Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2023-2-105-121
G. P. Kozubovskaya
The article deals with the problem of “A.A. Fet and M. E. Shchedrin”, which was only occasionally raised in the domestic literary criticism of the Soviet period. Attention is paid to biographical and historical-literary aspects. An attempt is made to systematize the critical assessments given by Shchedrin to Fet’s poetry. The article considers the specifics of Shchedrin’s position, which, according to Yu.V. Lebedev, did not reach the complete “destruction of aesthetics”, as happened with Pisarev and V. Zaitsev, and some techniques of poetics of criticism (e.g., dialogue with the reader). It is shown that the duality of the critic’s position, on the one hand, understanding the aesthetic value of Fet’s poetry, on the other, devaluing it by applying theoretical ideas of revolutionary democracy to it, is also seen in Shchedrin’s prose, repeatedly quoting lines of Fet’s poetry. Semantics and functions of “someone else’s speech” in Shchedrin’s prose are clarified, the mechanisms of quoting in various kinds of beating Fetov quotes are investigated.
{"title":"POETRY BY A.A. FET AND M.E. SALTYKOV-SHCHEDRIN","authors":"G. P. Kozubovskaya","doi":"10.37386/2305-4077-2023-2-105-121","DOIUrl":"https://doi.org/10.37386/2305-4077-2023-2-105-121","url":null,"abstract":"The article deals with the problem of “A.A. Fet and M. E. Shchedrin”, which was only occasionally raised in the domestic literary criticism of the Soviet period. Attention is paid to biographical and historical-literary aspects. An attempt is made to systematize the critical assessments given by Shchedrin to Fet’s poetry. The article considers the specifics of Shchedrin’s position, which, according to Yu.V. Lebedev, did not reach the complete “destruction of aesthetics”, as happened with Pisarev and V. Zaitsev, and some techniques of poetics of criticism (e.g., dialogue with the reader). It is shown that the duality of the critic’s position, on the one hand, understanding the aesthetic value of Fet’s poetry, on the other, devaluing it by applying theoretical ideas of revolutionary democracy to it, is also seen in Shchedrin’s prose, repeatedly quoting lines of Fet’s poetry. Semantics and functions of “someone else’s speech” in Shchedrin’s prose are clarified, the mechanisms of quoting in various kinds of beating Fetov quotes are investigated.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126109732","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2023-2-6-17
Е. А. Khudenko
The article is devoted to the consideration of the phenomenon of literary «synchrony» – contemporaneous appearance of the phenomenon of philosophical and poetical identity in the texts of authors who never crossed with each other in the living space. A comparative analysis of the famous novel by M. Prishvin “ Ginseng “ and the little-known collection of short stories by A. Haydock “The Stars of Manchuria” suggests that the creative searches of the authors developed in the same way. Through the comprehension of eastern nature and Eastern philosophy, writers come to the idea of the unity of all living things and the interconnectedness of everything with this in a single stream of Being. Paintings of neo-romantic nature, motives of escape from reality, music, the search for the ideal feminine principle, the “keys of happiness” and the truth of human existence play an equally significant role in both texts. All this allows us to understand in a new way not only the Prishvin creativity, but also the literary process of the 1930s in the unity of two branches – the metropolis and the eastern line of the «first wave» of Russian emigration.
