPRESENTATION IN THE ART OF REOG PONOROGO (ANTROPOLINGUISTIC STUDY)","authors":"Muhamad Agus Prasetyo, Eti Setiawati","doi":"10.22216/kata.v5i2.417","DOIUrl":"https://doi.org/10.22216/kata.v5i2.417","url":null,"abstract":"The study purpose is to identify lingual aspect of Tembang Pangkur (TP) and describe its relationship with culture to represent Warok character. Lingual aspects of TP are identified through lexical cohesion, grammatical cohesion, and other language peculiarities, while relationship of TP with culture is described by transcendental theory. This study method is descriptive qualitative with stages, includes data collection, transcripts, analysis, interpretation, and make conclusions. The object as well as data in this study is TP contained in Serat Wedhatama, 12th stanza by K.G.P.A.A. Mangkunegara IV. The TP is often used by Reog cultivators to represent Warok character. The results of the study, including (1) lingual aspect of TP shows a complete relationship of form and meaning until a meaningful causal relationship is obtained, namely if someone wants to become a wong sepuh (Warok) then must receive divine revelation; (2) relationship between TP and culture shows the existence of Sufism teachings whose implementation is formulated with catur sembah. A person who has performed catur sembah can be said to be a wong sepuh. Likewise in the art of Reog Ponorogo, Warok is represented as a wong sepuh as described in TP.","PeriodicalId":159474,"journal":{"name":"Jurnal KATA","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123966662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This research focuses on two aspects of the jargon used in the TikTok app: form and context. The aim of this study is to define jargon and determine its type and specific significance. A qualitative descriptive approach is used to discover these aspects. The data collection technique used was data collection on the TikTok application. The data analysis process involves evaluating all data collected from the TikTok application's data collection results and analyzing it using a systematic procedure that includes identifying jargon and explaining its context. The data discovered during the research have been included in this journal as part of a descriptive qualitative study. According to the findings of the study, TikTokers' jargon consists of FYP, edition, check, damage, valid no debat, bund, jamet, gelay, kentang, ngotak, virtual date, tingting, canda ya canda. The advantage of this research in teaching and learning English is that it can be used as a resource for those who want to expand their knowledge of jargon, especially potential researchers interested in conducting research on similar topics. It can also be used as a way to help students or anyone improve their communication skills in English, especially when using jargon.
本研究侧重于TikTok应用程序中使用的术语的两个方面:形式和上下文。本研究的目的是界定行话，确定行话的类型和具体意义。采用定性描述的方法来发现这些方面。使用的数据收集技术是在TikTok应用程序上收集数据。数据分析过程包括评估从TikTok应用程序的数据收集结果中收集的所有数据，并使用包括识别术语和解释其上下文在内的系统程序进行分析。研究过程中发现的数据已作为描述性定性研究的一部分收录在本杂志中。根据研究结果，tiktok的术语包括FYP、编辑、检查、损坏、有效无争论、bund、jamet、gelay、kentang、ngotak、virtual date、tingting、canada ya canada。这项研究在英语教学和学习中的优势在于，它可以作为那些想要扩展术语知识的人的资源，特别是对类似主题的研究感兴趣的潜在研究人员。它也可以用来帮助学生或任何人提高英语沟通技巧，尤其是在使用行话时。
{"title":"“JARGON USED ON TIKTOK CHECK…”: LANGUAGE VARIATION REVISITED","authors":"Vita Lutfiah, Emy Sudarwati","doi":"10.22216/kata.v5i2.457","DOIUrl":"https://doi.org/10.22216/kata.v5i2.457","url":null,"abstract":"This research focuses on two aspects of the jargon used in the TikTok app: form and context. The aim of this study is to define jargon and determine its type and specific significance. A qualitative descriptive approach is used to discover these aspects. The data collection technique used was data collection on the TikTok application. The data analysis process involves evaluating all data collected from the TikTok application's data collection results and analyzing it using a systematic procedure that includes identifying jargon and explaining its context. The data discovered during the research have been included in this journal as part of a descriptive qualitative study. According to the findings of the study, TikTokers' jargon consists of FYP, edition, check, damage, valid no debat, bund, jamet, gelay, kentang, ngotak, virtual date, tingting, canda ya canda. The advantage of this research in teaching and learning English is that it can be used as a resource for those who want to expand their knowledge of jargon, especially potential researchers interested in conducting research on similar topics. It can also be used as a way to help students or anyone improve their communication skills in English, especially when using jargon.","PeriodicalId":159474,"journal":{"name":"Jurnal KATA","volume":"441 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116188687","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Imaginary works of fiction present various human and humanitarian problems, as well as the life and life of the author in representing various problem that are manifested in fiction based on the author own point of view. Genetic Structuralism is an approach that examines literary texts in terms of structure by considering the building elements and the correlation between these elements. The unity and integrity of the text, then correlate with the socio-cultural aspects that influence it. The elements in questions include human facts and collective subjects. Qualitative descriptive is the method chosen in completing this research, by describing the facts of humanity and collective subjects in the data in the form of the Tanggo and Sadimin novel by Ramdya Akmal, totaling 272 pages. The results obtained in the form of an analysis of Genetic Structuralisme (1) Human facts, (2) collective subjects, followed by (3) world view as a form of representation in real life into the novel.
