Philosophical Transactions of the Royal Society B: Biological Sciences最新文献

What makes the painful cries of human babies so difficult to ignore? Vocal traits known as 'nonlinear phenomena' are prime candidates. These acoustic irregularities are common in babies' cries and are typically associated with high levels of distress or pain. Despite the vital importance of cries for a baby's survival, how these nonlinear phenomena drive pain perception in adult listeners has not previously been systematically investigated. Here, by combining acoustic analyses of cries recorded in different contexts with playback experiments using natural and synthetic cries, we show that baby cries expressing acute pain are characterized by a pronounced presence of different nonlinear phenomena, and that these nonlinear phenomena drive pain evaluation by adult listeners. While adult listeners rated all cries presenting any of these nonlinear phenomena as expressing more pain, they were particularly sensitive to the presence of chaos. Our results thus show that nonlinear phenomena, especially chaos, encode pain information in baby cries and may be critically helpful for the development of vocal-based tools for monitoring babies' needs in the context of paediatric care.This article is part of the theme issue 'Nonlinear phenomena in vertebrate vocalizations: mechanisms and communicative functions'.

Biphonation, defined as the simultaneous production of two distinct, non-harmonically related fundamental frequencies, has traditionally been viewed as an anomaly or a by-product of vocal pathology. Recent studies have challenged this assumption and found that biphonic calls are present in the natural vocalizations of a wide range of taxa, including birds, amphibians and mammals. This phenomenon could play an essential role in communicating distinct pieces of information at short- versus long-distance, increase call complexity to allow more individually distinct calls, and provide cues to the sender's direction of movement. Proposed mechanisms underlying biphonation production include asymmetries in vocal fold oscillations, the addition of aerodynamic whistles, the involvement of secondary structures, and bilateral specializations. This scoping review underscores the adaptive significance of biphonic calls in non-human animals, highlighting their role in the evolution of vocal communication and suggesting avenues for future research.This article is part of the theme issue 'Nonlinear phenomena in vertebrate vocalizations: mechanisms and communicative functions'.

The propensity to communicate extreme emotional states and arousal through salient, non-referential vocalizations is ubiquitous among mammals and beyond. Screams, whether intended to warn conspecifics or deter aggressors, require a rapid increase of air influx through vocal folds to induce nonlinear distortions of the signal. These distortions contain salient, temporally patterned acoustic features in a restricted range of the audible spectrum. These features may have a biological significance, triggering fast behavioural responses in the receivers. We present converging neurophysiological and behavioural evidence from humans and animals supporting that the properties emerging from nonlinear vocal phenomena are ideally adapted to induce efficient sensory, emotional and behavioural responses. We argue that these fast temporal-rough-modulations are unlikely to be an epiphenomenon of vocal production but rather the result of selective evolutionary pressure on vocal warning signals to promote efficient communication. In this view, rough features may have been selected and conserved as an acoustic trait to recruit ancestral sensory salience pathways and elicit optimal reactions in the receiver. By exploring the impact of rough vocalizations at the receiver's end, we review the perceptual, behavioural and neural factors that may have shaped these signals to evolve as powerful communication tools.This article is part of the theme issue 'Nonlinear phenomena in vertebrate vocalizations: mechanisms and communicative functions'.

Animal vocalizations contain a varying degree of nonlinear phenomena (NLP) caused by irregular or chaotic vocal organ dynamics. Several hypotheses have been proposed to explain NLP presence, from unintentional by-products of poor vocal technique to having a functional communicative role. We aimed to disentangle the role of sex, age and physiological constraints in the occurrence of NLP in the songs of the lemur Indri indri, which are complex harmonic vocal displays organized in phrases. Age and sex affected the presence and type of NLP in songs. In particular, the proportion of the phenomena considered decreased with age, except for subharmonics. Subharmonics potentially mediate the perception of lower pitch, making signallers appear larger. Subharmonics and frequency jumps occurred in lower-pitched notes than regular units, while chaos and sidebands occurred in higher-pitched units. This suggests that different types of NLP can be associated with different vocal constraints. Finally, indris might present short-term vocal fatigue, with units occurring in the last position of a phrase having the highest probability of containing NLP. The presence of NLP in indris might result from proximate causes, such as physiological constraints, and ultimate causes, such as evolutionary pressures, which shaped the communicative role of NLP.This article is part of the theme issue 'Nonlinear phenomena in vertebrate vocalizations: mechanisms and communicative functions'.

