In recent decades, inequality has increased in Sweden. The increasing gaps are connected with policies that are often called neoliberal. How does working-class literature relate to these social problems and what literary possibilities does it open up? In this article I discuss these questions based on some literary examples from Swedish contemporary working-class literature. These literary examples have attracted much attention. My perspective is that I see working-class literature as literature with a distinct use value and a literature that has specific functions in the working-class literature context (Felski, 2008). Kristian Lundberg, Johan Jönson and Jenny Wrangborg all give personal accounts from workplaces. Such can be valuable. The problem with Lundberg and Jönson is that they tend to be introverted and egocentric. Especially Lundberg lacks the class perspective. Perhaps Lundberg’s Yarden (The Yard, 2009) should be described as confessional literature rather than working-class literature. With Susanna Alakoski the working-class is hidden behind the concept of poverty. The working-class as actor is absent. The labor movement as well. Instead, it is the middle class who appear as actor. Through the role of jester, Jönson makes class society visible. The role of jester could be seen as a specific rhetorical strategy and a literary device to create a distancing effect, or Verfremdungseffekt. Wrangborg connects to the legacy of early working-class literature with struggle poems. From within the workplace she describes work situations and experiences of class. Emil Boss takes a close look at language and concepts in a postpolitical age when old concepts have changed meaning. It is a crucial task for working-class literature to explain, interpret and examine old concepts that have changed meaning in a new political era, when the labor movement has lost contact with previous ideals and social democratic governments pursue rightwing politics, thus making it difficult to distinguish between left and right.
{"title":"Problems and possibilities for Swedish working-class literature in a neoliberal age","authors":"M. Gustafson","doi":"10.13001/jwcs.v8i1.8043","DOIUrl":"https://doi.org/10.13001/jwcs.v8i1.8043","url":null,"abstract":"In recent decades, inequality has increased in Sweden. The increasing gaps are connected with policies that are often called neoliberal. How does working-class literature relate to these social problems and what literary possibilities does it open up? In this article I discuss these questions based on some literary examples from Swedish contemporary working-class literature. These literary examples have attracted much attention. My perspective is that I see working-class literature as literature with a distinct use value and a literature that has specific functions in the working-class literature context (Felski, 2008). \u0000Kristian Lundberg, Johan Jönson and Jenny Wrangborg all give personal accounts from workplaces. Such can be valuable. The problem with Lundberg and Jönson is that they tend to be introverted and egocentric. Especially Lundberg lacks the class perspective. Perhaps Lundberg’s Yarden (The Yard, 2009) should be described as confessional literature rather than working-class literature. With Susanna Alakoski the working-class is hidden behind the concept of poverty. The working-class as actor is absent. The labor movement as well. Instead, it is the middle class who appear as actor. Through the role of jester, Jönson makes class society visible. The role of jester could be seen as a specific rhetorical strategy and a literary device to create a distancing effect, or Verfremdungseffekt. Wrangborg connects to the legacy of early working-class literature with struggle poems. From within the workplace she describes work situations and experiences of class. \u0000Emil Boss takes a close look at language and concepts in a postpolitical age when old concepts have changed meaning. It is a crucial task for working-class literature to explain, interpret and examine old concepts that have changed meaning in a new political era, when the labor movement has lost contact with previous ideals and social democratic governments pursue rightwing politics, thus making it difficult to distinguish between left and right. ","PeriodicalId":258091,"journal":{"name":"Journal of Working-Class Studies","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128967930","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Laughing Face of Youth","authors":"Ian C. Smith","doi":"10.13001/jwcs.v8i1.8055","DOIUrl":"https://doi.org/10.13001/jwcs.v8i1.8055","url":null,"abstract":"","PeriodicalId":258091,"journal":{"name":"Journal of Working-Class Studies","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115516712","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this article I compare the representation of working people in two novels, Ruth Park’s The Harp in the South (1948) and Dorothy Hewett’s Bobbin Up (1959), as well as the ensuing critical debate about realism in their depictions of slum life in Sydney. I show that while Hewett’s work is more class-conscious and agitational, Park’s novel comes alive in deeper intersectional ways through her awareness of the interwoven structures of gender, class and race. Although Hewett’s novel culminates in a strike by women mill workers, Park reveals more of the individual strategies of survival that form part of the working-class lives she portrays. Thus, using Friedrich Engels’ critical point about ‘typical characters under typical circumstances’, I argue that while both writers try to capture the fundamental experience of working-class people, this is more successfully done in Park’s novel, both in terms of its literary realism and implicit radical politics.
