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Unifying Empathy over Predetermined Unity: Jiao Xun 焦循 (1763–1820) on the “Unifying Thread” of Confucius’ Teachings 统一移情于预定的统一:焦勋论孔子学说的“统一脉络”
IF 0.4 3区 社会学 0 ASIAN STUDIES Pub Date : 2023-05-04 DOI: 10.1163/15685322-10901004
S. Moores
This article analyses an innovative reinterpretation of Analects 4/15 by the mid-Qing Confucian scholar Jiao Xun 焦循 (1763–1820), in his Comprehensive Explanation of the Analects (Lunyu tongshi 論語通釋) written in 1803. According to Jiao, the “unifying thread” (yiguan 一貫) of Confucius’ teachings had been misunderstood by generations of scholars, for whom it served as a sort of pre-defined standard against which to disparage differing philosophical perspectives. Jiao condemns such a tendency, arguing that it goes against the original intentions of Confucius and represents a hindrance to the interconnectedness with others that he considers to be the basis of Confucian values. Identifying the “unifying thread” with this very interconnectedness, Jiao argues that it is only by overcoming self-interest that one is able to develop the cognitive and moral capacity to place the other at the center of humanness and consideration.
本文分析了清朝中期儒家学者焦勋(1763-1820)在1803年写的《论语通论》中对《论语》4/15的创新重新解释。根据焦教授的说法,孔子学说的“一统”被一代又一代的学者误解了,对他们来说,这是一种预定义的标准,用来贬低不同的哲学观点。焦谴责这种倾向,认为这违背了孔子的初衷,阻碍了他认为是儒家价值观基础的人与人之间的相互联系。焦认为,只有通过克服自身利益,一个人才能发展认知和道德能力,将他人置于人性和考虑的中心。
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引用次数: 0
The Elusive Mandate of Heaven: Changing Views of Tianming 天命 in the Eastern Zhou Period 难以捉摸的天命:东周时期天明的变化
IF 0.4 3区 社会学 0 ASIAN STUDIES Pub Date : 2023-05-04 DOI: 10.1163/15685322-10901001
Xinhui Luo, Y. Pines
The concept of tianming 天命 (Mandate of Heaven/Heaven’s Mandate) is often viewed as a foundational principle of Chinese political culture. However, as paleographic and textual evidence marshalled in our article suggests, during the formative age of this culture—the Eastern Zhou period (eighth through third centuries BCE)—this concept underwent profound changes and lost much of its original appeal. With the de facto collapse of Zhou authority in 771 BCE, tianming became dissociated from the idea of singular and universal rule. Henceforth it could refer to a regional lord’s hegemonic power, or the right to rule one’s state, or just to an opportune moment or individual destiny. The very idea of Heaven as an activist deity that guaranteed political order was questioned by many, further eroding the appeal of tianming. However, the Western Zhou notion of tianming did not perish altogether. It remained “an ideology in reserve,” part of a broad toolkit of political ideas, to be rediscovered and redeployed by Han dynasty imperial ideologues.
天命的概念通常被视为中国政治文化的基本原则。然而,正如我们文章中整理的古文字证据所表明的那样,在这种文化的形成时期——东周时期(公元前8世纪至公元前3世纪)——这一概念经历了深刻的变化,失去了许多原有的吸引力。随着公元前771年 周政权的崩溃,天明开始脱离单一和普遍统治的观念。从此以后,它可以指一个地区领主的霸权,或统治一个国家的权利,或只是指一个合适的时刻或个人的命运。许多人质疑“天明”作为一个保证政治秩序的积极的神的想法,这进一步削弱了天明的吸引力。然而,西周的天明观念并没有完全消失。它仍然是“一种备用的意识形态”,是广泛的政治思想工具包的一部分,被汉朝帝国的思想家们重新发现和重新部署。
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引用次数: 0
Front matter 前页
3区 社会学 0 ASIAN STUDIES Pub Date : 2023-05-04 DOI: 10.1163/15685322-10901000
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引用次数: 0
Where Dragon Veins Meet: The Kangxi Emperor and His Estate at Rehe , by Stephen H. Whiteman 龙脉交汇之处:康熙皇帝和他在热河的庄园,斯蒂芬·h·怀特曼
IF 0.4 3区 社会学 0 ASIAN STUDIES Pub Date : 2023-05-04 DOI: 10.1163/15685322-10901007
Yulian Wu
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引用次数: 0
The Way of the Barbarians: Redrawing Ethnic Boundaries in Tang and Song China, by Shao-yun Yang 《蛮夷之路:重划唐宋中国的民族边界》,杨少云著
IF 0.4 3区 社会学 0 ASIAN STUDIES Pub Date : 2021-04-12 DOI: 10.1163/15685322-10701008
P. Smith
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引用次数: 0
The Prefatory Self: Images of the Author in Traditional Chinese Drama 序言的自我:中国传统戏剧中作者的形象
IF 0.4 3区 社会学 0 ASIAN STUDIES Pub Date : 2021-04-12 DOI: 10.1163/15685322-10701003
Guojun Wang
This article considers representations of Chinese opera authors in the prefatory space of their theatrical works. Despite the longstanding tradition of portraiture and drama production in premodern China, existing materials suggest that pictorial depictions of the authors started to appear in play scripts primarily during the Qing dynasty. How are those images related to theatrical works and their authors? Instead of treating authorship as a type of ownership, this article studies the multifaceted nature of authorial images by examining the depiction of the authors’ hairstyles and clothing alongside other content in the front matter of those plays. Situating the phenomenon within the histories of Chinese drama, clothing, and book culture, this article argues that authors increasingly appeared in late imperial Chinese drama in their social roles, moving from the prefatory space to the drama script proper.
