Riset Arsitektur (RISA)最新文献

{"title":"DESIGN EVALUATION OF WINDOW DESIGN TO DAYLIGHT EFFICACY IN IBU DAN ANAK MELINDA HOSPITAL’S INPATIENT ROOM, BANDUNG","authors":"Syadza Syarifah, A. Mandala","doi":"10.26593/risa.v3i01.3178.71-86","DOIUrl":"https://doi.org/10.26593/risa.v3i01.3178.71-86","url":null,"abstract":"Abstract- Daylight performance in patient room is very important. Which in this research, daylight performance is measured by its distribution, daylight factor and glare precaution. Those elements are calculated according to lighting standard for the hospital building and how the performance adapt to patient's visual comfort. Therefore window design is needed to be considered as its affected to daylight performance inside the room. The object observation shows a result of the contradiction between each combination of window design and room plan. This research evaluates how window design affects the performance of natural lighting and analyze which window design suitable for each room plans, and also the alternative design that will be more suitable for some rooms’ plan and condition. This research is conducted by explanatory method, with quantitative and qualitative approach. Velux visualizer software is used to simulate how natural light is distributed to the inpatient room. Obtained data shows that natural lighting performance in RSIA Melinda inpatient room is still below the determined standard. And noticed that room orientation, window position and dimension, exterior exsiting conditions are factors that affected the daylight performance. The design recommendations are sun shading and glazing material.  Design recommendations are given to the majority room type and also in consideration of the design applicable possibility. Key Words: window design, daylight, inpatient room, spatial arrangement","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"103 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124732162","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"CINEMATIC ARCHITECTURE APPROACH IN I&L HOUSE","authors":"Rafii Putra Wedaswara ; Yenny Gunawan","doi":"10.26593/risa.v2i04.3051.423-451","DOIUrl":"https://doi.org/10.26593/risa.v2i04.3051.423-451","url":null,"abstract":"Abstract- AMI is an architecture movement, lead by 10 young Indonesian architects, is not satisfy with Indonesian architecture scene at that time, which they called “less interesting”, “monotone” and “lack of character”. AMI is considered to be against of mainstream architecture at that time, identified by having their own idealism, signature, and style. Andra Matin as one of the initiators of the movement, offering a characteristic architecture and not monotonous as the spirit of design direction. Quoting from David Hutama, a curator from architecture media rooang.com, by having a review on Andra Matin design: His works giving an impression of connectedness from one level to another level, making it have an own unique cinematic style caused by an emotional way of aesthetical response through sequence of an user. And many of his works depict minimalist stripes with geometry structure. The goal of this research is to identify a perception of space on one of Andra Matin works, I&L House.The methodological research used on this research is a descriptive-qualitative through cimematic architecture approach. Data types that used for an analysis is mental space element, material space, and lived space. The data is obtained from three instrument of gathering data, such as observation, interview, and questionnaire. Analitic technique is built from quantitative analysis and qualitative analysis, from comparing the user analysis report and perceotion data which carried by respondent.The summary of this research is to define a mental space and material space on the object. The most significant of mental space element and space material giving an influence on shaped space perception such as masculine, directing and exposed, in a lived space element of I&L house user such as material, shape, light, and sound. In the end, the writer use film as tool for visualizing the summary of this research. Key Words: cinematic architecture, Andra Matin, i&l house","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132405840","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ROLE OF PHYSICAL ENVIRONMENT TO ORIENTATION AND MOBILITY OF BLIND IN PSBN WYATA GUNA BANDUNG","authors":"Elva ; Hartanto Budiyuwono","doi":"10.26593/risa.v2i04.3050.405-422","DOIUrl":"https://doi.org/10.26593/risa.v2i04.3050.405-422","url":null,"abstract":"Abstract- Visually impaired is a general term to describe the condition of a person experiencing disability totheir sense of sight. Due to the disability, the process of orientation and mobility of the people with visuallyimpairment is inhibited. Therefore they try to increase their sensitivity of other senses like sense of touch, senseof smell, and sense of hearing to obtain information from the surrounding physical environment. PSBN WyataGuna is a residential for the visually impaired, as the physical environment it must have physical elements thatcan provide information which affect effectivelly to the orientation and mobility of the visually impaired. Thepurpose of this study is to find out what physical elements in the environment of PSBN Wyata Guna that affectthe orientation and mobility of the visually impaired and how effective the influence of these elements.This study use qualitative descriptive methods by mapping the behavior of fourteen respondents (personcentered mapping) who do orientation and mobility in the physical environment ofPSBN Wyata Guna. Physicalenvironments are