Nowadays, the process of learning art tends to make students to imitate form, style, and expression into artworks. For this reason, a change in the learning process is needed. The application of value clarification technique (VCT) based on an open-ended approach is a learning process that prioritizes student activity through a process of clarifying concepts and ending with conclusions. The research subjects were pre-service elementary teachers (PSTs) from Faculty of Teacher Training and Education, Riau University. The results showed that the implementation of open-ended VCT increased PSTs’ artistic appreciation abilities from the average score of 39.72 in the pre-test to 76.61 in the posttest with an average increase of 0.66, medium categories. The open-ended VCT approach improves the learning process and has a strong influence on the ability of PSTs'artistic appreciation with a coefficient of 0.761 and a coefficient of determination of 52.7%, which can be interpreted as an open-ended VCT approach affecting PSTs' artistic appreciation.
{"title":"Value Clarification Technique based on Open Ended Approach to Increase Pre-Service Teachers’ Art Appreciation","authors":"Z. Antosa, Jupriani Jupriani","doi":"10.2991/icla-18.2019.76","DOIUrl":"https://doi.org/10.2991/icla-18.2019.76","url":null,"abstract":"Nowadays, the process of learning art tends to make students to imitate form, style, and expression into artworks. For this reason, a change in the learning process is needed. The application of value clarification technique (VCT) based on an open-ended approach is a learning process that prioritizes student activity through a process of clarifying concepts and ending with conclusions. The research subjects were pre-service elementary teachers (PSTs) from Faculty of Teacher Training and Education, Riau University. The results showed that the implementation of open-ended VCT increased PSTs’ artistic appreciation abilities from the average score of 39.72 in the pre-test to 76.61 in the posttest with an average increase of 0.66, medium categories. The open-ended VCT approach improves the learning process and has a strong influence on the ability of PSTs'artistic appreciation with a coefficient of 0.761 and a coefficient of determination of 52.7%, which can be interpreted as an open-ended VCT approach affecting PSTs' artistic appreciation.","PeriodicalId":249218,"journal":{"name":"Proceedings of the Seventh International Conference on Languages and Arts (ICLA 2018)","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129681126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This current research is a descriptive research aiming to explain the form and function of greetings in Indonesian and French in the context of using the language politely for communication. The data of this research are speeches containing greetings both in Indonesian and French taken from the films: Amour, Demain tout commence, Ayah MengapaAkuBerbeda, Dilan 2, Dilan1, and Surga yang takDirindukan. The object of this study is the form and function of the greetings used in communication in some of the films in accordance with the context of language politeness. Data collection was carried out through nonparticipant observation technique. Data analysis was conducted from the beginning, researchers collected data using the model proposed by Ricoeur, using semantic, reflective and existential understanding. The results showed that the form of greetings used based on the data of this study were: 1. greeting forms in the form of (a) self-name and pronoun use, (b) age-related kinship names, and (c) titles related to status. The use of greetings in French and Indonesian was different. The word "dear" is used in the Indonesian society to greet children who are not yet mature by their father or mother, in contrast, in French society the word 'dear' is used to greet the wife or husband. The differences in the use of greetings in Indonesian and French are always related to politeness that is related to the culture of the Indonesian and French people. 2. The greeting forms found in the data of this research contain (a) conative functions and (b) phatic functions. The function of speech acts that is often used is conative function, speakers say because they want to get responses from their speech partners. phatic functions are used only when people meet each other in order to maintain relationships with their speech partners or provide information.