{"title":"‘Typical characters under typical circumstances’: The Slum Fiction of Dorothy Hewett and Ruth Park","authors":"R. Paul","doi":"10.13001/jwcs.v8i1.8045","DOIUrl":"https://doi.org/10.13001/jwcs.v8i1.8045","url":null,"abstract":"In this article I compare the representation of working people in two novels, Ruth Park’s The Harp in the South (1948) and Dorothy Hewett’s Bobbin Up (1959), as well as the ensuing critical debate about realism in their depictions of slum life in Sydney. I show that while Hewett’s work is more class-conscious and agitational, Park’s novel comes alive in deeper intersectional ways through her awareness of the interwoven structures of gender, class and race. Although Hewett’s novel culminates in a strike by women mill workers, Park reveals more of the individual strategies of survival that form part of the working-class lives she portrays. Thus, using Friedrich Engels’ critical point about ‘typical characters under typical circumstances’, I argue that while both writers try to capture the fundamental experience of working-class people, this is more successfully done in Park’s novel, both in terms of its literary realism and implicit radical politics.","PeriodicalId":258091,"journal":{"name":"Journal of Working-Class Studies","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132368725","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article explores the comedic treatment of deindustrialization in three films: Gung Ho (US, 1986), De frigjorte (Denmark, 1993), and The Full Monty (UK, 1997). Examining the films’ different ways of portraying deindustrialization, the article discusses how symptomatic it is that these films offered their audiences a form of comedic silver lining in an era when deindustrialization was still felt acutely as a crisis. Gung Ho’s comedic take on the 1980s deindustrialization crisis invokes hopeful discourses of reindustrialization, De frigjorte explores a crisis of masculinity after its protagonist is laid off after two decades’ employment at a local factory, and The Full Monty offers a story of men overcoming deindustrialization in a communal way. Reading these films in relation to each other, the article argues that these films offered viewers faced with the realities of deindustrialization a moment of comedic distance to economic hardship.
本文探讨了三部电影中对去工业化的喜剧处理:《gong Ho》(美国，1986)、《De frigjorte》(丹麦，1993)和《the Full Monty》(英国，1997)。本文考察了这些电影描绘去工业化的不同方式，讨论了在去工业化仍然被强烈地视为危机的时代，这些电影为观众提供了一种喜剧的一线希望是多么有症状。《工浩》的喜剧表现了20世纪80年代的去工业化危机，唤起了对再工业化的充满希望的话语;《De frigjorte》探讨了主人公在当地一家工厂工作20年后被解雇后的男子气概危机;《满月》则讲述了一个男人以公共方式克服去工业化的故事。将这些电影相互联系起来阅读，文章认为这些电影为面对去工业化现实的观众提供了一个与经济困难保持喜剧距离的时刻。
{"title":"Laughing all the Way to the Closed Factory: The Deindustrialization Comedy","authors":"Jensen Mikkel","doi":"10.13001/jwcs.v8i1.8041","DOIUrl":"https://doi.org/10.13001/jwcs.v8i1.8041","url":null,"abstract":"This article explores the comedic treatment of deindustrialization in three films: Gung Ho (US, 1986), De frigjorte (Denmark, 1993), and The Full Monty (UK, 1997). Examining the films’ different ways of portraying deindustrialization, the article discusses how symptomatic it is that these films offered their audiences a form of comedic silver lining in an era when deindustrialization was still felt acutely as a crisis. Gung Ho’s comedic take on the 1980s deindustrialization crisis invokes hopeful discourses of reindustrialization, De frigjorte explores a crisis of masculinity after its protagonist is laid off after two decades’ employment at a local factory, and The Full Monty offers a story of men overcoming deindustrialization in a communal way. Reading these films in relation to each other, the article argues that these films offered viewers faced with the realities of deindustrialization a moment of comedic distance to economic hardship.","PeriodicalId":258091,"journal":{"name":"Journal of Working-Class Studies","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128411139","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Petrus Liu’s latest book, The Specter of Materialism: Queer Theory and Marxism in the Age of the Beijing Consensus (Duke UP, 2023), will be of interest to readers who wish to grapple with capitalism as a ‘moving totality’ (p. 26), an ever-changing process of accumulation and dispossession. For Liu, that analytic work requires a geographic reorientation away from the U.S. and the West. ‘The Beijing Consensus’ names capitalism’s latest mutation and reflects China’s position as the new center of global capitalism in the wake of the post-1989 social and economic upheavals and, more so, after the economic meltdown of 2008. Materialist critique, now and for the past three decades, is debilitated to the extent that it does not center East Asia and use Asian Marxism to retrain the critic’s vision on the contradictions that China reveals–uniquely in this geopolitical moment–about ‘capitalism as a relentless drive to subsume the labor process in the global South’ (p. 24).