We investigated the causal basis of abrupt frequency jumps in a unique database of New World monkey vocalizations. We used a combination of acoustic and electroglottographic recordings in vivo, excised larynx investigations of vocal fold dynamics, and computational modelling. We particularly attended to the contribution of the vocal membranes: thin upward extensions of the vocal folds found in most primates but absent in humans. In three of the six investigated species, we observed two distinct modes of vocal fold vibration. The first, involving vocal fold vibration alone, produced low-frequency oscillations, and is analogous to that underlying human phonation. The second, incorporating the vocal membranes, resulted in much higher-frequency oscillation. Abrupt fundamental frequency shifts were observed in all three datasets. While these data are reminiscent of the rapid transitions in frequency observed in certain human singing styles (e.g. yodelling), the frequency jumps are considerably larger in the nonhuman primates studied. Our data suggest that peripheral modifications of vocal anatomy provide an important source of variability and complexity in the vocal repertoires of nonhuman primates. We further propose that the call repertoire is crucially related to a species' ability to vocalize with different laryngeal mechanisms, analogous to human vocal registers. This article is part of the theme issue 'Nonlinear phenomena in vertebrate vocalizations: mechanisms and communicative functions'.

Music traditions worldwide are subject to remarkable diversity but the origins of this variation are not well understood. Musical behaviour is the product of a multicomponent collection of abilities, some possibly evolved for music but most derived from traits serving nonmusical functions. Cultural evolution has stitched together these systems, generating variable normative practices across cultures and musical genres. Here, we describe the cultural evolution of musical distortion, a noisy manipulation of instrumental and vocal timbre that emulates nonlinear phenomena (NLP) present in the vocal signals of many animals. We suggest that listeners' sensitivity to NLP has facilitated technological developments for altering musical instruments and singing with distortion, which continues to evolve culturally via the need for groups to both coordinate internally and differentiate themselves from other groups. To support this idea, we present an agent-based model of norm evolution illustrating possible dynamics of continuous traits such as timbral distortion in music, dependent on (i) a functional optimum, (ii) intra-group cohesion and inter-group differentiation and (iii) groupishness for assortment and social learning. This account illustrates how cultural transmission dynamics can lead to diversity in musical sounds and genres, and also provides a more general explanation for the emergence of subgroup-differentiating norms.This article is part of the theme issue 'Nonlinear phenomena in vertebrate vocalizations: mechanisms and communicative functions'.

The theory of nonlinear dynamics was introduced to voice science in the 1990s and revolutionized our understanding of human voice production mechanisms. This theory elegantly explains highly complex phenomena in the human voice, such as subharmonic and rough-sounding voice, register breaks, and intermittent aphonic breaks. These phenomena occur not only in pathologic, dysphonic voices but are also explored for artistic purposes, such as contemporary singing. The theory reveals that sudden changes in vocal fold vibratory patterns and fundamental frequency can result from subtle alterations in vocal fold geometry, mechanical properties, adduction, symmetry or lung pressure. Furthermore, these changes can be influenced by interactions with supraglottal tract and subglottal tract resonances. Crucially, the eigenmodes (modes of vibration) of the vocal folds play a significant role in these phenomena. Understanding how the left and right vocal fold eigenmodes interact and entrain with each other, as well as their interplay with supraglottal tissues, glottal airflow and acoustic resonances, is essential for more sophisticated diagnosis and targeted treatment of voice disorders in the future. Additionally, this knowledge can be helpful in modern vocal pedagogy. This article reviews the concepts of nonlinear dynamics that are important for understanding normal and pathologic voice production in humans.This article is part of the theme issue 'Nonlinear phenomena in vertebrate vocalizations: mechanisms and communicative functions'.

