Pub Date : 2022-09-01DOI: 10.24867/jged-2022-3-033
Shaw-Chiang Wong, Muhammad Zaffwan Idris
The criteria for measuring the competency levels of graphic design (GD) graduates have continuously been shaped by the changing context of practice. However, previous studies provide little evidence on the existence of an effective competency assessment scale for GD graduates. The purpose of the study is to evaluate the psychometric properties of a preliminary competency assessment scale for GD graduates in Malaysia. 207 final year GD degree students in Malaysia were sampled to validate the scale. The data was analysed using exploratory factor analysis and Cronbach’s reliability test. The results suggested that the preliminary scale consists of 12 constructs and 59 items under five competency dimensions. All 12 constructs yielded high internal consistency values, ranging between .723 and .914. Theoretically, the validated scale contributed to a new body of knowledge to the competency assessment of GD graduates in Malaysia. Practically, the findings provided relevant stakeholders with prescribed standards of performance and appropriate tools to assess the competency levels of new entrants to the GD profession.
{"title":"Validation of a preliminary competency assessment scale for Malaysian graphic design graduates","authors":"Shaw-Chiang Wong, Muhammad Zaffwan Idris","doi":"10.24867/jged-2022-3-033","DOIUrl":"https://doi.org/10.24867/jged-2022-3-033","url":null,"abstract":"The criteria for measuring the competency levels of graphic design (GD) graduates have continuously been shaped by the changing context of practice. However, previous studies provide little evidence on the existence of an effective competency assessment scale for GD graduates. The purpose of the study is to evaluate the psychometric properties of a preliminary competency assessment scale for GD graduates in Malaysia. 207 final year GD degree students in Malaysia were sampled to validate the scale. The data was analysed using exploratory factor analysis and Cronbach’s reliability test. The results suggested that the preliminary scale consists of 12 constructs and 59 items under five competency dimensions. All 12 constructs yielded high internal consistency values, ranging between .723 and .914. Theoretically, the validated scale contributed to a new body of knowledge to the competency assessment of GD graduates in Malaysia. Practically, the findings provided relevant stakeholders with prescribed standards of performance and appropriate tools to assess the competency levels of new entrants to the GD profession.","PeriodicalId":16019,"journal":{"name":"Journal of graphic engineering and design","volume":"112 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41251328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-01DOI: 10.24867/jged-2022-3-005
M. Kamil, Chuah Ee Hua, M. Sani
Food waste is a huge problem across the world, but it's especially bad in developed countries such as Malaysia, according to the previous study. It is estimated that 1.3 billion tonnes of food are lost or wasted every year, accounting for one-third of all food produced for human consumption. Hence, the goal of this study is to supplement the solution within the framework of product design process based on the evaluation of food waste behaviour among household in Malaysia. As an approach for acquiring empirical data, a survey study was conducted with 52 respondents in Malaysia, including an analysis of similar existing products on the market, which was then followed by the design process. The findings suggest a multitude of design needs in preventing food waste behaviour among household in Malaysia, including the issues of the existing similar products on the market. Therefore, a few design criteria have been proposed and a set of semi-working food tracking models was successfully developed as a proposal for potential future development and production. It is hoped that the outcome of the study exhibits the synchronization of the product design process inside the smart-object dimensions in order to generate the design that helps to manage and reduce the amount of food waste created among household in Malaysia.
