Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2022-1-110-122
D. V. Koblenkova
The article analyzes the transformation of images in the fairy tale novel by C. Collodi “Pinocchio. The Story of a Wooden Doll” in the works of A. Tolstoy and in the film by A. Ptushko “The Golden Key” (1939). Possible reasons for the authors’ appeal to the European literary fairy tale and the methods of secondary conventionality in the context of political repressions of the 1930s are considered. The cinematography of this period, characterized by increased symbolization and work with archetypal structures, is viewed through the interaction of different trends in the the pre-war Soviet art: from modernism and neo-romanticism to socialist realism and Stalinist neoclassicism.
{"title":"FROM THE NOVEL “PINOCCHIO” BY CARLO COLLODI TO THE FILM “THE GOLDEN KEY” (1939) BY ALEXEY TOLSTOY AND ALEXANDER PTUSHKO: THE PROBLEM OF POLITICAL ALLUSIONS","authors":"D. V. Koblenkova","doi":"10.37386/2305-4077-2022-1-110-122","DOIUrl":"https://doi.org/10.37386/2305-4077-2022-1-110-122","url":null,"abstract":"The article analyzes the transformation of images in the fairy tale novel by C. Collodi “Pinocchio. The Story of a Wooden Doll” in the works of A. Tolstoy and in the film by A. Ptushko “The Golden Key” (1939). Possible reasons for the authors’ appeal to the European literary fairy tale and the methods of secondary conventionality in the context of political repressions of the 1930s are considered. The cinematography of this period, characterized by increased symbolization and work with archetypal structures, is viewed through the interaction of different trends in the the pre-war Soviet art: from modernism and neo-romanticism to socialist realism and Stalinist neoclassicism.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"229 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128975153","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2021-3-134-146
O. Zaslavskii
In “The Tales of Belkin”, “Little Tragedies” and some other works of Pushkin (including those of the sculptural myth) there is a common scene associated with direct clash between a character and uncontrollable forces (in particular, of superhuman nature). Such a force impends over a character during a long time and, suddenly, actualizes physically. As a result, a character fights against the fatal forces or loses his/her will - falls without unconscious (the most frequent reaction), begs for mercy or runs away. Insistent repeatability of the situation revels here a structural invariant. It can be combined with the presence of a hidden powerful observer as well as with a plot complex based on a treaty concluded in the past.
{"title":"PERSON AND SUPREME FORCES: INVARIANT ELEMENTS IN SCENES OF BOLDINO WORKS","authors":"O. Zaslavskii","doi":"10.37386/2305-4077-2021-3-134-146","DOIUrl":"https://doi.org/10.37386/2305-4077-2021-3-134-146","url":null,"abstract":"In “The Tales of Belkin”, “Little Tragedies” and some other works of Pushkin (including those of the sculptural myth) there is a common scene associated with direct clash between a character and uncontrollable forces (in particular, of superhuman nature). Such a force impends over a character during a long time and, suddenly, actualizes physically. As a result, a character fights against the fatal forces or loses his/her will - falls without unconscious (the most frequent reaction), begs for mercy or runs away. Insistent repeatability of the situation revels here a structural invariant. It can be combined with the presence of a hidden powerful observer as well as with a plot complex based on a treaty concluded in the past.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130850247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2022-1-74-88
V. S. Zaitsev
The article is devoted to the discussions of two books by V. V. Ermilov (“Chekhov” and “Dramaturgy of Anton Chekhov”). The discussions were held at the publishing house “Molodaya Gvardiya” and at the meeting of the commission on the theory of literature and criticism of the USSR Writers’ Union in 1946 and 1948. A. B. Derman spoke at both meetings with consistent criticism of V. V. Ermilov’s works. Shorthand records of A. B. Derman, V. B. Shklovsky, L. M. Myshkovskaya and others allow us to consider the specific features of Chekhov scholars disputes of the 1940s and to assess their influence on the subsequent development of Soviet Chekhovian studies.