African penguins (Spheniscus demersus) extensively use high-frequency food solicitation signals (begging calls) to request food from parents. We studied the occurrence of nonlinear vocal phenomena (NLP) in begging calls in 91 hand-reared penguin chicks at the Southern African Foundation for the Conservation of Coastal Birds. For each chick, we recorded the begging calls daily, from the hatching of wild abandoned eggs to the release of the chicks into the wild approximately three months later. We found that most (70%) of begging calls contain NLP. The most frequently observed are sidebands (54.1%) and deterministic chaos (71.4%), and these phenomena often coexist (26.5%). We suggest that the aperiodic chaotic features of begging calls assist in increasing adults' attention and avoiding habituation. The occurrence of NLP also depends on the penguins' age, with older chicks producing more NLP in their calls. Moreover, we found that NLP significantly increased in chicks after contracting a respiratory disease (for example, bacterial infections or aspergillosis). Such findings might be useful for the timely diagnosis of penguins needing veterinary treatment, contributing to conservation efforts for this endangered species.This article is part of the theme issue 'Nonlinear phenomena in vertebrate vocalizations: mechanisms and communicative functions'.

Birds evolved a novel vocal organ, the syrinx, that exhibits a high anatomical diversity. In the few species investigated, the syrinx can contain up to three pairs of functional syringeal vocal folds, acting as independent sound sources, and eight pairs of muscles. This rich variety in vocal structures and motor control results in a wide range of nonlinear phenomena (NLPs) and interactions that are distinct to avian vocal physiology, with many fascinating mechanisms yet to be discovered. Here, we review the occurrence of classical signatures of nonlinear dynamics, such as NLPs, including frequency jumps and transitions to chaos in birds. However, birds employ several additional unique tricks and transitions of inherent nonlinear dynamical nature that further enrich their vocal dynamics and are relevant for understanding the motor control of their vocalizations. Particularly, saddle-node in limit cycle (SNILC) bifurcations can switch sounds from tonal to harmonically rich and change the physiological control of fundamental frequency. In mammalian phonation, these bifurcations are mostly explored in the context of register transitions but could be equally relevant to altering vocal fold dynamical behaviour. Due to their diverse anatomy compared to mammals, birds provide unique opportunities to explore rich nonlinear dynamics in vocal production.This article is part of the theme issue 'Nonlinear phenomena in vertebrate vocalizations: mechanisms and communicative functions'.

Nonlinear acoustic phenomena (NLP) likely facilitate the expression of distress in animal vocalizations, making calls perceptually rough and hard to ignore. Yet, their function in adult human vocal communication remains poorly understood. Here, to examine the production and perception of acoustic correlates of pain in spontaneous human nonverbal vocalizations, we take advantage of childbirth-a natural context in which labouring women typically produce a range of highly evocative loud vocalizations, including moans and screams-as they experience excruciating pain. We combine acoustic analyses of these real-life pain vocalizations with psychoacoustic experiments involving the playback of natural and synthetic calls to both naïve and expert listeners. We show that vocalizations become acoustically rougher, higher in fundamental frequency (pitch), less stable, louder and longer as child labour progresses, paralleling a rise in women's self-assessed pain. In perception experiments, we show that both naïve listeners and obstetric professionals assign the highest pain ratings to vocalizations produced in the final expulsion phase of labour. Experiments with synthetic vocal stimuli confirm that listeners rely largely on nonlinear phenomena to assess pain. Our study confirms that nonlinear phenomena communicate intense, pain-induced distress in humans, consistent with their widespread function to signal distress and arousal in vertebrate vocal signals.This article is part of the theme issue 'Nonlinear phenomena in vertebrate vocalizations: mechanisms and communicative functions'.