classified based on elements that define the space, ie horizontal and vertical planes, which is,tactile pavements, materials differences, Ramps, steps, corridor columns, ceramic walls, shrubs, and handrailling. Observations held on Saturday and Sunday in the morning-afternoon when most of visually impaired dotheir activities outside the dorm.The result of this research shows that people with visual impairment in the environment ofPSBN WyataGuna use the physical environment to obtain information for their orientation and mobility. This orientation andmobility activity is mostly affected by tactile pavements, ceramic walls, and Ramps. Shrubs and hand railling haveless role to the orientation and mobility of the visually impaired. Thus, it can be concluded that the physicalenvironment ofPSBN Wyata Guna is influential in the orientation and mobility of the visually impaired.Key Words: orientation and mobility, visually impaired, physical environments, physical elements, PSBNWyata Guna","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134582441","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE APPLICATION OF GOTHIC ARCHITECTURE ON SANTO LAURENSIUS CHIRCH ALAM SUTRA, SERPONG","authors":"Sisilia Hermawati ; C. Sudianto Aly ; Jonathan Hans Y. S","doi":"10.26593/risa.v2i04.3047.360-375","DOIUrl":"https://doi.org/10.26593/risa.v2i04.3047.360-375","url":null,"abstract":"Abstract- At a glance, the Church of Saint which Laurensius located in Serpong is like a church built in the past. However, when traced, it turns out this church is a new church that was built in 2007 by applying the Style of Gothic Architecture on the building. The application of elements of gothic architecture is not only visible from the outside of the church, but also on the inside of the church. For that, it will be further investigated about the application of any gothic elements contained in the study object.Gothic architectural elements are divided into several periods based on its development, ranging from Early Gothic, High Gothic, Late Gothic to Gothic Revival or Neo-Gothic. Gothic architectural elements have different characteristics and characters in each period of development. In this research, discussed theories about elements in gothic architecture based on its development. There are 17 elements analyzed in this research. These seventeen elements are summarized into three major sections covering the structural elements, non-structural elements, and spatial arrangements. Analysis of the application of gothic architectural elements to the Church of St. Laurensius begins by describing the elements present in the study object and then compared with the gothic architectural elements of the gothic period described in the second chapter. Based on the results of the analysis, it can be seen that from 17 elements observed, 12 elements of which are adapted from the building elements contained in the period of neo-gothic architecture.  Key Words: Gothic, Period, Element, Architecture, Neo-Gothic","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"21 8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131178517","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PAUL RUDOLPH’S DESIGN PRINCIPLES ON HIGH-RISE OFFICE BUILDINGS IN INDONESIA CASE STUDY: WISMA DHARMALA SAKTI JAKARTA AND WISMA DHARMALA SAKTI SURABAYA","authors":"Nabila Qirala Sukada ; Purnama Salura","doi":"10.26593/risa.v2i04.3048.372-387","DOIUrl":"https://doi.org/10.26593/risa.v2i04.3048.372-387","url":null,"abstract":"Abstract- Many of high-rise office buildings in Indonesia applies efficiency and effectivity of building form, cost, and time for construction as a number one priority. As a result, high-rise office buildings appears with a minimum-articulated form, and show the dominance by using glass materials as a facade. However, there are also high-rise office buildings that have an articulated form and its facades that are not dominated by glass, although they appear in small numbers. Wisma Dharmala Sakti Jakarta and Wisma Dharmala Sakti Surabaya are one of them. Moreover, both buildings were designed by foreign architect, Paul Rudolph. Based on the potentials of both buildings, this research focused on Paul Rudolph’s principles in designing high-rise office buildings in Wisma Dharmala Sakti Jakarta and Wisma Dharmala Sakti SurabayaLooking at the phenomena of high-rise office buildings in Indonesia as described earlier, this small number and the articulated form of high-rise office buildings designed by Paul Rudolph in Indonesia are interesting to be understood even more. The main purpose of this research is to reveal the relationship between Paul Rudolph’s design principles with buildings, which are Wisma Dharmala Sakti Jakarta and Wisma Dharmala Sakti Surabaya. Using an interpretative method in a qualitative research, this research utilized theories that helps understanding of an office building, theories that related to Paul Rudolph’s background and common thought about architecture, and also Paul Rudolph’s theory about determinants of architectural form as a literature study. Building’s Anatomy Theory is used as a surgical tool to disect the study cases, which happens to be Wisma Dharmala Sakti Jakarta and Wisma Dharmala Sakti Surabaya.Result of this research are six points of Paul Rudolph’s principles in designing high-rise office building which are: repetition, space, scale, rotation, light, and context. Implementation of Paul Rudolph’s design principles in both study cases can be seen in the dominance of rotation and repetition of building elements. The application of these two principles can fulfill all the three aspects of Paul