这篇文章专门讨论了v·v·叶尔米洛夫的两本书(《契诃夫》和《安东·契诃夫的戏剧学》)。讨论是在Molodaya Gvardiya出版社和1946年和1948年苏联作家联盟文学理论和批评委员会的会议上举行的。a·b·德曼(A. B. Derman)在两次会议上都对v·v·叶尔米洛夫的作品提出了一贯的批评。A. B. Derman、V. B. Shklovsky、L. M. Myshkovskaya等人的速记记录使我们能够考虑20世纪40年代契诃夫学者争论的具体特征，并评估它们对苏联契诃夫研究的后续发展的影响。
{"title":"A. B. DERMAN AGAINST V. V. ERMILOV: FROM THE HISTORY OF SOVIET CHEKHOVIAN STUDIES OF THE 1940S","authors":"V. S. Zaitsev","doi":"10.37386/2305-4077-2022-1-74-88","DOIUrl":"https://doi.org/10.37386/2305-4077-2022-1-74-88","url":null,"abstract":"The article is devoted to the discussions of two books by V. V. Ermilov (“Chekhov” and “Dramaturgy of Anton Chekhov”). The discussions were held at the publishing house “Molodaya Gvardiya” and at the meeting of the commission on the theory of literature and criticism of the USSR Writers’ Union in 1946 and 1948. A. B. Derman spoke at both meetings with consistent criticism of V. V. Ermilov’s works. Shorthand records of A. B. Derman, V. B. Shklovsky, L. M. Myshkovskaya and others allow us to consider the specific features of Chekhov scholars disputes of the 1940s and to assess their influence on the subsequent development of Soviet Chekhovian studies.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128076804","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2022-4-116-131
E. D. Trukhan
The article examines the dialogue of words and painting in the works of Kuzbass authors – writer L.A. Nikonova and naive artist I. Selivanov. Theoretical issues of perception of painting, problems of intersection of pictorial and verbal creativity, etc. are revealed in connection with the analysis of metatext, with an emphasis on L.A. Nikonova’s understanding of the image of I.E. Selivanov as an artist close to her in spirit.
{"title":"THE NAIVE ARTIST IVAN SELIVANOV IN THE POETRY AND PROSE OF LYUBOV NIKONOVA","authors":"E. D. Trukhan","doi":"10.37386/2305-4077-2022-4-116-131","DOIUrl":"https://doi.org/10.37386/2305-4077-2022-4-116-131","url":null,"abstract":"The article examines the dialogue of words and painting in the works of Kuzbass authors – writer L.A. Nikonova and naive artist I. Selivanov. Theoretical issues of perception of painting, problems of intersection of pictorial and verbal creativity, etc. are revealed in connection with the analysis of metatext, with an emphasis on L.A. Nikonova’s understanding of the image of I.E. Selivanov as an artist close to her in spirit.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127308974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2022-1-123-133
I. Shestakova
The article traces the historical dynamics of the «Altai feature film text». The author uses the concepts of «geoculture», «geopoetics», «geopolitics», proposed by V. Abashev, D. Zamyatin. The issues of the formation of film production in Siberia, the evolution of the Altai cinema image, the formation of symbolic dominants in feature films made in the 1920s and 1940s are considered. The interrelation of the geocultural paradigm with the political and social events in Russia of this time is shown.
{"title":"ALTAI IN RUSSIAN FEATURE FILMS OF THE 1920s - 1940s","authors":"I. Shestakova","doi":"10.37386/2305-4077-2022-1-123-133","DOIUrl":"https://doi.org/10.37386/2305-4077-2022-1-123-133","url":null,"abstract":"The article traces the historical dynamics of the «Altai feature film text». The author uses the concepts of «geoculture», «geopoetics», «geopolitics», proposed by V. Abashev, D. Zamyatin. The issues of the formation of film production in Siberia, the evolution of the Altai cinema image, the formation of symbolic dominants in feature films made in the 1920s and 1940s are considered. The interrelation of the geocultural paradigm with the political and social events in Russia of this time is shown.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127088774","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2021-3-115-121
Angela Brintlinger
In 2020 Columbia University Press in the United States published a new translation of A. S. Griboedov’s play Woe from Wit into English. In the article are discussed the experience of teaching the play in a classroom of non-specialist college students and the particular complications of the play for such readers. Examples from student papers are used and the problem of vocabulary in English is discussed. The author concludes that even though the new translation conveys the content of Griboedov’s play, gives American students an opportunity to expand their knowledge about 19th century Russia, and in parts remains a comedy, certain nuances of the playwright’s poetic inventions are not yet visible. In conjunction with A. S. Pushkin’s Eugene Onegin, Woe from Wit illustrates specific political and moral qualities of society in the first quarter of the century, but the idea of wit remains unclear for students. Teachers of Russian literature in institutions of higher education in the United States and other English-speaking countries, through wittiness, along with the concepts of wit, beyond sense, and reason, help students learn about Russia. The new edition of Griboedov is yet another instrument in this effort.