本研究是一项描述性研究，目的是在礼貌地使用语言进行交流的背景下，解释印尼语和法语中问候的形式和功能。本研究的数据是印度尼西亚语和法语的问问语，取自电影:Amour, Demain tout commence, Ayah MengapaAkuBerbeda, Dilan 2, Dilan1和Surga yang takDirindukan。本研究的对象是在语言礼貌的语境下，对一些电影中交际中问候语的形式和功能进行研究。数据收集采用非参与式观察技术。数据分析从一开始就进行，研究者使用Ricoeur提出的模型收集数据，使用语义理解、反思理解和存在理解。结果表明，基于本研究数据的问候语使用形式为:1。问候形式的形式有:(a)自我称呼和代词用法，(b)与年龄相关的亲属名称，(c)与地位相关的头衔。法语和印尼语的问候语用法不同。“亲爱的”一词在印度尼西亚社会中被父母用来问候尚未成熟的孩子，相反，在法国社会中，“亲爱的”一词被用来问候妻子或丈夫。印尼语和法语在问候语使用上的差异往往与礼貌有关，这与印尼语和法语的文化有关。2. 本研究数据中发现的问候形式包含(a)合意功能和(b)语意功能。说话者说，经常使用的言语行为的功能是意向功能，因为他们想从说话伙伴那里得到回应。交际功能仅在人们见面时使用，目的是为了维持与说话伙伴的关系或提供信息。
{"title":"Greetings and Politeness Used in French and Indonesian Language Communication","authors":"Siti Perdi Rahayu, Roswita Lumban Tobing, Rohali Rohali","doi":"10.2991/icla-18.2019.84","DOIUrl":"https://doi.org/10.2991/icla-18.2019.84","url":null,"abstract":"This current research is a descriptive research aiming to explain the form and function of greetings in Indonesian and French in the context of using the language politely for communication. The data of this research are speeches containing greetings both in Indonesian and French taken from the films: Amour, Demain tout commence, Ayah MengapaAkuBerbeda, Dilan 2, Dilan1, and Surga yang takDirindukan. The object of this study is the form and function of the greetings used in communication in some of the films in accordance with the context of language politeness. Data collection was carried out through nonparticipant observation technique. Data analysis was conducted from the beginning, researchers collected data using the model proposed by Ricoeur, using semantic, reflective and existential understanding. The results showed that the form of greetings used based on the data of this study were: 1. greeting forms in the form of (a) self-name and pronoun use, (b) age-related kinship names, and (c) titles related to status. The use of greetings in French and Indonesian was different. The word \"dear\" is used in the Indonesian society to greet children who are not yet mature by their father or mother, in contrast, in French society the word 'dear' is used to greet the wife or husband. The differences in the use of greetings in Indonesian and French are always related to politeness that is related to the culture of the Indonesian and French people. 2. The greeting forms found in the data of this research contain (a) conative functions and (b) phatic functions. The function of speech acts that is often used is conative function, speakers say because they want to get responses from their speech partners. phatic functions are used only when people meet each other in order to maintain relationships with their speech partners or provide information.","PeriodicalId":249218,"journal":{"name":"Proceedings of the Seventh International Conference on Languages and Arts (ICLA 2018)","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121177741","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Marapulai basuntiang it’s one of the unique culture that are a groom using suntiang at the middle of ceremony in marriage in Nagari Indrapura. This tradition has been using by the people from the old generations untill now. Its became typical of Nagari Indrapura. The purpose of this research is to express and analysis groom is one of the identity for a community in Nagari Indapura. This research use a qualitative method that held in Nagari Indrapura. The result of this research is tradition of groom using suntiang had been life and stay at the community in Nagari Indrapura, its became one of the culture identity from the heritage culture at the past. Althought, today is modren era but they are still using the tradition culture is groom using suntiang. Its one of mandatory in Nagari Indrapura and that suntiang symbolize of crown.
{"title":"Suntiang as the Culture Identity on the Marapulai Basuntiang Wedding Ceremony at Nagari Indrapura Pancung Soal District Pesisir Selatan","authors":"E. D. Nanda, Elida, Daryusti","doi":"10.2991/ICLA-18.2019.5","DOIUrl":"https://doi.org/10.2991/ICLA-18.2019.5","url":null,"abstract":"Marapulai basuntiang it’s one of the unique culture that are a groom using suntiang at the middle of ceremony in marriage in Nagari Indrapura. This tradition has been using by the people from the old generations untill now. Its became typical of Nagari Indrapura. The purpose of this research is to express and analysis groom is one of the identity for a community in Nagari Indapura. This research use a qualitative method that held in Nagari Indrapura. The result of this research is tradition of groom using suntiang had been life and stay at the community in Nagari Indrapura, its became one of the culture identity from the heritage culture at the past. Althought, today is modren era but they are still using the tradition culture is groom using suntiang. Its one of mandatory in Nagari Indrapura and that suntiang symbolize of crown.","PeriodicalId":249218,"journal":{"name":"Proceedings of the Seventh International Conference on Languages and Arts (ICLA 2018)","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117209808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Putiak Sanggua can only be used by "Bajiniah" people, meaning those from descendants who have the title like Datuak. This research was conducted using a qualitative approach, which is a descriptive analysis. Data collection techniques in this study were carried out with literature study techniques, observation, interviews, and documentation. Interviews were conducted with informants from traditional leaders, family who had committed the marriage customs of the Nagari Sijunjuang community. The discussion of this journal regarding the shape and symbolic meaning of the Putiak Sanggua in the marriage ceremony for the people in Nagari Sijunjuang West Sumatra. In term of shape of putiak sanggua looks at a glance like suntiang pisang saparak from Solok Salayo. And the symbolic meaning of Putiak Sanggua lies in the florid flower motif symbolizing that beauty and grandeur for women because of their beautiful shape.