{"title":"Adaptation of smart-object dimensions in the product design process to reduce household food waste","authors":"M. Kamil, Chuah Ee Hua, M. Sani","doi":"10.24867/jged-2022-3-005","DOIUrl":"https://doi.org/10.24867/jged-2022-3-005","url":null,"abstract":"Food waste is a huge problem across the world, but it's especially bad in developed countries such as Malaysia, according to the previous study. It is estimated that 1.3 billion tonnes of food are lost or wasted every year, accounting for one-third of all food produced for human consumption. Hence, the goal of this study is to supplement the solution within the framework of product design process based on the evaluation of food waste behaviour among household in Malaysia. As an approach for acquiring empirical data, a survey study was conducted with 52 respondents in Malaysia, including an analysis of similar existing products on the market, which was then followed by the design process. The findings suggest a multitude of design needs in preventing food waste behaviour among household in Malaysia, including the issues of the existing similar products on the market. Therefore, a few design criteria have been proposed and a set of semi-working food tracking models was successfully developed as a proposal for potential future development and production. It is hoped that the outcome of the study exhibits the synchronization of the product design process inside the smart-object dimensions in order to generate the design that helps to manage and reduce the amount of food waste created among household in Malaysia.","PeriodicalId":16019,"journal":{"name":"Journal of graphic engineering and design","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46065846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.24867/jged-2022-2-005
Aja Knific Košir, Helena Gabrijelčič Tomc
The paper presents visual effects and their importance in the creation of visual media and film industry. After defining the field and the term visual effects, the reader is introduced to the techniques and approaches used to create visual effects, i.e., computer-generated Imagery, 3D computer graphics, motion capture, matchmoving, chroma key, rotoscoping, matte painting, and digital compositing. This is followed by a presentation of the history of visual effects from its beginnings to the digital age, taking in the most successful examples of film production such as Terminator, Toy Story, The Matrix, and Star Wars. As an example of the most representative production, the paper includes a more detailed description of the techniques, methods, and approaches used in the Lord of the Rings film trilogy, focusing on the creation of the visual appearance of the Gollum character, his movement, and facial expressions, the creation of crowds with autonomous agents and the introduction of digital duplicates. The review concludes with an overview of trends for the future of the field.
{"title":"Visual effects and their importance in the field of visual media creation","authors":"Aja Knific Košir, Helena Gabrijelčič Tomc","doi":"10.24867/jged-2022-2-005","DOIUrl":"https://doi.org/10.24867/jged-2022-2-005","url":null,"abstract":"The paper presents visual effects and their importance in the creation of visual media and film industry. After defining the field and the term visual effects, the reader is introduced to the techniques and approaches used to create visual effects, i.e., computer-generated Imagery, 3D computer graphics, motion capture, matchmoving, chroma key, rotoscoping, matte painting, and digital compositing. This is followed by a presentation of the history of visual effects from its beginnings to the digital age, taking in the most successful examples of film production such as Terminator, Toy Story, The Matrix, and Star Wars. As an example of the most representative production, the paper includes a more detailed description of the techniques, methods, and approaches used in the Lord of the Rings film trilogy, focusing on the creation of the visual appearance of the Gollum character, his movement, and facial expressions, the creation of crowds with autonomous agents and the introduction of digital duplicates. The review concludes with an overview of trends for the future of the field.","PeriodicalId":16019,"journal":{"name":"Journal of graphic engineering and design","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46470451","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.24867/jged-2022-2-021
Yeter Beris, İsmail Erim Gulacti
The social and cultural changes brought about by industrialization and the Industrial Revolution highlighted the value of printmaking as a new means of expression in artistic presentation. The innovative mechanical production methods influenced their artistic production through the interest and experimentation of many artists, whose numbers should not be underestimated. On the other hand, the transfer of examples of traditional Japanese printmaking (Ukiyo-e) to Europe in 1700-1900 caused profound effects on Western art, beginning with Impressionism, one of the modern art movements. Especially in the last two decades, rapidly digitalizing technology has also provided radical changes in many social-cultural and economic fields. As a reflection of this, it has caused a change in the presentation of contemporary art and caused the formation of an innovative attitude that transforms-triggers the perception of the audience. Two effective factors are emphasized in the context of the effect of fine art print works on the phenomenon of art. One is the artist of the time, who uses all the media tools of his time with pure intuition to transform his artistic expression, his dreams into reality, and another is the audience of the artwork, who accepts only a part of his artistic presentation, which is helped by all technological tools, by discussing, and few of which will be praised by future generations. In this context, digital technology promises a free space to thousands of artists who produce screen presentations or artistic prints on many different media, enabling us to see them everywhere. It has indisputable that digital technologies are a new tool with a different line for artists, apart from the usual art presentation of contemporary art, which is in different quests with an innovative attitude in every period. From this point of view, in addition to the dynamic visual presentations in different places and platforms where the art audience can be involved and integrated into the contemporary art environment, the innovative attitude that fine art print artworks brings to the effect and behavior of the audience should also be considered. The purpose of this paper is to investigate how digital print technology and print works influence audience perception. The survey data analysis is interpreted in this article through excerpts from the dissertation titled “Effects of fine art printmaking on phenomenon of the art” which is still in progress.
