Pub Date : 2021-10-27DOI: 10.26593/risa.v5i04.5304.402-418
Josephine Livina, Yenny Gunawan
Abstract- Tectonics in architecture is a construction element associated with the material, goals, and builders of a building. It does not stop there, the result of combining abstract thinking (implicit) and the ability to make (explicit). Craftsmanship also talks about how craftsmen think in creating. The study was conducted to understand the role of designers, craftsmen, in craftsmanship to form tectonics and connections that should be able to bring stories and characters in architecture, especially in this modern era. Oky Kusprianto (1977-2019) was the principal architect of Studio Apta. Studio Apta's works pay a lot of attention to architectural materials and tectonics. Through tectonics, his work presents liveliness of space in cafes, adventures in stores, and solitude in urban forests. The object taken was Lembang Citarasa Warung, the reason being that it was one of the projects that was experimental on material and was still just being built (2017-2018). The articulation of the expression of the burden between the connections is strong with the appearance of honest elements. Thus what needs to be known is the craftsmanship method used in Warung Citarasa which is related to thinking and making and its adaptation in the modern world which is already relatively different from what was known about previous craftsmanship. This study uses a qualitative descriptive method by describing the tectonics that are formed and how they are formed through the craftsmanship process. Data collected through direct observation, literature study and interviews. Tectonics are divided into three based on the main material, namely stone, iron and wood tectonics. The results then become a reference in the identification of craftsmanship in the process of forming the tectonics. The first is based on knowledge (thinking hand) which is subdivided into explicit and implicit knowledge. Then identified again by the skills (working hand) which is divided into analog and digital tools. After that, an analysis of the aspects of collaboration between the development actors responsible for tectonic formation. Finally, the results of the analysis of the three aspects are combined to analyze the craftsmanship process that occurs in each tectonics. Tectonics can be classified into three, namely stone, iron and wood. In experimental wood tectonics, there is little knowledge or experience, but most exchanges of knowledge between actors and the use of analog design tools. In contrast, in stone and iron tectonics, there is more explicit knowledge and experience possessed by actors. The effect, design flow and construction are linear. The majority of stone and iron tectonic design processes use digital media, this is in line with the statement that architect craftsmanship in modern times cannot be separated from digital influence. The lack of digital use is rewarded by the collaborative process between designers and builders who hav
{"title":"CRAFTSMANSHIP IN WARUNG CITARASA’S TECTONICS","authors":"Josephine Livina, Yenny Gunawan","doi":"10.26593/risa.v5i04.5304.402-418","DOIUrl":"https://doi.org/10.26593/risa.v5i04.5304.402-418","url":null,"abstract":"Abstract- Tectonics in architecture is a construction element associated with the material, goals, and builders of a building. It does not stop there, the result of combining abstract thinking (implicit) and the ability to make (explicit). Craftsmanship also talks about how craftsmen think in creating. The study was conducted to understand the role of designers, craftsmen, in craftsmanship to form tectonics and connections that should be able to bring stories and characters in architecture, especially in this modern era. \u0000 Oky Kusprianto (1977-2019) was the principal architect of Studio Apta. Studio Apta's works pay a lot of attention to architectural materials and tectonics. Through tectonics, his work presents liveliness of space in cafes, adventures in stores, and solitude in urban forests. The object taken was Lembang Citarasa Warung, the reason being that it was one of the projects that was experimental on material and was still just being built (2017-2018). The articulation of the expression of the burden between the connections is strong with the appearance of honest elements. Thus what needs to be known is the craftsmanship method used in Warung Citarasa which is related to thinking and making and its adaptation in the modern world which is already relatively different from what was known about previous craftsmanship. \u0000 This study uses a qualitative descriptive method by describing the tectonics that are formed and how they are formed through the craftsmanship process. Data collected through direct observation, literature study and interviews. Tectonics are divided into three based on the main material, namely stone, iron and wood tectonics. The results then become a reference in the identification of craftsmanship in the process of forming the tectonics. The first is based on knowledge (thinking hand) which is subdivided into explicit and implicit knowledge. Then identified again by the skills (working hand) which is divided into analog and digital tools. After that, an analysis of the aspects of collaboration between the development actors responsible for tectonic formation. Finally, the results of the analysis of the three aspects are combined to analyze the craftsmanship process that occurs in each tectonics. \u0000 Tectonics can be classified into three, namely stone, iron and wood. In experimental wood tectonics, there is little knowledge or experience, but most exchanges of knowledge between actors and the use of analog design tools. In contrast, in stone and iron tectonics, there is more explicit knowledge and experience possessed by actors. The effect, design flow and construction are linear. The majority of stone and iron tectonic design processes use digital media, this is in line with the statement that architect craftsmanship in modern times cannot be separated from digital influence. The lack of digital use is rewarded by the collaborative process between designers and builders who hav","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127987603","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-05-30DOI: 10.26593/risa.v4i04.3939.363-379
Kezia Angelina Anugrah ; Aldyfra L. Lukman
Abstrak- Manusia adalah subjek utama arsitektur, dan arsitektur hadir sebagai wadah untuk memenuhi kebutuhan akan ruang untuk beraktivitas. Dalam hal ini, manusia sebagai subjek arsitektur tidak hanya mencakup orang dewasa saja, tetapi juga anak-anak. Pada usia 3-5 tahun, anak-anak sedang dalam masa yang aktif dan berkembang. Mereka sedang dalam masa di mana rasa ingin tahu mereka besar, dan imajinasi mereka juga sedang berkembang. Karenanya, pengalaman multisensori merupakan sesuatu yang penting bagi mereka untuk berkembang baik secara fisik maupun mental. Pengalaman multisensori dapat dihadirkan melalui interaksi anak-anak dengan lingkungannya, baik di dalam maupun di luar ruangan didukung oleh desain sensorik. Salah satu lingkungan di mana anak-anak dapat berinteraksi dengan lingkungannya adalah sekolah. Sekolah Playgroup – TK Jagad Alit Waldorf Bandung adalah sekolah yang berbasis pendidikan multisensori yang didirikan sejak tahun 2015. Tujuan penelitian adalah untuk mengidentifikasi aspek arsitektural apa saja yang dapat menghadirkan pengalaman multisensori bagi anak dan apakah pengalaman multisensori anak sudah terpenuhi atau belum. Metode yang digunakan adalah metode deskriptif dengan pendekatan kualitatif, data diperoleh dari studi literatur, pengamatan langsung ke lapangan, serta dari wawancara terhadap guru-guru sekolah playgroup – TK Jagad Alit Waldorf Bandung. Diperoleh kesimpulan bahwa aspek arsitektural sekolah playgroup – TK Jagad Alit Waldorf Bandung memenuhi pengalaman multisensori anak, dengan sensori yang paling banyak terwadahi adalah sensori sentuhan. Terdapat empat sensori utama yang menjadi fokus pada kurikulum Waldorf, yaitu sentuhan, gerakan, keseimbangan, dan kehidupan. Pengalaman sensori itu dipenuhi lewat bentuk alat permainan yang menarik, serta penggunaan material yang cukup beragam. Penggunaan material tersebut tidak hanya menarik bagi indera peraba, tetapi juga bagi indera penglihatan. Tekstur material menjadi sesuatu yang menarik bagi anak-anak usia dini. Sensori lain yang berada dalam bagian empat sensori utama yang menjadi fokus anak-anak 0-7 tahun adalah gerakan anak-anak. Penyusunan furnitur membuat yang menciptakan ruang yang lapang menyediakan ruang yang cukup bagi anak-anak untuk bergerak dengan bebas.