{"title":"TANTANGGO AND SADIMIN NOVEL BY RAMDYA AKMAL: STUDY OF GENETIC STRUCTURALISM","authors":"F. Nabilah","doi":"10.22216/kata.v5i2.153","DOIUrl":"https://doi.org/10.22216/kata.v5i2.153","url":null,"abstract":"Imaginary works of fiction present various human and humanitarian problems, as well as the life and life of the author in representing various problem that are manifested in fiction based on the author own point of view. Genetic Structuralism is an approach that examines literary texts in terms of structure by considering the building elements and the correlation between these elements. The unity and integrity of the text, then correlate with the socio-cultural aspects that influence it. The elements in questions include human facts and collective subjects. Qualitative descriptive is the method chosen in completing this research, by describing the facts of humanity and collective subjects in the data in the form of the Tanggo and Sadimin novel by Ramdya Akmal, totaling 272 pages. The results obtained in the form of an analysis of Genetic Structuralisme (1) Human facts, (2) collective subjects, followed by (3) world view as a form of representation in real life into the novel.","PeriodicalId":159474,"journal":{"name":"Jurnal KATA","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131110284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper aims to describe locality satire of Minangkabau in the humorous prose of Minangkabau language by Heru Joni Putra. This research is descriptive qualitative with data in the form of words that can be formulated as locality satire of Minangkabau. This study uses an anthropological approach to explain the language, society, and culture that is told in the story. Based on the results of data identification, the locality satire of Minangkabau in Minangkabau prose by Heru Joni Putra is a critical attitude towards human behavior, political systems, culture, and so on, which is mediated by language. The criticism of these weaknesses is stated in order to remind those who are criticized to make improvements ethically and aesthetically to the things intended by the author. Wise readers will assume that literary works, including HJP's Minang humorous prose, are fictitious stories that basically do not contain only realist content. Through a pralogical and satirical way of expressing, the author as a creator has the right to convey his ideas through the creative process he does, as well as the function of journalists when writing essays, articles, or the like.
{"title":"MINANGKABAU LOCALITY SATIRE IN PROSE HUMOR MINANGKABAU LANGUANGE BY HERU JONI PUTRA","authors":"Rio Rinaldi, Romi Isnanda, Ineng Naini","doi":"10.22216/kata.v5i2.350","DOIUrl":"https://doi.org/10.22216/kata.v5i2.350","url":null,"abstract":"This paper aims to describe locality satire of Minangkabau in the humorous prose of Minangkabau language by Heru Joni Putra. This research is descriptive qualitative with data in the form of words that can be formulated as locality satire of Minangkabau. This study uses an anthropological approach to explain the language, society, and culture that is told in the story. Based on the results of data identification, the locality satire of Minangkabau in Minangkabau prose by Heru Joni Putra is a critical attitude towards human behavior, political systems, culture, and so on, which is mediated by language. The criticism of these weaknesses is stated in order to remind those who are criticized to make improvements ethically and aesthetically to the things intended by the author. Wise readers will assume that literary works, including HJP's Minang humorous prose, are fictitious stories that basically do not contain only realist content. Through a pralogical and satirical way of expressing, the author as a creator has the right to convey his ideas through the creative process he does, as well as the function of journalists when writing essays, articles, or the like.","PeriodicalId":159474,"journal":{"name":"Jurnal KATA","volume":"115 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117264925","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This research aims to (1) describe the differences in the religious rhetoric of Aa Gym's from Habib Rizieq’s in terms of ethos, pathos, and logos; (2) describe the different rhetorical canons used; and (3) determine the elements of rhetorical content contained in both orator. This research uses a qualitative descriptive approach. The data were taken from the religious speech of Aa Gym and Habib Rizieq with the same theme available on the YouTube platform, which is about leaders and leadership. The research shows the following results. (1) The religious rhetoric of Aa Gym and Habib Rizieq both use all persuasion tools in the form of ethos, pathos, and logos. However, there are three aspects that are controlled by Aa Gym in terms of ethos, namely good competence, good moral character, and goodwill, while only two aspects are controlled by Habib Rizieq, namely good competence and goodwill. (2) All of the rhetorical canons were used by the two preachers, but there are still doubts about their application to Aa Gym. (3) Aa Gym's rhetoric belongs to the type of epideictic rhetoric with a few elements of deliberative rhetoric. Meanwhile, Habib Rizieq's rhetoric belongs to the type of epideictic and deliberative rhetoric with a few elements of forensic rhetoric.