2020年，美国哥伦比亚大学出版社出版了a·s·格里博多夫戏剧《智慧的悲哀》的英译本。本文讨论了在非专业大学生课堂上教授该剧的经验，以及该剧对这些读者的特殊复杂性。本文以学生论文为例，讨论了英语词汇的问题。作者的结论是，尽管新译本传达了格里博多夫戏剧的内容，让美国学生有机会扩大他们对19世纪俄罗斯的了解，而且在某些方面仍然是喜剧，但剧作家的诗歌发明的某些细微差别还不明显。与普希金(A. S. Pushkin)的《尤金·奥涅金》(Eugene Onegin)结合在一起，《机智的悲哀》(Woe from Wit)阐述了20世纪前25年社会的具体政治和道德品质，但学生们对机智的概念仍不清楚。在美国和其他英语国家的高等教育机构中，教授俄罗斯文学的教师通过诙谐，以及诙谐的概念，超越理智和理性，帮助学生了解俄罗斯。新版《格里博多夫》是这一努力的又一成果。
{"title":"GRIBOEDOV AND WITTINESS IN THE USA: UM, RAZUM AND ZAUM’","authors":"Angela Brintlinger","doi":"10.37386/2305-4077-2021-3-115-121","DOIUrl":"https://doi.org/10.37386/2305-4077-2021-3-115-121","url":null,"abstract":"In 2020 Columbia University Press in the United States published a new translation of A. S. Griboedov’s play Woe from Wit into English. In the article are discussed the experience of teaching the play in a classroom of non-specialist college students and the particular complications of the play for such readers. Examples from student papers are used and the problem of vocabulary in English is discussed. The author concludes that even though the new translation conveys the content of Griboedov’s play, gives American students an opportunity to expand their knowledge about 19th century Russia, and in parts remains a comedy, certain nuances of the playwright’s poetic inventions are not yet visible. In conjunction with A. S. Pushkin’s Eugene Onegin, Woe from Wit illustrates specific political and moral qualities of society in the first quarter of the century, but the idea of wit remains unclear for students. Teachers of Russian literature in institutions of higher education in the United States and other English-speaking countries, through wittiness, along with the concepts of wit, beyond sense, and reason, help students learn about Russia. The new edition of Griboedov is yet another instrument in this effort.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114361228","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2022-1-68-73
M. Grebneva
The publication considers the varieties of text equivalents in eight editions of the poem “Demon” by M. Yu. Lermontov - unrealized, unclaimed, having a variable character, replaced by previous and subsequent options, hidden. The listed types of text equivalents not only testify to the graphic features of Lermontov’s verse, but also make it possible to reveal encrypted information demonstrating the nature of the author’s work on the poem, to emphasize their special productive role, indicating how the “Demon” gradually changed, as over time it turned from a romantic poem into a poetic story.
{"title":"TYPES OF TEXT EQUIVALENTS IN EDITIONS OF M. YU. LERMONTOV’S POEM «DEMON»","authors":"M. Grebneva","doi":"10.37386/2305-4077-2022-1-68-73","DOIUrl":"https://doi.org/10.37386/2305-4077-2022-1-68-73","url":null,"abstract":"The publication considers the varieties of text equivalents in eight editions of the poem “Demon” by M. Yu. Lermontov - unrealized, unclaimed, having a variable character, replaced by previous and subsequent options, hidden. The listed types of text equivalents not only testify to the graphic features of Lermontov’s verse, but also make it possible to reveal encrypted information demonstrating the nature of the author’s work on the poem, to emphasize their special productive role, indicating how the “Demon” gradually changed, as over time it turned from a romantic poem into a poetic story.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"74 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114091341","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2022-1-143-148
O.V. Pelevina
The article examines the actualization of the literary opposition «friend-foe» in the story of Reinhold Zimmerman «Pan Olensky» (“Mister Olensky). Zimmerman, using the life story of a captive Pole, forced by fate to live in Siberia at the end of the XIX century, shows how the traditional for Russian literature image of the «eternal outsider» transformed, turning a «foe» into a «friend».