{"title":"SENSORY DESIGN PADA ARSITEKTUR SEKOLAH PLAYGROUP – TK JAGAD ALIT WALDORF, BANDUNG","authors":"Kezia Angelina Anugrah ; Aldyfra L. Lukman","doi":"10.26593/risa.v4i04.3939.363-379","DOIUrl":"https://doi.org/10.26593/risa.v4i04.3939.363-379","url":null,"abstract":"Abstrak- Manusia adalah subjek utama arsitektur, dan arsitektur hadir sebagai wadah untuk memenuhi kebutuhan akan ruang untuk beraktivitas. Dalam hal ini, manusia sebagai subjek arsitektur tidak hanya mencakup orang dewasa saja, tetapi juga anak-anak. Pada usia 3-5 tahun, anak-anak sedang dalam masa yang aktif dan berkembang. Mereka sedang dalam masa di mana rasa ingin tahu mereka besar, dan imajinasi mereka juga sedang berkembang. Karenanya, pengalaman multisensori merupakan sesuatu yang penting bagi mereka untuk berkembang baik secara fisik maupun mental. Pengalaman multisensori dapat dihadirkan melalui interaksi anak-anak dengan lingkungannya, baik di dalam maupun di luar ruangan didukung oleh desain sensorik. Salah satu lingkungan di mana anak-anak dapat berinteraksi dengan lingkungannya adalah sekolah. Sekolah Playgroup – TK Jagad Alit Waldorf Bandung adalah sekolah yang berbasis pendidikan multisensori yang didirikan sejak tahun 2015. Tujuan penelitian adalah untuk mengidentifikasi aspek arsitektural apa saja yang dapat menghadirkan pengalaman multisensori bagi anak dan apakah pengalaman multisensori anak sudah terpenuhi atau belum. Metode yang digunakan adalah metode deskriptif dengan pendekatan kualitatif, data diperoleh dari studi literatur, pengamatan langsung ke lapangan, serta dari wawancara terhadap guru-guru sekolah playgroup – TK Jagad Alit Waldorf Bandung. Diperoleh kesimpulan bahwa aspek arsitektural sekolah playgroup – TK Jagad Alit Waldorf Bandung memenuhi pengalaman multisensori anak, dengan sensori yang paling banyak terwadahi adalah sensori sentuhan. Terdapat empat sensori utama yang menjadi fokus pada kurikulum Waldorf, yaitu sentuhan, gerakan, keseimbangan, dan kehidupan. Pengalaman sensori itu dipenuhi lewat bentuk alat permainan yang menarik, serta penggunaan material yang cukup beragam. Penggunaan material tersebut tidak hanya menarik bagi indera peraba, tetapi juga bagi indera penglihatan. Tekstur material menjadi sesuatu yang menarik bagi anak-anak usia dini. Sensori lain yang berada dalam bagian empat sensori utama yang menjadi fokus anak-anak 0-7 tahun adalah gerakan anak-anak. Penyusunan furnitur membuat yang menciptakan ruang yang lapang menyediakan ruang yang cukup bagi anak-anak untuk bergerak dengan bebas. ","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"104 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115756989","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-05-30DOI: 10.26593/risa.v4i04.3938.350-362
Hana Eka Hidayati ; Roni Sugiarto
Abstrak- Setiap ruang berperan untuk mewadahi aktivitas yang identik dengan budaya masyarakat dan memiliki karakter estetikanya masing – masing. Terletak di pusat kota, ruang terbuka publik Balai Kota Bandung berperan penting dalam pengendalian kualitas lingkungan ekologis dan sosial dalam kawasannya, sehingga membutuhkan pengalaman soundscape yang berkualitas baik. Dengan tujuan revitalisasi taman dalam meningkatkan konteks ruang sehingga mendukung kultur kegiatan, pengalaman audial di ruang terbuka publik Balai Kota Bandung adalah hal yang esensial. Upaya mengendalikan pembentukkan soundscape dalam suatu ruang menghidupkan hubungan harmonis antara keragaman aktivitas. Penelitian ini bertujuan untuk mengetahui peran tatanan elemen arsitektural ruang terbuka publik Balai Kota Bandung terhadap pembentukan kualitas dan pengalaman soundscape. Metoda penelitaian yang dilakukan adalah secara kualitatif, data diperoleh dari studi lteratur, pengamatan langsung ke lapangan, serta dari kuesioner dan wawancara. Pengukuran kuantitatif dilakukan untuk melengkapi data kualitatif. Analisa deskriptif dilakukan berdasarkan teori yang berkaitan dengan ruang terbuka publik, intentions in architecture, persepsi, soundscape, dan akustik dalam arsitektur. Pada ruang terbuka publik Balai Kota Bandung terdapat beberapa suara yang membentuk soundscape ruang, diantaranya adalah kendaraan melintas, suara klaskson/ sirine, dan suara pesawat melintas sebagai unwanted sound lingkungan. Suara kereta api melintas, suara speaker Masjid Al -Ukhuwwah, suara lonceng gereja sebagai soundmark lingkungan. Suara anak-anak, suara komunitas, suara burung, dan suara air sebagai soundmark dan wanted sound dalam. Tatanan elemen arsitektural pada Taman Dewi Sartika membentuk ruang terbuka publik yang radial. Tatanan elemen arsitektural pada Taman Badak membentuk ruang terbuka publik yang linier. Tatanan elemen arsitektural pada Taman Merpati membentuk ruang terbuka publik yang grid. Tatanan elemen arsitektural pada Plaza Balai Kota membentuk ruang terbuka publik yang memusat. Tatanan elemen arsitektural pada Taman Sejarah membentuk ruang terbuka yang klaster. Ruang terbuka publik di Balai Kota Bandung telah cukup baik dalam menciptakan soundscape yang mewadahi kegiatan masyarakat. Namun, masih membutuhkkan penangganan unwanted sounds agar kualitas pengalaman soundscape menjadi lebih optimal. Penelitian ini diharapkan dapat bermanfaat sebagai masukan bagi perancangan tatanan elemen arsitektural ruang terbuka publik kota dalam pembentukan suasana, melalui aspek pengamanan multi-indra khususnya dalam auditory experience.
