{"title":"ARIADNE’S THREAD BROKEN – THE INVERTED LABYRINTH THEORY","authors":"Јелена Г. Рељић","doi":"10.21618/fil2225441r","DOIUrl":"https://doi.org/10.21618/fil2225441r","url":null,"abstract":"<jats:p>Приказ</jats:p>","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125508399","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In un approccio comparatistico, con gli strumenti analitici della semiotica interpretativa e della narratologia, si prendono in esame i punti in comune di due testi modernisti appartenenti rispettivamente alla letteratura serba e a quella italiana: Ljudi govore (1931) di Rastko Petrović e Conversazione in Sicilia di Elio Vittorini (1939). Si focalizzano procedimenti e implicazioni intertestuali e metatestuali delle due opere che ne confermano l’appartenenza alle poetiche del modernismo.
{"title":"RICONOSCERSI NELLA SCRITTURA: IMPLICAZIONI INTERTESTUALI E METATESTUALI NEI ROMANZI LJUDI GOVORE DI RASTKO PETROVIĆ E CONVERSAZIONE IN SICILIA DI ELIO VITTORINI","authors":"Dušica D. Todorović","doi":"10.21618/fil2124271t","DOIUrl":"https://doi.org/10.21618/fil2124271t","url":null,"abstract":"In un approccio comparatistico, con gli strumenti analitici della semiotica interpretativa e della narratologia, si prendono in esame i punti in comune di due testi modernisti appartenenti rispettivamente alla letteratura serba e a quella italiana: Ljudi govore (1931) di Rastko Petrović e Conversazione in Sicilia di Elio Vittorini (1939). Si focalizzano procedimenti e implicazioni intertestuali e metatestuali delle due opere che ne confermano l’appartenenza alle poetiche del modernismo.","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115284488","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper presents the analysis of Griselda, the main female character of the last novella of Decameron. Tis novella has had different classical and feminist interpretations due to its central position and the violence caused to Griselda by her husband, marquis Saluzzo. The main methodological tool used in this article is the one applied by Marilyn Migiel in her works The Ethical dimension of the Decameron and A Rhetoric of the Decameron, the rhetorical reading. The same tool, through the close analysis of the speech acts of Griselda shows us her powerless social position and the lack of self-awareness, but also the carelessness showed by mainly male critics in the process of analysing this novella.
{"title":"THE SUBMISSIVENESS MOTIF OF А WOMAN: THE GRISELDA TALE BY GIOVANNI BOCCACCIO","authors":"Sanja N. Kobilj Ćuić","doi":"10.21618/fil2124326k","DOIUrl":"https://doi.org/10.21618/fil2124326k","url":null,"abstract":"This paper presents the analysis of Griselda, the main female character of the last novella of Decameron. Tis novella has had different classical and feminist interpretations due to its central position and the violence caused to Griselda by her husband, marquis Saluzzo. The main methodological tool used in this article is the one applied by Marilyn Migiel in her works The Ethical dimension of the Decameron and A Rhetoric of the Decameron, the rhetorical reading. The same tool, through the close analysis of the speech acts of Griselda shows us her powerless social position and the lack of self-awareness, but also the carelessness showed by mainly male critics in the process of analysing this novella.","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125431583","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Se l’italiano standard è la varietà linguistica codifcata nei libri di grammatica, per neo-standard si intendono le abitudini comunicative, parlate e scritte, di una fascia di parlanti acculturati, in una varietà linguistica più informale. Utilizzando le tassonomie di Sabatini e Berruto, gli autori dello studio hanno rintracciato la presenza del neo-standard in un corpus formato da due romanzi italiani contemporanei, Io e te di Niccolò Ammaniti ed Esco a fare due passi di Fabio Volo. Considerando l’alto numero di occorrenze, ci si è limitati all’aspetto morfologico del sistema pronominale e verbale, con valore esemplifcativo. Le opere analizzate sono diversamente signifcative di due autori agli antipodi: il romanzo di un acclamato scrittore e il romanzo di esordio di un DJ e conduttore televisivo. Il risultato dello studio è che, a parte poche differenze, i tratti neo-standard caratterizzano entrambe le operazioni di scrittura, con l’intento di raggiungere l’immediatezza comunicativa della lingua parlata. Se ne conclude che i narratori hanno colto, rappresentato e riprodotto l’urgenza e la penetrazione delle nuove forme della lingua italiana, che potrebbero diventare un nuovo futuro standard normativo.
