explorado. González-Espitia decidió organizar su estudio en dos volúmenes que le permitiera estudiar un corpus extenso del período que antecede a los movimientos independentistas hispanoamericanos del siglo XIX. Los autores y textos que se estudian aquí son de ambos lados del Atlántico. Algunos forman parte del canon en sus respectivas tradiciones textuales (Feijóo, Meléndez Valdés, Fernández de Moratín, Fernández de Lizardi, Goya), otros no. Ambos grupos textuales subvierten la idea una cultura hispana homogénea del siglo XVIII y descubren la necesidad de aproximarnos a la cultura como una construcción orgánica que escapa las categorizaciones estrictas. El objetivo de una crítica literaria y cultural como la que ofrece GonzálezEspitia aquí está en línea con esta comprensión orgánica de los textos y fenómenos sociales así como la pregunta por nuevos significados de obras canónicas y periféricas del siglo XVIII. De esta manera, el autor propone revisar las limitaciones tradicionalmente impuestas (y sus respectivas agendas) al examen de temas tabú que han sido relegados por la crítica. Este tipo de reflexión cuestiona los modelos de pensar acerca del pasado—y el presente—y revela, entre otras cosas, la naturaleza fluctuante de aquello que solemos considerar estático y único.
东部。gonzalez - espitia决定将他的研究组织成两卷，使他能够研究19世纪西班牙裔美国人独立运动之前时期的大量语料库。这里研究的作者和文本来自大西洋两岸。有些在各自的文本传统中是正典的一部分(feijoo, melendez valdes, fernandez de moratin, fernandez de Lizardi，戈雅)，而另一些则不是。这两组文本都颠覆了18世纪同质西班牙文化的概念，并发现有必要将文化作为一种有机结构来处理，而不是严格的分类。gonzales espitia在这里提供的文学和文化批评的目标，与这种对文本和社会现象的有机理解，以及对18世纪规范和边缘作品的新意义的问题是一致的。通过这种方式，作者建议重新审视传统上强加的限制(及其各自的议程)，以审查被批评所贬低的禁忌话题。这种反思质疑了思考过去和现在的模式，并揭示了我们通常认为是静态和独特的事物的波动性质。
{"title":"Audible Geographies in Latin America: Sounds of Race and Place by Dylon Robbins (review)","authors":"T. McEnaney","doi":"10.1353/rvs.2021.0029","DOIUrl":"https://doi.org/10.1353/rvs.2021.0029","url":null,"abstract":"explorado. González-Espitia decidió organizar su estudio en dos volúmenes que le permitiera estudiar un corpus extenso del período que antecede a los movimientos independentistas hispanoamericanos del siglo XIX. Los autores y textos que se estudian aquí son de ambos lados del Atlántico. Algunos forman parte del canon en sus respectivas tradiciones textuales (Feijóo, Meléndez Valdés, Fernández de Moratín, Fernández de Lizardi, Goya), otros no. Ambos grupos textuales subvierten la idea una cultura hispana homogénea del siglo XVIII y descubren la necesidad de aproximarnos a la cultura como una construcción orgánica que escapa las categorizaciones estrictas. El objetivo de una crítica literaria y cultural como la que ofrece GonzálezEspitia aquí está en línea con esta comprensión orgánica de los textos y fenómenos sociales así como la pregunta por nuevos significados de obras canónicas y periféricas del siglo XVIII. De esta manera, el autor propone revisar las limitaciones tradicionalmente impuestas (y sus respectivas agendas) al examen de temas tabú que han sido relegados por la crítica. Este tipo de reflexión cuestiona los modelos de pensar acerca del pasado—y el presente—y revela, entre otras cosas, la naturaleza fluctuante de aquello que solemos considerar estático y único.","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129502673","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Otros. Ricardo Piglia y la literatura mundial by Ana Gallego Cuiñas (review)","authors":"Denise Kripper","doi":"10.1353/rvs.2021.0028","DOIUrl":"https://doi.org/10.1353/rvs.2021.0028","url":null,"abstract":"","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127288966","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sifilografía. A History of the Writerly Pox in the Eighteenth-Century Hispanic World by Juan Carlos González-Espitia (review)","authors":"Rocío Quispe-Agnoli","doi":"10.1353/rvs.2021.0034","DOIUrl":"https://doi.org/10.1353/rvs.2021.0034","url":null,"abstract":"","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132878013","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
America (2015), Luis Correa-Díaz and Scott Weintraub’s Poesía y Poéticas Digitales (2016), and Hilda Chacón’s Online Activism in Latin America (2018). All of these are useful additions to the various histories of DH. This new genealogy, however well-intended, manages to erase a host of vibrant work developed both before and after the 2015 symposium that jump-started this collection. These unfortunate omissions in the editors’ introduction and coda give the false impression that Latin American and Latinx DH are still unrealized, when it is that very work in which an engagement of DH with cultural issues of inequality, power differentials, hegemony, identity, infrastructure, and activism in the digital realm has taken place. Further, this is work that has been done from within the Digital Humanities as well as from within Latin American and Latinx Studies. Just in the US academy, the main perspective of the collection, projects such as the Bracero Archive, the Latin American Cartonera Publishers Database, Recovering the US Hispanic Literary Heritage, PR Mapathon, Separados/Torn Apart, Global Networks of Cultural Production in Latin America, Mapping Indigenous LA, and Borderlands Archives Cartography, to mention only a few, engage with and enact the questions asked by Fernández L’Hoeste and Rodríguez. These and many more projects are proof that the intersectionalities of the digital and the humanities sought by the editors are not just possible, but have already been put into practice, and have expanded the fields that inform them. When readers finish reading the articles in this collection, my advice is to also explore any or all of the projects mentioned above.