{"title":"PERAN TATANAN ELEMEN ARSITEKTURAL TERHADAP PEMBENTUKAN SOUNDSCAPE PADA RUANG TERBUKA PUBLIK BALAI KOTA BANDUNG","authors":"Hana Eka Hidayati ; Roni Sugiarto","doi":"10.26593/risa.v4i04.3938.350-362","DOIUrl":"https://doi.org/10.26593/risa.v4i04.3938.350-362","url":null,"abstract":"Abstrak- Setiap ruang berperan untuk mewadahi aktivitas yang identik dengan budaya masyarakat dan memiliki karakter estetikanya masing – masing. Terletak di pusat kota, ruang terbuka publik Balai Kota Bandung berperan penting dalam pengendalian kualitas lingkungan ekologis dan sosial dalam kawasannya, sehingga membutuhkan pengalaman soundscape yang berkualitas baik. Dengan tujuan revitalisasi taman dalam meningkatkan konteks ruang sehingga mendukung kultur kegiatan, pengalaman audial di ruang terbuka publik Balai Kota Bandung adalah hal yang esensial. Upaya mengendalikan pembentukkan soundscape dalam suatu ruang menghidupkan hubungan harmonis antara keragaman aktivitas. Penelitian ini bertujuan untuk mengetahui peran tatanan elemen arsitektural ruang terbuka publik Balai Kota Bandung terhadap pembentukan kualitas dan pengalaman soundscape. Metoda penelitaian yang dilakukan adalah secara kualitatif, data diperoleh dari studi lteratur, pengamatan langsung ke lapangan, serta dari kuesioner dan wawancara. Pengukuran kuantitatif dilakukan untuk melengkapi data kualitatif. Analisa deskriptif dilakukan berdasarkan teori yang berkaitan dengan ruang terbuka publik, intentions in architecture, persepsi, soundscape, dan akustik dalam arsitektur. Pada ruang terbuka publik Balai Kota Bandung terdapat beberapa suara yang membentuk soundscape ruang, diantaranya adalah kendaraan melintas, suara klaskson/ sirine, dan suara pesawat melintas sebagai unwanted sound lingkungan. Suara kereta api melintas, suara speaker Masjid Al -Ukhuwwah, suara lonceng gereja sebagai soundmark lingkungan. Suara anak-anak, suara komunitas, suara burung, dan suara air sebagai soundmark dan wanted sound dalam. Tatanan elemen arsitektural pada Taman Dewi Sartika membentuk ruang terbuka publik yang radial. Tatanan elemen arsitektural pada Taman Badak membentuk ruang terbuka publik yang linier. Tatanan elemen arsitektural pada Taman Merpati membentuk ruang terbuka publik yang grid. Tatanan elemen arsitektural pada Plaza Balai Kota membentuk ruang terbuka publik yang memusat. Tatanan elemen arsitektural pada Taman Sejarah membentuk ruang terbuka yang klaster. Ruang terbuka publik di Balai Kota Bandung telah cukup baik dalam menciptakan soundscape yang mewadahi kegiatan masyarakat. Namun, masih membutuhkkan penangganan unwanted sounds agar kualitas pengalaman soundscape menjadi lebih optimal. Penelitian ini diharapkan dapat bermanfaat sebagai masukan bagi perancangan tatanan elemen arsitektural ruang terbuka publik kota dalam pembentukan suasana, melalui aspek pengamanan multi-indra khususnya dalam auditory experience.","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131862079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-03-21DOI: 10.26593/risa.v4i02.3803.155-172
Aurelius Aaron Rosimin ; Caecilia S. Wijayaputri
Abstrak- Kampung adat Wee Lewo merupakan salah satu kawasan konservasi kebudayaan yang masih memegang erat tradisi dan budaya yang diterapkan secara turun-temurun. Di kampung adat Wee Lewo ditemukan adanya keunikan pada rumah adat tradisionalnya yang penggunaannya tidak dikhususkan untuk mencukupi kebutuhan penggunanya saja, namun juga melingkupi kebutuhan teologis dan kebutuhan tradisi yang melingkupi relasi manusia secara horizontal dan secara vertikal. Rumah adat Tara manu dipilih karena memiliki data yang lengkap dan memiliki tatanan ruang berbeda dari rumah adat lainnya yang ada di kampung adat Wee LewoMetode penelitian yang digunakan dalam penelitian ini menggunakan metode deskriptif-kualitatif dengan memaparkan analisa objek berdasarkan kosmologi yang ada di dalam budaya Sumba, yang kemudian dijelaskan melalui keberadaan elemen arsitektur yang ada di dalamnya. Data-data yang diambil sebagai bahan analisa merupakan data fisik dan data objek yang bisa didapatkan melalui survey lapangan dan wawancara narasumber yang berkaitan. Proses analisa dilakukan dengan cara meneliti seluruh aktifitas dan pemahaman lokal tentang rumah adat yang kemudian dikaji secara komprehensif menggunakan teori kosmologi dari budaya Sumba.Analisa kosmologi dalam budaya Sumba terhadap elemen-elemen arsitektur yang ada di dalam rumah adat Sumba dapat ditarik suatu kesimpulan bahwa rumah adat merupakan tempat untuk berkumpul bagi penggunanya baik secara berkeluarga dan berkoloni; rumah adat juga merupakan perwujudan dari Marapu yang senantiasa hadir diantara pengguna rumah adat; di rumah adat juga terdapat keseimbangan yang saling berhubungan satu sama lain namun keduanya tidak bisa dipisahkan.