{"title":"LE PRINCIPALI CARATTERISTICHE DELLʼITALIANO NEO-STANDARD IN DUE ROMANZI ITALIANI CONTEMPORANEI (ASPETTO MORFOLOGICO)","authors":"Marija N. Vujović, Luigi E. Beneduci","doi":"10.21618/fil2124239v","DOIUrl":"https://doi.org/10.21618/fil2124239v","url":null,"abstract":"Se l’italiano standard è la varietà linguistica codifcata nei libri di grammatica, per neo-standard si intendono le abitudini comunicative, parlate e scritte, di una fascia di parlanti acculturati, in una varietà linguistica più informale. Utilizzando le tassonomie di Sabatini e Berruto, gli autori dello studio hanno rintracciato la presenza del neo-standard in un corpus formato da due romanzi italiani contemporanei, Io e te di Niccolò Ammaniti ed Esco a fare due passi di Fabio Volo. Considerando l’alto numero di occorrenze, ci si è limitati all’aspetto morfologico del sistema pronominale e verbale, con valore esemplifcativo. Le opere analizzate sono diversamente signifcative di due autori agli antipodi: il romanzo di un acclamato scrittore e il romanzo di esordio di un DJ e conduttore televisivo. Il risultato dello studio è che, a parte poche differenze, i tratti neo-standard caratterizzano entrambe le operazioni di scrittura, con l’intento di raggiungere l’immediatezza comunicativa della lingua parlata. Se ne conclude che i narratori hanno colto, rappresentato e riprodotto l’urgenza e la penetrazione delle nuove forme della lingua italiana, che potrebbero diventare un nuovo futuro standard normativo.","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129095529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper seeks to shed light on Ferdinand Freiligrath`s and Walt Whitman`s impact upon Miloš Crnjanski`s early political and poetological reflections. It is interesting that the Serbian poet and writer, who rarely and reluctantly spoke about his literary role models, mentions the German poet Ferdinand Freiligrath twice in his autobiographical work Ithaca and Comments, claiming he identified with him during his youth. Although obvious connections can be found in political ideas and revolutionary aspirations shared by the two poets, Freiligrath's significance seems to lie in the fact that he introduced Walt Whitman to the German literary audience and thus undoubtedly influenced the development of modern poetry.
{"title":"CRNJANSKI – FREILIGRATH – WHITMAN: CONNECTIONS AND INFLUENCES","authors":"Aleksandra M. Lazić-Gavrilović","doi":"10.21618/fil2124342l","DOIUrl":"https://doi.org/10.21618/fil2124342l","url":null,"abstract":"This paper seeks to shed light on Ferdinand Freiligrath`s and Walt Whitman`s impact upon Miloš Crnjanski`s early political and poetological reflections. It is interesting that the Serbian poet and writer, who rarely and reluctantly spoke about his literary role models, mentions the German poet Ferdinand Freiligrath twice in his autobiographical work Ithaca and Comments, claiming he identified with him during his youth. Although obvious connections can be found in political ideas and revolutionary aspirations shared by the two poets, Freiligrath's significance seems to lie in the fact that he introduced Walt Whitman to the German literary audience and thus undoubtedly influenced the development of modern poetry.","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130638590","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper analyses lexical means for the NATO bombing of Yugoslavia in the German and Serbian press in 1999. The theoretical part describes the model of the three-dimensional meaning of Fritz Hermanns, according to which the functions of the linguistic sign can be realised on three levels: cognitive, emotional and deontic. The lexical means for the NATO bombing are first analysed in the empirical part, which were found in 68 thematically relevant articles in the Serbian weekly magazine NIN and in 39 articles in the German magazine SPIGEL during the NATO aggression on FRY from March to June 1999. The results have been also shown quantitatively. An important part of the work is the socio-political context of the selected event, which contributes to the semantic analysis of the found lexical means that have certain semantic meaning within the given discourse. As a starting point of the paper we used Humboldt's thesis, that linguistic diversity actually makes a difference in the world view, so the paper tries to answer the question of how language and selected lexicon form the opinion of an individual or a social group about an event, and how the conflict between political and military forces is presented in two different languages and so reflected in the languages further influences the speakers of these languages.
