Pub Date : 2021-12-21DOI: 10.26593/risa.v6i01.5425.40-57
Nadine Noor Adhitya Putri, Indri Astrina
Abstract - As a visual language, architectural expressions can be understood through arrangements of its elements with certain patterns or techniques. According to Rob Krier (1988), the assessment of geometric expressions cannot be separated from the composition of architectural forms, including proportion, rhythm, ornament, shape, material, color and texture. Along the way, Tulang Bawang Barat, which was later abbreviated as Tubaba, became a stopover for migrants from various regions. Regent Umar Ahmad pursued the construction of Tulang Bawang Barat by building a mosque and a convention hall to fill the empty fields in Tulang Bawang Barat. The architectural expression of Balai Adat Sesat Agung – with its modernity – considered as success in reproducing historical and cultural identity of Nusantaran architecture. In identifying the expressions of Nusantaran architecture, the analysis of Sesat Agung architecture is carried out in three areas: site, building, and structure. Through descriptive-analytical methods, this research begins by formulating the properties and compositions of Nusantaran architecture expressions forming through related theories, including Nusantaran architectural theory, concepts of properties and composition, and anatomy of architecture theory. Furthermore, the properties and composition of Sesat Agung are studied to identify the expressions of Nusantaran architecture which manifested in the architecture of the Balai Adat Sesat Agung. This study found that the architectural expression of the Sesat Agung has printed a new architectural identity in Tulang Bawang Regency. However, regardless of the form and the aesthetics it carries, one thing that is missing from Sesat Agung architecture is its spatial quality. Key Words: expression, Nusantaran architecture, Sesat Agung.
{"title":"THE EXPRESSION OF NUSANTARAN ARCHITECTURE IN SESAT AGUNG ARCHITECTURE","authors":"Nadine Noor Adhitya Putri, Indri Astrina","doi":"10.26593/risa.v6i01.5425.40-57","DOIUrl":"https://doi.org/10.26593/risa.v6i01.5425.40-57","url":null,"abstract":"Abstract - As a visual language, architectural expressions can be understood through arrangements of its elements with certain patterns or techniques. According to Rob Krier (1988), the assessment of geometric expressions cannot be separated from the composition of architectural forms, including proportion, rhythm, ornament, shape, material, color and texture. Along the way, Tulang Bawang Barat, which was later abbreviated as Tubaba, became a stopover for migrants from various regions. Regent Umar Ahmad pursued the construction of Tulang Bawang Barat by building a mosque and a convention hall to fill the empty fields in Tulang Bawang Barat. The architectural expression of Balai Adat Sesat Agung – with its modernity – considered as success in reproducing historical and cultural identity of Nusantaran architecture. \u0000In identifying the expressions of Nusantaran architecture, the analysis of Sesat Agung architecture is carried out in three areas: site, building, and structure. Through descriptive-analytical methods, this research begins by formulating the properties and compositions of Nusantaran architecture expressions forming through related theories, including Nusantaran architectural theory, concepts of properties and composition, and anatomy of architecture theory. Furthermore, the properties and composition of Sesat Agung are studied to identify the expressions of Nusantaran architecture which manifested in the architecture of the Balai Adat Sesat Agung. This study found that the architectural expression of the Sesat Agung has printed a new architectural identity in Tulang Bawang Regency. However, regardless of the form and the aesthetics it carries, one thing that is missing from Sesat Agung architecture is its spatial quality. \u0000 \u0000Key Words: expression, Nusantaran architecture, Sesat Agung. \u0000 ","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133747564","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract - Indonesia has a variety of urban tourism village scattered in various regions. The tourism village has various themes according to the character of the are and the residents of the village. Such as Batik Village, Ceramic Village, Rainbow Village, etc. The presence of the concept of an urban tourism village doesn not only occur in Indonesia, but also occurs in various other countries such as Gamcheon Culture Village in Korea, Chefchaouen in Marocco, Marsaxlokk Village in Malta, etc. With the presence of the concept of tourism village, it provides novelty for both humans (tourist and villagers) as the users of space accompanied by their activities. Based on these problems the authors are interested in conducting this research. This research will discuss about what is meant by a tourist village, how tourism activities occur in the two study objects and how architecture as a physical element plays a role in the activities in it. The purpose of this study is to describe how far a village called a tourist village is feasible as a tourist place by introducing the tourism criteria, what are the criteria for a village to be called a tourist village. This research is a descriptive qualitative research, using Kampung Lawas Maspati and Kampung Pelangi Kenjeran as objects of study to be compared based on the tourism criteria itself, to further examine how the physical (architectural) element settings play a role in accommodating tourism activities in the village itself. So that how far the two objects of study meet the existing tourist criteria so that they are feasible as tourist attractions. With this research, it is hoped that it can provide an understanding of what is meant by a tourist village and the importance of the role of architecture in realizing the tourism village it deserves. The results of the research show that the physical elements in Kampung Lawas Maspati meet the three criteria that a tourism village needs to have and there are tourism activities organized by local village managers, while Kampung Pelangi Kenjeran has not fulfilled existing tourism criteria, the availability of physical elements in Kampung Pelangi Kenjeran is very minimal. This proves that the term "tourism" in Pelangi Kenjeran village is still not appropriate as it should be. Key Words: setting, physical elements, activity, urban tourim village
