Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2022-1-143-148
O.V. Pelevina
The article examines the actualization of the literary opposition «friend-foe» in the story of Reinhold Zimmerman «Pan Olensky» (“Mister Olensky). Zimmerman, using the life story of a captive Pole, forced by fate to live in Siberia at the end of the XIX century, shows how the traditional for Russian literature image of the «eternal outsider» transformed, turning a «foe» into a «friend».
{"title":"«FRIEND OR FOE» «PAN OLENSKY»: REVISION OF THE IMAGE OF ETERNAL OUTSIDER IN THE STORY BY R. ZIMMERMAN","authors":"O.V. Pelevina","doi":"10.37386/2305-4077-2022-1-143-148","DOIUrl":"https://doi.org/10.37386/2305-4077-2022-1-143-148","url":null,"abstract":"The article examines the actualization of the literary opposition «friend-foe» in the story of Reinhold Zimmerman «Pan Olensky» (“Mister Olensky). Zimmerman, using the life story of a captive Pole, forced by fate to live in Siberia at the end of the XIX century, shows how the traditional for Russian literature image of the «eternal outsider» transformed, turning a «foe» into a «friend».","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114379139","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2022-1-68-73
M. Grebneva
The publication considers the varieties of text equivalents in eight editions of the poem “Demon” by M. Yu. Lermontov - unrealized, unclaimed, having a variable character, replaced by previous and subsequent options, hidden. The listed types of text equivalents not only testify to the graphic features of Lermontov’s verse, but also make it possible to reveal encrypted information demonstrating the nature of the author’s work on the poem, to emphasize their special productive role, indicating how the “Demon” gradually changed, as over time it turned from a romantic poem into a poetic story.
{"title":"TYPES OF TEXT EQUIVALENTS IN EDITIONS OF M. YU. LERMONTOV’S POEM «DEMON»","authors":"M. Grebneva","doi":"10.37386/2305-4077-2022-1-68-73","DOIUrl":"https://doi.org/10.37386/2305-4077-2022-1-68-73","url":null,"abstract":"The publication considers the varieties of text equivalents in eight editions of the poem “Demon” by M. Yu. Lermontov - unrealized, unclaimed, having a variable character, replaced by previous and subsequent options, hidden. The listed types of text equivalents not only testify to the graphic features of Lermontov’s verse, but also make it possible to reveal encrypted information demonstrating the nature of the author’s work on the poem, to emphasize their special productive role, indicating how the “Demon” gradually changed, as over time it turned from a romantic poem into a poetic story.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"74 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114091341","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2022-1-177-187
V. A. Shulginov, R. Mustafin, A. Tillabaeva
The article analyzes the ways etiquette formulas are used in conflict interactions between the participants of online communities. The writer brings into focus the tendency for etiquette formulas of gratitude to expand their functions. The article highlights typical strategies of using etiquette phrases in the discourse of conflict including their use as markers of open and covert speech aggression. The writers also state the functional convergence of gratitude and farewell formulars: the expression of gratitude as it is becomes a labelled sign of the speaker’s withdrawal from communication.
{"title":"REGULAR IM/POLITENESS IN INTERNET COMMUNICATION: DISCURSIVE SHIFT IN USING ETIQUETTE FORMULAS OF GRATITUDE","authors":"V. A. Shulginov, R. Mustafin, A. Tillabaeva","doi":"10.37386/2305-4077-2022-1-177-187","DOIUrl":"https://doi.org/10.37386/2305-4077-2022-1-177-187","url":null,"abstract":"The article analyzes the ways etiquette formulas are used in conflict interactions between the participants of online communities. The writer brings into focus the tendency for etiquette formulas of gratitude to expand their functions. The article highlights typical strategies of using etiquette phrases in the discourse of conflict including their use as markers of open and covert speech aggression. The writers also state the functional convergence of gratitude and farewell formulars: the expression of gratitude as it is becomes a labelled sign of the speaker’s withdrawal from communication.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"2010 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114502331","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2022-3-188-194
Елена Евгеньевна Завьялова
Имя Давида Наумовича Медриша (1926–2011) хорошо известно в отечественной науке. Его методологические подходы до сих пор продуктивно используются фольклористами, литературоведами, лингвистами, культурологами, искусствоведами, историками. О теоретических новациях и научных открытиях профессора Волгоградского государственного социально-педагогического университета написано несколько ценных работ. Однако системного, целостного анализа его роли в развитии гуманитарной науки до сих пор не предпринималось. Выход монографии А. Х. Гольденберга, О. О. Путило, Н. Е. Тропкиной видится очень своевременным.