{"title":"THE LEXICAL MEANS FOR THE DESCRIPTION OF THE 1999 NATO BOMBING OF YUGOSLAVIA IN THE GERMAN AND SERBIAN PRESS","authors":"Anđela T. Vujošević","doi":"10.21618/fil2124165v","DOIUrl":"https://doi.org/10.21618/fil2124165v","url":null,"abstract":"This paper analyses lexical means for the NATO bombing of Yugoslavia in the German and Serbian press in 1999. The theoretical part describes the model of the three-dimensional meaning of Fritz Hermanns, according to which the functions of the linguistic sign can be realised on three levels: cognitive, emotional and deontic. The lexical means for the NATO bombing are first analysed in the empirical part, which were found in 68 thematically relevant articles in the Serbian weekly magazine NIN and in 39 articles in the German magazine SPIGEL during the NATO aggression on FRY from March to June 1999. The results have been also shown quantitatively. An important part of the work is the socio-political context of the selected event, which contributes to the semantic analysis of the found lexical means that have certain semantic meaning within the given discourse. As a starting point of the paper we used Humboldt's thesis, that linguistic diversity actually makes a difference in the world view, so the paper tries to answer the question of how language and selected lexicon form the opinion of an individual or a social group about an event, and how the conflict between political and military forces is presented in two different languages and so reflected in the languages further influences the speakers of these languages.","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124044005","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Based on the book of Christopher Lasch, The culture of narcissism (American life in the age of diminishing expectations), by exploring narcissism as a clinical as well as growing civilisational and social phenomenon in the context of metaphor of the human condition, this paper problematises a cultural crisis of the American society in the second half of the 20th century, eroded by corrosive decadence and atrophied intellectual and moral standards along with cultural values diagnosed as narcissistic. Crucial symptoms of the observed pathological changes in the cultural and social climate are also articulated with special reference to the transition from the erosion of standards to the apotheosis of individualism and solipsism. At the same time, the expansion of narcissistic ideology in the 21st century is considered in the form of reflection in today's selfie culture, as well as the fact that narcissistic personality disorder should no longer be considered a psychological deviation, but rather a dominant social norm, which implies a new narcissistic conformism.