{"title":"M. PRISHVIN AND A. HAYDOCK: A DIALOGUE ABOUT MANCHURIA, MAN AND TRUTH (“ZHEN-SHEN” AND “STARS OF MANCHURIA”)","authors":"Е. А. Khudenko","doi":"10.37386/2305-4077-2023-2-6-17","DOIUrl":"https://doi.org/10.37386/2305-4077-2023-2-6-17","url":null,"abstract":"The article is devoted to the consideration of the phenomenon of literary «synchrony» – contemporaneous appearance of the phenomenon of philosophical and poetical identity in the texts of authors who never crossed with each other in the living space. A comparative analysis of the famous novel by M. Prishvin “ Ginseng “ and the little-known collection of short stories by A. Haydock “The Stars of Manchuria” suggests that the creative searches of the authors developed in the same way. Through the comprehension of eastern nature and Eastern philosophy, writers come to the idea of the unity of all living things and the interconnectedness of everything with this in a single stream of Being. Paintings of neo-romantic nature, motives of escape from reality, music, the search for the ideal feminine principle, the “keys of happiness” and the truth of human existence play an equally significant role in both texts. All this allows us to understand in a new way not only the Prishvin creativity, but also the literary process of the 1930s in the unity of two branches – the metropolis and the eastern line of the «first wave» of Russian emigration.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123701217","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2021-2-198-210
E. Dakhalaeva
The object of this research is the female victims’ first-person discourse. To describe the self-referential discourse of this type of a speaker, along with the notions of “self-reference” and “ino-reference” the author resorts to such notions as “one’s own circle” and “outer circle”. This expands the meaning of the notion of “self-reference”. The purpose of this article is to reconstruct the fragments of the dynamic model of interacting self-referential and non-referential discourse components on the material of French-speaking female victims’ evidence. The speakers were subjected to domestic violence in their past. The author reveals lexical, grammatical and syntactic components, which are used in the victims’ discourse within the framework of “one’s own self-referential circle” and “outer ino-referential circle”, a complex set of their interaction is schematically demonstrated.
{"title":"«ONE’S OWN CIRCLE» - «OUTER CIRCLE»: FRAGMENTS OF DYNAMIC MODEL OF SELF- REFERENCE AND INO-REFERENCE COMPONENTS INTERACTION IN THE DISCOURSE FEMALE VICTIMS OF DOMESTIC VIOLENCE","authors":"E. Dakhalaeva","doi":"10.37386/2305-4077-2021-2-198-210","DOIUrl":"https://doi.org/10.37386/2305-4077-2021-2-198-210","url":null,"abstract":"The object of this research is the female victims’ first-person discourse. To describe the self-referential discourse of this type of a speaker, along with the notions of “self-reference” and “ino-reference” the author resorts to such notions as “one’s own circle” and “outer circle”. This expands the meaning of the notion of “self-reference”. The purpose of this article is to reconstruct the fragments of the dynamic model of interacting self-referential and non-referential discourse components on the material of French-speaking female victims’ evidence. The speakers were subjected to domestic violence in their past. The author reveals lexical, grammatical and syntactic components, which are used in the victims’ discourse within the framework of “one’s own self-referential circle” and “outer ino-referential circle”, a complex set of their interaction is schematically demonstrated.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"310 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122780150","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2023-2-62-71
A. I. Ivanitskiy
The author’s position in “Dead Souls” was based on the “lyrical “invocation” to Russia, that was personified in the forms of Lomonosov’s “female ode”. Meanwhile Gogol showed the semantic base of baroque, where the tropes did not express the “ideal of the being” (J.V. Mann), but transfigured the world according to this ideal. While Pieter I in the ode had renewed Russia, Elizaveta Petrovna had embodied it in herself as the set of the ideal properties. Having been personified as the allegories, these properties would become the new persons, made of flesh and blood. The idea of Lomonosov’s baroque was the constant and ordered mutual transfer of the bodily and the spiritually in the area / “body” of the equal to each other empress and empire. The energy of such Russia’s transformation to its key meaning of the eternal moving (having been materialized in the flying carriage) shows the final of the poem’s first volume, programming the content of the two upcoming volumes.
{"title":"LOMONOSOV’S BAROQUE IN GOGOL’S MIRROR","authors":"A. I. Ivanitskiy","doi":"10.37386/2305-4077-2023-2-62-71","DOIUrl":"https://doi.org/10.37386/2305-4077-2023-2-62-71","url":null,"abstract":"The author’s position in “Dead Souls” was based on the “lyrical “invocation” to Russia, that was personified in the forms of Lomonosov’s “female ode”. Meanwhile Gogol showed the semantic base of baroque, where the tropes did not express the “ideal of the being” (J.V. Mann), but transfigured the world according to this ideal. While Pieter I in the ode had renewed Russia, Elizaveta Petrovna had embodied it in herself as the set of the ideal properties. Having been personified as the allegories, these properties would become the new persons, made of flesh and blood. The idea of Lomonosov’s baroque was the constant and ordered mutual transfer of the bodily and the spiritually in the area / “body” of the equal to each other empress and empire. The energy of such Russia’s transformation to its key meaning of the eternal moving (having been materialized in the flying carriage) shows the final of the poem’s first volume, programming the content of the two upcoming volumes.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123178176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2021-4-178-188
M. Y. Kovaleva, S. Koroleva
The article is devoted to analyzing the image of the Russian princess in the novel byW. Woolf Orlando in the aspect of response to female images in F. M. Dostoevsky’s novels. The study describes the multidimensional perception of works by Dostoevsky in the British writer’s creative activity in the imagological, cultural, historical and literary context of the century. The main focus of the research is a detailed comparative analysis of the image of Nastasya Filippovna Barashkova ( The Idiot ) with the image of Sasha ( Orlando ); the result of the analysis is verification of the hypothesis that the image of Sasha in the novel by V. Woolf is a direct response to Dostoyevsky’s works. The major material of the study is F. M. Dostoevsky’s novel The Idiot and W. Woolf’s novel Orlando.