{"title":"PEMAKNAAN RUMAH BERDASARKAN ASPEK KOSMOLOGI DALAM KEBUDAYAAN SUMBA BARAT OBJEK STUDI: RUMAH TARA MANU DI KAMPUNG WEE LEWO","authors":"Aurelius Aaron Rosimin ; Caecilia S. Wijayaputri","doi":"10.26593/risa.v4i02.3803.155-172","DOIUrl":"https://doi.org/10.26593/risa.v4i02.3803.155-172","url":null,"abstract":"Abstrak- Kampung adat Wee Lewo merupakan salah satu kawasan konservasi kebudayaan yang masih memegang erat tradisi dan budaya yang diterapkan secara turun-temurun. Di kampung adat Wee Lewo ditemukan adanya keunikan pada rumah adat tradisionalnya yang penggunaannya tidak dikhususkan untuk mencukupi kebutuhan penggunanya saja, namun juga melingkupi kebutuhan teologis dan kebutuhan tradisi yang melingkupi relasi manusia secara horizontal dan secara vertikal. Rumah adat Tara manu dipilih karena memiliki data yang lengkap dan memiliki tatanan ruang berbeda dari rumah adat lainnya yang ada di kampung adat Wee LewoMetode penelitian yang digunakan dalam penelitian ini menggunakan metode deskriptif-kualitatif dengan memaparkan analisa objek berdasarkan kosmologi yang ada di dalam budaya Sumba, yang kemudian dijelaskan melalui keberadaan elemen arsitektur yang ada di dalamnya. Data-data yang diambil sebagai bahan analisa merupakan data fisik dan data objek yang bisa didapatkan melalui survey lapangan dan wawancara narasumber yang berkaitan. Proses analisa dilakukan dengan cara meneliti seluruh aktifitas dan pemahaman lokal tentang rumah adat yang kemudian dikaji secara komprehensif menggunakan teori kosmologi dari budaya Sumba.Analisa kosmologi dalam budaya Sumba terhadap elemen-elemen arsitektur yang ada di dalam rumah adat Sumba dapat ditarik suatu kesimpulan bahwa rumah adat merupakan tempat untuk berkumpul bagi penggunanya baik secara berkeluarga dan berkoloni; rumah adat juga merupakan perwujudan dari Marapu yang senantiasa hadir diantara pengguna rumah adat; di rumah adat juga terdapat keseimbangan yang saling berhubungan satu sama lain namun keduanya tidak bisa dipisahkan.","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124599050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-10-05DOI: 10.26593/risa.v3i04.3517.311-327
Yoana Wardana, Basuki Dwisusanto
Abstract- Setu Babakan town which is located in Srengseng Sawah political districts, Jagakarsa sub-district, South Jakarta, is a region of settlement that are established as Betawi cultural heritage. This research discusses about representation of Betawi culture physical characters in Setu Babakan town. Culture characters could be faded with the advent of times due to lifestyle that has changes, but it could also be adhere with the awareness of the importance of preserving the existing culture. This study attempts to know how far do the Setu Babakan physical characters as Betawi culture heritage districts reflects the physical characters of Betawi native culture, so it can be found which physical characters that is still retained, that modificated, and that are totally changed. In addition, can also be found how many buildings which is still retaining the whole physical heritage of Betawi culture, which only retaining some of the physical heritage of Betawi culture, and which are not retaining the physical heritage of Betawi culture at all. Scope of this study was conducted throughout the area of Setu Babakan town so that the data be more accurate and to represent the overall condition of the area. The interview and questionnaire distribution was conducted to 21 respondents (20 respondents wich are Betawi ethnic and 1 respondent which is not Betawi ethnic, aged between 23-67 years old, islamist, with 3/4/5/6/10 family members)and the management of Setu Babakan town (Pak Buhori) to complement the data obtained through literature study and field observation about physical characters (buildings and outdoor layouts) and non-physical characters (rituality, social activities, religious, economic, abstinence, lifestyle, and education) of Betawi culture in Setu Babakan town and the physical and nonphysical characters of Betawi native culture. Data from the respondents, interior photo of respondent’s house, and respondents photo have been permitted by the concerned parties to be published. The observation and recovery data was undertaken along January-march 2018. Physical characters data (existing condition) that was obtained through direct observation in the field are strengthened by matching it with the existing condition in google street to avoid mistakes/inadvertence in the process of field observation. Physical characters observation is conducted by seeing one by one building, to know the authenticity level of its physical characters of Betawi culture in every building. All of the observation results were recorded by doing mapping. This research is qualitative-quantitative research approach descriptive and cultural. Analysis is conducted in descriptive and causal comparative approach qualitative-quantitative. The analysis begins by comparing the physical characters of Betawi native culture backed by the non-physical characters with physical characters of Betawi culture in Setu Babakan town backed by the non-physical characters. Then doing macro ma