{"title":"Effects of fine art print artworks on the art viewer in contemporary art presentation","authors":"Yeter Beris, İsmail Erim Gulacti","doi":"10.24867/jged-2022-2-021","DOIUrl":"https://doi.org/10.24867/jged-2022-2-021","url":null,"abstract":"The social and cultural changes brought about by industrialization and the Industrial Revolution highlighted the value of printmaking as a new means of expression in artistic presentation. The innovative mechanical production methods influenced their artistic production through the interest and experimentation of many artists, whose numbers should not be underestimated. On the other hand, the transfer of examples of traditional Japanese printmaking (Ukiyo-e) to Europe in 1700-1900 caused profound effects on Western art, beginning with Impressionism, one of the modern art movements. Especially in the last two decades, rapidly digitalizing technology has also provided radical changes in many social-cultural and economic fields. As a reflection of this, it has caused a change in the presentation of contemporary art and caused the formation of an innovative attitude that transforms-triggers the perception of the audience. Two effective factors are emphasized in the context of the effect of fine art print works on the phenomenon of art. One is the artist of the time, who uses all the media tools of his time with pure intuition to transform his artistic expression, his dreams into reality, and another is the audience of the artwork, who accepts only a part of his artistic presentation, which is helped by all technological tools, by discussing, and few of which will be praised by future generations. In this context, digital technology promises a free space to thousands of artists who produce screen presentations or artistic prints on many different media, enabling us to see them everywhere. It has indisputable that digital technologies are a new tool with a different line for artists, apart from the usual art presentation of contemporary art, which is in different quests with an innovative attitude in every period. From this point of view, in addition to the dynamic visual presentations in different places and platforms where the art audience can be involved and integrated into the contemporary art environment, the innovative attitude that fine art print artworks brings to the effect and behavior of the audience should also be considered. The purpose of this paper is to investigate how digital print technology and print works influence audience perception. The survey data analysis is interpreted in this article through excerpts from the dissertation titled “Effects of fine art printmaking on phenomenon of the art” which is still in progress.","PeriodicalId":16019,"journal":{"name":"Journal of graphic engineering and design","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46026999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.24867/jged-2022-2-029
Daiva Sajek, S. Havenko
This article discusses the technological possibilities of assessing the quality of offset thermosensitive printing plates by studying the influence of the structural and physical properties of their construction layers, as well as the parameters of digital computer-to-plate recording on the quality of formation and reproduction of image elements. The article presents an original conceptual model for determining the integral quality indicators of printing plates, taking into account their structural and physical properties, a set of modern methods for evaluating the quality of offset printing forms is presented, such as evaluating the surface morphology of polymer registering layers and a substrate – a basis of the printing form; assessment of the adhesion of polymer layers of offset printing plates to the substrate surface, taking into account the influence of image recording parameters; investigation of the influence of the chemical state of the registering layers of offset plates on the adhesion of printing elements to inks; assessment of the influence of the processes of thermal action of laser radiation and the temperature gradient on the surface structure of the polymer layer of a thermosensitive plate and the accuracy of the formation of the quality of discrete image elements on printing plates. These researches are aimed at determining the relationship between the structural and physicochemical properties of offset thermosensitive plates and integral indicators of the reproduction quality of raster and line image elements in a digital recording system.
{"title":"Quality assessment of offset thermosensitive printing plates","authors":"Daiva Sajek, S. Havenko","doi":"10.24867/jged-2022-2-029","DOIUrl":"https://doi.org/10.24867/jged-2022-2-029","url":null,"abstract":"This article discusses the technological possibilities of assessing the quality of offset thermosensitive printing plates by studying the influence of the structural and physical properties of their construction layers, as well as the parameters of digital computer-to-plate recording on the quality of formation and reproduction of image elements. The article presents an original conceptual model for determining the integral quality indicators of printing plates, taking into account their structural and physical properties, a set of modern methods for evaluating the quality of offset printing forms is presented, such as evaluating the surface morphology of polymer registering layers and a substrate – a basis of the printing form; assessment of the adhesion of polymer layers of offset printing plates to the substrate surface, taking into account the influence of image recording parameters; investigation of the influence of the chemical state of the registering layers of offset plates on the adhesion of printing elements to inks; assessment of the influence of the processes of thermal action of laser radiation and the temperature gradient on the surface structure of the polymer layer of a thermosensitive plate and the accuracy of the formation of the quality of discrete image elements on printing plates. These researches are aimed at determining the relationship between the structural and physicochemical properties of offset thermosensitive plates and integral indicators of the reproduction quality of raster and line image elements in a digital recording system.","PeriodicalId":16019,"journal":{"name":"Journal of graphic engineering and design","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46731238","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.24867/jged-2022-2-015
Ivana Tomić, Ivan Pinćjer, S. Dedijer, S. Adamović
In this work we wanted to determine how students of Graphic engineering and design perceived online learning a year after the transition from traditional to online classes. The goal was to better understand problems, challenges, and good sides of online learning in this study field, and determine factors that impede knowledge transfer. The students' responses were collected via an anonymous online survey, which consisted of a series of questions that covered: conditions in which online classes are attended, communication channels, problems and how they are dealt with, understanding and motivation. The biggest challenges for our students were to sustain their attention and concentration during classes despite the distractors in their environments, and to keep their motivation despite the lack of direct interaction, social isolation, and too much computer time. Their technological and digital literacy were of great use in adapting to the online platforms and applications, as well as in solving technical problems that prevented them from following the classes. Even though online courses allow students to be more flexible and potentially combine work and study, most of our students do not think that their attendance and engagement in the studies increased in the last period. It is also undisputed that our students were dealing with a lot of stress and anxiety and that their emotional state highly influenced their perception of online learning. Hence, we firmly believe that apart from making online courses more engaging and interactive, it is of utmost importance to find a proper way to motivate and psychologically support students in the online learning environment, especially in times that require a high degree of resilience.
