This paper analyses foreign language teaching in the education system of the Republic of Srpska relative to the percent distribution of frequency of individual languages. With primary education being the first and obligatory level of education at which foreign languages are taught, the paper examines the connection between language education policy at the primary education level, social processes and the international position of foreign languages studied in the Republic of Srpska. Available data are compared with the rankings of world languages in terms of their global influence. Similarities and differences between learning outcomes for individual foreign languages after completing primary education are also analysed. The paper points to the basic problems of the language education policy in the Republic of Srpska in relation to foreign language teaching, and recommends systematic collection and analysis of relevant data as the first step in dealing with the issues discussed.
{"title":"LANGUAGE EDUCATION POLICY AND FOREIGN LANGUAGE TEACHING IN THE REPUBLIC OF SRPSKA","authors":"Sanja R. Milićević","doi":"10.21618/fil2226271m","DOIUrl":"https://doi.org/10.21618/fil2226271m","url":null,"abstract":"This paper analyses foreign language teaching in the education system of the Republic of Srpska relative to the percent distribution of frequency of individual languages. With primary education being the first and obligatory level of education at which foreign languages are taught, the paper examines the connection between language education policy at the primary education level, social processes and the international position of foreign languages studied in the Republic of Srpska. Available data are compared with the rankings of world languages in terms of their global influence. Similarities and differences between learning outcomes for individual foreign languages after completing primary education are also analysed. The paper points to the basic problems of the language education policy in the Republic of Srpska in relation to foreign language teaching, and recommends systematic collection and analysis of relevant data as the first step in dealing with the issues discussed.","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130158561","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Obiettivo del presente saggio è l’analisi del romanzo Una nobile follia di Iginio Ugo Tarchetti, pubblicato per la prima volta in appendice alla rivista «Il Sole» tra il 1866 e il 1867. La critica si è già occupata in alcune occasioni dell’opera in questione, proponendone sempre una lettura antimilitaristica. Lo stesso Tarchetti, del resto, ideò il volume mosso da un’aperta e violenta polemica nei confronti dell’istituzione militare nel suo complesso (dalla leva obbligatoria agli eserciti permanenti, passando per la vita di caserma); tanto che Roberto Carnero, in anni recenti, ha considerato Una nobile follia un libro volto a demistificare ogni guerra e forma di violenza, al di là delle specifiche motivazioni storiche. La prospettiva adottata in questa sede è però inedita: senza prescindere dalle motivazioni ideologiche di Tarchetti, si tenterà di individuarne la riconferma e resa letteraria nella patologia del protagonista, Vincenzo D. La nevrosi di quest’ultimo viene infatti descritta come perfetta risultante della vita del soldato: Tarchetti descrive abilmente i vari stadi della malattia mentale, dovuta a condizioni storico-sociali sia esterne che interne; il tema della follia troverà poi spazio ancora più ampio, di lì a qualche anno, nel romanzo più famoso dell’autore, Fosca. Gli strumenti adottati nell’analisi sono quelli propri della critica testuale e del close reading.