{"title":"Putiak Sanggua in the Marriage Ceremony for People in Nagari Sijunjuang West Sumatra","authors":"Nurul Fhadilla Prima Yanda, Agusti Efi","doi":"10.2991/icla-18.2019.12","DOIUrl":"https://doi.org/10.2991/icla-18.2019.12","url":null,"abstract":"Putiak Sanggua can only be used by \"Bajiniah\" people, meaning those from descendants who have the title like Datuak. This research was conducted using a qualitative approach, which is a descriptive analysis. Data collection techniques in this study were carried out with literature study techniques, observation, interviews, and documentation. Interviews were conducted with informants from traditional leaders, family who had committed the marriage customs of the Nagari Sijunjuang community. The discussion of this journal regarding the shape and symbolic meaning of the Putiak Sanggua in the marriage ceremony for the people in Nagari Sijunjuang West Sumatra. In term of shape of putiak sanggua looks at a glance like suntiang pisang saparak from Solok Salayo. And the symbolic meaning of Putiak Sanggua lies in the florid flower motif symbolizing that beauty and grandeur for women because of their beautiful shape.","PeriodicalId":249218,"journal":{"name":"Proceedings of the Seventh International Conference on Languages and Arts (ICLA 2018)","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116532979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study aims to describe the acquisition of phonology including the acquisition of vowels, consonants, and diphthongs obtained by aIndonesian child. The research design used uses a qualitative method with a longitudinalcase study approach by following child's language development from 0 months to 4 years old, named KS. The findings of this study were that KS had obtained a complete vocal phoneme at 2;0 years old. Diphthong sound is mastered entering at 3;0 years. Consonant starts to be mastered at 2;0 years, however fricative sound [f], the sound of vibration [r] has not been mastered until the age of 4 years. Uniquely, if the consonant sounds located at the end of the word, KS replace it with a [n]. This happens because speech motor KS is incomplete or not yet fully developed. Thus, at the age of 4 years old, KS has been able to recite and obtain most of the phonemes in Indonesian.
{"title":"Phonological Acquisition (Case Study on Indonesian Child)","authors":"R. Fitriana, Agustina Agustina","doi":"10.2991/ICLA-18.2019.79","DOIUrl":"https://doi.org/10.2991/ICLA-18.2019.79","url":null,"abstract":"This study aims to describe the acquisition of phonology including the acquisition of vowels, consonants, and diphthongs obtained by aIndonesian child. The research design used uses a qualitative method with a longitudinalcase study approach by following child's language development from 0 months to 4 years old, named KS. The findings of this study were that KS had obtained a complete vocal phoneme at 2;0 years old. Diphthong sound is mastered entering at 3;0 years. Consonant starts to be mastered at 2;0 years, however fricative sound [f], the sound of vibration [r] has not been mastered until the age of 4 years. Uniquely, if the consonant sounds located at the end of the word, KS replace it with a [n]. This happens because speech motor KS is incomplete or not yet fully developed. Thus, at the age of 4 years old, KS has been able to recite and obtain most of the phonemes in Indonesian.","PeriodicalId":249218,"journal":{"name":"Proceedings of the Seventh International Conference on Languages and Arts (ICLA 2018)","volume":"75 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126368146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Kuantan Singingi County area, has many diverse art forms, such as tradition Randai and tradition Perahu Baghanduang. One form of the tradition in KuantanSingingi Regency is a tradition of Perahu Baghanduang in subDistrict Kuantan Mudik (Lubuk Jambi). Parahu Baghanduang in the form of a parade of traditional canoes decorated various custom symbols that are colorful and PerahuBaghanduang this is a two/three boats chained or tied into one that is why it is said (dighanduang). Research on by qualitative data. The existence of thisPerahu Baghanduangcan seen from the sustainability of the existence of a tradition of Perahu Baghanduang that exist in district of Kuantan Mudik(Lubuk Jambi) KuantanSingingi Regency. There are several aspects that may be in review to see the existence of a tradition of Perahu Baghanduang these are: (1) aspects of history, (2) aspects of religion, (3) aspects of customs, (4) aspects of the Community (5) aspects of education.