{"title":"THE ROLE OF PHYSICAL ELEMENT SETTINGS ON THE ACTIVITIES OF THE URBAN TOURISM VILLAGE STUDY OBJECT: KAMPUNG LAWAS MASPATI AND KAMPUNG PELANGI KENJERAN","authors":"Dionisius Arief Anjasmoro, Yohanes Basuki Dwisusanto","doi":"10.26593/risa.v6i01.5424.20-39","DOIUrl":"https://doi.org/10.26593/risa.v6i01.5424.20-39","url":null,"abstract":"Abstract - Indonesia has a variety of urban tourism village scattered in various regions. The tourism village has various themes according to the character of the are and the residents of the village. Such as Batik Village, Ceramic Village, Rainbow Village, etc. The presence of the concept of an urban tourism village doesn not only occur in Indonesia, but also occurs in various other countries such as Gamcheon Culture Village in Korea, Chefchaouen in Marocco, Marsaxlokk Village in Malta, etc. With the presence of the concept of tourism village, it provides novelty for both humans (tourist and villagers) as the users of space accompanied by their activities. \u0000Based on these problems the authors are interested in conducting this research. This research will discuss about what is meant by a tourist village, how tourism activities occur in the two study objects and how architecture as a physical element plays a role in the activities in it. The purpose of this study is to describe how far a village called a tourist village is feasible as a tourist place by introducing the tourism criteria, what are the criteria for a village to be called a tourist village. This research is a descriptive qualitative research, using Kampung Lawas Maspati and Kampung Pelangi Kenjeran as objects of study to be compared based on the tourism criteria itself, to further examine how the physical (architectural) element settings play a role in accommodating tourism activities in the village itself. So that how far the two objects of study meet the existing tourist criteria so that they are feasible as tourist attractions. With this research, it is hoped that it can provide an understanding of what is meant by a tourist village and the importance of the role of architecture in realizing the tourism village it deserves. \u0000The results of the research show that the physical elements in Kampung Lawas Maspati meet the three criteria that a tourism village needs to have and there are tourism activities organized by local village managers, while Kampung Pelangi Kenjeran has not fulfilled existing tourism criteria, the availability of physical elements in Kampung Pelangi Kenjeran is very minimal. This proves that the term \"tourism\" in Pelangi Kenjeran village is still not appropriate as it should be. \u0000 \u0000Key Words: setting, physical elements, activity, urban tourim village","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134519986","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-21DOI: 10.26593/risa.v6i01.5423.1-19
Tanja Bonita, Aldyfra L. Lukman
Abstract - Visual impairment is a term given to someone who does not have healthy vision. To fulfill their daily life needs, people with visual impairment tend to depend on the facilities in public open spaces. Accessibility that should support people with visual impairment in using public transportation facilities is often poorly maintained. This kind of condition could lead to fatal consequences to the safety of persons with disabilities. Options linked to accessing public open spaces for people with visual impairment become limited due to the lack of facilities. The refurbishment has been done at Tanah Abang Station by providing a transit plaza for users that is connected to various public transportation facilities, which enables easy and comfortable navigation. This has become an opportunity, to build better public facilities that are accessible to all users, including for people with visual impairment. Through this effort, the transit plaza should be able to serve as a public space that is beneficial for people with visual impairment, so there are more possibilities to ensure their quality of life. The purpose of this study is to determine the extent to which the transit plaza can provide accessibility for people with visual impairment. The method used is qualitative and data collection was carried out through literature studies, field surveys as well as interviews and simulations with people with visual impairment. The results conclude that the accessibility value referring to technical requirements indicates that the transit plaza sufficiently complies with accessibility standards regarding public open spaces. This value is compared to the experience of people with visual impairment . This study found that there are some differences from the aspect of convenience according to the people with visual impairment's point of view. The mobility in the transit plaza is considered easy and safe by people with visual impairment. When they had to determine direction or orientation, people with visual impairment who were not familiar with transit plaza still had difficulties to navigate independently. When facing these situations, blind people adapted by relying on abilities other than their sight as an alternative. Transit plaza could provide universal convenience for users by accommodate accessibility that can not only encourage the independence of the people with visual impairment, but also support comfort and safety of individuals without visual impairment. Keywords: Visual impairment, accessibility, transit plaza
