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The Dharma King Who Took Care of His Family: Penden Trashi and the Rise of a Clan-Based Tibetan Buddhist Society in the Fifteenth-Century Northern Sino-Tibetan Borderland 顾家的法王:15世纪汉藏北边陲的Penden Trashi与宗族式藏传佛教社会的兴起
3区 社会学 Q2 Arts and Humanities Pub Date : 2023-09-07 DOI: 10.1163/15685322-10903002
Xiaobai Hu
Abstract In the fifteenth century, Tibetan Buddhist monks from the northern Sino-Tibetan borderland played an important role in facilitating religious and political contacts between Ming China and the Tibetan world. With the rise of their political status and religious influence at the Ming court, these Buddhist hierarchs also projected imperial endorsements to the Sino-Tibetan borderland and reshaped the local social structure. This article examines how Penden Trashi, one of the most eminent Tibetan Buddhist monks of the fifteenth century, contributed to the rise of a clan-based Tibetan Buddhist society in early Ming Minzhou 岷州. By scrutinizing Penden Trashi’s biography and personal letters to identify his role in forging the dharma succession pattern and monastic association mode in Minzhou, this article illuminates how imperial patronage reconstructed the power dynamic in the fifteenth-century Sino-Tibetan borderland.
15世纪,来自汉藏北部边境地区的藏传佛教僧侣在促进明朝与藏族世界的宗教和政治交往中发挥了重要作用。随着他们在明朝宫廷中的政治地位和宗教影响力的上升,这些佛教等级也将帝国背书投射到汉藏边境地区,重塑了当地的社会结构。本文考察了十五世纪最杰出的藏传佛教僧人之一的Penden Trashi,他是如何为明初闽州一个以宗族为基础的藏传佛教社会的兴起做出贡献的岷。本文通过对Penden Trashi的传记和私人信件的仔细研究,以确定他在闽州佛法传承模式和寺院协会模式的形成中所起的作用,阐明了帝国庇护是如何重建15世纪汉藏边境地区的权力动态的。
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引用次数: 0
Transmitted Sayings and Their Transmissibility: Patterns and Meanings of Zhuan yue 傳曰 Quotations in Early Chinese Texts 传传语录及其传传性:《转岳传》早期文献引文的模式与意义
3区 社会学 Q2 Arts and Humanities Pub Date : 2023-09-07 DOI: 10.1163/15685322-10903007
Yixin Gu
Abstract This article investigates the introductory formula zhuan yue 傳曰 (“a transmitted source says”) in early China, together with its “quotations” and their parallel texts. Rarely found in pre-imperial texts, the zhuan yue formula gained prominence especially from the mid-Western Han onward. As a vague, unspecific gesture of reference, the formula was flexibly applied to varying functions but also used with limited patterns and regularity. Both the formula and the quoted material are almost never found in the core texts of the “Five Classics” ( wujing 五經); instead, zhuan yue appears to indicate sources that existed as an open repository outside of the emerging canon. Thus, in marking the non-canonical body, zhuan yue also helped define the canonical one. Finally, another usage of zhuan yue —which emerged in early Han times if not earlier—as an introduction to specific zhuan -commentaries of the classics is clearly a separate function altogether.
摘要本文考察了中国早期的导言式《转月传》,以及它的“引语”和与之平行的文本。在前帝国时期的文本中很少发现,转月公式尤其从西汉中期开始得到了突出的地位。作为一种模糊的、不具体的参照物手势,公式可以灵活地应用于不同的功能,但也有有限的模式和规则。在《五经》(《五经》)的核心文本中几乎找不到公式和引用的材料;相反,《转经》似乎表明,在新出现的正典之外,存在着一个开放的资源库。因此,在标记非典体的同时,《传月》也有助于定义正典体。最后,《转经》的另一种用法——出现在汉代早期,如果不是更早的话——作为对典籍的具体注释的介绍,显然是一个单独的功能。
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引用次数: 0
Entering Anthologies with Names: The First Generation of Courtesan Poets in Ming Dynasty Nanjing 入名录:明代南京第一代交际花诗人
3区 社会学 Q2 Arts and Humanities Pub Date : 2023-09-07 DOI: 10.1163/15685322-10903001
Jiani Chen
Abstract This article traces the first generation of Ming courtesan poets and the earliest extant anthology recording both their poems and full names. These pioneering courtesan poets emerged from anonymity in the city of Nanjing during the late fifteenth and early sixteenth centuries. They represented a new mode of literary production and circulation in the context of social, economic, and cultural transformation which began in the mid-Ming. To better situate courtesan poets within the Ming world of letters, we examine the various sources recording their biographical information and literary/artistic creations.