大卫·诺莫维奇·梅里什(1926 - 2011)在国内科学中很有名。他的方法仍然被民间学者、文学学者、语言学家、文化学家、艺术史学家和历史学家有效地使用。伏尔加格勒州立社会教育大学教授的理论创新和科学发现发表了几篇有价值的论文。然而，还没有对其在人文科学发展中的作用进行系统、完整的分析。a . h . goldenberg的专著出版，o . o . putilo, n。
{"title":"ЖИЗНЬ И СУДЬБА УЧЕНОГО","authors":"Елена Евгеньевна Завьялова","doi":"10.37386/2305-4077-2022-3-188-194","DOIUrl":"https://doi.org/10.37386/2305-4077-2022-3-188-194","url":null,"abstract":"Имя Давида Наумовича Медриша (1926–2011) хорошо известно в отечественной науке. Его методологические подходы до сих пор продуктивно используются фольклористами, литературоведами, лингвистами, культурологами, искусствоведами, историками. О теоретических новациях и научных открытиях профессора Волгоградского государственного социально-педагогического университета написано несколько ценных работ. Однако системного, целостного анализа его роли в развитии гуманитарной науки до сих пор не предпринималось. Выход монографии А. Х. Гольденберга, О. О. Путило, Н. Е. Тропкиной видится очень своевременным.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"232 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117152523","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2021-3-260-270
R. T. Rukoleeva
This article analyzes the essay «Either-or» by the Danish thinker S. Kierkegaard. The musicality is an important feature of this work. The author attempts to combine the languages of music and prose, and a unique philosophical and literary text is born on the border of two types of art. Kierkegaard considered Mozart’s opera «Don Giovanni» as the pinnacle of musical creativity. Through the character of Don Juan, the philosopher recreates the type of aesthetic personality in the spirit of romanticism and shows the vulnerability of the romantic worldview. «Either-or» includes works written in different genres and reflecting opposing attitudes in life. This feature of narration can be compared with the phenomenon of polyphonism in music.
{"title":"MUSIC OF THOUGHT OF S. KIERKEGAARD","authors":"R. T. Rukoleeva","doi":"10.37386/2305-4077-2021-3-260-270","DOIUrl":"https://doi.org/10.37386/2305-4077-2021-3-260-270","url":null,"abstract":"This article analyzes the essay «Either-or» by the Danish thinker S. Kierkegaard. The musicality is an important feature of this work. The author attempts to combine the languages of music and prose, and a unique philosophical and literary text is born on the border of two types of art. Kierkegaard considered Mozart’s opera «Don Giovanni» as the pinnacle of musical creativity. Through the character of Don Juan, the philosopher recreates the type of aesthetic personality in the spirit of romanticism and shows the vulnerability of the romantic worldview. «Either-or» includes works written in different genres and reflecting opposing attitudes in life. This feature of narration can be compared with the phenomenon of polyphonism in music.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123327611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2022-4-6-21
N. Rymar
Perspectivism is considered in the article following on from the problem of the productivity of aesthetic activity, seeking ways and forms for solving new creative tasks of the artist. The perspectivism of the 20th century is manifested in the creation of new forms of vision and understanding of reality: the main poetological principle of constructing a novel is not the time of the plot story, but the space of consciousness of the hero or the author.