{"title":"ACCESSIBILITY EVALUATION OF THE TRANSIT PLAZA OF TANAH ABANG STATION ACCORDING TO USERS WITH VISUAL IMPAIRMENT","authors":"Tanja Bonita, Aldyfra L. Lukman","doi":"10.26593/risa.v6i01.5423.1-19","DOIUrl":"https://doi.org/10.26593/risa.v6i01.5423.1-19","url":null,"abstract":"Abstract - Visual impairment is a term given to someone who does not have healthy vision. To fulfill their daily life needs, people with visual impairment tend to depend on the facilities in public open spaces. Accessibility that should support people with visual impairment in using public transportation facilities is often poorly maintained. This kind of condition could lead to fatal consequences to the safety of persons with disabilities. Options linked to accessing public open spaces for people with visual impairment become limited due to the lack of facilities. The refurbishment has been done at Tanah Abang Station by providing a transit plaza for users that is connected to various public transportation facilities, which enables easy and comfortable navigation. This has become an opportunity, to build better public facilities that are accessible to all users, including for people with visual impairment. Through this effort, the transit plaza should be able to serve as a public space that is beneficial for people with visual impairment, so there are more possibilities to ensure their quality of life. The purpose of this study is to determine the extent to which the transit plaza can provide accessibility for people with visual impairment. The method used is qualitative and data collection was carried out through literature studies, field surveys as well as interviews and simulations with people with visual impairment. The results conclude that the accessibility value referring to technical requirements indicates that the transit plaza sufficiently complies with accessibility standards regarding public open spaces. This value is compared to the experience of people with visual impairment . This study found that there are some differences from the aspect of convenience according to the people with visual impairment's point of view. The mobility in the transit plaza is considered easy and safe by people with visual impairment. When they had to determine direction or orientation, people with visual impairment who were not familiar with transit plaza still had difficulties to navigate independently. When facing these situations, blind people adapted by relying on abilities other than their sight as an alternative. Transit plaza could provide universal convenience for users by accommodate accessibility that can not only encourage the independence of the people with visual impairment, but also support comfort and safety of individuals without visual impairment. \u0000 \u0000Keywords: Visual impairment, accessibility, transit plaza","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125257442","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-21DOI: 10.26593/risa.v6i01.5429.92-110
Nadira Anandisya, Caecilia S. Wijayaputri
Abstract - Cinema and Architecture are two art media that dependent on some human senses to give experience and define space compared of other art medium. These two media have been trying to show and convince film viewers or architecture users as a work of art. Both have quality value that will be higher if they can be as close to reality. However, architecture tend to use visual but lack of emotions. As a result, buildings left us as only a viewers without invite us to engaged. Therefore, from cinema to architecture, the thinking of thematic conditions of architecture can be brought together with conceptual, contextual, architectonic, and technical. Ave Maryam (2020) is a film that takes place in Semarang, and Kompleks Susteran St. Fransiskus is the main setting that interesting to studied. From each scene it can clearly describe space with a visual composition to convey a strong spatial experience. Departing from an approach to cinema that is parallel to architecture so that the audience can experience spaces outside the formal architectural experience. The purpose of this study is to identify cinematic themes that can be discussed and reconstruct the cinematic space as a search for understanding the potential and meaning of cinematic in Kompleks Kesusteran St. Fransiskus based on the film Ave Maryam (2020). By using a qualitative descriptive method, from data that achieved by literature studies and film observations. It can be concluded that the existing approaches to architecture and cinema from Ave Maryam (2020) can be interpreted to build a concept that achieves the beauty and experience experienced in architecture such as watching the film. Key Words: cinematic, architecture and film, cinematic approach, Ave Maryam, Komplek Kesusteran St. Fransiskus, Semarang.
摘要:与其他艺术媒介相比，电影和建筑是依靠人的某种感官来给予体验和定义空间的两种艺术媒介。这两种媒体一直试图将电影观众或建筑用户作为艺术品来展示和说服。两者都具有质量价值，如果它们能够接近现实，质量价值将会更高。然而，建筑往往使用视觉而缺乏情感。因此，建筑让我们只是一个观众，没有邀请我们参与其中。因此，从电影到建筑，对建筑主题条件的思考可以与概念、语境、建筑和技术结合在一起。《圣母颂》(Ave Maryam, 2020)是一部发生在三宝垄的电影，而Kompleks Susteran St. franciskus是值得研究的主要背景。从每个场景中都能清晰地描绘出空间，用视觉构图传达出强烈的空间体验。从电影院的角度出发，与建筑平行，让观众可以体验到正式建筑体验之外的空间。本研究的目的是确定可以讨论的电影主题，并重建电影空间，以寻求理解基于电影《圣母颂》(2020)的《Kompleks Kesusteran St. franciskus》中电影的潜力和意义。采用定性描述的方法，从文献研究和电影观察获得的数据。可以得出的结论是，Ave Maryam(2020)现有的建筑和电影方法可以被解释为建立一个概念，实现在建筑中体验的美和体验，如观看电影。关键词:电影，建筑与电影，电影方法，圣母颂，圣弗朗西斯卡，三宝郎
{"title":"CINEMATIC SPACE STUDIES OF KOMPLEK SUSTER-SUSTER ST. FRANSISKUS IN SEMARANG","authors":"Nadira Anandisya, Caecilia S. Wijayaputri","doi":"10.26593/risa.v6i01.5429.92-110","DOIUrl":"https://doi.org/10.26593/risa.v6i01.5429.92-110","url":null,"abstract":"Abstract - Cinema and Architecture are two art media that dependent on some human senses to give experience and define space compared of other art medium. These two media have been trying to show and convince film viewers or architecture users as a work of art. Both have quality value that will be higher if they can be as close to reality. \u0000However, architecture tend to use visual but lack of emotions. As a result, buildings left us as only a viewers without invite us to engaged. Therefore, from cinema to architecture, the thinking of thematic conditions of architecture can be brought together with conceptual, contextual, architectonic, and technical. \u0000 Ave Maryam (2020) is a film that takes place in Semarang, and Kompleks Susteran St. Fransiskus is the main setting that interesting to studied. From each scene it can clearly describe space with a visual composition to convey a strong spatial experience. Departing from an approach to cinema that is parallel to architecture so that the audience can experience spaces outside the formal architectural experience. \u0000The purpose of this study is to identify cinematic themes that can be discussed and reconstruct the cinematic space as a search for understanding the potential and meaning of cinematic in Kompleks Kesusteran St. Fransiskus based on the film Ave Maryam (2020). By using a qualitative descriptive method, from data that achieved by literature studies and film observations. It can be concluded that the existing approaches to architecture and cinema from Ave Maryam (2020) can be interpreted to build a concept that achieves the beauty and experience experienced in architecture such as watching the film. \u0000 \u0000Key Words: cinematic, architecture and film, cinematic approach, Ave Maryam, Komplek Kesusteran St. Fransiskus, Semarang.","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"59 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131599053","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-21DOI: 10.26593/risa.v6i01.5426.58-73