{"title":"Liu, P. (2023) The Specter of Materialism: Queer Theory and Marxism in the Age of the Beijing Consensus. Duke University Press.","authors":"Matt Brim","doi":"10.13001/jwcs.v8i1.8057","DOIUrl":"https://doi.org/10.13001/jwcs.v8i1.8057","url":null,"abstract":"Petrus Liu’s latest book, The Specter of Materialism: Queer Theory and Marxism in the Age of the Beijing Consensus (Duke UP, 2023), will be of interest to readers who wish to grapple with capitalism as a ‘moving totality’ (p. 26), an ever-changing process of accumulation and dispossession. For Liu, that analytic work requires a geographic reorientation away from the U.S. and the West. ‘The Beijing Consensus’ names capitalism’s latest mutation and reflects China’s position as the new center of global capitalism in the wake of the post-1989 social and economic upheavals and, more so, after the economic meltdown of 2008. Materialist critique, now and for the past three decades, is debilitated to the extent that it does not center East Asia and use Asian Marxism to retrain the critic’s vision on the contradictions that China reveals–uniquely in this geopolitical moment–about ‘capitalism as a relentless drive to subsume the labor process in the global South’ (p. 24).","PeriodicalId":258091,"journal":{"name":"Journal of Working-Class Studies","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127565454","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fogelson, Robert (2022) Working-Class Utopias: A History of Cooperative Housing in New York City. Princeton.","authors":"J. Freeman","doi":"10.13001/jwcs.v8i1.8063","DOIUrl":"https://doi.org/10.13001/jwcs.v8i1.8063","url":null,"abstract":"","PeriodicalId":258091,"journal":{"name":"Journal of Working-Class Studies","volume":"77 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127083849","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Almost as long as there have been universities, there has been social conflict between town and gown. The University of Cambridge, after all, was founded in 1209 by scholars fleeing the hostile environment of Oxford, where three of their colleagues had been hanged in an act of semivigilantism by town officials in punishment for their role in the death of a young townswoman. From then until now, the general logic of the conflict has stayed the same, even if the particulars have varied widely. Universities have a profound historical connection to the reproduction of ruling elites, manifest most darkly in the historical discovery in the last generation of the connection many hold to slavery and the slave trade. Students and scholars are linked up to national institutions that carry their own status and prestige and may access distinct pools of economic resources. Especially at more elite institutions, they may occupy a quite different social position from their neighbors, but (except for online colleges) they must exist in physical space and interact with the social geography around them.