{"title":"PERSPECTIVISM IN ART AND THE NOVEL OF THE 20TH CENTURY: DEFABULIZATION","authors":"N. Rymar","doi":"10.37386/2305-4077-2022-4-6-21","DOIUrl":"https://doi.org/10.37386/2305-4077-2022-4-6-21","url":null,"abstract":"Perspectivism is considered in the article following on from the problem of the productivity of aesthetic activity, seeking ways and forms for solving new creative tasks of the artist. The perspectivism of the 20th century is manifested in the creation of new forms of vision and understanding of reality: the main poetological principle of constructing a novel is not the time of the plot story, but the space of consciousness of the hero or the author.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123906568","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2021-4-221-226
S. Y. Chvertko
The article analyzes the mythologeme of water in the stories of Georgy Grebenshchikov - «Vodyanoi» (“water sprite”) and «In the forest»; it considers symbolic meanings and semantic functions of the mythologeme. The ambiguous symbolism of water is viewed, on the one hand, as an allusion to the spontaneous irrepressible power of the Russian people; on the other - as a special space, a kind of interworld, where the characters of the stories must undergo initiation. However, in defiance of the law of a fairy tale, fear prevents the heroes from completing the trial, and finally they return to their original state, to the beginning of their journey.
{"title":"THE MYTHOLOGEME OF WATER IN GEORGY GREBENSHCHIKOV’S STORIES «VODYANOI» AND «IN THE FOREST»","authors":"S. Y. Chvertko","doi":"10.37386/2305-4077-2021-4-221-226","DOIUrl":"https://doi.org/10.37386/2305-4077-2021-4-221-226","url":null,"abstract":"The article analyzes the mythologeme of water in the stories of Georgy Grebenshchikov - «Vodyanoi» (“water sprite”) and «In the forest»; it considers symbolic meanings and semantic functions of the mythologeme. The ambiguous symbolism of water is viewed, on the one hand, as an allusion to the spontaneous irrepressible power of the Russian people; on the other - as a special space, a kind of interworld, where the characters of the stories must undergo initiation. However, in defiance of the law of a fairy tale, fear prevents the heroes from completing the trial, and finally they return to their original state, to the beginning of their journey.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125144901","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2022-3-8-17
V. Stepchenkova
The purpose of the article is to clarify the value architectonics of Dostoevsky’s novel «The Brothers Karamazov» in terms of the meaning of the idea of the Church in its motive structure. The idea of the Church is considered as a sense-forming element of the author’s concept of the novel. It is proved that the Church is understood by Dostoevsky not only as a social institution, manifested in the microcosm of the monastic structure, but also as a community of the entire created world, acquired by him in his Creator. The idea of the Church in the novel is intertwined with the idea of the unity of the visible and invisible worlds, the ideas of spiritual overcoming of spatial distance and physical time. At the narrative level, the idea of the Church in the novel is realized in the motives of bowing, love of life, motives of guilt and responsibility associated with the formula “everyone is to blame for everyone”, which includes the entire created world, including both people and the world of nature.