{"title":"“FUI SOLDATO. QUESTA PAROLA ESPRIME TUTTO”. ANTIMILITARISMO E NEVROSI IN UNA NOBILE FOLLIA DI IGINIO UGO TARCHETTI","authors":"Simone Pettine","doi":"10.21618/fil2226394p","DOIUrl":"https://doi.org/10.21618/fil2226394p","url":null,"abstract":"Obiettivo del presente saggio è l’analisi del romanzo Una nobile follia di Iginio Ugo Tarchetti, pubblicato per la prima volta in appendice alla rivista «Il Sole» tra il 1866 e il 1867. La critica si è già occupata in alcune occasioni dell’opera in questione, proponendone sempre una lettura antimilitaristica. Lo stesso Tarchetti, del resto, ideò il volume mosso da un’aperta e violenta polemica nei confronti dell’istituzione militare nel suo complesso (dalla leva obbligatoria agli eserciti permanenti, passando per la vita di caserma); tanto che Roberto Carnero, in anni recenti, ha considerato Una nobile follia un libro volto a demistificare ogni guerra e forma di violenza, al di là delle specifiche motivazioni storiche. La prospettiva adottata in questa sede è però inedita: senza prescindere dalle motivazioni ideologiche di Tarchetti, si tenterà di individuarne la riconferma e resa letteraria nella patologia del protagonista, Vincenzo D. La nevrosi di quest’ultimo viene infatti descritta come perfetta risultante della vita del soldato: Tarchetti descrive abilmente i vari stadi della malattia mentale, dovuta a condizioni storico-sociali sia esterne che interne; il tema della follia troverà poi spazio ancora più ampio, di lì a qualche anno, nel romanzo più famoso dell’autore, Fosca. Gli strumenti adottati nell’analisi sono quelli propri della critica testuale e del close reading.","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133772726","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
LINGUISTICS AND DIGITAL MEDIA DISCOURSE STUDIES – THEORY AND PRACTICAL EXPERIENCE
语言学和数字媒体话语研究-理论和实践经验
{"title":"LINGUISTICS AND DIGITAL MEDIA DISCOURSE STUDIES – THEORY AND PRACTICAL EXPERIENCE","authors":"Страхиња Р. Степанов","doi":"10.21618/fil2226431s","DOIUrl":"https://doi.org/10.21618/fil2226431s","url":null,"abstract":"LINGUISTICS AND DIGITAL MEDIA DISCOURSE STUDIES – THEORY AND PRACTICAL EXPERIENCE","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123804127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"ON THE LITERARY OEUVRE OF PREDRAG STEPANOVIĆ","authors":"Бојана Б. Вучен","doi":"10.21618/fil2226452v","DOIUrl":"https://doi.org/10.21618/fil2226452v","url":null,"abstract":"ON THE LITERARY OEUVRE OF PREDRAG STEPANOVIĆ","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124409670","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper analyses the key areas reached by the Swiss author Denis de Rougemont in his famous work Love in the Western World. We critically read de Rougemont's thought that love-passion, as the basic guiding thread of the myth of Tristan and Isolde, still sovereignly rules the unconscious being of modern man, giving him a one-sided vision of the play about love. Following his argumentation, we examine the connections between courtly and chivalrous love, Cathar heresy and troubadour love poetry. Denis de Rougemont contrasts eros, which ignites passion that descends into the darkness of death, with agape, i.e. the Christian love for one's neighbour. We question whether de Rougemont's solution to the problem of love by establishing merciful love as a necessary moral choice can be a satisfactory answer for modern man.
本文分析了瑞士作家丹尼斯·德·吕格蒙在其名著《西方世界的爱情》中所触及的关键领域。我们批判性地阅读了鲁日蒙的思想，即爱-激情作为特里斯坦和伊索尔德神话的基本指导线索，仍然至高无上地统治着现代人的无意识存在，使他对爱情的戏剧产生了片面的看法。根据他的论证，我们考察了宫廷爱情和骑士爱情、卡特里异端和游吟诗人爱情诗歌之间的联系。Denis de Rougemont对比了eros，它点燃了进入死亡黑暗的激情，与agape，即基督徒对邻居的爱。我们质疑德·鲁日蒙通过将仁慈的爱确立为一种必要的道德选择来解决爱的问题，是否能成为现代人满意的答案。