{"title":"PHYSICAL CHARACTER OF KAMPUNG SETU BABAKAN, SOUTH JAKARTA, AS BETAWI CULTURAL HERITAGE REGION","authors":"Yoana Wardana, Basuki Dwisusanto","doi":"10.26593/risa.v3i04.3517.311-327","DOIUrl":"https://doi.org/10.26593/risa.v3i04.3517.311-327","url":null,"abstract":"Abstract- Setu Babakan town which is located in Srengseng Sawah political districts, Jagakarsa sub-district, South Jakarta, is a region of settlement that are established as Betawi cultural heritage. This research discusses about representation of Betawi culture physical characters in Setu Babakan town. Culture characters could be faded with the advent of times due to lifestyle that has changes, but it could also be adhere with the awareness of the importance of preserving the existing culture. This study attempts to know how far do the Setu Babakan physical characters as Betawi culture heritage districts reflects the physical characters of Betawi native culture, so it can be found which physical characters that is still retained, that modificated, and that are totally changed. In addition, can also be found how many buildings which is still retaining the whole physical heritage of Betawi culture, which only retaining some of the physical heritage of Betawi culture, and which are not retaining the physical heritage of Betawi culture at all. Scope of this study was conducted throughout the area of Setu Babakan town so that the data be more accurate and to represent the overall condition of the area. The interview and questionnaire distribution was conducted to 21 respondents (20 respondents wich are Betawi ethnic and 1 respondent which is not Betawi ethnic, aged between 23-67 years old, islamist, with 3/4/5/6/10 family members)and the management of Setu Babakan town (Pak Buhori) to complement the data obtained through literature study and field observation about physical characters (buildings and outdoor layouts) and non-physical characters (rituality, social activities, religious, economic, abstinence, lifestyle, and education) of Betawi culture in Setu Babakan town and the physical and nonphysical characters of Betawi native culture. Data from the respondents, interior photo of respondent’s house, and respondents photo have been permitted by the concerned parties to be published. The observation and recovery data was undertaken along January-march 2018. Physical characters data (existing condition) that was obtained through direct observation in the field are strengthened by matching it with the existing condition in google street to avoid mistakes/inadvertence in the process of field observation. Physical characters observation is conducted by seeing one by one building, to know the authenticity level of its physical characters of Betawi culture in every building. All of the observation results were recorded by doing mapping. This research is qualitative-quantitative research approach descriptive and cultural. Analysis is conducted in descriptive and causal comparative approach qualitative-quantitative. The analysis begins by comparing the physical characters of Betawi native culture backed by the non-physical characters with physical characters of Betawi culture in Setu Babakan town backed by the non-physical characters. Then doing macro ma","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117134076","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-10-05DOI: 10.26593/risa.v3i04.3522.398-413
Gabriela Marcella, N. Y. Nugroho
Abstract- Indonesia with the characteristics of tropical climate requires control in design to achieve thermal comfort both in outside space and inside space. One of the factors that can affect thermal comfort is the pattern of air movement and air velocity. Landmark Residence Apartment is one of the new apartments in Bandung, with mass ‘U’ form in line up of new partially awakened. The newly constructed 'U' mass formation forms the characteristic of the two different masses, the space side in the closed A mass with the characteristic of the centered space as well as the side in the open mass B. this apartment become an object of research to determine the factors of order and mass form to the characteristics of air movement as well as thermal comfort in the outside space as a space of activities in residents. The method used in this research is descriptive-quantitative with simulation software Flow Design to know the air movement and measurement of thermal comfort factor at the point of population and sample which have been determined. This thermal factor will be analyzed using CET Nomogram method, so it generates thermal comfort level in outer space which will be associated with order and mass form of apartment. By using analysis of air movement patterns and CET Nomogram, it is seen that thermal comfort level in the outside space Landmark Residence apartment is more affected by wind velocity. The mass 'U' form with the back to wind direction will produce high wind velocity on the outside space of the building's side, while on the inner side of the 'U' form will form the shadow of the wind and the pattern of turbulence air movement affecting the achievement of different thermal conditions. The 'U' mass sequence lined up can also cause air movement on the inner side of closed A mass not getting enough air movement compared to open mass B with better airflow pattern. The pattern of air movement on the inner side of mass A can be at any time higher when the wind velocity enters the gap between the masses. Key Words: apartment, outside space, mass ‘U’ form in line up, air movement, thermal comfort.