{"title":"THE IDEA OF THE CHURCH AS UNITY IN F. M. DOSTOYEVSKY’S NOVEL “THE BROTHERS KARAMAZOV”","authors":"V. Stepchenkova","doi":"10.37386/2305-4077-2022-3-8-17","DOIUrl":"https://doi.org/10.37386/2305-4077-2022-3-8-17","url":null,"abstract":"The purpose of the article is to clarify the value architectonics of Dostoevsky’s novel «The Brothers Karamazov» in terms of the meaning of the idea of the Church in its motive structure. The idea of the Church is considered as a sense-forming element of the author’s concept of the novel. It is proved that the Church is understood by Dostoevsky not only as a social institution, manifested in the microcosm of the monastic structure, but also as a community of the entire created world, acquired by him in his Creator. The idea of the Church in the novel is intertwined with the idea of the unity of the visible and invisible worlds, the ideas of spiritual overcoming of spatial distance and physical time. At the narrative level, the idea of the Church in the novel is realized in the motives of bowing, love of life, motives of guilt and responsibility associated with the formula “everyone is to blame for everyone”, which includes the entire created world, including both people and the world of nature.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"169 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126023290","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2022-4-48-54
L.E. Lyapina
The article is devoted to the study of polysensory compositions in the lyrics of the 19th century, highlighting the features and role of Fet as the lyricist in this regard. The poetics of his works demonstrates a systematic interest in a variety of sensory modes, the intertextual correlation of which generates a special structure of the plot. Inheriting the conceptions of M. Lermontov, F. Touché and others, Fet gives impetus to the development of polysensory in the future, including Ya. Polonsky and A. Maikov among the poets of his generation, each developing their own aesthetic dominant of polysensory plots corresponding to the nature imaginative system of each.
本文对19世纪抒情诗中的多感官作曲进行了研究，并着重分析了费特作为抒情诗作者在这方面的特点和作用。他作品的诗学表现出对各种感官模式的系统兴趣，这些感官模式的互文关联产生了特殊的情节结构。Fet继承了莱蒙托夫(Lermontov)、touch (F. touch)等人的概念，推动了未来包括Ya在内的多感官的发展。波隆斯基和A.迈科夫是同时期的诗人，他们各自发展了自己的审美优势，即与各自的自然想象系统相对应的多感官情节。
{"title":"THE POETICS OF POLYSENSORY COMPOSITIONS IN THE LYRICS OF A.FET AND HIS CONTEMPORARIES","authors":"L.E. Lyapina","doi":"10.37386/2305-4077-2022-4-48-54","DOIUrl":"https://doi.org/10.37386/2305-4077-2022-4-48-54","url":null,"abstract":"The article is devoted to the study of polysensory compositions in the lyrics of the 19th century, highlighting the features and role of Fet as the lyricist in this regard. The poetics of his works demonstrates a systematic interest in a variety of sensory modes, the intertextual correlation of which generates a special structure of the plot. Inheriting the conceptions of M. Lermontov, F. Touché and others, Fet gives impetus to the development of polysensory in the future, including Ya. Polonsky and A. Maikov among the poets of his generation, each developing their own aesthetic dominant of polysensory plots corresponding to the nature imaginative system of each.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"96 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124647507","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2021-3-134-146
O. Zaslavskii
In “The Tales of Belkin”, “Little Tragedies” and some other works of Pushkin (including those of the sculptural myth) there is a common scene associated with direct clash between a character and uncontrollable forces (in particular, of superhuman nature). Such a force impends over a character during a long time and, suddenly, actualizes physically. As a result, a character fights against the fatal forces or loses his/her will - falls without unconscious (the most frequent reaction), begs for mercy or runs away. Insistent repeatability of the situation revels here a structural invariant. It can be combined with the presence of a hidden powerful observer as well as with a plot complex based on a treaty concluded in the past.
{"title":"PERSON AND SUPREME FORCES: INVARIANT ELEMENTS IN SCENES OF BOLDINO WORKS","authors":"O. Zaslavskii","doi":"10.37386/2305-4077-2021-3-134-146","DOIUrl":"https://doi.org/10.37386/2305-4077-2021-3-134-146","url":null,"abstract":"In “The Tales of Belkin”, “Little Tragedies” and some other works of Pushkin (including those of the sculptural myth) there is a common scene associated with direct clash between a character and uncontrollable forces (in particular, of superhuman nature). Such a force impends over a character during a long time and, suddenly, actualizes physically. As a result, a character fights against the fatal forces or loses his/her will - falls without unconscious (the most frequent reaction), begs for mercy or runs away. Insistent repeatability of the situation revels here a structural invariant. It can be combined with the presence of a hidden powerful observer as well as with a plot complex based on a treaty concluded in the past.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130850247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：