{"title":"DENIS DE ROUGEMONT AND THE WESTERN CONCEPTION OF LOVE","authors":"Željko Šarić","doi":"10.21618/fil2226407s","DOIUrl":"https://doi.org/10.21618/fil2226407s","url":null,"abstract":"This paper analyses the key areas reached by the Swiss author Denis de Rougemont in his famous work Love in the Western World. We critically read de Rougemont's thought that love-passion, as the basic guiding thread of the myth of Tristan and Isolde, still sovereignly rules the unconscious being of modern man, giving him a one-sided vision of the play about love. Following his argumentation, we examine the connections between courtly and chivalrous love, Cathar heresy and troubadour love poetry. Denis de Rougemont contrasts eros, which ignites passion that descends into the darkness of death, with agape, i.e. the Christian love for one's neighbour. We question whether de Rougemont's solution to the problem of love by establishing merciful love as a necessary moral choice can be a satisfactory answer for modern man.","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129893649","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Jude the Obscure (1895) is traditionally interpreted as Thomas Hardy’s bleakest and most pessimistic novel. From the perspective of ecocriticism, it may be viewed as the author’s endeavour to challenge the dominant anthropocentric attitude of the nineteenth century. Relying on Darwin’s theory of the common origin of species, Hardy believed that people should recognise their connectedness and dependence on the whole living world. The novel implies that man should abandon his self-centeredness and embrace other perspectives. This, however, does not mean that Hardy does not see people as valuable and important. In a world where religion loses its power we should rely on other people. The implication of Jude the Obscure is that the way we treat each other is linked to the way we treat nature. Hardy’s pessimism is the consequence of his realisation that ideas of Darwin were manipulated and (mal)adjusted to society. The character of Jude Fawley is doomed to tragedy due to his hypersensitivity, which is incorrectly perceived as a flaw in the society which promotes autonomy and separateness instead of connectedness and mutual dependence.
{"title":"AN ECOCRITICAL READING OF THOMAS HARDY’S JUDE THE OBSCURE","authors":"Nataša V. Ninčetović","doi":"10.21618/fil2226357n","DOIUrl":"https://doi.org/10.21618/fil2226357n","url":null,"abstract":"Jude the Obscure (1895) is traditionally interpreted as Thomas Hardy’s bleakest and most pessimistic novel. From the perspective of ecocriticism, it may be viewed as the author’s endeavour to challenge the dominant anthropocentric attitude of the nineteenth century. Relying on Darwin’s theory of the common origin of species, Hardy believed that people should recognise their connectedness and dependence on the whole living world. The novel implies that man should abandon his self-centeredness and embrace other perspectives. This, however, does not mean that Hardy does not see people as valuable and important. In a world where religion loses its power we should rely on other people. The implication of Jude the Obscure is that the way we treat each other is linked to the way we treat nature. Hardy’s pessimism is the consequence of his realisation that ideas of Darwin were manipulated and (mal)adjusted to society. The character of Jude Fawley is doomed to tragedy due to his hypersensitivity, which is incorrectly perceived as a flaw in the society which promotes autonomy and separateness instead of connectedness and mutual dependence.","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121080969","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
BROTHER OR CHAVAL: WHAT DO WE KNOW ABOUT THE SPEECH OF THE YOUNG?
哥哥还是查瓦尔:我们对年轻人的语言了解多少?