本文追溯了明代第一代交际花诗人,以及现存最早的记录其诗歌和全名的诗集。15世纪末和16世纪初,这些妓女诗人从默默无闻的南京市涌现出来。它们代表了明朝中期开始的社会、经济和文化转型背景下的一种新的文学生产和流通模式。为了更好地将交际花诗人置于明代文学世界中,我们考察了记录他们传记信息和文学/艺术创作的各种来源。
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引用次数: 0
Maître de Huainan: Traité des Figures Célestes 淮南子 “天文訓” , by Marc Kalinowski (trans., ed.) Huainan大师:条约的天体图淮南子“天文訓”,由马克·瓦夫(trans。——埃德。)
3区 社会学 Q2 Arts and Humanities Pub Date : 2023-09-07 DOI: 10.1163/15685322-10903005
David W. Pankenier
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引用次数: 0
A Critical Biography of Zhu Zhanshan, Prince Xian of Xiang (1406–1478) 湘献君朱占山评传(1406-1478)
IF 0.4 3区 社会学 Q2 Arts and Humanities Pub Date : 2023-05-04 DOI: 10.1163/15685322-10901003
Aaron Throness
This essay offers a critical biography of one of Ming China’s (1368–1644) most exceptional yet understudied princes, Zhu Zhanshan 朱瞻墡 (1406–1478), Prince Xian of Xiang 襄憲王. It also complicates our understanding of Ming princes by recounting Zhu Zhanshan’s exceptional relationship with the Ming throne, which presents a unique case study of intense princely engagement in capital affairs. In pursuit of these endeavors, this essay recounts and analyzes the major events in Zhu Zhanshan’s life. These include his political engagements in Beijing during dynastic crises, intellectual development, decades-long interactions with Ming emperors and capital leadership, visits to Beijing, and contributions to local religion in his Xiangyang investiture. The essay concludes with an evaluation of Zhu Zhanshan, his place in the Ming commentarial tradition, and state-princedom relations.
这篇文章提供了中国明朝(1368-1644)最杰出但未被充分研究的王子之一,朱占山(1406-1478),襄献亲王。它还通过叙述朱占山与明朝王座的特殊关系,使我们对明朝王子的理解变得复杂,这是一个独特的案例,研究了王子对首都事务的强烈参与。在此基础上,本文对朱占山一生中的重大事件进行了叙述和分析。这些包括他在王朝危机期间在北京的政治参与,智力发展,与明朝皇帝和首都领导人长达数十年的互动,访问北京,以及在襄阳投资期间对当地宗教的贡献。文章最后对朱占山、他在明代评注传统中的地位以及国与国的关系进行了评价。
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引用次数: 0
Indes néerlandaises et culture chinoise. Deux traductions malaises du Roman des Trois Royaumes (1910–1913) , by Ge Song 荷属印度和中国文化。《三国小说》(1910 - 1913)的两个马来译本,歌歌著
IF 0.4 3区 社会学 Q2 Arts and Humanities Pub Date : 2023-05-04 DOI: 10.1163/15685322-10901009
Josh Stenberg
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引用次数: 0
Empowered by Ancestors: Controversy Over the Imperial Temple in Song China (960–1279) , by Cheung Hiu Yu 《祖先赋予权力:宋代帝王庙之争》(960-1279),张晓宇著
IF 0.4 3区 社会学 Q2 Arts and Humanities Pub Date : 2023-05-04 DOI: 10.1163/15685322-10901006
Charles Hartman
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引用次数: 0
Staging Personhood: Costuming in Early Qing Drama , by Guojun Wang 舞台人格:清初戏剧的服装,王国军
IF 0.4 3区 社会学 Q2 Arts and Humanities Pub Date : 2023-05-04 DOI: 10.1163/15685322-10901008
C. Swatek
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引用次数: 0
The Making of a Hero and a Villain: Southern Song Literati’s Changing Perceptions of the Memoirs of Li Gang and Wang Boyan 英雄与恶棍的形成:南宋文人对《李刚、王伯岩回忆录》认知的变化
IF 0.4 3区 社会学 Q2 Arts and Humanities Pub Date : 2023-05-04 DOI: 10.1163/15685322-10901002
M. Chu
This article discusses how Southern Song literati’s changing perceptions of the three memoirs of Li Gang 李綱 (1083–1140) and Wang Boyan 汪伯彥 (1069–1141) shaped their posthumous reputations. Both men served as chief councilor in the early Southern Song. Literati in the late twelfth and early thirteenth centuries became increasingly skeptical of Wang Boyan’s memoir, a work that had been considered as authentic decades earlier. Partly driven by their irredentist passion and their disappointment with autocratic councilors, literati identified with the hawkish Li and supported the printing of his works. After Li’s formerly lesser-known personal memoir had a wider circulation in the thirteenth century, daoxue 道學 historians deliberately adopted his overt criticism of Wang to form a new narrative that praised Li and vilified Wang. The posthumous reputations of the two men went into two extremes as a result—Wang was nefarious while Li was an illustrious minister.
本文讨论南宋文人对李刚(1083-1140)和王伯炎(1069-1141)的三部回忆录的看法变化如何影响他们的死后声誉。两人都在南宋早期担任过首席顾问。12世纪末和13世纪初的文人对王伯炎的回忆录越来越持怀疑态度,这部作品在几十年前被认为是真实的。部分是由于他们的民族统一主义激情和对专制议员的失望,文人们认同强硬的李,并支持他的作品的印刷。李的个人回忆录在13世纪广为流传后,《道学》的历史学家们故意采用他对王的公开批评,形成一种赞扬李、诋毁王的新叙述。这两个人死后的名声走向了两个极端:王是邪恶的,李是杰出的大臣。
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引用次数: 0
Le glaive et la charrue. Soldats et paysans chinois à la conquête de l’Ouest. L’histoire d’un échec , by Éric Trombert 剑和犁。中国士兵和农民征服西方。《失败的故事》,eric Trombert著
IF 0.4 3区 社会学 Q2 Arts and Humanities Pub Date : 2023-05-04 DOI: 10.1163/15685322-10901005
Alexis Lycas
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引用次数: 0
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