{"title":"INFLUENCE OF MASS ‘U’ FORM IN LINE UP FORMATION TOWARDS AIR MOVEMENT ON SUPPORTING THERMAL COMFORT IN OUTSIDE SPACE OF APARTMENT LANDMARK RESIDENCE, BANDUNG","authors":"Gabriela Marcella, N. Y. Nugroho","doi":"10.26593/risa.v3i04.3522.398-413","DOIUrl":"https://doi.org/10.26593/risa.v3i04.3522.398-413","url":null,"abstract":"Abstract- Indonesia with the characteristics of tropical climate requires control in design to achieve thermal comfort both in outside space and inside space. One of the factors that can affect thermal comfort is the pattern of air movement and air velocity. Landmark Residence Apartment is one of the new apartments in Bandung, with mass ‘U’ form in line up of new partially awakened. The newly constructed 'U' mass formation forms the characteristic of the two different masses, the space side in the closed A mass with the characteristic of the centered space as well as the side in the open mass B. this apartment become an object of research to determine the factors of order and mass form to the characteristics of air movement as well as thermal comfort in the outside space as a space of activities in residents. The method used in this research is descriptive-quantitative with simulation software Flow Design to know the air movement and measurement of thermal comfort factor at the point of population and sample which have been determined. This thermal factor will be analyzed using CET Nomogram method, so it generates thermal comfort level in outer space which will be associated with order and mass form of apartment. By using analysis of air movement patterns and CET Nomogram, it is seen that thermal comfort level in the outside space Landmark Residence apartment is more affected by wind velocity. The mass 'U' form with the back to wind direction will produce high wind velocity on the outside space of the building's side, while on the inner side of the 'U' form will form the shadow of the wind and the pattern of turbulence air movement affecting the achievement of different thermal conditions. The 'U' mass sequence lined up can also cause air movement on the inner side of closed A mass not getting enough air movement compared to open mass B with better airflow pattern. The pattern of air movement on the inner side of mass A can be at any time higher when the wind velocity enters the gap between the masses. Key Words: apartment, outside space, mass ‘U’ form in line up, air movement, thermal comfort.","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129261431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-10-05DOI: 10.26593/risa.v3i04.3523.414-431
Natalia Hamdani, N. Y. Nugroho
Abstract- Designing apartment as a vertical residence should not only pay attention to aesthetics value but also aspects comfort aspects, such as thermal comfort. Apartment thermal comfort is not only limited to indoor units but also outdoor space as residents’ communal area. Sudirman Suites Apartment built in the center of Bandung City with limited land availability is selected as the research object because of the uniqueness of the building form with inner court and height variation that allows the availability of outdoor space on the floor above. Sudirman Suite Apartments’ building form and height can affect the site’s microclimate and outdoor space thermal comfort. This study aims to determine the effect of building form with inner court and height variation to thermal comfort of apartment outdoor space as well as the right solution to improve it. This study used quantitative method, with descriptive evaluative type of research. Measurements were taken on the Sudirman Suite Apartment outdoor space such as ground floor parking area, terrace, and aisle, 1st floor inner court, 2nd floor roof garden, and sky garden on 9th and 11th floor. The measurement data then calculated into thermal comfort perception and analyzed based on theories of literature study result to reach conclusion. Influence of the building form and height to outdoor space thermal comfort the thermal comfort of Sudirman Suites Apartment analysis divided into: outdoor space on the main mass with inner court and height variations, pilotis on the ground floor of the main mass, and supporting mass addition. Besides of the building form and height, environmental factors also affect the outdoor space thermal comfort such as wind and radiative temperatures in each outdoor space. Based on this study, it is known that there is significant effect of the apartment’s form with inner court, where the comparison between blocking tower height and comparable distance between towers makes inner court area air flow tend to be low. Pilotis on the ground floor increases the speed of air flow on the ground floor. Sun radiation reduction occurs in the sky garden area overshadowed by building form with height variation. Outdoor space elements optimization is considered less optimal in supporting thermal comfort, such as the lack of plants and rooftop surface area dominated by hardscape. Key Words: apartment, outdoor space, thermal comfort, Bandung Sudirman Suites
摘要:作为垂直住宅的公寓设计，不仅要注重美观，还要注重舒适性，如热舒适性。公寓的热舒适不仅限于室内单元，还包括作为居民公共区域的室外空间。苏迪曼套房公寓位于万隆市中心，土地供应有限，之所以选择作为研究对象，是因为建筑形式的独特性，内部庭院和高度变化允许在上面一层的室外空间的可用性。Sudirman Suite公寓的建筑形式和高度会影响场地的小气候和室外空间的热舒适性。本研究旨在确定带有内院的建筑形式和高度变化对公寓室外空间热舒适的影响，以及改善公寓室外空间热舒适的正确解决方案。本研究采用定量方法，以描述性评价型研究为主。测量了Sudirman Suite Apartment的户外空间，如一楼的停车场、露台和通道、一楼的内庭、二楼的屋顶花园和9楼和11楼的空中花园。然后将测量数据计算为热舒适感知，并根据文献研究结果的理论进行分析，得出结论。建筑形式和高度对室外空间热舒适的影响苏迪曼套房公寓的热舒适分析分为:室内庭院和高度变化的主体块上的室外空间，主体块一层的室内空间，以及辅助体块的增加。除了建筑形式和高度外，各个室外空间的风和辐射温度等环境因素也会影响室外空间的热舒适性。通过本研究可知，公寓的形式与内院有显著的影响，其中阻挡塔高度的比较和塔间距离的比较使得内院区域的空气流量趋于低。地面层的挡板增加了地面层空气流动的速度。太阳辐射减少发生在被高度变化的建筑形式遮蔽的空中花园区域。室外空间元素优化被认为在支持热舒适方面不太理想，例如缺乏植物和屋顶表面面积主要是硬景观。关键词:公寓，室外空间，热舒适，万隆苏迪曼套房
{"title":"EFFECT OF BUILDING FORM WITH INNER COURT AND HEIGHT VARIATIONS ON THERMAL COMFORT OUTDOOR SPACE IN SUDIRMAN SUITES APARTMENT BANDUNG","authors":"Natalia Hamdani, N. Y. Nugroho","doi":"10.26593/risa.v3i04.3523.414-431","DOIUrl":"https://doi.org/10.26593/risa.v3i04.3523.414-431","url":null,"abstract":"Abstract- Designing apartment as a vertical residence should not only pay attention to aesthetics value but also aspects comfort aspects, such as thermal comfort. Apartment thermal comfort is not only limited to indoor units but also outdoor space as residents’ communal area. Sudirman Suites Apartment built in the center of Bandung City with limited land availability is selected as the research object because of the uniqueness of the building form with inner court and height variation that allows the availability of outdoor space on the floor above. Sudirman Suite Apartments’ building form and height can affect the site’s microclimate and outdoor space thermal comfort. This study aims to determine the effect of building form with inner court and height variation to thermal comfort of apartment outdoor space as well as the right solution to improve it. This study used quantitative method, with descriptive evaluative type of research. Measurements were taken on the Sudirman Suite Apartment outdoor space such as ground floor parking area, terrace, and aisle, 1st floor inner court, 2nd floor roof garden, and sky garden on 9th and 11th floor. The measurement data then calculated into thermal comfort perception and analyzed based on theories of literature study result to reach conclusion. Influence