{"title":"BROTHER OR CHAVAL: WHAT DO WE KNOW ABOUT THE SPEECH OF THE YOUNG?","authors":"Даница Д. Трифуњагић","doi":"10.21618/fil2226465t","DOIUrl":"https://doi.org/10.21618/fil2226465t","url":null,"abstract":"BROTHER OR CHAVAL: WHAT DO WE KNOW ABOUT THE SPEECH OF THE YOUNG?","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124406945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
RELATIONSHIP BETWEEN FORM AND MEANING OF LANGUAGE EXPRESSIONS IN TERMS OF CONTEMPORARY LINGUISTIC APPROACHES
从当代语言学的角度看语言表达形式与意义的关系
{"title":"RELATIONSHIP BETWEEN FORM AND MEANING OF LANGUAGE EXPRESSIONS IN TERMS OF CONTEMPORARY LINGUISTIC APPROACHES","authors":"Горан Б. Милашин","doi":"10.21618/fil2226440m","DOIUrl":"https://doi.org/10.21618/fil2226440m","url":null,"abstract":"RELATIONSHIP BETWEEN FORM AND MEANING OF LANGUAGE EXPRESSIONS IN TERMS OF CONTEMPORARY LINGUISTIC APPROACHES","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122656129","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper analyses the derivation of metaphoric senses of English and Serbian adjectives primarily denoting a certain degree of temperature as a physical property of objects. The aim of the analysis is to identify conceptual metaphors that have driven the derivation of these senses and compare English and Serbian in terms of conceptualisations of abstract notions using temperature as the source domain. Furthermore, the analysis aims at revealing whether the conceptualisation of an abstract notion using a certain degree of warmth as the source domain activates the conceptualisation of the opposite abstract notion starting from a degree of coldness and vice versa, i.e. to investigate whether there are pairs of opposite metaphors activated in semantic dispersion of the given adjectives. The analysis has shown that there is a significant similarity between English and Serbian regarding the conceptualisation of abstract notions using temperature as the source domain. Still, English displays a greater variety of abstract notions conceptualised in the given way. There are rare cases in which derivations of metaphoric senses of adjectives belonging to the opposite sections of the temperature scale are mutually related in the sense that they are driven by opposite metaphoric patterns.
{"title":"KEEP A COOL HEAD ABOUT THIS HOT ISSUE – THE ANALYSIS OF METAPHORICAL SENSES IN THE SEMANTIC STRUCTURE OF ADJECTIVES FROM THE DOMAIN OF TEMPERATURE IN ENGLISH AND SERBIAN","authors":"Ana Halas Popović","doi":"10.21618/fil2226013h","DOIUrl":"https://doi.org/10.21618/fil2226013h","url":null,"abstract":"This paper analyses the derivation of metaphoric senses of English and Serbian adjectives primarily denoting a certain degree of temperature as a physical property of objects. The aim of the analysis is to identify conceptual metaphors that have driven the derivation of these senses and compare English and Serbian in terms of conceptualisations of abstract notions using temperature as the source domain. Furthermore, the analysis aims at revealing whether the conceptualisation of an abstract notion using a certain degree of warmth as the source domain activates the conceptualisation of the opposite abstract notion starting from a degree of coldness and vice versa, i.e. to investigate whether there are pairs of opposite metaphors activated in semantic dispersion of the given adjectives. The analysis has shown that there is a significant similarity between English and Serbian regarding the conceptualisation of abstract notions using temperature as the source domain. Still, English displays a greater variety of abstract notions conceptualised in the given way. There are rare cases in which derivations of metaphoric senses of adjectives belonging to the opposite sections of the temperature scale are mutually related in the sense that they are driven by opposite metaphoric patterns.","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129177484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The multifaceted interrelationships of the various media are now considered to be a particular productive area of comparative strategy. The generalised typology among the types of intermedia at the present stage is considered to be the most fruitful and effective, in particular, ekphrasis and intermedia – a particular manifestation of intermedia, the phenomenon of specific expressive mediation of one media in the figurative field of another. Intermediate format, developed by the interaction of different sign systems and the content encoded by them, mainly – literature and other arts with emphasis on the sign and semantic correspondence of comparisons, has significant artistic effectiveness. A way to realise the ekphrasis of the reception as a description of the case is any kind of art in the literary text. At the same time, the preferred determinant of ekphrasis as a description of a work of art in a literary text is suggested to be its relation to a specific work of authorship, although it also assumes the spread of the ekphrasis to similar or non-existent but genre conventional art variants with a pre-eminent inheritance of the corresponding art. In determining the universal common principles of organising such sovereignty of sign systems, positioned in the status of local variants of different discursive practices in the process of their syncretic interaction in the literary dimension, effective for illuminating the raised issue are primarily the tendencies of the extracurricular direction of literary criticism, initiated by Lotman's semiotic concept, initiated by the first concept, the imposition and intersection of semantic spaces capable of generating new meaning. The empirical plan of ekphrasis is vividly and convincingly actualised in the novels of famous Serbian writers A. Gatalica, M. Pavić, G. Petrović, G. Ćirjanić. Innovative creative experience of artists testifies to a special sophistication, content, accuracy of design and diversity and comprehensibility of meaningful potential, which brings the manifestations of the poetics of syncretism of arts to the organisational components of the poetics of novels in general.