{"title":"Online learning during COVID-19 pandemic as perceived by the students of Graphic engineering and design","authors":"Ivana Tomić, Ivan Pinćjer, S. Dedijer, S. Adamović","doi":"10.24867/jged-2022-2-015","DOIUrl":"https://doi.org/10.24867/jged-2022-2-015","url":null,"abstract":"In this work we wanted to determine how students of Graphic engineering and design perceived online learning a year after the transition from traditional to online classes. The goal was to better understand problems, challenges, and good sides of online learning in this study field, and determine factors that impede knowledge transfer. The students' responses were collected via an anonymous online survey, which consisted of a series of questions that covered: conditions in which online classes are attended, communication channels, problems and how they are dealt with, understanding and motivation. The biggest challenges for our students were to sustain their attention and concentration during classes despite the distractors in their environments, and to keep their motivation despite the lack of direct interaction, social isolation, and too much computer time. Their technological and digital literacy were of great use in adapting to the online platforms and applications, as well as in solving technical problems that prevented them from following the classes. Even though online courses allow students to be more flexible and potentially combine work and study, most of our students do not think that their attendance and engagement in the studies increased in the last period. It is also undisputed that our students were dealing with a lot of stress and anxiety and that their emotional state highly influenced their perception of online learning. Hence, we firmly believe that apart from making online courses more engaging and interactive, it is of utmost importance to find a proper way to motivate and psychologically support students in the online learning environment, especially in times that require a high degree of resilience.","PeriodicalId":16019,"journal":{"name":"Journal of graphic engineering and design","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41823359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-01DOI: 10.24867/jged-2022-4-033
A. Dumitrescu
A century ago, Wassily Kandinsky postulated that there was a strong and biunivocal correlation between elementary geometric figures and primary colours, respectively the most suitable associations were blue circle, yellow triangle, and red square. Most researchers did not find evidence in support of Kandinsky's combination, but rather in support of another combination: red circle, yellow triangle, and blue square (later called the “dissident” combination). And it was also found that the correlation was not strong, but rather medium. Until now, research has not focused separately on the influence of hue (at maximum saturation) on the appropriateness perception of shape-colour association, nor on the influence of saturation on the same perception. In view of this, two experiments were organized on samples of 546 and 461 participants that were all unaware of Kandinsky's experiment. The first experiment confirmed that hue influences the appropriateness perception of coloured figures, but also that, surprisingly, the shape-colour association was not biunivocal. The participants appreciated that the most appropriate associations were the red circle, the red triangle, and the blue square. However, the means of the appropriateness marks were not high. The second experiment proved that the appropriateness perception of coloured figures was directly influenced by colour saturation, and the correlation was strong (the correlation coefficient being between 0.71 and 0.94). Obviously, the experiments did not validate Kandinsky's theory.