{"title":"NARCISSISTIC CULTURE – SOCIAL ANOMALY OR NORM?","authors":"Jovana D. Vurdelja","doi":"10.21618/fil2124389v","DOIUrl":"https://doi.org/10.21618/fil2124389v","url":null,"abstract":"Based on the book of Christopher Lasch, The culture of narcissism (American life in the age of diminishing expectations), by exploring narcissism as a clinical as well as growing civilisational and social phenomenon in the context of metaphor of the human condition, this paper problematises a cultural crisis of the American society in the second half of the 20th century, eroded by corrosive decadence and atrophied intellectual and moral standards along with cultural values diagnosed as narcissistic. Crucial symptoms of the observed pathological changes in the cultural and social climate are also articulated with special reference to the transition from the erosion of standards to the apotheosis of individualism and solipsism. At the same time, the expansion of narcissistic ideology in the 21st century is considered in the form of reflection in today's selfie culture, as well as the fact that narcissistic personality disorder should no longer be considered a psychological deviation, but rather a dominant social norm, which implies a new narcissistic conformism.","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115887321","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of this paper was to indicate the similarities and differences between the expressions with the component Tür/vrata (Eng. door) in German and Serbian. The corpus of this research consists of 25 expressions excerpted from the appropriate monolingual and bilingual dictionaries of both languages, where the source language is German and the target is Serbian. The corpus was first subjected to a contrastive analysis in order to determine the degree of equivalence between the two languages, with a distinction made between complete, zero and partial equivalence. The corpus was also subjected to a conceptual analysis, with the aim to establish whether the expressions were based on metaphor or metonymy and identify the differences in conceptualisation between the two languages. The results of the analysis showed that German and Serbian largely coincide when it comes to expressions with the mentioned component, and that metonymisation occurs more often in relation to metaphorisation. The expressions with the component Tür/vrata overlap to a considerable extent when it comes to conceptualisation. Doors usually represent obstacles or boundaries between interior and exterior space. In many examples, the key point is whether the door is open or closed. While the closed door implies the inaccessibility of what is in the closed space to all those who are in the external environment, the open door does the opposite. Based on that, we can conclude that phraseological semantics largely preserves the traces of symbolic and semantic values of this term. The differences in the conceptualization of the two languages are most noticeable in the examples where the contrastive observation identified a match only at the semantic level. The scientific methods used in this paper are the interlingual contrastive and conceptual analysis.
{"title":"A CONTRASTIVE AND CONCEPTUAL ANALYSIS OF THE GERMAN AND SERBIAN EXPRESSIONS WITH THE COMPONENT TÜR/VRATA","authors":"Aleksandar S. Nikolić","doi":"10.21618/fil2124186n","DOIUrl":"https://doi.org/10.21618/fil2124186n","url":null,"abstract":"The aim of this paper was to indicate the similarities and differences between the expressions with the component Tür/vrata (Eng. door) in German and Serbian. The corpus of this research consists of 25 expressions excerpted from the appropriate monolingual and bilingual dictionaries of both languages, where the source language is German and the target is Serbian. The corpus was first subjected to a contrastive analysis in order to determine the degree of equivalence between the two languages, with a distinction made between complete, zero and partial equivalence. The corpus was also subjected to a conceptual analysis, with the aim to establish whether the expressions were based on metaphor or metonymy and identify the differences in conceptualisation between the two languages. The results of the analysis showed that German and Serbian largely coincide when it comes to expressions with the mentioned component, and that metonymisation occurs more often in relation to metaphorisation. The expressions with the component Tür/vrata overlap to a considerable extent when it comes to conceptualisation. Doors usually represent obstacles or boundaries between interior and exterior space. In many examples, the key point is whether the door is open or closed. While the closed door implies the inaccessibility of what is in the closed space to all those who are in the external environment, the open door does the opposite. Based on that, we can conclude that phraseological semantics largely preserves the traces of symbolic and semantic values of this term. The differences in the conceptualization of the two languages are most noticeable in the examples where the contrastive observation identified a match only at the semantic level. The scientific methods used in this paper are the interlingual contrastive and conceptual analysis.","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114395950","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"THROUGH FICTIONAL WORLDS TO FRUITFUL SCIENTIFIC METHODOLOGY","authors":"Мирјана Д. Бојанић Ћирковић","doi":"10.21618/fil2124410b","DOIUrl":"https://doi.org/10.21618/fil2124410b","url":null,"abstract":"","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116976153","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"CELESTIAL UNDERGROUND","authors":"Саша Д. Кнежевић","doi":"10.21618/fil2124405k","DOIUrl":"https://doi.org/10.21618/fil2124405k","url":null,"abstract":"","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123612787","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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