{"title":"Baldwin, Davarian (2021) In the Shadow of the Ivory Tower: How Universities Are Plundering Our Cities. Bold Type Books.","authors":"Gabriel Winant","doi":"10.13001/jwcs.v8i1.8065","DOIUrl":"https://doi.org/10.13001/jwcs.v8i1.8065","url":null,"abstract":"Almost as long as there have been universities, there has been social conflict between town and gown. The University of Cambridge, after all, was founded in 1209 by scholars fleeing the hostile environment of Oxford, where three of their colleagues had been hanged in an act of semivigilantism by town officials in punishment for their role in the death of a young townswoman. From then until now, the general logic of the conflict has stayed the same, even if the particulars have varied widely. Universities have a profound historical connection to the reproduction of ruling elites, manifest most darkly in the historical discovery in the last generation of the connection many hold to slavery and the slave trade. Students and scholars are linked up to national institutions that carry their own status and prestige and may access distinct pools of economic resources. Especially at more elite institutions, they may occupy a quite different social position from their neighbors, but (except for online colleges) they must exist in physical space and interact with the social geography around them.","PeriodicalId":258091,"journal":{"name":"Journal of Working-Class Studies","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126577029","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This essay places Charles Chesnutt’s work at the intersection of race and class in order to address the still debated question of Chesnutt’s relation to the black working-class and reinterpret his now canonical fiction as deeply entwined with the political and economic life of the black agrarian masses of the US South. I argue that the conjure tales’ centrality to turn-of-the-century American literature is in its full-throated representation of the economic demands of the black agrarian masses. Furthermore, when Chesnutt ‘dropped’ Julius as his ‘mouthpiece’ his writing ultimately left behind the masses and began to speak in the accents of metropolitan self-making. I address a range of Chesnutt’s works to demonstrate the key developments in how Chesnutt imagined racial uplift and how the black agrarian masses were to be employed in razing American apartheid. This essay then gives evidence to show Chesnutt’s growing skepticism of large dispersed political movements of the masses like Black Populism in favor of the concentrated exemplars of outstanding individuals.
{"title":"Dropping Voices: Southern Black Agrarian Revolt in Charles Chesnutt’s Fiction","authors":"J. O’Donoghue","doi":"10.13001/jwcs.v8i1.8047","DOIUrl":"https://doi.org/10.13001/jwcs.v8i1.8047","url":null,"abstract":"This essay places Charles Chesnutt’s work at the intersection of race and class in order to address the still debated question of Chesnutt’s relation to the black working-class and reinterpret his now canonical fiction as deeply entwined with the political and economic life of the black agrarian masses of the US South. I argue that the conjure tales’ centrality to turn-of-the-century American literature is in its full-throated representation of the economic demands of the black agrarian masses. Furthermore, when Chesnutt ‘dropped’ Julius as his ‘mouthpiece’ his writing ultimately left behind the masses and began to speak in the accents of metropolitan self-making. I address a range of Chesnutt’s works to demonstrate the key developments in how Chesnutt imagined racial uplift and how the black agrarian masses were to be employed in razing American apartheid. This essay then gives evidence to show Chesnutt’s growing skepticism of large dispersed political movements of the masses like Black Populism in favor of the concentrated exemplars of outstanding individuals.","PeriodicalId":258091,"journal":{"name":"Journal of Working-Class Studies","volume":"105 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128013153","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
While there is a lack of academic-activist themed literature within the Irish context, it is evident that academic-activism is becoming an increasingly relevant topic given this period of undoubtable social change. The emergence of literature depicting academia as an unsupportive environment suggests that activism is not supported in a higher educational setting. This paper draws on the experiences of 33 Irish-based academic-activists and investigates the concepts of comfortable and uncomfortable academic-activism which were identified during the analysis. By exploring the experiences of academic-activists at varying career stages, this article argues that an academic’s ability to exercise academic freedom is influenced by the type of activism, the sociopolitical identity of the individual and the institutional environment. Overall, this paper offers interesting comparisons between disadvantaged/marginalised academic-activists in comparison to those in more privileged positions.