{"title":"The Existence of the Perahu Baghanduang in Subdistrict Kuantan Mudik (Lubuk Jambi), Kuantan Singingi Regency Riau Province","authors":"Yulliza Fajrianti, Budiwirman Budiwirman","doi":"10.2991/ICLA-18.2019.9","DOIUrl":"https://doi.org/10.2991/ICLA-18.2019.9","url":null,"abstract":"Kuantan Singingi County area, has many diverse art forms, such as tradition Randai and tradition Perahu Baghanduang. One form of the tradition in KuantanSingingi Regency is a tradition of Perahu Baghanduang in subDistrict Kuantan Mudik (Lubuk Jambi). Parahu Baghanduang in the form of a parade of traditional canoes decorated various custom symbols that are colorful and PerahuBaghanduang this is a two/three boats chained or tied into one that is why it is said (dighanduang). Research on by qualitative data. The existence of thisPerahu Baghanduangcan seen from the sustainability of the existence of a tradition of Perahu Baghanduang that exist in district of Kuantan Mudik(Lubuk Jambi) KuantanSingingi Regency. There are several aspects that may be in review to see the existence of a tradition of Perahu Baghanduang these are: (1) aspects of history, (2) aspects of religion, (3) aspects of customs, (4) aspects of the Community (5) aspects of education.","PeriodicalId":249218,"journal":{"name":"Proceedings of the Seventh International Conference on Languages and Arts (ICLA 2018)","volume":"63 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133567764","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Minangkabau dance is now increasingly existing. It is used and functions in many formal and informal events, both government and traditional events in various forms of tradition, as well as creations. It is also performed by both men and women, either in acrobatic motion using magic or not. On the other hand, the alim ulama and cerdik pandai are active in implementing the Adat Basandi Syarak Syarak Basandi Kitabullah (ABS-SBK). This philosophy means culture should be based on religion and religion should be based on Al-Quran. This article aims to inventory the appropriate movements of the Minangkabau dance based on the ABSSBK value. This research is a qualitative study using documentation and interviews as techniques for collecting data. It is concluded that some dances still use the element of magic which is contrary to the ABS-SBK value. .
{"title":"Minangkabau Dance Movement based on Abs-Sbk Value (A Study of Minangkabau Tradisional Dance in Tanah Datar)","authors":"Afifah Asriati, Desfiarni Desfiarni","doi":"10.2991/icla-18.2019.15","DOIUrl":"https://doi.org/10.2991/icla-18.2019.15","url":null,"abstract":"Minangkabau dance is now increasingly existing. It is used and functions in many formal and informal events, both government and traditional events in various forms of tradition, as well as creations. It is also performed by both men and women, either in acrobatic motion using magic or not. On the other hand, the alim ulama and cerdik pandai are active in implementing the Adat Basandi Syarak Syarak Basandi Kitabullah (ABS-SBK). This philosophy means culture should be based on religion and religion should be based on Al-Quran. This article aims to inventory the appropriate movements of the Minangkabau dance based on the ABSSBK value. This research is a qualitative study using documentation and interviews as techniques for collecting data. It is concluded that some dances still use the element of magic which is contrary to the ABS-SBK value. .","PeriodicalId":249218,"journal":{"name":"Proceedings of the Seventh International Conference on Languages and Arts (ICLA 2018)","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131574967","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A political figure must pay attention to the sentence he uses in interacting by using effective sentences.The purpose of this research is to describe the effectiveness of sentence on instagram caption of a political figure that is Ridwan Kamil. The type of research used in this study is qualitative research. The method used is descriptive method. The Source of data was the caption of instagram taken using a screenshot of political figure Ridwan Kamil. The data were collected by identifying the effectiveness of sentences based on indicators of the effectiveness of a sentence. Selected indicators, parallel sentences, explanation sentences, and standard sentences. Based on the results of data analysis, it is known the number of sentences analyzed as many as 73 sentences, the use of effective sentences as much 36 sentence with 49.3% and the use of ineffective sentences 37 sentence with 50.8%.