{"title":"COMPARISON OF RELIGIOUS RHETORIC K.H. ABDULLAH GYMNASTIAR WITH HABIB MUHAMMAD RIZIEQ","authors":"Sabrina Fadilah Az-zahra, Nadra, Sawirman","doi":"10.22216/kata.v5i2.462","DOIUrl":"https://doi.org/10.22216/kata.v5i2.462","url":null,"abstract":"This research aims to (1) describe the differences in the religious rhetoric of Aa Gym's from Habib Rizieq’s in terms of ethos, pathos, and logos; (2) describe the different rhetorical canons used; and (3) determine the elements of rhetorical content contained in both orator. This research uses a qualitative descriptive approach. The data were taken from the religious speech of Aa Gym and Habib Rizieq with the same theme available on the YouTube platform, which is about leaders and leadership. The research shows the following results. (1) The religious rhetoric of Aa Gym and Habib Rizieq both use all persuasion tools in the form of ethos, pathos, and logos. However, there are three aspects that are controlled by Aa Gym in terms of ethos, namely good competence, good moral character, and goodwill, while only two aspects are controlled by Habib Rizieq, namely good competence and goodwill. (2) All of the rhetorical canons were used by the two preachers, but there are still doubts about their application to Aa Gym. (3) Aa Gym's rhetoric belongs to the type of epideictic rhetoric with a few elements of deliberative rhetoric. Meanwhile, Habib Rizieq's rhetoric belongs to the type of epideictic and deliberative rhetoric with a few elements of forensic rhetoric.","PeriodicalId":159474,"journal":{"name":"Jurnal KATA","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134211956","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study aims to explain the functions and roles of the kaba artisans in Minangkabau society and culture and the parts and functions of the kaba artisans themselves in Pinto Anugrah's novel Jemput Terbawa. The research method used is qualitative with data collection techniques in the form of reading and recording. The data were analyzed and interpreted with a literary, anthropological approach. The results of the research are an introduction and closing of the story. It regulates the course of the story, saving the lives of several characters in the story, protecting the author from his own story that might be considered incorrect, and reinforcing his role in presenting stories that have been up to now. It develops in society. Through this novel, the author has presented the role and function of the kaba craftsman and his role and function as a storyteller in the past in the Minangkabau community. The craftsman of the kaba is considered to influence the reader of the work and the craftsman of the kaba to influence his listeners.
{"title":"TUKANG KABA IN NOVEL JEMPUT TERBAWA BY PINTO ANUGRAH","authors":"Eka Meigalia, Y. Putra","doi":"10.22216/kata.v5i2.470","DOIUrl":"https://doi.org/10.22216/kata.v5i2.470","url":null,"abstract":"This study aims to explain the functions and roles of the kaba artisans in Minangkabau society and culture and the parts and functions of the kaba artisans themselves in Pinto Anugrah's novel Jemput Terbawa. The research method used is qualitative with data collection techniques in the form of reading and recording. The data were analyzed and interpreted with a literary, anthropological approach. The results of the research are an introduction and closing of the story. It regulates the course of the story, saving the lives of several characters in the story, protecting the author from his own story that might be considered incorrect, and reinforcing his role in presenting stories that have been up to now. It develops in society. Through this novel, the author has presented the role and function of the kaba craftsman and his role and function as a storyteller in the past in the Minangkabau community. The craftsman of the kaba is considered to influence the reader of the work and the craftsman of the kaba to influence his listeners.","PeriodicalId":159474,"journal":{"name":"Jurnal KATA","volume":"92 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133907693","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A. Perangin-angin, Masdiana Lubis, Ely Hayati Nasution, Tasnim Lubis, Zurriyati A. Jalil
Since March 2020, the Government has enforced Large-Scale Social Restrictions (PSBB) in various red zones to minimize the number of Covid-19 cases, to work from home or live at home might bring additional issues, such as violence against women, in the latest situation. During the COVID-19 pandemic, newspapers play a vital role in reporting occurrences of female assault. .This article focuses on examining how women are exposed to violence in Indonesia during the current pandemic of coronavirus (COVID-19) from Critical Discourse Analysis. This research aimed to discover the Critical Discourse Analysis of newspaper articles that deal with violence against women. The articles is qualitative research, reported based on content analysis techniques. This research contributes to the analysis of media representation of women by providing context-sensitive results of the phenomena that occurred in women during the COVID-19 pandemic. The findings reveal the stability of discursive structures over time, especially gender bias in women's media representation during the COVID-19 pandemic. Women are still affected by gender bias due to the patriarchal, social, and culture that exists in Indonesia. The newspapers can provide a clear picture of women. This research by the Critical Discourse Analysis investigates how the BBC.com news, VOAindonesia.com texts reveal their meaning, while the newspapers reported women's existence as marginalizing, the BBC.com news, VOAindonesia.com, were also the courage to raise women's image as marginalizing.