{"title":"Experiences of academic-activists in Ireland: comfortable and uncomfortable activism in the current institutional environment","authors":"Jordan Kirwan","doi":"10.13001/jwcs.v8i1.8037","DOIUrl":"https://doi.org/10.13001/jwcs.v8i1.8037","url":null,"abstract":"While there is a lack of academic-activist themed literature within the Irish context, it is evident that academic-activism is becoming an increasingly relevant topic given this period of undoubtable social change. The emergence of literature depicting academia as an unsupportive environment suggests that activism is not supported in a higher educational setting. This paper draws on the experiences of 33 Irish-based academic-activists and investigates the concepts of comfortable and uncomfortable academic-activism which were identified during the analysis. By exploring the experiences of academic-activists at varying career stages, this article argues that an academic’s ability to exercise academic freedom is influenced by the type of activism, the sociopolitical identity of the individual and the institutional environment. Overall, this paper offers interesting comparisons between disadvantaged/marginalised academic-activists in comparison to those in more privileged positions. ","PeriodicalId":258091,"journal":{"name":"Journal of Working-Class Studies","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123213427","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
White ethnics have fashioned a valorizing narrative of hard-working ancestors playing by the rules and ‘making it.’ This narrative distinguishes between ‘us’ and parasitic ‘them’ (today’s marginalized non-white migrants) in a highly selective fashion. What if we interrogate the universality of the Ellis Island saga? Recovering stories of forgotten people, immigrant ‘failures,’ by applying Carlo Ginzburg’s microhistory approach, reveals many victims in early 1900s America. This paper interrogates these gaps in my maternal grandpa’s family, the Albaneses of Newark. My grandpa had an older sister (born in Italy) only everyone swears there was no Maria, even though there she is in the 1910 census, 19-year-old lamp-factory worker. Then I discovered in November 1910, there was a horrible Aetna Lamp Factory fire, two blocks from their home. This fire resulted in 27 deaths, three months before the better-known Triangle Shirtwaist Fire. Was this why Maria disappeared? Another sister fled an abusive husband, only to be threatened with prosecution under the Mann Act for crossing state lines for ‘immoral purposes.’ Then there was brother Ben, riding freight cars for years before ending up in an L.A. flophouse. Other invisible immigrants appear in brief newspaper notices, as of a 19-year-old striker shot in the back by Pinkertons, or runaway men whose photos called out from the ‘gallery of missing husbands.’ Revealing industrial-age microhistories of loss and trauma can (potentially) resurrect empathy toward today’s migrants or remind us of the hefty blood price capitalism exacted from workers, in 1910 no less than 2023.
{"title":"‘They Died from Misadventure and Accident’: Learning from our Missing Ancestral Failures","authors":"Bob Zecker","doi":"10.13001/jwcs.v8i1.8049","DOIUrl":"https://doi.org/10.13001/jwcs.v8i1.8049","url":null,"abstract":"White ethnics have fashioned a valorizing narrative of hard-working ancestors playing by the rules and ‘making it.’ This narrative distinguishes between ‘us’ and parasitic ‘them’ (today’s marginalized non-white migrants) in a highly selective fashion. What if we interrogate the universality of the Ellis Island saga? Recovering stories of forgotten people, immigrant ‘failures,’ by applying Carlo Ginzburg’s microhistory approach, reveals many victims in early 1900s America. This paper interrogates these gaps in my maternal grandpa’s family, the Albaneses of Newark. My grandpa had an older sister (born in Italy) only everyone swears there was no Maria, even though there she is in the 1910 census, 19-year-old lamp-factory worker. Then I discovered in November 1910, there was a horrible Aetna Lamp Factory fire, two blocks from their home. This fire resulted in 27 deaths, three months before the better-known Triangle Shirtwaist Fire. Was this why Maria disappeared? Another sister fled an abusive husband, only to be threatened with prosecution under the Mann Act for crossing state lines for ‘immoral purposes.’ Then there was brother Ben, riding freight cars for years before ending up in an L.A. flophouse. Other invisible immigrants appear in brief newspaper notices, as of a 19-year-old striker shot in the back by Pinkertons, or runaway men whose photos called out from the ‘gallery of missing husbands.’ Revealing industrial-age microhistories of loss and trauma can (potentially) resurrect empathy toward today’s migrants or remind us of the hefty blood price capitalism exacted from workers, in 1910 no less than 2023. ","PeriodicalId":258091,"journal":{"name":"Journal of Working-Class Studies","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122590725","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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