Gallus Presiden Dewagana, Kamal A. Arif
Abstract - The issue of global warming strongly encourages architects to use sustainable materials to preserve nature. Bamboo material is an ecological and sustainable material. Bamboo is also predicted as a future material. The strengths and advantages of bamboo are very likely to be used as a building construction material. Unfortunately, it is not uncommon for bamboo material to be used inappropriately so that it does not optimize the ecological and sustainable properties of bamboo. The object of study chosen was the Bumi Pemuda Rahayu bamboo hall. This object is close to the concept of sustainability as seen from the function of the building, which is a co-creating space that prioritizes sustainability-related activities. This research uses qualitative-quantitative methods that will compare the theory regarding the concept of sustainability of materials related to the building material life cycle with the data obtained. The concept will be divided into three aspects, namely design aspects, construction aspects, and maintenance and renovation aspects. These three aspects can be examined by knowing the object data related to these aspects. The results of the study will answer whether the use of bamboo material in the object of study is in accordance with the concept of sustainability of the bamboo material. The analysis of the design stage pays attention to material selection, material preservation, how to optimize the age of bamboo and the selection of a structural system. The construction stage is analyzed by considering the type of connection used. The maintenance and renovation phases are analyzed by paying attention to how to renovate the bamboo structure and post-construction maintenance of the building. This building is appropriate in choosing the type of material, applying preservation of bamboo materials, and successfully preventing bamboo from environmental influences in order to reach its optimal age. In terms of structural system selection, this building is also appropriate by applying the arc rod structural system. Bolted joints are appropriate for complex structural systems, it's just that there must be special treatment at the base of the arc structure that receives the greatest load due to cracks. Renovation and maintenance aspects must be considered again because this building will have difficulty if you have to do renovations, especially on the arc structure. Maintenance that is rarely performed can also reduce the life of the building. Key Words: bamboo, sustainable materials, Bumi Pemuda Rahayu
{"title":"THE SUSTAINABILITY OF BAMBOO MATERIALS IN THE BUMI PEMUDA RAHAYU BAMBOO HALL BUILDING","authors":"Gallus Presiden Dewagana, Kamal A. Arif","doi":"10.26593/risa.v6i01.5426.58-73","DOIUrl":"https://doi.org/10.26593/risa.v6i01.5426.58-73","url":null,"abstract":"Abstract - The issue of global warming strongly encourages architects to use sustainable materials to preserve nature. Bamboo material is an ecological and sustainable material. Bamboo is also predicted as a future material. The strengths and advantages of bamboo are very likely to be used as a building construction material. Unfortunately, it is not uncommon for bamboo material to be used inappropriately so that it does not optimize the ecological and sustainable properties of bamboo. The object of study chosen was the Bumi Pemuda Rahayu bamboo hall. This object is close to the concept of sustainability as seen from the function of the building, which is a co-creating space that prioritizes sustainability-related activities. \u0000This research uses qualitative-quantitative methods that will compare the theory regarding the concept of sustainability of materials related to the building material life cycle with the data obtained. The concept will be divided into three aspects, namely design aspects, construction aspects, and maintenance and renovation aspects. These three aspects can be examined by knowing the object data related to these aspects. The results of the study will answer whether the use of bamboo material in the object of study is in accordance with the concept of sustainability of the bamboo material. \u0000The analysis of the design stage pays attention to material selection, material preservation, how to optimize the age of bamboo and the selection of a structural system. The construction stage is analyzed by considering the type of connection used. The maintenance and renovation phases are analyzed by paying attention to how to renovate the bamboo structure and post-construction maintenance of the building. \u0000This building is appropriate in choosing the type of material, applying preservation of bamboo materials, and successfully preventing bamboo from environmental influences in order to reach its optimal age. In terms of structural system selection, this building is also appropriate by applying the arc rod structural system. Bolted joints are appropriate for complex structural systems, it's just that there must be special treatment at the base of the arc structure that receives the greatest load due to cracks. Renovation and maintenance aspects must be considered again because this building will have difficulty if you have to do renovations, especially on the arc structure. Maintenance that is rarely performed can also reduce the life of the building. \u0000 \u0000Key Words: bamboo, sustainable materials, Bumi Pemuda Rahayu","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130033987","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-27DOI: 10.26593/risa.v5i04.5297.320-333
Putri Nadhira Saraswati, Aldyfra L. Lukman