{"title":"The Effectiveness Sentence in Instagram Caption of Political Figure Ridwan Kamil","authors":"Reri Oktarina, Ermanto Ermanto","doi":"10.2991/icla-18.2019.37","DOIUrl":"https://doi.org/10.2991/icla-18.2019.37","url":null,"abstract":"A political figure must pay attention to the sentence he uses in interacting by using effective sentences.The purpose of this research is to describe the effectiveness of sentence on instagram caption of a political figure that is Ridwan Kamil. The type of research used in this study is qualitative research. The method used is descriptive method. The Source of data was the caption of instagram taken using a screenshot of political figure Ridwan Kamil. The data were collected by identifying the effectiveness of sentences based on indicators of the effectiveness of a sentence. Selected indicators, parallel sentences, explanation sentences, and standard sentences. Based on the results of data analysis, it is known the number of sentences analyzed as many as 73 sentences, the use of effective sentences as much 36 sentence with 49.3% and the use of ineffective sentences 37 sentence with 50.8%.","PeriodicalId":249218,"journal":{"name":"Proceedings of the Seventh International Conference on Languages and Arts (ICLA 2018)","volume":"72 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132644189","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study aims to describe: (1) cohesion and (2) coherence in Indonesian Textbooks for XI Grade Senior High School. This type of research is qualitative analysis research. The data are the statements or disclosures that contain cohesion and coherence in the Indonesian textbooks. The sources of data are the texts in The Indonesian Textbooks for XI Grade Senior High Schoolpublished by the Ministry of Education and Culture of Republic of Indonesia. The data collection techniques are carried out with documenting, reading,and noting. Data analysis techniques are carried out through reduction, presentation, and inference/verification of data. The results of this study showed that (1) the use of two cohesion markers, grammatical cohesionand lexical cohesion. The markers of grammatical cohesion were reference, substitution, ellipsis, and conjunction. The markers of lexical cohesion were repetition, synonym,antonym, hyponym, and collocation. The later result was (2) the use of coherence markers which are addition, sequencing, resistance, more, cause-consequences, time, terms, ways, uses, and explanations. Those findings showed that the textsof Indonesian Textbooks for XI Grade Senior High School published by the Ministry of Education and Culture of Republic of Indonesia were texts that had cohesion and unity of meaning so that Indonesian Textbooks for XI Grade Senior High Schoolpublished by the Ministry of Education and Cultureof The Republic of Indonesia was declared good to be used as a teaching material.
{"title":"Cohesion and Coherence in Indonesian Textbooks for The Tenth Grader of Senior High School","authors":"Syamsudduha Syamsudduha, Johar Amir, Wahida Wahida","doi":"10.2991/icla-18.2019.75","DOIUrl":"https://doi.org/10.2991/icla-18.2019.75","url":null,"abstract":"This study aims to describe: (1) cohesion and (2) coherence in Indonesian Textbooks for XI Grade Senior High School. This type of research is qualitative analysis research. The data are the statements or disclosures that contain cohesion and coherence in the Indonesian textbooks. The sources of data are the texts in The Indonesian Textbooks for XI Grade Senior High Schoolpublished by the Ministry of Education and Culture of Republic of Indonesia. The data collection techniques are carried out with documenting, reading,and noting. Data analysis techniques are carried out through reduction, presentation, and inference/verification of data. The results of this study showed that (1) the use of two cohesion markers, grammatical cohesionand lexical cohesion. The markers of grammatical cohesion were reference, substitution, ellipsis, and conjunction. The markers of lexical cohesion were repetition, synonym,antonym, hyponym, and collocation. The later result was (2) the use of coherence markers which are addition, sequencing, resistance, more, cause-consequences, time, terms, ways, uses, and explanations. Those findings showed that the textsof Indonesian Textbooks for XI Grade Senior High School published by the Ministry of Education and Culture of Republic of Indonesia were texts that had cohesion and unity of meaning so that Indonesian Textbooks for XI Grade Senior High Schoolpublished by the Ministry of Education and Cultureof The Republic of Indonesia was declared good to be used as a teaching material.","PeriodicalId":249218,"journal":{"name":"Proceedings of the Seventh International Conference on Languages and Arts (ICLA 2018)","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133682887","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Pendet ‘Berbaju’ A Subjective Aesthetic Image","authors":"I. N. Mariasa","doi":"10.2991/icla-18.2019.18","DOIUrl":"https://doi.org/10.2991/icla-18.2019.18","url":null,"abstract":"","PeriodicalId":249218,"journal":{"name":"Proceedings of the Seventh International Conference on Languages and Arts (ICLA 2018)","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133834884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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