{"title":"GENDER REPRESENTATION ON THE TEXT OF ARTICLES IN THE NEWSPAPERS","authors":"A. Perangin-angin, Masdiana Lubis, Ely Hayati Nasution, Tasnim Lubis, Zurriyati A. Jalil","doi":"10.22216/kata.v5i2.378","DOIUrl":"https://doi.org/10.22216/kata.v5i2.378","url":null,"abstract":"Since March 2020, the Government has enforced Large-Scale Social Restrictions (PSBB) in various red zones to minimize the number of Covid-19 cases, to work from home or live at home might bring additional issues, such as violence against women, in the latest situation. During the COVID-19 pandemic, newspapers play a vital role in reporting occurrences of female assault. .This article focuses on examining how women are exposed to violence in Indonesia during the current pandemic of coronavirus (COVID-19) from Critical Discourse Analysis. This research aimed to discover the Critical Discourse Analysis of newspaper articles that deal with violence against women. The articles is qualitative research, reported based on content analysis techniques. This research contributes to the analysis of media representation of women by providing context-sensitive results of the phenomena that occurred in women during the COVID-19 pandemic. The findings reveal the stability of discursive structures over time, especially gender bias in women's media representation during the COVID-19 pandemic. Women are still affected by gender bias due to the patriarchal, social, and culture that exists in Indonesia. The newspapers can provide a clear picture of women. This research by the Critical Discourse Analysis investigates how the BBC.com news, VOAindonesia.com texts reveal their meaning, while the newspapers reported women's existence as marginalizing, the BBC.com news, VOAindonesia.com, were also the courage to raise women's image as marginalizing.","PeriodicalId":159474,"journal":{"name":"Jurnal KATA","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128132543","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Marisa Rianti Sutanto, Ethel Deborah Lewerissa, Kata Kunci
This article discusses the personal conflicts between five characters in the film Gohatto. Gohatto is a film by Japanese director, Oshima Nagisa, released in 1999. Director Oshima is one of the legendary directors in Japan who is famous for his works that elevate the uniqueness of the human personality. Likewise, with Gohatto's work, Oshima raises the fluctuation of human desires that clash with tradition and morals, and in the end meet death. The film is set in the bakumatsu era (1853-1869) and tells of the lives of swordsmen in the Shinsengumi group whose job is to protect the Tokugawa shogunate. The uniqueness of this film is that it does not exploit the heroics of samurai who express themselves under the shackles of bushido morality, but rather presents homosexuality in the lives of the swordsmen in this group. This paper will also discuss personal conflicts in five major characters, through a review of the characters’ actions based on the drive that emerge from both the conscious mind and unconscious minds. The method that will be used is psychoanalysis which refers to the theory of Sigmund Freud. The id drive which is the cause of the conflict appears dominant in the five characters and overcomes the bushido morality which is the sublime characteristic of the samurai.