Abstract- Museum as an architectural object with its function as an educational and recreational facility is open to public and must be able to be used by all people. Therefore, the design of museums must be accessible for all people, including those with special needs. One of the museums in Indonesia which is considered to be a good work of architecture is the Museum of Bank Indonesia. It receives many visitors from various circles, including people with visual impairments. To accommodate visitors with visual impairments, the Museum of Bank Indonesia must have design features that help them to do activities, despite their limited sense of sight. Through this study, the research aims to find out how physical elements in the Museum of Bank Indonesia accommodates the orientation and mobility of visitors with visual impairments. This is a qualitative research, with a descriptive discussion. The collected data are the data on physical elements in the Museum of Bank Indonesia and the data on the behavior of visually impaired visitors while doing orientation and mobility in the Museum of Bank Indonesia exhibition area. The data are collected through observation and interview, then analyzed by using a table which elaborates physical elements from technical requirements aspect and sensory design aspect, and how they accommodate visually impaired visitors. Research shows that some physical elements in the Museum of Bank Indonesia are already adequate in accommodating visually impaired visitors. They able to provide assistance for visually impaired visitors while doing orientation and mobility, as well as gathering information on the museum objects. On the other hand, there are also some physical elements that hinder visually impaired visitors because they don’t technically meet the user’s needs. Therefore, improvement in the physical elements design is needed, so it can accommodate visitors with visual impairments better. Key Words: museum, visual impairment, Bank Indonesia, universal design, sensory design
{"title":"SENSORY DESIGN STUDY OF MUSEUM BANK INDONESIA IN ACCOMMODATING VISUALLY IMPAIRED VISITORS","authors":"Putri Nadhira Saraswati, Aldyfra L. Lukman","doi":"10.26593/risa.v5i04.5297.320-333","DOIUrl":"https://doi.org/10.26593/risa.v5i04.5297.320-333","url":null,"abstract":"Abstract- Museum as an architectural object with its function as an educational and recreational facility is open to public and must be able to be used by all people. Therefore, the design of museums must be accessible for all people, including those with special needs. One of the museums in Indonesia which is considered to be a good work of architecture is the Museum of Bank Indonesia. It receives many visitors from various circles, including people with visual impairments. To accommodate visitors with visual impairments, the Museum of Bank Indonesia must have design features that help them to do activities, despite their limited sense of sight. Through this study, the research aims to find out how physical elements in the Museum of Bank Indonesia accommodates the orientation and mobility of visitors with visual impairments. \u0000This is a qualitative research, with a descriptive discussion. The collected data are the data on physical elements in the Museum of Bank Indonesia and the data on the behavior of visually impaired visitors while doing orientation and mobility in the Museum of Bank Indonesia exhibition area. The data are collected through observation and interview, then analyzed by using a table which elaborates physical elements from technical requirements aspect and sensory design aspect, and how they accommodate visually impaired visitors. \u0000Research shows that some physical elements in the Museum of Bank Indonesia are already adequate in accommodating visually impaired visitors. They able to provide assistance for visually impaired visitors while doing orientation and mobility, as well as gathering information on the museum objects. On the other hand, there are also some physical elements that hinder visually impaired visitors because they don’t technically meet the user’s needs. Therefore, improvement in the physical elements design is needed, so it can accommodate visitors with visual impairments better. \u0000 \u0000Key Words: museum, visual impairment, Bank Indonesia, universal design, sensory design","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115311491","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-27DOI: 10.26593/risa.v5i04.5301.384-401
Ruth Meiliani Surya, Harastoeti Dibyo Hartono
Abstract- Vastusastra is a text which discusses Indian architecture which is published in several books, included Manasara. Vastusastra contains guidline for building Indian construction, including religious building such as temples. Although the narrative was made for the construction of temples in India, it turns out that there are some elements in vastu that also found in Mataram Kuno temples. This raises questions about the relationship of Indian architecture with Majapahit, which was the era after Ancient Mataram, given the Hindu-Buddhist influence still existed in the Majapahit era. To find out this, vastusastra-Manasara was used as a benchmark to find out the elements of the Majapahit temple which was influenced by India, especially South India which was thought to have a more dominant influence than North India on temple architecture in Indonesia. This study uses a descriptive method with a qualitative approach by describing the figure and mass-space layout of Majapahit temples that have been selected as the object of research and compared with vastusastra-Manasara's narrative using reference objects to facilitate analysis in order to find out the relations of the Majapahit era temples with vastusastra-Manasara narrative. Based on the results of the study, it was found that the temples of the Majapahit era still have relations with vastusastra-Manasara narrative when viewed in terms of figure and mass-space layout. But the relationship between the two can be said to be increasingly decreased. The re-domination of the original culture of Indonesian society in the Majapahit era and the influence of other cultures such as China is thought to be the cause of the waning influence of India on the architecture of the Majapahit temple. This led to the fusion of culture in the Majapahit temple and resulted in variations of new temples that had never existed before. Key Words: candi, majapahit, temple, vastusatra, manasara, relation