of the building form and height to outdoor space thermal comfort the thermal comfort of Sudirman Suites Apartment analysis divided into: outdoor space on the main mass with inner court and height variations, pilotis on the ground floor of the main mass, and supporting mass addition. Besides of the building form and height, environmental factors also affect the outdoor space thermal comfort such as wind and radiative temperatures in each outdoor space. Based on this study, it is known that there is significant effect of the apartment’s form with inner court, where the comparison between blocking tower height and comparable distance between towers makes inner court area air flow tend to be low. Pilotis on the ground floor increases the speed of air flow on the ground floor. Sun radiation reduction occurs in the sky garden area overshadowed by building form with height variation. Outdoor space elements optimization is considered less optimal in supporting thermal comfort, such as the lack of plants and rooftop surface area dominated by hardscape. Key Words: apartment, outdoor space, thermal comfort, Bandung Sudirman Suites","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"34 4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116384773","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-10-05DOI: 10.26593/risa.v3i04.3520.363-380
Firda Rasyidian Andayani, Yuswadi Saliya
Abstract- Water garden is an exterior space of which the main element is water. There is some water garden can be found as a relics of Kesultanan Cirebon. The water gardens in Kesultanan Cirebon are Witana Water Garden, Pakungwati Water Garden, and Sunyaragi Water Garden. Since the era of the Hindusm in Java is already familiar with the concept of a water garden as a sacred bathing place called Petirtaan. But unlike the Hindusm petirtaan, water garden relics of Kesultanan Cirebon has a uniqueness because it is influenced by local and foreign cultures, that can be seen from the concept of spatial principles and ornamentation in water garden. This study aims to conceive the form of macro spatial principles, micro spatial principles, and ornamentation of each water garden. The macro spatial principles include the cosmology of water gardens. The micro spatial principles include petirtaan shapes. This study also examines the cultural factors that affect each water garden and the relationships of those three water gardens. This research is hopefully may provide insightful development of knowledge especially related to petirtaan. The analytical method that used in this research is using qualitative approach with descriptiveanalytical based on primary and secondary data. Primary data includes direct observation of the object and secondary data includes literature studies on architecture landsape. Ancient water garden located in Cirebon has similarity with the Hindu pentirtaan which serves as a sacred ritual place with uniqueness combined with Islamic water garden of Middle East that serves as a place of recreation. It is also can be seen that there is influence from the Chinese culture on Wadasan ornamentation in each water garden. Therefore, Water garden Cirebon has its own uniqueness because of the acculturation of various existing cultures (Hindusm, Islam, dan Chinese). This shows Cirebon is considered a city that is not closed from outside cultural influences. Key Words: Water Garden relics of Kesultanan Cirebon, spatial principles and ornamentation, petirtaan
{"title":"SPATIAL PRINCIPLES AND ORNAMENTATION ON WATER GARDEN RELICS OF KESULTANAN CIREBON CASE STUDY: WITANA WATER GARDEN, PAKUNGWATI WATER GARDEN, AND SUNYARAGI WATER GARDEN","authors":"Firda Rasyidian Andayani, Yuswadi Saliya","doi":"10.26593/risa.v3i04.3520.363-380","DOIUrl":"https://doi.org/10.26593/risa.v3i04.3520.363-380","url":null,"abstract":"Abstract- Water garden is an exterior space of which the main element is water. There is some water garden can be found as a relics of Kesultanan Cirebon. The water gardens in Kesultanan Cirebon are Witana Water Garden, Pakungwati Water Garden, and Sunyaragi Water Garden. Since the era of the Hindusm in Java is already familiar with the concept of a water garden as a sacred bathing place called Petirtaan. But unlike the Hindusm petirtaan, water garden relics of Kesultanan Cirebon has a uniqueness because it is influenced by local and foreign cultures, that can be seen from the concept of spatial principles and ornamentation in water garden. This study aims to conceive the form of macro spatial principles, micro spatial principles, and ornamentation of each water garden. The macro spatial principles include the cosmology of water gardens. The micro spatial principles include petirtaan shapes. This study also examines the cultural factors that affect each water garden and the relationships of those three water gardens. This research is hopefully may provide insightful development of knowledge especially related to petirtaan. The analytical method that used in this research is using qualitative approach with descriptiveanalytical based on primary and secondary data. Primary data includes direct observation of the object and secondary data includes literature studies on architecture landsape. Ancient water garden located in Cirebon has similarity with the Hindu pentirtaan which serves as a sacred ritual place with uniqueness combined with Islamic water garden of Middle East that serves as a place of recreation. It is also can be seen that there is influence from the Chinese culture on Wadasan ornamentation in each water garden. Therefore, Water garden Cirebon has its own uniqueness because of the acculturation of various existing cultures (Hindusm, Islam, dan Chinese). This shows Cirebon is considered a city that is not closed from outside cultural influences. Key Words: Water Garden relics of Kesultanan Cirebon, spatial principles and ornamentation, petirtaan","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133603259","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-10-05DOI: 10.26593/risa.v3i04.3518.328-344
Khairi Ilman Chandra, Caecilia S. Wijayaputri
Abstract- In a modern environment, the existence of genius loci is starting to become rare. Places seem to lose their defining characteristics and this diminishes people’s experience with them. In 2015, Sunaryo succeeded in building Wot Batu as a place that can exemplify a “man-made place” created in “modern” times that can showcase the existence of a genius loci. Therefore, this research discusses the factors that contribute to the emergence of genius loci and how it emerged in Wot Batu. This research employs a descriptive-qualitative approach. The researcher analyzes theories that are related to definitions of, factors that constitute place, and types of genius loci, which are then utilized to provide an observation of the object. The data that is gathered consist of organizations of spatial structure and articulation of concrete properties. In addition, the researcher also interviewed Sunaryo Sutono about the background of Wot Batu. The researcher identifies and classifies said data in a table of factors that constitute place which are then summarized to serve as a basis for explaining the genius loci that is established in Wot Batu. In Wot Batu, the creator’s strong intent to express spiritual meanings is accomplished in a specific way. The complexity of that spiritual understanding is manifested in its spatial structures and concrete properties that are impressively detailed. The ideas and personal life experiences that were once only found in Sunaryo Sutono’s mind are brought into the world as a very specific place, and those things eventually coalesce into a totality and form genius loci that is meaningful to its user. Key Words: genius loci, Wot Batu, Sunaryo, Ciburial Bandung