{"title":"THE IMAGE OF A RUSSIAN PRINCESS IN V. WOOLF’S NOVEL «ORLANDO»: A DIALOGUE WITH DOSTOYEVSKY","authors":"M. Y. Kovaleva, S. Koroleva","doi":"10.37386/2305-4077-2021-4-178-188","DOIUrl":"https://doi.org/10.37386/2305-4077-2021-4-178-188","url":null,"abstract":"The article is devoted to analyzing the image of the Russian princess in the novel byW. Woolf Orlando in the aspect of response to female images in F. M. Dostoevsky’s novels. The study describes the multidimensional perception of works by Dostoevsky in the British writer’s creative activity in the imagological, cultural, historical and literary context of the century. The main focus of the research is a detailed comparative analysis of the image of Nastasya Filippovna Barashkova ( The Idiot ) with the image of Sasha ( Orlando ); the result of the analysis is verification of the hypothesis that the image of Sasha in the novel by V. Woolf is a direct response to Dostoyevsky’s works. The major material of the study is F. M. Dostoevsky’s novel The Idiot and W. Woolf’s novel Orlando.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131513529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2021-4-311-323
E. Kosykh
The article examines children’s text considering interpersonal features of adult-child communication. In the presented survey, a change in communicative registers is described, which makes it possible to establish a variation in the “speaking mood” of a child who demands for verbal interaction. In considering the object of research, the author relies on the classical works by G. A. Zolotova, V. A. Zherebkov and their followers.The author attempts to inscribe the significance of studying children’s speech into the issues of utterance decoding, on the one hand, and interdisciplinary aspects of modern linguistics, associated, in particular, with the creation of the corpus of children’s texts, on the other.
{"title":"CHILDREN’S TEXT IN THE SYSTEM OF COMMUNICATIVE SPEECH REGISTERS","authors":"E. Kosykh","doi":"10.37386/2305-4077-2021-4-311-323","DOIUrl":"https://doi.org/10.37386/2305-4077-2021-4-311-323","url":null,"abstract":"The article examines children’s text considering interpersonal features of adult-child communication. In the presented survey, a change in communicative registers is described, which makes it possible to establish a variation in the “speaking mood” of a child who demands for verbal interaction. In considering the object of research, the author relies on the classical works by G. A. Zolotova, V. A. Zherebkov and their followers.The author attempts to inscribe the significance of studying children’s speech into the issues of utterance decoding, on the one hand, and interdisciplinary aspects of modern linguistics, associated, in particular, with the creation of the corpus of children’s texts, on the other.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131286321","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2022-3-215-218
T. Semyan
The article is dedicated to the anniversary of the outstanding domestic literary critic Yuri Orlitsky (b. - 1952); it contains a brief overview of his main scientific works and a description of his many-sided activity as a poet and literary trader.
{"title":"VERSIFIER AND POET: TO THE ANNIVERSARY OF YURI ORLITSKY","authors":"T. Semyan","doi":"10.37386/2305-4077-2022-3-215-218","DOIUrl":"https://doi.org/10.37386/2305-4077-2022-3-215-218","url":null,"abstract":"The article is dedicated to the anniversary of the outstanding domestic literary critic Yuri Orlitsky (b. - 1952); it contains a brief overview of his main scientific works and a description of his many-sided activity as a poet and literary trader.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131937652","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2023-2-190-196
A. D. Shabalin
The article considers convergence scenarios according to which a digital dialogue develops in contemporary media text. There are three types of convergence scenarios: multimedia, cross- media, transmedia. Each of these scenarios is researched in the aspect of the ecological linguistic potential of media narration in digital dialogue.