{"title":"Influence of hue and saturation on colour-shape association","authors":"A. Dumitrescu","doi":"10.24867/jged-2022-4-033","DOIUrl":"https://doi.org/10.24867/jged-2022-4-033","url":null,"abstract":"A century ago, Wassily Kandinsky postulated that there was a strong and biunivocal correlation between elementary geometric figures and primary colours, respectively the most suitable associations were blue circle, yellow triangle, and red square. Most researchers did not find evidence in support of Kandinsky's combination, but rather in support of another combination: red circle, yellow triangle, and blue square (later called the “dissident” combination). And it was also found that the correlation was not strong, but rather medium. Until now, research has not focused separately on the influence of hue (at maximum saturation) on the appropriateness perception of shape-colour association, nor on the influence of saturation on the same perception. In view of this, two experiments were organized on samples of 546 and 461 participants that were all unaware of Kandinsky's experiment. The first experiment confirmed that hue influences the appropriateness perception of coloured figures, but also that, surprisingly, the shape-colour association was not biunivocal. The participants appreciated that the most appropriate associations were the red circle, the red triangle, and the blue square. However, the means of the appropriateness marks were not high. The second experiment proved that the appropriateness perception of coloured figures was directly influenced by colour saturation, and the correlation was strong (the correlation coefficient being between 0.71 and 0.94). Obviously, the experiments did not validate Kandinsky's theory.","PeriodicalId":16019,"journal":{"name":"Journal of graphic engineering and design","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41709147","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-01DOI: 10.24867/jged-2022-1-021
Anouar Ragragui, Adnane Ouazzani Chahdi, A. Halli, K. Satori, Hicham El Moubtahij
Creating 3D computer-generated surfaces has long been a difficult challenge in computer graphics, particularly when portraying massive landscapes with extremely detailed surfaces in real-time. Despite significant advances in computer vision in recent years, there is still a great demand for improved realism and the capacity to edit computer-generated 3D surfaces in real-time. We propose three scalable and faster algorithms for creating extended, beveled, and chamfered patterns using only two textures and a simple shape box. The proposed techniques produce visually pleasing results in real-time while retaining optimal rendering performance and without increasing the mesh density of the shape box.
{"title":"The extensions of revolution-bump mapping","authors":"Anouar Ragragui, Adnane Ouazzani Chahdi, A. Halli, K. Satori, Hicham El Moubtahij","doi":"10.24867/jged-2022-1-021","DOIUrl":"https://doi.org/10.24867/jged-2022-1-021","url":null,"abstract":"Creating 3D computer-generated surfaces has long been a difficult challenge in computer graphics, particularly when portraying massive landscapes with extremely detailed surfaces in real-time. Despite significant advances in computer vision in recent years, there is still a great demand for improved realism and the capacity to edit computer-generated 3D surfaces in real-time. We propose three scalable and faster algorithms for creating extended, beveled, and chamfered patterns using only two textures and a simple shape box. The proposed techniques produce visually pleasing results in real-time while retaining optimal rendering performance and without increasing the mesh density of the shape box.","PeriodicalId":16019,"journal":{"name":"Journal of graphic engineering and design","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41690584","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-01DOI: 10.24867/jged-2022-1-013
Atiye Güner, İ. Gülaçti
In the 21st Century, the common features of the developing digital technol- ogy are compressed information, accelerated information management, big data, multiple interaction, personalization and uninterrupted access and convergence. These features are seen as factors that accelerate access to information, reduce some communication and cost expenses economically, speed up sales and marketing, provide visibility to institutions, and increase ideas and sharing. With the effects of digital technology Contemporary art museums and galleries have experienced digitalization processes in order to maintain their existence and achieve their goals. Digitalization is not limited to being a technical application, but it is a process that transforms contem- porary art institutions as a whole, especially in communication, institution- alism, branding, marketing, finance and sustainability. Therefore, digital technology requires to be available to institutions. Being a contemporary art institution requires being intellectually and technologically renewed in institutional, managerial and communicative terms. The mission and sustain- ability of art and art institutions should be ensured in harmony with technol- ogy. Therefore, new business models have been required in the digitalization processes in art institutions and the need for changing business models will increase as technology develops. Purpose of the study: To identify the new business models of contemporary art museums and galleries, and in parallel, the features they need in human resources, and to raise awareness on this issue. In this study, the hybrid structure of new business models needed in contemporary art institutions has been revealed as a whole. In the study, it has been revealed based on the examples and the viewpoints of authorized persons that, managerial digital strategies in contemporary art museums and galleries should contain the distinction specific to art. The main result that emerged from the interviews is the hybrid structures of the new business models needed by contemporary art museums and galleries in the digital age, blended with digital technology and the knowledge of art management.
