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Arabic Knowledge Production On Ancient Egyptian Literature 论古埃及文学的阿拉伯知识生产
Pub Date : 2023-03-12 DOI: 10.1080/1369801x.2022.2161054
Hany Rashwan
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引用次数: 0
Angloglobalism, Multilingualism and World Literature 英语全球主义、多语言主义与世界文学
Pub Date : 2023-03-12 DOI: 10.1080/1369801X.2023.2175418
D. Ganguly
This essay explores the rise of global anglophone as a methodological rubric, and the place of English in global literary studies. My exposition pivots around a set of interwoven claims. While contemporary globalization has led to increasing linguistic homogenization, the rise of global anglophone does not herald the end of postcolonialism nor is it a force bent on erasing the cultural and linguistic diversity of literatures of the world. Rather, its valence can be generatively explored in the context of recent debates about the provenance of comparative and world literatures, and the emergence of multilingual transregional literary enclaves that are smaller than the globe and larger than a nation. Wariness about the moral economy of the angloglobalism can often be in tension with contemporary processes of anglophone transculturation. Further, the rise of global anglophone is inseparable from current debates in translation studies and the emergence of English as a global vernacular and a target language. Lastly, the global dominance of English appears less threatening when visualized through a comparative historical lens that illuminates the role of other world languages. As scholarship on premodern and early modern cultures indicates, linguistic cosmopolitanism and vernacular expressivity have not typically existed as antinomian forces in literary history.
这篇文章探讨了全球英语国家作为一种方法论的兴起,以及英语在全球文学研究中的地位。我的论述围绕着一系列相互交织的主张展开。虽然当代全球化导致了语言同质化的加剧,但全球英语国家的兴起并不预示着后殖民主义的终结,也不是一股致力于消除世界文学文化和语言多样性的力量。相反,它的价值可以在最近关于比较文学和世界文学的起源的辩论的背景下进行创造性的探索,以及多语言跨区域文学飞地的出现,这些飞地比全球小,比一个国家大。对英语全球主义道德经济的警惕往往与当代英语国家的跨文化进程相矛盾。此外,全球英语使用者的兴起与当前翻译研究中的争论以及英语作为全球白话和目标语言的出现密不可分。最后,从历史的比较角度来看,英语在全球的主导地位似乎不那么具有威胁性,而其他世界语言的作用也是如此。正如对前现代和早期现代文化的研究表明,语言世界主义和白话表达性在文学史上并不是典型的反律法主义力量。
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引用次数: 1
A Map of Divergence and Connection: Voices from Nineteenth-century Nunavut and Aberdeen 分歧和联系的地图:来自19世纪努纳武特和阿伯丁的声音
Pub Date : 2023-03-08 DOI: 10.1080/1369801X.2022.2162431
Sophie Gilmartin
This essay explores interactions between five people – Inuit, Scottish, and American – in Nunavut and Aberdeen, Scotland, between the late 1830s and the 1860s. The fact that these people all knew each other, or of each other, provides an opportunity to investigate a rich network of communication between them over a twenty-year period. The main primary sources investigated include the first biography of a young Inuk, written by a Scottish doctor; an American explorer’s tale of his Life with the Esquimaux; and the personal journal of a Scottish whaling captain’s wife. The investigation focuses on five subjects which occur persistently across these works: blood, mapping, tea, maktaaq and other country food, and the act of leave-taking. The topics form nodes, sometimes of incommensurability between Inuit and Qallunaat (an Inuktitut word designating non-Inuit, usually white, people) but they can also become areas through which misunderstanding and separation give way to understanding and close bonds. The fact that in these sources Inuit voices are ventriloquized by white Scottish and American writers greatly increases the risk that Inuit historical voices could be misrepresented and misheard. As a non-Inuit scholar, I am acutely aware that I may mishear or misunderstand these voices myself. In my analyses of the source material, I can bring the close attention of a scholar of nineteenth-century literature to attend to tone, ambiguity, the historical period, genre, and also to the occlusions and confusion in the writing that may obscure (often unconsciously) the redaction of veritable, if not entirely verifiable, Inuit voices from the nineteenth century. But I may be wrong, and this uncertainty is fundamental to my methodology. The expectation of scholarly writing in the academy is that it will be presented in an authoritative voice, but my methodology while listening for historical Inuit voices in the chosen sources must entail uncertainty. Research in the following essay is an open letter to other scholars, and especially to indigenous scholars and readers, who may agree or disagree with what I hear and interpret of Inuit voices in some lesser-known works of the mid-nineteenth-century historical record.