各种媒介之间多方面的相互关系现在被认为是比较战略的一个特别富有成效的领域。在现阶段的媒介类型中，广义类型学被认为是最富有成果和最有效的，尤其是ekphrasis和intermedia——媒介的一种特殊表现，一种媒介在另一种媒介的具象领域中特定表达中介的现象。中间格式是由不同的符号系统及其编码的内容相互作用而发展起来的，主要是强调比较的符号和语义对应的文学和其他艺术，具有重要的艺术效果。一种将接受的措辞作为一种对情况的描述来实现的方法是文学文本中的任何一种艺术。与此同时，作为文学文本中对艺术作品的描述，ekphr短语的首选决定因素被认为是它与特定作者作品的关系，尽管它也假设ekphr短语传播到类似或不存在但流派传统艺术变体，并具有相应艺术的卓越继承。在确定组织这种符号系统主权的普遍共同原则时，在它们在文学维度的融合互动过程中，处于不同话语实践的局部变体的地位，有效地阐明了所提出的问题，主要是文学批评的课外方向的倾向，由洛特曼的符号学概念发起，由第一个概念发起，语义空间的叠加和交集，能够产生新的意义。在塞尔维亚著名作家A. Gatalica, M. pavovic, G. petrovic, G. Ćirjanić的小说中，ekphrasis的经验计划得到了生动而令人信服的实现。艺术家的创新创作经验证明了其独特的复杂性、内容性、精确性和意义潜能的多样性和可理解性，从而将艺术的融合性诗学表现为小说诗学的一般组织成分。
{"title":"MUSICAL EKPHRASIS IN THE SERBIAN NOVEL OF THE LATE 20TH – EARLY 21ST CENTURY (THE EXPERIENCE OF A. GATALICA, M. PAVIĆ, G. PETROVIĆ AND G. ĆIRJANIĆ)","authors":"N. Bilyk","doi":"10.21618/fil2226326b","DOIUrl":"https://doi.org/10.21618/fil2226326b","url":null,"abstract":"The multifaceted interrelationships of the various media are now considered to be a particular productive area of comparative strategy. The generalised typology among the types of intermedia at the present stage is considered to be the most fruitful and effective, in particular, ekphrasis and intermedia – a particular manifestation of intermedia, the phenomenon of specific expressive mediation of one media in the figurative field of another. Intermediate format, developed by the interaction of different sign systems and the content encoded by them, mainly – literature and other arts with emphasis on the sign and semantic correspondence of comparisons, has significant artistic effectiveness. A way to realise the ekphrasis of the reception as a description of the case is any kind of art in the literary text. At the same time, the preferred determinant of ekphrasis as a description of a work of art in a literary text is suggested to be its relation to a specific work of authorship, although it also assumes the spread of the ekphrasis to similar or non-existent but genre conventional art variants with a pre-eminent inheritance of the corresponding art. In determining the universal common principles of organising such sovereignty of sign systems, positioned in the status of local variants of different discursive practices in the process of their syncretic interaction in the literary dimension, effective for illuminating the raised issue are primarily the tendencies of the extracurricular direction of literary criticism, initiated by Lotman's semiotic concept, initiated by the first concept, the imposition and intersection of semantic spaces capable of generating new meaning. The empirical plan of ekphrasis is vividly and convincingly actualised in the novels of famous Serbian writers A. Gatalica, M. Pavić, G. Petrović, G. Ćirjanić. Innovative creative experience of artists testifies to a special sophistication, content, accuracy of design and diversity and comprehensibility of meaningful potential, which brings the manifestations of the poetics of syncretism of arts to the organisational components of the poetics of novels in general.","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128222651","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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