{"title":"THE RELATION OF MAJAPAHIT TEMPLES WITH VASUSASTRA-MANASARA","authors":"Ruth Meiliani Surya, Harastoeti Dibyo Hartono","doi":"10.26593/risa.v5i04.5301.384-401","DOIUrl":"https://doi.org/10.26593/risa.v5i04.5301.384-401","url":null,"abstract":"Abstract- Vastusastra is a text which discusses Indian architecture which is published in several books, included Manasara. Vastusastra contains guidline for building Indian construction, including religious building such as temples. Although the narrative was made for the construction of temples in India, it turns out that there are some elements in vastu that also found in Mataram Kuno temples. This raises questions about the relationship of Indian architecture with Majapahit, which was the era after Ancient Mataram, given the Hindu-Buddhist influence still existed in the Majapahit era. To find out this, vastusastra-Manasara was used as a benchmark to find out the elements of the Majapahit temple which was influenced by India, especially South India which was thought to have a more dominant influence than North India on temple architecture in Indonesia. \u0000 This study uses a descriptive method with a qualitative approach by describing the figure and mass-space layout of Majapahit temples that have been selected as the object of research and compared with vastusastra-Manasara's narrative using reference objects to facilitate analysis in order to find out the relations of the Majapahit era temples with vastusastra-Manasara narrative. \u0000 Based on the results of the study, it was found that the temples of the Majapahit era still have relations with vastusastra-Manasara narrative when viewed in terms of figure and mass-space layout. But the relationship between the two can be said to be increasingly decreased. The re-domination of the original culture of Indonesian society in the Majapahit era and the influence of other cultures such as China is thought to be the cause of the waning influence of India on the architecture of the Majapahit temple. This led to the fusion of culture in the Majapahit temple and resulted in variations of new temples that had never existed before. \u0000 \u0000Key Words: candi, majapahit, temple, vastusatra, manasara, relation","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115525667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-27DOI: 10.26593/risa.v5i04.5298.334-347
Samuel H. B. Danuleksono, Rahadhian Prajudi Herwindo
Abstract- Hinduism is a religion that was born in India and has developed rapidly into the archipelago with evidence of Sanskrit inscriptions and Pallava. The religion had a significant influence on Java which changed the political, economic, social and cultural life which at that time was still a kingdom. The arrival of Indians to Indonesia affected by the reverse flow between Indonesia and India and India and Indonesia. This can be seen by the presence of Indonesian dormitories in Nalanda (North India) and Nagapattinam (South India). The influence of North and South India can be seen from the existence of Hindu-Buddhist temples in the Archipelago which was built in one of the Hindu kingdoms, namely the Kingdom of Ancient Mataram which had areas of authority from Central Java to East Java. The temples that were built are thought to have an identity with temples in North and South India in terms of figure, inner space tectonics, mass layout, spatial planning, and ornamentation. This identity is thought to be a close relationship between North India and South India with Indonesia, especially in the era of Ancient Mataram. The purpose of this study is to find out the relationship or relationship of Ancient Mataram era temple architecture to North and South Indian temple architecture. The analysis method used is the comparative – qualitative method. Work plans, plans, pieces, site plans, and block plans of 28 Hindu-Buddha tower types in Central Java will be compared in terms of similarities and differences and then analyzed regarding the position of the laying, and elements of the temple so that the relationship between the two countries is found. Data obtained from literature studies and field surveys. The conclusion drawn from this study is that there is a closer relationship with South India than North India. The influence of North India and South India is only limited to the external appearance in the study of figure and ornamentation, while in the study of mass and spatial planning and inner space tectonics is more developed by the people of Ancient Mataram which is adjusted to traditional values and natural influences. Key Words: figure, tectonics, mass layout, spatial planning, ornamentation, North and South India, Ancient Mataram
{"title":"RELATION OF ANCIENT MATARAM TEMPLE BASED ON NORTH INDIA AND SOUTH INDIA’S CHARACTERISTICS: FROM THE FIGURE-TECTONICS, MASS-SPACE STUDY, AND ORNAMENTATION","authors":"Samuel H. B. Danuleksono, Rahadhian Prajudi Herwindo","doi":"10.26593/risa.v5i04.5298.334-347","DOIUrl":"https://doi.org/10.26593/risa.v5i04.5298.334-347","url":null,"abstract":"Abstract- Hinduism is a religion that was born in India and has developed rapidly into the archipelago with evidence of Sanskrit inscriptions and Pallava. The religion had a significant influence on Java which changed the political, economic, social and cultural life which at that time was still a kingdom. The arrival of Indians to Indonesia affected by the reverse flow between Indonesia and India and India and Indonesia. This can be seen by the presence of Indonesian dormitories in Nalanda (North India) and Nagapattinam (South India). The influence of North and South India can be seen from the existence of Hindu-Buddhist temples in the Archipelago which was built in one of the Hindu kingdoms, namely the Kingdom of Ancient Mataram which had areas of authority from Central Java to East Java. The temples that were built are thought to have an identity with temples in North and South India in terms of figure, inner space tectonics, mass layout, spatial planning, and ornamentation. This identity is thought to be a close relationship between North India and South India with Indonesia, especially in the era of Ancient Mataram. \u0000The purpose of this study is to find out the relationship or relationship of Ancient Mataram era temple architecture to North and South Indian temple architecture. The analysis method used is the comparative – qualitative method. Work plans, plans, pieces, site plans, and block plans of 28 Hindu-Buddha tower types in Central Java will be compared in terms of similarities and differences and then analyzed regarding the position of the laying, and elements of the temple so that the relationship between the two countries is found. Data obtained from literature studies and field surveys. The conclusion drawn from this study is that there is a closer relationship with South India than North India. The influence of North India and South India is only limited to the external appearance in the study of figure and ornamentation, while in the study of mass and spatial planning and inner space tectonics is more developed by the people of Ancient Mataram which is adjusted to traditional values and natural influences. \u0000 \u0000 \u0000Key Words: figure, tectonics, mass layout, spatial planning, ornamentation, North and South India, Ancient Mataram","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131191208","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-27DOI: 10.26593/risa.v5i04.5300.367-383