这篇文章探讨了19世纪30年代末到60年代之间,因纽特人、苏格兰人和美国人在苏格兰努纳武特和阿伯丁之间的互动。这些人都彼此认识,或者彼此了解,这一事实提供了一个机会来调查他们之间20多年来丰富的交流网络。所调查的主要原始资料来源包括一位苏格兰医生写的第一本年轻因努克人的传记;一位美国探险家讲述他与爱斯基摩人生活的故事;以及一位苏格兰捕鲸船船长妻子的私人日记。调查的重点是在这些作品中持续出现的五个主题:血液,地图,茶,maktaaq和其他国家的食物,以及告别的行为。这些话题构成了因纽特人和Qallunaat(一个因纽特语词,指非因纽特人,通常是白人)之间不可通约性的节点,但它们也可以成为误解和分离让位给理解和密切联系的领域。在这些资料中,因纽特人的声音被苏格兰和美国的白人作家口述,这一事实大大增加了因纽特人的历史声音被歪曲和误听的风险。作为一名非因纽特学者,我敏锐地意识到我自己可能会听错或误解这些声音。在我对原始材料的分析中,我可以带着一个19世纪文学学者的密切关注,关注语气、歧义、历史时期、体裁,以及写作中的闭塞和混乱,这些可能会模糊(通常是无意识的)对19世纪因纽特人的真实声音的修订,如果不是完全可以证实的话。但我可能错了,这种不确定性是我方法论的基础。学术界对学术写作的期望是,它将以权威的声音呈现,但我在选择的来源中倾听历史上因纽特人的声音时所采用的方法必须包含不确定性。以下文章中的研究是一封致其他学者的公开信,尤其是土著学者和读者,他们可能同意或不同意我在一些不太知名的19世纪中期历史记录作品中听到和解释的因纽特人的声音。
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引用次数: 0
Decolonizing the Museum 博物馆非殖民化
Pub Date : 2023-03-08 DOI: 10.1080/1369801x.2022.2161063
Charis Gullickson
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引用次数: 0
The Rise of Global Anglophone 全球英语使用者的崛起
Pub Date : 2023-02-15 DOI: 10.1080/1369801X.2022.2161057
Anjuli I. Gunaratne
While providing an overview of the essays that make up this special issue, this “Introduction” considers the relationship between the field designators “postcolonial” and “global anglophone”. Although the global anglophone has emerged as a result of the institutional commodification of diversity, this essay looks at ways in which it might be repurposed as a framework to think with, a framework within which new collaborations between various fields can be instigated and sustained. The essay’s main purpose is to offer ways by which to push past various organizational rubrics that prevent us from grasping the less obvious but nevertheless consequential transformations that are restructuring English departments in the USA and beyond.
在概述本期特刊文章的同时,本“引言”考虑了“后殖民”和“全球英语国家”之间的关系。虽然全球英语国家是由于多样性的制度商品化而出现的,但本文着眼于如何将其重新定位为一个思考的框架,在这个框架内,各个领域之间的新合作可以被激发和维持。这篇文章的主要目的是提供一些方法,通过这些方法来推动过去各种组织规则,这些规则阻止我们抓住不太明显但仍然重要的变革,这些变革正在重组美国及其他地区的英语系。
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引用次数: 0
Social Encounters: Portraits of the Yup’ik Women of Taciq, Alaska, 1850–1851 《社会际遇:阿拉斯加州塔西克的雅普伊克妇女肖像》,1850-1851年
Pub Date : 2023-02-14 DOI: 10.1080/1369801x.2023.2169627
Eavan O’Dochartaigh
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引用次数: 0
Alnayah’s People: Archival Photographs from West Greenland, 1908–1909 阿尔纳亚的人民:西格陵兰岛的档案照片,1908-1909
Pub Date : 2023-02-09 DOI: 10.1080/1369801x.2023.2169621
Renée Hulan
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引用次数: 0
Listening to Landseer's Polar Bears 听兰西尔的《北极熊》
Pub Date : 2023-02-09 DOI: 10.1080/1369801x.2023.2169623
A. Wright
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引用次数: 0
Traces, Absences, and Distortions in Emilie Demant Hatt’s Representations of Sámi Life 艾米莉·德芒特·哈特对Sámi生活的再现中的痕迹、缺失与扭曲
Pub Date : 2023-02-09 DOI: 10.1080/1369801X.2023.2169624
Hanna Eglinger
The essay investigates a selection of Danish visual artist Emilie Demant Hatt’s art and writings and traces her fascination with the Indigenous world view that she encountered during her stay with Sámi reindeer herders in Sápmi in the early twentieth century. As a woman and amateur anthropologist with North Sámi language skills who lived with Sámi transhumant families over a longer period and moreover developed a close collaboration with the Sámi artist Johan Turi, Demant Hatt had nuanced and varied insights into daily life and was inspired by Sámi aesthetics and ontologies. These inspirations, which were outside the mainstream monologue of the colonial adventurer, opened up space for dialogue in the Arctic contact zone. Coupling Demant Hatt’s work to contemporary artistic practices and gendered experience and combining interpretations of her texts and artworks with some historical contextualization, the essay examines how the Sámi use of context-bound metaphors and figurative speech, duodji aesthetics, and a relational ontology (described as “animism”) sharpened Emilie Demant Hatt’s awareness of the significance of context, interconnectedness, and embeddedness in both her visual and textual production. It reveals also how Demant Hatt in her representations of Sámi ways of life performs a delicate but dangerous balancing act between valorizing a different culture, replicating colonial fantasies, and struggling with her own experiences of gendered oppression in modern society.