Rudolph’s design ideal, which are form, context, and cycle.Benefit of this research is to enrich architectural vocabulary about design principles of a high-rise office buildings in Indonesia for the concerned educational institution, as a consideration and input to architects and the stakeholders to be more sensitive and critical in designing high-rise buildings in Indonesia, as a reference and study case about design principles of a high-rise office buildings for students, academics, architects, and the public with the focus of study concerned, and enrich the knowledge about Paul Rudolph’s design principles especially in designing high-rise office buildings in Indonesia for researcher. Keywords: Paul Rudolph, Design Principles, Office, Wisma Dharmala Sakti Jakarta, Wisma Dharmala Sakti Surabaya.","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"57 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132971573","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE IDENTIFICATION OF CENTRAL JAVA CLASSIC ERA’S ARCHITECTURE (BOROBUDUR AND PRAMBANAN, (9TH CENTURY) ON THE TEMPLE IN THE CAMBODIA’S TRASITIONAL ERA (BAKONG, 9TH CENTURY) MORPHOLOGICAL TYPOLOGY STUDIES (MASS ORGANIZATION, FLOOR PLAN, FIGURE AND ORNAMENTS)","authors":"Galih Andika Pratomo ; Rahadhian Prajudi Herwindo","doi":"10.26593/risa.v2i03.2950.232-247","DOIUrl":"https://doi.org/10.26593/risa.v2i03.2950.232-247","url":null,"abstract":"Abstract- Architectural temples of the middle classical era such as Prambanan and Borobudur temples are thought to have inspired the temples in Indochina. It has become a common guess both among the tour guides in Cambodia or the researchers who reviewed the Khemer Kingdom Architecture. The existence of the relationship between the temple in Java and the temple in Cambodia is possible because Jayawarman II, who later build the kingdom of Khemer, once lived in Java when large middle classical temple style architecture was built. To find out the architectural connections of temples in Java and in Cambodia then the first thing to do is to know all the architectural unsurts in both temples. So the purpose of this study is to know the unsurts of spatial, plan, figures and temple ornaments of the middle classical era of Java and pre-Angkor temple era. This research is done by qualitative method of comparative. Qualitative research is applied by visiting and observing physical objects, then discussed using theories relating to research topics. While the object is selected using purposive sampling method, with the basic object of research is closely related to the style, wholeness and scale. Of the 80 points used in identifying architectural unsurts in the mass structure, floor plan, figures, and ornaments, the authors found 13 very similar points, 50 points to Bakong but not similar, and 17 points missing from Bakong. Based on these results the allegation that the temple of the middle classical era of Java has a relationship with the transitional era are becoming stronger. Key Words: morphology, architectural elements, Borobudur, Prambanan, Bakong","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121787997","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE DYNAMICS OF SOUNDSCAPE CONNECTION WITH ARCHITECTURAL ELEMENTS ON TERAS CIKAPUNDUNG BANDUNG","authors":"Livie Tamariska ; Roni Sugiarto","doi":"10.26593/risa.v2i03.2945.248-263","DOIUrl":"https://doi.org/10.26593/risa.v2i03.2945.248-263","url":null,"abstract":"Abstract- In architecture of public space, the experience of place plays an important role in the making of the good quality of public spaces. The experience of the space is multi-sensory, so architecture should emphasize its attention also on the architectural space approach through auditory experience. The study was conducted to determine the dynamics connection of soundscape experience and Terrace Cikapundung architecture.The research method is qualitative and descriptive analysis. Quantitative measurements are made to complement the qualitative data. The analysis is done through questionnaire distribution, field observation, analysis, and by relating it with the study of theories about public space architecture, soundscape, sacred sounds, sense of place, intention of architecture, and perception theory.In Terrace Cikapundung are found quite a lot of natural sounds, which are considered as sounds that improve the quality of the people spatial experience. The natural sounds that are found there are the sound of birds, wind, and water flow. While the dominant voice heard is the sound of motor vehicle, which is considered as disturbing sound for the audiences in particular “man-made zone” (zone that borders the highway). This indicates that there are some architectural elements that have not been able to work optimally, especially the design of bordering element between the site with the main sound source (Jalan Siliwangi). Furthermore, the concave physical topology and the zonation of “man-made zone” and “natural zone” is well designed, based on the variety characterictic of function, location, and order of architectural elements, that will give us the study and example of spatial making and good experience of place.              Through design that concern in the multi-sensory aspects of experience, especially in auditory experience, the experience of space can be felt thoroughly and the quality of a public space can be increased. Key Words: soundscape, architectural element, open public space","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"49 13-14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115634722","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}