{"title":"«FRIEND OR FOE» «PAN OLENSKY»: REVISION OF THE IMAGE OF ETERNAL OUTSIDER IN THE STORY BY R. ZIMMERMAN","authors":"O.V. Pelevina","doi":"10.37386/2305-4077-2022-1-143-148","DOIUrl":"https://doi.org/10.37386/2305-4077-2022-1-143-148","url":null,"abstract":"The article examines the actualization of the literary opposition «friend-foe» in the story of Reinhold Zimmerman «Pan Olensky» (“Mister Olensky). Zimmerman, using the life story of a captive Pole, forced by fate to live in Siberia at the end of the XIX century, shows how the traditional for Russian literature image of the «eternal outsider» transformed, turning a «foe» into a «friend».","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114379139","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2022-1-177-187
V. A. Shulginov, R. Mustafin, A. Tillabaeva
The article analyzes the ways etiquette formulas are used in conflict interactions between the participants of online communities. The writer brings into focus the tendency for etiquette formulas of gratitude to expand their functions. The article highlights typical strategies of using etiquette phrases in the discourse of conflict including their use as markers of open and covert speech aggression. The writers also state the functional convergence of gratitude and farewell formulars: the expression of gratitude as it is becomes a labelled sign of the speaker’s withdrawal from communication.
{"title":"REGULAR IM/POLITENESS IN INTERNET COMMUNICATION: DISCURSIVE SHIFT IN USING ETIQUETTE FORMULAS OF GRATITUDE","authors":"V. A. Shulginov, R. Mustafin, A. Tillabaeva","doi":"10.37386/2305-4077-2022-1-177-187","DOIUrl":"https://doi.org/10.37386/2305-4077-2022-1-177-187","url":null,"abstract":"The article analyzes the ways etiquette formulas are used in conflict interactions between the participants of online communities. The writer brings into focus the tendency for etiquette formulas of gratitude to expand their functions. The article highlights typical strategies of using etiquette phrases in the discourse of conflict including their use as markers of open and covert speech aggression. The writers also state the functional convergence of gratitude and farewell formulars: the expression of gratitude as it is becomes a labelled sign of the speaker’s withdrawal from communication.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"2010 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114502331","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2022-1-6-18
L. Trakhtenberg
На фоне традиции жанра басни Н. В. Леонтьева (1766) выделяются своеобразием проблематики, прежде всего социальной. Леонтьев ставит как общие вопросы социального устройства, так и частные - о взаимоотношениях начальников и подчиненных, о поведении, подобающем людям высокого и низкого звания. Убежденный в необходимости монархии, главным достоинством царя Леонтьев считает справедливость. По мнению баснописца, ключевая проблема организации общества - соответствие способностей людей занимаемым ими должностям. Кроме того, басни Леонтьева отличает внимание к теме просвещения и обобщающий подход к пониманию человеческого характера.
{"title":"THE MORAL IN N. V. LEONTIEV’S FABLES: PERSON AND SOCIETY","authors":"L. Trakhtenberg","doi":"10.37386/2305-4077-2022-1-6-18","DOIUrl":"https://doi.org/10.37386/2305-4077-2022-1-6-18","url":null,"abstract":"На фоне традиции жанра басни Н. В. Леонтьева (1766) выделяются своеобразием проблематики, прежде всего социальной. Леонтьев ставит как общие вопросы социального устройства, так и частные - о взаимоотношениях начальников и подчиненных, о поведении, подобающем людям высокого и низкого звания. Убежденный в необходимости монархии, главным достоинством царя Леонтьев считает справедливость. По мнению баснописца, ключевая проблема организации общества - соответствие способностей людей занимаемым ими должностям. Кроме того, басни Леонтьева отличает внимание к теме просвещения и обобщающий подход к пониманию человеческого характера.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122262543","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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