{"title":"DIGITAL DIALOGUE AND CONVERGENCE SCENARIOS: ECOLOGICAL LINGUISTIC POTENTIAL OF MEDIA NARRATION","authors":"A. D. Shabalin","doi":"10.37386/2305-4077-2023-2-190-196","DOIUrl":"https://doi.org/10.37386/2305-4077-2023-2-190-196","url":null,"abstract":"The article considers convergence scenarios according to which a digital dialogue develops in contemporary media text. There are three types of convergence scenarios: multimedia, cross- media, transmedia. Each of these scenarios is researched in the aspect of the ecological linguistic potential of media narration in digital dialogue.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"116 6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128390219","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2021-3-196-204
T. Bogumil
The dendroimage image of Siberia is considered in the context of geopoetics and ethnodendrology. For the first time the proposed analysis systematizes the motives associated with the image of larch, one of the main trees in the region. The research materials are scientific works on ethnography and folklore studies, Russian and Russian-language fiction about Siberia written in the XIX-XX centuries. The name of the tree reflects its dual status: coniferous and deciduous simultaneously. The “gender” of the larch is also indeterminate: male / female. The larch has an «intermediate» position in the system of the most important dendroimages of the Siberian text: between cedar and birch. It can be associated with universal tree mythologemes (World Tree, Tree of Life and Death, family tree, etc.), but it most clearly embodies the basic concept of Siberia as a space of violence, hard labor, exile, concentration camps.
{"title":"TREE IMAGE OF SIBERIA: LARCH","authors":"T. Bogumil","doi":"10.37386/2305-4077-2021-3-196-204","DOIUrl":"https://doi.org/10.37386/2305-4077-2021-3-196-204","url":null,"abstract":"The dendroimage image of Siberia is considered in the context of geopoetics and ethnodendrology. For the first time the proposed analysis systematizes the motives associated with the image of larch, one of the main trees in the region. The research materials are scientific works on ethnography and folklore studies, Russian and Russian-language fiction about Siberia written in the XIX-XX centuries. The name of the tree reflects its dual status: coniferous and deciduous simultaneously. The “gender” of the larch is also indeterminate: male / female. The larch has an «intermediate» position in the system of the most important dendroimages of the Siberian text: between cedar and birch. It can be associated with universal tree mythologemes (World Tree, Tree of Life and Death, family tree, etc.), but it most clearly embodies the basic concept of Siberia as a space of violence, hard labor, exile, concentration camps.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132787546","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2022-2-145-152
E. E. Nadtochiy
The article is devoted to the analysis of obituaries about the death of the poet S. S. Bobrov. The article examines the reasons for the “forgetting” of the writer in the subsequent literary generation. Genre elements of the obituary are analyzed in detail as a toolkit that constructs literary reputation. It is concluded that at the beginning of the 19th century the informational task of the obituary text fades into the background, while it’s modeling functions in creating the posthumous image of the writer become dominant.
这篇文章致力于分析诗人S. S. Bobrov去世的讣告。文章探讨了作家在后来的文学一代中被“遗忘”的原因。作为构建文学声誉的工具，对讣告的类型要素进行了详细分析。文章认为，在19世纪初，讣告文本的信息任务逐渐退居次要地位，其塑造作家身后形象的造型功能占据主导地位。
{"title":"To the history of one failure: obituaries of S. S. Bobtov and the formation of a posthumous reputation","authors":"E. E. Nadtochiy","doi":"10.37386/2305-4077-2022-2-145-152","DOIUrl":"https://doi.org/10.37386/2305-4077-2022-2-145-152","url":null,"abstract":"The article is devoted to the analysis of obituaries about the death of the poet S. S. Bobrov. The article examines the reasons for the “forgetting” of the writer in the subsequent literary generation. Genre elements of the obituary are analyzed in detail as a toolkit that constructs literary reputation. It is concluded that at the beginning of the 19th century the informational task of the obituary text fades into the background, while it’s modeling functions in creating the posthumous image of the writer become dominant.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116697904","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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