{"title":"PERSONAL CONFLICT IN GOHATTO: BETWEEN LIFE AND DEATH","authors":"Marisa Rianti Sutanto, Ethel Deborah Lewerissa, Kata Kunci","doi":"10.22216/kata.v5i2.424","DOIUrl":"https://doi.org/10.22216/kata.v5i2.424","url":null,"abstract":"This article discusses the personal conflicts between five characters in the film Gohatto. Gohatto is a film by Japanese director, Oshima Nagisa, released in 1999. Director Oshima is one of the legendary directors in Japan who is famous for his works that elevate the uniqueness of the human personality. Likewise, with Gohatto's work, Oshima raises the fluctuation of human desires that clash with tradition and morals, and in the end meet death. The film is set in the bakumatsu era (1853-1869) and tells of the lives of swordsmen in the Shinsengumi group whose job is to protect the Tokugawa shogunate. The uniqueness of this film is that it does not exploit the heroics of samurai who express themselves under the shackles of bushido morality, but rather presents homosexuality in the lives of the swordsmen in this group. This paper will also discuss personal conflicts in five major characters, through a review of the characters’ actions based on the drive that emerge from both the conscious mind and unconscious minds. The method that will be used is psychoanalysis which refers to the theory of Sigmund Freud. The id drive which is the cause of the conflict appears dominant in the five characters and overcomes the bushido morality which is the sublime characteristic of the samurai.","PeriodicalId":159474,"journal":{"name":"Jurnal KATA","volume":"75 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127363789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Vocabulary that contains cultural elements can hardly be translated literally, so it requires proper translation techniques. By using the category of cultural word by Newmark and the translation technique by Hoed, this study aims to determine the translation technique used to translate cultural word in the novel Toumawari Suru Hina. The method used is literature study and analytical method whose results are described descriptively. Based on the results of this study, it is known that the translator of the Indonesian version of the novel uses phonological translation (20.2%), does not translated (17.6%), and footnotes (15.6%). On the other hand, the translator of the English version of the novel uses a lot of cultural equivalent techniques (18%) and descriptive translation (15.1%) to translate cultural word in the categories of material culture and social culture.
{"title":"TECHNIQUES OF TRANSLATION OF CULTURAL WORD IN TOUMAWARI SURU HINA NOVEL","authors":"Penerjemahan, Deskriptif, Penjelasan Tambahan, Penerjemahan Fonologis","doi":"10.22216/kata.v5i2.423","DOIUrl":"https://doi.org/10.22216/kata.v5i2.423","url":null,"abstract":"Vocabulary that contains cultural elements can hardly be translated literally, so it requires proper translation techniques. By using the category of cultural word by Newmark and the translation technique by Hoed, this study aims to determine the translation technique used to translate cultural word in the novel Toumawari Suru Hina. The method used is literature study and analytical method whose results are described descriptively. Based on the results of this study, it is known that the translator of the Indonesian version of the novel uses phonological translation (20.2%), does not translated (17.6%), and footnotes (15.6%). On the other hand, the translator of the English version of the novel uses a lot of cultural equivalent techniques (18%) and descriptive translation (15.1%) to translate cultural word in the categories of material culture and social culture.","PeriodicalId":159474,"journal":{"name":"Jurnal KATA","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116018440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Language errors often occur when communicating, both oral communication and written communication. This happens because of the lack of understanding of the communicator in delivering messages to the communicant or the author's lack of understanding in providing information to his readers. In addition, language errors also often occur due to spoken language factors, so that when applied in written language, there tend to be errors. Language errors at the semantic level still often occur in written language, especially articles in the Riau newspaper. These errors can be in the form of errors due to confused pairs, errors due to incorrect choice of words, and errors due to cognate pairs. This study uses a prescriptive content analysis method with the data source from the newspaper Koran Riau. Data is collected by means of documentation with data collection techniques including, collecting error samples, identifying errors, explaining errors, classifying errors, and evaluating or correcting errors. Based on the results and discussion, there are two errors in the language of the semantic level in the Riau Koran newspaper article. First, the fault of a confused partner. Second, errors due to incorrect word choices. However, errors due to cognate pairs were not found.
{"title":"AN ERROR ANALYSIS OF SEMANTIC LEVEL IN RIAU NEWSPAPER ARTICLES","authors":"Kata Kunci","doi":"10.22216/kata.v5i2.429","DOIUrl":"https://doi.org/10.22216/kata.v5i2.429","url":null,"abstract":"Language errors often occur when communicating, both oral communication and written communication. This happens because of the lack of understanding of the communicator in delivering messages to the communicant or the author's lack of understanding in providing information to his readers. In addition, language errors also often occur due to spoken language factors, so that when applied in written language, there tend to be errors. Language errors at the semantic level still often occur in written language, especially articles in the Riau newspaper. These errors can be in the form of errors due to confused pairs, errors due to incorrect choice of words, and errors due to cognate pairs. This study uses a prescriptive content analysis method with the data source from the newspaper Koran Riau. Data is collected by means of documentation with data collection techniques including, collecting error samples, identifying errors, explaining errors, classifying errors, and evaluating or correcting errors. Based on the results and discussion, there are two errors in the language of the semantic level in the Riau Koran newspaper article. First, the fault of a confused partner. Second, errors due to incorrect word choices. However, errors due to cognate pairs were not found.","PeriodicalId":159474,"journal":{"name":"Jurnal KATA","volume":"103 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124609451","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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