Vanessa Adinda Rahmadya, Harastoeti Dibyo Hartono
Abstract- Dian Cinema is an entertainment building in the form of a cinema that was built in 1930 under the name Radio City at that time. Located on Jalan Dalem Kaum no. 58, Bandung, Dian Cinema is the only cinema building left in the Alun - alun area and it is categorized as Group A Cultural Heritage Building in Bandung. In the beginning, Dian Cinema had experienced its heyday by showing a variety of foreign and local films, until it was eventually replaced with a new, more modern cinema concept that made Dian Cinema visitors diminished and eventually closed. The transition of functions in this building continues as a billiard sports venue, a place to sell clothes, rental offices, football sports venues, until now, Dian cinema is run into a vacuum of function. This makes the condition of the building become untreated and unmaintained well. In fact, the use of buildings in the right way can save these buildings and have a positive impact on the surrounding environment. Therefore, the proposed of a new function commonly referred to as adaptive reuse is carried out as one of the conservation act of cultural heritage buildings to maintain its history and existence. The study uses descriptive methods with qualitative analysis and evaluation, by describing the existing condition of the building. After that, it was conducted on the needs of the area in accordance with Bandung City regulations, conservation theory, analysis of the area and buildings, as well as examples of the successful application of adaptive reuse in Indonesia. The results of this study resulted in a new function, the Art Studio and the Performing Gallery which was considered applicable to the Dian Cinema building. The function is chosen based on a series of analysis results such as location, historical value, building characteristics, spatial requirements, to the potential and constraints of the building and area. The existence of new functions in the building is expected to be able to evoke social activities and old historical memories that are starting to fade, increase public knowledge, become an entertainment building and educational tourist destinations, and can participate in maintaining, protecting, and utilizing the existence of Group A Cultural Heritage Buildings in Bandung. Key Words: Adaptive Reuse, Cultural Heritage Building, Bioskop Dian
【摘要】滇影城是一座电影院形式的娱乐建筑，建于1930年，当时以“无线电城”为名。位于Jalan Dalem Kaum no.。万隆58号，滇电影院是万隆地区仅存的电影院建筑，被列为万隆A类文化遗产建筑。一开始，Dian Cinema通过放映各种外国和本地电影经历了它的鼎盛时期，直到它最终被一种新的，更现代的电影院概念所取代，使得Dian Cinema的游客减少，最终关闭。这座建筑的功能转换继续作为台球运动场地，服装销售场所，租赁办公室，足球运动场地，直到现在，Dian电影院陷入了功能真空。这使得建筑的状况变得未经处理和维护不善。事实上，正确的使用建筑物可以拯救这些建筑物，并对周围环境产生积极的影响。因此，提出一种通常被称为适应性再利用的新功能，作为文化遗产建筑的保护行为之一，以保持其历史和存在。本研究通过描述建筑的现有状况，采用描述性的方法进行定性分析和评估。之后，根据万隆市法规、保护理论、对该地区和建筑物的分析以及印度尼西亚适应性再利用的成功应用实例，对该地区的需求进行了分析。这项研究的结果产生了一个新的功能，艺术工作室和表演画廊，被认为适用于Dian电影院建筑。该功能的选择是基于一系列的分析结果，如位置、历史价值、建筑特征、空间要求、建筑和区域的潜力和限制。建筑中新功能的存在有望唤起社会活动和开始褪色的旧历史记忆，增加公众知识，成为娱乐建筑和教育旅游目的地，并能参与维护，保护和利用万隆A组文化遗产建筑的存在。关键词:适应性再利用，文化遗产建筑，Bioskop Dian
{"title":"ADAPTIVE REUSE ON BIOSKOP DIAN AS A CULTURAL HERITAGE BUILDING GROUP A IN BANDUNG CITY","authors":"Vanessa Adinda Rahmadya, Harastoeti Dibyo Hartono","doi":"10.26593/risa.v5i04.5300.367-383","DOIUrl":"https://doi.org/10.26593/risa.v5i04.5300.367-383","url":null,"abstract":"Abstract- Dian Cinema is an entertainment building in the form of a cinema that was built in 1930 under the name Radio City at that time. Located on Jalan Dalem Kaum no. 58, Bandung, Dian Cinema is the only cinema building left in the Alun - alun area and it is categorized as Group A Cultural Heritage Building in Bandung. In the beginning, Dian Cinema had experienced its heyday by showing a variety of foreign and local films, until it was eventually replaced with a new, more modern cinema concept that made Dian Cinema visitors diminished and eventually closed. \u0000 The transition of functions in this building continues as a billiard sports venue, a place to sell clothes, rental offices, football sports venues, until now, Dian cinema is run into a vacuum of function. This makes the condition of the building become untreated and unmaintained well. In fact, the use of buildings in the right way can save these buildings and have a positive impact on the surrounding environment. Therefore, the proposed of a new function commonly referred to as adaptive reuse is carried out as one of the conservation act of cultural heritage buildings to maintain its history and existence. \u0000 The study uses descriptive methods with qualitative analysis and evaluation, by describing the existing condition of the building. After that, it was conducted on the needs of the area in accordance with Bandung City regulations, conservation theory, analysis of the area and buildings, as well as examples of the successful application of adaptive reuse in Indonesia. \u0000 The results of this study resulted in a new function, the Art Studio and the Performing Gallery which was considered applicable to the Dian Cinema building. The function is chosen based on a series of analysis results such as location, historical value, building characteristics, spatial requirements, to the potential and constraints of the building and area. The existence of new functions in the building is expected to be able to evoke social activities and old historical memories that are starting to fade, increase public knowledge, become an entertainment building and educational tourist destinations, and can participate in maintaining, protecting, and utilizing the existence of Group A Cultural Heritage Buildings in Bandung. \u0000 \u0000Key Words: Adaptive Reuse, Cultural Heritage Building, Bioskop Dian \u0000 ","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126479379","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-27DOI: 10.26593/risa.v5i04.5299.348-366
