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‘O! awa wi sic sangs as aft hae been sung’: radical songwriting and the rethinking of Chartism 哦!我们的歌曲就像以前唱的那样":激进歌曲创作与对宪章主义的反思
IF 1.1 1区 历史学 Q1 HISTORY Pub Date : 2024-07-02 DOI: 10.1080/03071022.2024.2351754
David Kennerley
ABSTRACT Chartist songs, and the movement’s culture more generally, have received growing scholarly attention in recent decades. This article uses a case study of the many Chartist songs written to the tune of Robert Burns’s ‘Scots wha hae’ to explore the ways in which Chartist songwriters participated in the reworking of radical culture and ideas taking place in the 1830s and 1840s. These Chartist versions of ‘Scots wha hae’ – new words to an old tune – engaged in a conscious and creative dialogue between the Chartist present and the radical past. As such, they are an ideal source for exploring continuity and change in nineteenth-century radicalism, a topic of sustained historical controversy since the 1980s. Rather than indicating continuity, these re-writes of ‘Scots wha hae’ reveal how the Chartists saw themselves as a new phase of radicalism, facing novel political and economic challenges, appealing to broader constituencies of nationality, class and gender, and foregrounding working-class, rather than gentlemanly, leadership. Moreover, the act of showcasing this plebeian musical creativity on a scale unmatched by previous radical movements illustrates Chartism’s commitment to songwriting as both a key form of democratic activism and an innovative challenge to the cultural hierarchies of Victorian society.
ABSTRACT Chartist songs, and the movement's culture more generally, have received growing scholarly attention in recent decades.本文通过对许多以罗伯特-伯恩斯(Robert Burns)的 "Scots wha hae "为曲调创作的宪章派歌曲进行案例研究,探讨宪章派歌曲作者如何参与 19 世纪 30 年代和 40 年代激进文化和思想的再创作。这些查特派版本的 "Scots wha hae"--老调新词--在查特派的现在和激进派的过去之间进行了有意识和创造性的对话。因此,它们是探索十九世纪激进主义的连续性和变化的理想资料来源,而十九世纪激进主义是自二十世纪八十年代以来持续存在的历史争议话题。这些对 "Scots wha hae "的改写不仅没有表明其连续性,反而揭示了宪章派如何将自己视为激进主义的新阶段,如何面对新的政治和经济挑战,如何吸引更广泛的民族、阶级和性别群体,以及如何强调工人阶级而非绅士的领导作用。此外,以以往激进运动无法比拟的规模展示平民音乐创作的行为,说明了宪章派致力于将歌曲创作作为民主活动的一种重要形式,以及对维多利亚社会文化等级制度的一种创新挑战。
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引用次数: 0
Execution, State and Society in England, 1660–1900 1660-1900 年英格兰的死刑、国家和社会
IF 1.1 1区 历史学 Q1 HISTORY Pub Date : 2024-07-02 DOI: 10.1080/03071022.2024.2352244
Robert Shoemaker
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引用次数: 0
Disparate Remedies: making medicines in modern India 不同的疗法:现代印度的药物制造
IF 1.1 1区 历史学 Q1 HISTORY Pub Date : 2024-07-02 DOI: 10.1080/03071022.2024.2352238
Michael Young
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引用次数: 0
Penning Poison: a history of anonymous letters 书写毒药:匿名信的历史
IF 1.1 1区 历史学 Q1 HISTORY Pub Date : 2024-07-02 DOI: 10.1080/03071022.2024.2352240
Eloise Moss
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引用次数: 0
Social History Book Club: Zadie Smith, The Fraud 社会历史读书俱乐部:扎迪-史密斯,《骗局
IF 1 1区 历史学 Q1 Arts and Humanities Pub Date : 2024-05-10 DOI: 10.1080/03071022.2024.2311588
Eloise Moss, Frances Houghton, Kesewa John, Sheena Kalayil, William Pooley, Michael Sanders, Benjamin Thomas White
Published in Social History (Vol. 49, No. 2, 2024)
发表于《社会历史》(第 49 卷第 2 期,2024 年)
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引用次数: 0
‘Star Men’ in English Convict Prisons, 1879–1948 英国囚犯监狱中的 "明星人物",1879-1948 年
IF 1 1区 历史学 Q1 Arts and Humanities Pub Date : 2024-05-10 DOI: 10.1080/03071022.2024.2311568
Barry Godfrey
Published in Social History (Vol. 49, No. 2, 2024)
发表于《社会历史》(第 49 卷第 2 期,2024 年)
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引用次数: 0
Freeman’s Challenge: the murder that shook America’s original prison for profit 弗里曼的挑战:震撼美国最初盈利监狱的谋杀案
IF 1 1区 历史学 Q1 Arts and Humanities Pub Date : 2024-05-10 DOI: 10.1080/03071022.2024.2311566
Bruce E. Baker
Published in Social History (Vol. 49, No. 2, 2024)
发表于《社会历史》(第 49 卷第 2 期,2024 年)
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引用次数: 0
‘[O]ne of the year’s difficult problems’: the UK cinema industry and the influenza pandemic of 1918–1919 年度难题之一":英国电影业与 1918-1919 年流感大流行
IF 1 1区 历史学 Q1 Arts and Humanities Pub Date : 2024-05-10 DOI: 10.1080/03071022.2024.2318973
Trevor Griffiths
The Covid-19 pandemic posed fundamental challenges for the cinema industry, encouraging potentially lasting changes in the ways films were delivered to and consumed by audiences. In light of this, ...
Covid-19 大流行给电影业带来了根本性的挑战,促使向观众提供电影和观众消费电影的方式发生了潜在的持久性变化。有鉴于此,...
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引用次数: 0
Knots: or the violence of desire in Renaissance Florence 结:或文艺复兴时期佛罗伦萨的欲望暴力
IF 1 1区 历史学 Q1 Arts and Humanities Pub Date : 2024-05-10 DOI: 10.1080/03071022.2024.2311577
Stefan Hanß
Published in Social History (Vol. 49, No. 2, 2024)
发表于《社会历史》(第 49 卷第 2 期,2024 年)
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引用次数: 0
A Dublin Magdalene Laundry: Donnybrook and church–state power in Ireland 都柏林的马格达林洗衣店:爱尔兰的唐尼布鲁克和教会-国家权力
IF 1 1区 历史学 Q1 Arts and Humanities Pub Date : 2024-05-10 DOI: 10.1080/03071022.2024.2311583
Jowita A. Thor
Published in Social History (Vol. 49, No. 2, 2024)
发表于《社会历史》(第 49 卷第 2 期,2024 年)
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引用次数: 0
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