这篇文章调查了丹麦视觉艺术家艾米丽·德芒特·哈特(Emilie Demant Hatt)的艺术和著作,并追溯了她对土著世界观的迷恋,这是她在20世纪初与Sápmi的Sámi驯鹿牧民呆在一起时遇到的。作为一名拥有北Sámi语言技能的女性和业余人类学家,她与Sámi的流动家庭生活了很长一段时间,并与Sámi艺术家约翰·图里(Johan Turi)密切合作,德曼特·哈特(Demant Hatt)对日常生活有着细致入微的见解,并受到Sámi美学和本体的启发。这些灵感超出了殖民冒险家的主流独白,为北极接触区的对话开辟了空间。将德芒特·哈特的作品与当代艺术实践和性别经验结合起来,并将对她的文本和艺术作品的解读与一些历史语境化结合起来,本文探讨了Sámi使用语境约束的隐喻和比喻性言语、多极美学和关系本体(被描述为“万物有灵论”)如何增强艾米丽·德芒特·哈特对语境、相互联系和嵌入性的重要性的认识。它也揭示了德芒特·哈特如何在她对Sámi生活方式的表现中,在对不同文化的估价、复制殖民幻想和与她自己在现代社会中性别压迫的经历作斗争之间,实现了一种微妙而危险的平衡。
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引用次数: 0
Traces of an Arctic Voice: The Portrait of Qalaherriaq 北极声音的痕迹:加拉赫里亚克的肖像
Pub Date : 2023-02-09 DOI: 10.1080/1369801X.2023.2169626
Ingeborg Høvik, Axel Jeremiassen
This article analyses the portrait of the young Inughuit hunter Qalaherriaq, who was brought involuntarily to England from his home in Perlernerit (Cape York) in today's Kalaallit Nunaat (also known as Greenland) with Captain Erasmus Ommanney’s expedition vessel in 1851. The portrait’s highly unconventional representation, wherein the sitter is shown both en face and in profile, betrays an interest in nineteenth-century racial science and civilizing ideologies. Despite this problematic colonialist content, the double portrait serves as a record for the existence and experience of Qalaherriaq and the participation of Inuit individuals in European expeditions to the Arctic. As this article argues, the portrait is also a visual testimony to Qalaherriaq’s agency, adaptability, and deliberate performance in a social environment characterized by ethnocentrism and racism. Bringing in the trail of Inughuit and European sources that this portrait connects to, this article traces the nature and terms of Qalaherriaq’s stay in British society. As a decolonizing strategy, we use the method of concurrences to avoid universalizing perspectives on the past. Examining moments of competing truth claims in the European and Arctic sources about or relating to Qalaherriaq, we point to the competing perspectives on the Arctic, exploration, and British imperialism contained in this material.
这篇文章分析了年轻的因纽特猎人Qalaherriaq的肖像,他于1851年被伊拉斯谟·奥曼尼船长的探险船从今天的Kalaallit Nunaat(也称为格陵兰岛)的Perlernerit(约克角)的家中非自愿地带到英国。这幅肖像画的表现方式非常不传统,其中被画者的脸和侧面都被展示出来,暴露了他对19世纪种族科学和文明意识形态的兴趣。尽管存在这些有问题的殖民主义内容,但这幅双重肖像记录了Qalaherriaq的存在和经历,以及因纽特人在欧洲北极探险中的参与。正如本文所述,这幅肖像也是Qalaherriaq在以种族中心主义和种族主义为特征的社会环境中的能动性、适应性和刻意表现的视觉证明。这篇文章引入了与这幅肖像相关的因纽特人和欧洲人的线索,追溯了Qalaherriaq在英国社会停留的性质和条件。作为一种非殖民化策略,我们使用共识的方法来避免对过去的看法普遍化。考察了欧洲和北极地区关于加拉赫利亚克或与之相关的相互竞争的事实主张,我们指出了本材料中包含的关于北极、勘探和英国帝国主义的相互竞争的观点。
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Molecular interventions
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