Sonia Zipora, B. Fauzy
Abstract- The times have created an identity crisis that has led to the fading of cultural diversity. This has caused many buildings in Indonesia today that have acted on behalf of or made the building have a local identity to reflect culture. The local identity used should not only be in the physical part of the building, but also have concepts and meanings applied. One of the local identity can be reflected through the expression of the building. A good building expression is a building that can pay attention to the local identity of the local culture in the building. This study aims to determine the local identity contained in the object of study, related to the expressions observed by observers. The object of study needs to be examined and studied further about the concept of Tri Angga used, and the representation of Bali that is reflected through the building, so that it can be known whether the object of study displays local Balinese identity or not. This evaluation discusses the conclusions of local identity in the case study building expressions and what should be done so that the local identity of Bali is more felt in the object of research. The theory used to support this research is the evaluation of architecture, local identity, architectural expression, identity and expression of Balinese architecture. The expression theory uses the Building Quality Theory by Kevin Lynch in 1960. The aspects of expression theory are chosen according to the explanations relevant to the object of study, form simplicity, visual scope, directional differentiation, and dominance. The method used in this study uses qualitative methods with descriptive, analytic, and interpretative approaches. The results of the study were to evaluate the local identity contained in the Katamama Hotel building expressions, which were assessed based on the theory of building quality. Local identity in the research object is in the aspect of dominance / dominance. The identity used is only found in the Bali brick material used in the scope of the building. Katamama Hotel does not use Balinese concepts, which rights are a characteristic or identity of Balinese architecture. The quality of buildings such as visual scope in the shape of the building is the main expression to be displayed. The brick material with gaps obtained from the brick structure makes a visual impression that can be felt by visitors, and is in accordance with the concept designed by the architect of the building by paying attention to lighting and shadows. While the quality of directional differentiation and form simplicity in buildings, both the shape of the building and the arrangement of the space become an aspect that is less attention to the Katamama Hotel. The benefit of this research is to provide an in-depth understanding of local identity and the importance of maintaining local wisdom, educating the public about the expression and its relation to local architectural identity with examples of re
{"title":"EVALUATION OF LOCAL IDENTITY IN KATAMAMA HOTEL BUILDING EXPRESSION IN SEMINYAK, BALI","authors":"Sonia Zipora, B. Fauzy","doi":"10.26593/risa.v5i04.5299.348-366","DOIUrl":"https://doi.org/10.26593/risa.v5i04.5299.348-366","url":null,"abstract":"Abstract- The times have created an identity crisis that has led to the fading of cultural diversity. This has caused many buildings in Indonesia today that have acted on behalf of or made the building have a local identity to reflect culture. The local identity used should not only be in the physical part of the building, but also have concepts and meanings applied. One of the local identity can be reflected through the expression of the building. A good building expression is a building that can pay attention to the local identity of the local culture in the building. \u0000This study aims to determine the local identity contained in the object of study, related to the expressions observed by observers. The object of study needs to be examined and studied further about the concept of Tri Angga used, and the representation of Bali that is reflected through the building, so that it can be known whether the object of study displays local Balinese identity or not. This evaluation discusses the conclusions of local identity in the case study building expressions and what should be done so that the local identity of Bali is more felt in the object of research. \u0000The theory used to support this research is the evaluation of architecture, local identity, architectural expression, identity and expression of Balinese architecture. The expression theory uses the Building Quality Theory by Kevin Lynch in 1960. The aspects of expression theory are chosen according to the explanations relevant to the object of study, form simplicity, visual scope, directional differentiation, and dominance. The method used in this study uses qualitative methods with descriptive, analytic, and interpretative approaches. \u0000The results of the study were to evaluate the local identity contained in the Katamama Hotel building expressions, which were assessed based on the theory of building quality. Local identity in the research object is in the aspect of dominance / dominance. The identity used is only found in the Bali brick material used in the scope of the building. Katamama Hotel does not use Balinese concepts, which rights are a characteristic or identity of Balinese architecture. The quality of buildings such as visual scope in the shape of the building is the main expression to be displayed. The brick material with gaps obtained from the brick structure makes a visual impression that can be felt by visitors, and is in accordance with the concept designed by the architect of the building by paying attention to lighting and shadows. While the quality of directional differentiation and form simplicity in buildings, both the shape of the building and the arrangement of the space become an aspect that is less attention to the Katamama Hotel. \u0000The benefit of this research is to provide an in-depth understanding of local identity and the importance of maintaining local wisdom, educating the public about the expression and its relation to local architectural identity with examples of re","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122126657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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