本文探讨了中国戏曲作者在其戏剧作品序言空间中的表现。尽管前现代中国的肖像和戏剧制作有着悠久的传统,但现有资料表明,主要在清代,作者的图画描绘开始出现在剧本中。这些形象是如何与戏剧作品及其作者联系起来的?本文没有将作者身份视为一种所有权,而是通过研究作者发型和服装的描述以及这些戏剧的正面内容来研究作者形象的多面性。本文将这一现象置于中国戏剧、服装和书籍文化的历史中,认为作者越来越多地以社会角色出现在中国晚期帝王戏剧中,从序言空间转向戏剧剧本本身。
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引用次数: 0
On Yang Xingmi’s Bloc—With an Emphasis on Socio-political Setting, Subjugation, and Subordination 论杨兴宓的集团——以社会政治背景、臣服与从属为重点
IF 0.4 3区 社会学 0 ASIAN STUDIES Pub Date : 2021-04-12 DOI: 10.1163/15685322-10701002
Pak-sheung Ng
The disintegration of Tang central authority and the resultant spawning of local strongmen (tuhao 土豪) shaped the socio-political nature of Yang Xingmi’s 楊行密 (852–905) bloc. Generally speaking, blocs founded by tuhao had generally been characterized by provincialism, but Yang Xingmi managed to avoid excessive reliance on a particular geographical origin. How to handle the challenges posed by recalcitrant meritorious officials was also of major concern to Yang Xingmi, and later Xu Wen 徐溫 (862–927), in the process of consolidating their authority. Thanks to a strong central army, rebellions initiated by ambitious meritorious officials were suppressed. In addition to finding methods for subjugating Yang’s recalcitrant meritorious officials, Xu Wen needed to address challenges posed by local strongmen; this article serves as a case study on the methodology of using genealogical records to examine the dynamics instrumental in shaping local history.
唐朝中央政权的瓦解和由此产生的地方强人(土豪)形成了杨行密的“董氏集团”(852-905)的社会政治性质。一般来说,土豪建立的集团普遍具有地方主义的特征,但杨兴宓设法避免过度依赖特定的地理来源。在巩固权威的过程中,杨行密和后来的徐文(862-927)也主要关注如何处理那些顽固不化的功臣所带来的挑战。多亏了强大的中央军队,雄心勃勃的功臣们发起的叛乱被镇压了。除了想办法征服杨国桀骜不驯的功臣,徐文还需要解决当地强人的挑战;这篇文章作为一个案例研究的方法,使用家谱记录来检查在塑造当地历史的动力工具。
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引用次数: 2
On the Meaning of shi 事 in Han Historiography 论汉史史学中“史姓”的意义
IF 0.4 3区 社会学 0 ASIAN STUDIES Pub Date : 2021-04-12 DOI: 10.1163/15685322-10701005
Paul Fahr
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引用次数: 1
The Chinese Gazette in European Sources from the Late Qianlong Period: The Case of the Siku Quanshu 乾隆晚期欧洲来源的中国公报——以《思库全书》为例
IF 0.4 3区 社会学 0 ASIAN STUDIES Pub Date : 2021-04-12 DOI: 10.1163/15685322-10701004
N. Standaert
The publicly available government gazette (often called dibao 邸報) that was published in a variety of formats in imperial China has recently caught new academic interest both in China and in the West. While most of these studies focus on the Peking Gazette (jingbao 京報) in the (late) nineteenth century, information about the gazette for earlier times remains very scarce. To address this gap, the present study focuses on the gazette from the Qianlong period (1736–1795). It uses and describes both Chinese sources, specifically the tizou shijian 題奏事件, and European sources, especially the French translations of gazettes by Jean-Joseph-Marie Amiot (1718–1793). A case study of translated reports on the Siku quanshu 四庫全書 sent to Europe shows how the Chinese gazette became part of a remarkable and lively global information network.
在帝制中国以各种形式出版的公开的政府公报(通常被称为dibao)最近在中国和西方都引起了新的学术兴趣。虽然这些研究大多集中在19世纪(后期)的《京报》上,但关于更早时期的《京报》的信息仍然很少。为了解决这一差距,本研究将重点放在乾隆时期(1736-1795)的公报上。它使用并描述了中国的来源,特别是《土语世界语》,以及欧洲的来源,特别是Jean-Joseph-Marie Amiot(1718-1793)的法语翻译的宪报。对送往欧洲的《四库全书》翻译报告的个案研究表明,中国公报如何成为一个引人注目和活跃的全球信息网络的一部分。
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引用次数: 0
Conflict, Community, and the State in Late Imperial Sichuan: Making Local Justice, written by Quinn Javers, 2019 《帝国晚期四川的冲突、社区与国家:地方正义的形成》,奎因·贾弗斯著,2019年
IF 0.4 3区 社会学 0 ASIAN STUDIES Pub Date : 2020-12-31 DOI: 10.1163/15685322-10656p08
F. Constant
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引用次数: 0
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T'oung Pao
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