{"title":"Business models transformed by digitalization in contemporary art museums and galleries","authors":"Atiye Güner, İ. Gülaçti","doi":"10.24867/jged-2022-1-013","DOIUrl":"https://doi.org/10.24867/jged-2022-1-013","url":null,"abstract":"In the 21st Century, the common features of the developing digital technol- ogy are compressed information, accelerated information management, big data, multiple interaction, personalization and uninterrupted access and convergence. These features are seen as factors that accelerate access to information, reduce some communication and cost expenses economically, speed up sales and marketing, provide visibility to institutions, and increase ideas and sharing. With the effects of digital technology Contemporary art museums and galleries have experienced digitalization processes in order to maintain their existence and achieve their goals. Digitalization is not limited to being a technical application, but it is a process that transforms contem- porary art institutions as a whole, especially in communication, institution- alism, branding, marketing, finance and sustainability. Therefore, digital technology requires to be available to institutions. Being a contemporary art institution requires being intellectually and technologically renewed in institutional, managerial and communicative terms. The mission and sustain- ability of art and art institutions should be ensured in harmony with technol- ogy. Therefore, new business models have been required in the digitalization processes in art institutions and the need for changing business models will increase as technology develops. Purpose of the study: To identify the new business models of contemporary art museums and galleries, and in parallel, the features they need in human resources, and to raise awareness on this issue. In this study, the hybrid structure of new business models needed in contemporary art institutions has been revealed as a whole. In the study, it has been revealed based on the examples and the viewpoints of authorized persons that, managerial digital strategies in contemporary art museums and galleries should contain the distinction specific to art. The main result that emerged from the interviews is the hybrid structures of the new business models needed by contemporary art museums and galleries in the digital age, blended with digital technology and the knowledge of art management.","PeriodicalId":16019,"journal":{"name":"Journal of graphic engineering and design","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44856033","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-01DOI: 10.24867/jged-2022-1-005
Gabriela Aleksić, T. Cigula, Suzana Pasanec Preprotić
The aim of this study was to stress the importance of investigating the prop- erties of preservation enclosure materials in order to identify the ones that are able to protect their contents more efficiently. Since not all information on materials is covered by international standards and technical specifica- tions, nine paper-based materials used for making preservation enclosures (file folders, passepartouts, boxes etc.) were investigated. A selective analysis of the materials' properties was carried out to determine smoothness, water absorptiveness, water wettability, water vapor permeability, tensile strength, folding endurance, bursting strength, puncture strength, as well as loss of bursting strength caused by dry heat and 100% RH. Results obtained from measuring smoothness, water absorptiveness, water wettability and water vapor transmission rate indicate that a material outside of ISO 16245:2009 grammage requirements for making file covers can exhibit more desirable properties than the one that meets multiple standards for storage and preservation. Additionally, results showed that bursting strength of enclosure materials was significantly affected by both extreme microclimate condi- tions. However, 100% RH had affected bursting strength of the investigated materials more than dry heat. The presented procedure proved to be a useful indicator of materials’ properties within the context of heritage collections preservation and storage.
{"title":"An analysis of targeted properties of materials used for preservation and storage of heritage collections","authors":"Gabriela Aleksić, T. Cigula, Suzana Pasanec Preprotić","doi":"10.24867/jged-2022-1-005","DOIUrl":"https://doi.org/10.24867/jged-2022-1-005","url":null,"abstract":"The aim of this study was to stress the importance of investigating the prop- erties of preservation enclosure materials in order to identify the ones that are able to protect their contents more efficiently. Since not all information on materials is covered by international standards and technical specifica- tions, nine paper-based materials used for making preservation enclosures (file folders, passepartouts, boxes etc.) were investigated. A selective analysis of the materials' properties was carried out to determine smoothness, water absorptiveness, water wettability, water vapor permeability, tensile strength, folding endurance, bursting strength, puncture strength, as well as loss of bursting strength caused by dry heat and 100% RH. Results obtained from measuring smoothness, water absorptiveness, water wettability and water vapor transmission rate indicate that a material outside of ISO 16245:2009 grammage requirements for making file covers can exhibit more desirable properties than the one that meets multiple standards for storage and preservation. Additionally, results showed that bursting strength of enclosure materials was significantly affected by both extreme microclimate condi- tions. However, 100% RH had affected bursting strength of the investigated materials more than dry heat. The presented procedure proved to be a useful indicator of materials’ properties within the context of heritage collections preservation and storage.","PeriodicalId":16019,"journal":{"name":"Journal of graphic engineering and design","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48223057","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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