{"title":"GENIUS LOCI IN WOT BATU","authors":"Khairi Ilman Chandra, Caecilia S. Wijayaputri","doi":"10.26593/risa.v3i04.3518.328-344","DOIUrl":"https://doi.org/10.26593/risa.v3i04.3518.328-344","url":null,"abstract":"Abstract- In a modern environment, the existence of genius loci is starting to become rare. Places seem to lose their defining characteristics and this diminishes people’s experience with them. In 2015, Sunaryo succeeded in building Wot Batu as a place that can exemplify a “man-made place” created in “modern” times that can showcase the existence of a genius loci. Therefore, this research discusses the factors that contribute to the emergence of genius loci and how it emerged in Wot Batu. This research employs a descriptive-qualitative approach. The researcher analyzes theories that are related to definitions of, factors that constitute place, and types of genius loci, which are then utilized to provide an observation of the object. The data that is gathered consist of organizations of spatial structure and articulation of concrete properties. In addition, the researcher also interviewed Sunaryo Sutono about the background of Wot Batu. The researcher identifies and classifies said data in a table of factors that constitute place which are then summarized to serve as a basis for explaining the genius loci that is established in Wot Batu. In Wot Batu, the creator’s strong intent to express spiritual meanings is accomplished in a specific way. The complexity of that spiritual understanding is manifested in its spatial structures and concrete properties that are impressively detailed. The ideas and personal life experiences that were once only found in Sunaryo Sutono’s mind are brought into the world as a very specific place, and those things eventually coalesce into a totality and form genius loci that is meaningful to its user. Key Words: genius loci, Wot Batu, Sunaryo, Ciburial Bandung","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132753865","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-10-05DOI: 10.26593/risa.v3i04.3519.345-362
Deby Sinantya Purbodewi, R. P. Herwindo
Abstract- Keraton Kasepuhan Cirebon is one of the oldest palace that built during the transition era of Hindu Buddhism and Islam. Therefore. Keraton Kasepuhan has many periods of cultural period, where each period of time has its own distinctive culture, especially from special activities and daily activities that can affect the needs that create a spatial pattern. In terms of architecture, the existence of cultural influences resulted in the development of spatial and mass patterns, so that Kasepuhan Palace has elements of the culture in the spatial pattern and mass. According to the results of previous research, the culture is: Hindu-Buddhist, Islam, and also Colonial. Using linear analytical methods, the data were analyzed by discussing according to the history of spatial development from the influence of each culture. The data were analyzed based on the composition of the HinduBuddhist, Islamic, Chinese, and Colonial spatial layout with the spatial development in the history of the Kasepuhan Palace, which was divided into four ages of leadership namely Ketemenggungan, Kesunanan, Panembahan and Kasultanan, in the focus of large-scale contexts, sacred building contexts, residential buildings. This study aims to tell the architectural pattern that form Keraton Kasepuhan. The benefits of the completion of this research are to add to the architectural treasury of spatial and mass principles by various cultures in Indonesia, and add insight into the principles of spatial and mass arrangement based on theory and culture. The conclusion of this research is the development of spatial and mass on Keraton Kasepuhan is most influenced by local culture, Hindu and Javanese Islam, while the outside culture does not much influence especially on spatial and mass Keraton Kasepuhan. In this case also found that the spatial and mass of a building can survive in a long time, while the form elements in the building can whenever changed and can be adopted or inspired from any culture. Spatial and mass is very crucial, it is the key to the relationship of architecture with humans. Key Words: Acculturation, Spatial and Mass, History, Keraton, Keraton Kasepuhan Cirebon
{"title":"DEVELOPMENT OF SPATIAL AND MASS ON KERATON KASEPUHAN CIREBON","authors":"Deby Sinantya Purbodewi, R. P. Herwindo","doi":"10.26593/risa.v3i04.3519.345-362","DOIUrl":"https://doi.org/10.26593/risa.v3i04.3519.345-362","url":null,"abstract":"Abstract- Keraton Kasepuhan Cirebon is one of the oldest palace that built during the transition era of Hindu Buddhism and Islam. Therefore. Keraton Kasepuhan has many periods of cultural period, where each period of time has its own distinctive culture, especially from special activities and daily activities that can affect the needs that create a spatial pattern. In terms of architecture, the existence of cultural influences resulted in the development of spatial and mass patterns, so that Kasepuhan Palace has elements of the culture in the spatial pattern and mass. According to the results of previous research, the culture is: Hindu-Buddhist, Islam, and also Colonial. Using linear analytical methods, the data were analyzed by discussing according to the history of spatial development from the influence of each culture. The data were analyzed based on the composition of the HinduBuddhist, Islamic, Chinese, and Colonial spatial layout with the spatial development in the history of the Kasepuhan Palace, which was divided into four ages of leadership namely Ketemenggungan, Kesunanan, Panembahan and Kasultanan, in the focus of large-scale contexts, sacred building contexts, residential buildings. This study aims to tell the architectural pattern that form Keraton Kasepuhan. The benefits of the completion of this research are to add to the architectural treasury of spatial and mass principles by various cultures in Indonesia, and add insight into the principles of spatial and mass arrangement based on theory and culture. The conclusion of this research is the development of spatial and mass on Keraton Kasepuhan is most influenced by local culture, Hindu and Javanese Islam, while the outside culture does not much influence especially on spatial and mass Keraton Kasepuhan. In this case also found that the spatial and mass of a building can survive in a long time, while the form elements in the building can whenever changed and can be adopted or inspired from any culture. Spatial and mass is very crucial, it is the key to the relationship of architecture with humans. Key Words: Acculturation, Spatial and Mass, History, Keraton, Keraton Kasepuhan Cirebon","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"109 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122056566","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：