美国(2015)，路易斯Correa-Díaz和斯科特温特劳布的Poesía y poticas Digitales(2016)，以及希尔达Chacón的拉丁美洲在线行动主义(2018)。所有这些都是对DH各种历史的有益补充。这个新的谱系，无论多么善意，都设法抹去了在2015年研讨会之前和之后发展起来的许多充满活力的作品，这些研讨会启动了这个系列。这些编辑引言和结尾处的不幸遗漏给人一种错误的印象，即拉丁美洲和拉丁裔的卫生保健仍未实现，而正是在这些工作中，卫生保健与不平等、权力差异、霸权、身份、基础设施和数字领域的激进主义等文化问题的接触已经发生。此外，这项工作已经从数字人文学科以及拉丁美洲和拉丁研究中完成。仅在美国学术界，该系列的主要视角，如Bracero档案馆，拉丁美洲Cartonera出版商数据库，恢复美国西班牙裔文学遗产，PR Mapathon, Separados/Torn Apart，拉丁美洲文化生产全球网络，绘制洛杉矶土著地图和Borderlands档案制图等项目，仅举几例，参与并制定Fernández L 'Hoeste和Rodríguez提出的问题。这些以及更多的项目证明，编辑们所追求的数字和人文的交叉性不仅是可能的，而且已经付诸实践，并扩大了他们所知的领域。当读者读完这个集合中的文章时，我的建议是也去探索上面提到的任何或所有项目。
{"title":"Life Embodied: The Promise of Vital Force in Spanish Modernity by Nicolás Fernández-Medina (review)","authors":"K. Murphy","doi":"10.1353/rvs.2021.0032","DOIUrl":"https://doi.org/10.1353/rvs.2021.0032","url":null,"abstract":"America (2015), Luis Correa-Díaz and Scott Weintraub’s Poesía y Poéticas Digitales (2016), and Hilda Chacón’s Online Activism in Latin America (2018). All of these are useful additions to the various histories of DH. This new genealogy, however well-intended, manages to erase a host of vibrant work developed both before and after the 2015 symposium that jump-started this collection. These unfortunate omissions in the editors’ introduction and coda give the false impression that Latin American and Latinx DH are still unrealized, when it is that very work in which an engagement of DH with cultural issues of inequality, power differentials, hegemony, identity, infrastructure, and activism in the digital realm has taken place. Further, this is work that has been done from within the Digital Humanities as well as from within Latin American and Latinx Studies. Just in the US academy, the main perspective of the collection, projects such as the Bracero Archive, the Latin American Cartonera Publishers Database, Recovering the US Hispanic Literary Heritage, PR Mapathon, Separados/Torn Apart, Global Networks of Cultural Production in Latin America, Mapping Indigenous LA, and Borderlands Archives Cartography, to mention only a few, engage with and enact the questions asked by Fernández L’Hoeste and Rodríguez. These and many more projects are proof that the intersectionalities of the digital and the humanities sought by the editors are not just possible, but have already been put into practice, and have expanded the fields that inform them. When readers finish reading the articles in this collection, my advice is to also explore any or all of the projects mentioned above.","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124828483","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This essay analyzes the transatlantic resignifying process of the pre-Hispanic Mexican past in Civilización de los antiguos pueblos mexicanos (1890) by Concepción Gimeno de Flaquer and Mujeres notables mexicanas (1910) by Laureana Wright de Kleinhans. I argue that these two indianista texts carry out a negotiation and destabilization of normative dichotomies (irrational/Indigenous vs. rational/white race) in order to subvert them and construct the superiority of pre-Columbian civilizations. This narrative strategy enables not only the restoration of the Nahua episteme based on the complementarity of opposite sexes, but also the legitimization of the transoceanic proto-feminist project with which these two authors, halfway between Spain and Mexico, are responding to the symbolic violence that excludes them from their own modern national projects. My analysis concludes that the resemantization of the Indigenous past and gender relations develops an alternative symbolic order across the Atlantic or, as Walter Mignolo calls it, an "act of liberation," "a project of de-linking" from the colonial matrix of thinking the sexes as hierarchical and binary ("Delinking").
摘要:本文分析了Concepción Gimeno de Flaquer的《Civilización de los antiguos pueblos mexicanos》(1890)和laurenana Wright de Kleinhans的《Mujeres notables mexicanas》(1910)中前西班牙裔墨西哥人过去的跨大西洋辞职过程。我认为，这两种印第安主义文本进行了规范二分法(非理性/土著vs.理性/白人种族)的协商和破坏，以颠覆它们并构建前哥伦布文明的优越性。这种叙事策略不仅使基于异性互补性的纳华认知得以恢复，而且使跨洋的原始女权主义项目合法化，这两位作者，在西班牙和墨西哥之间，正在回应将他们排除在他们自己的现代国家项目之外的象征性暴力。我的分析得出的结论是，土著过去和性别关系的相似性在大西洋彼岸发展了一种替代的象征秩序，或者，正如沃尔特·米尼奥洛所说，这是一种“解放行动”，一种从认为性别是等级和二元的殖民矩阵中“解除联系的计划”(“解除联系”)。
{"title":"La construcción neocolonial de lo indígena en la conciencia feminista de Concepción Gimeno de Flaquer y Laureana Wright de Kleinhans","authors":"Sonia Zarco-Real","doi":"10.1353/rvs.2021.0037","DOIUrl":"https://doi.org/10.1353/rvs.2021.0037","url":null,"abstract":"Abstract:This essay analyzes the transatlantic resignifying process of the pre-Hispanic Mexican past in Civilización de los antiguos pueblos mexicanos (1890) by Concepción Gimeno de Flaquer and Mujeres notables mexicanas (1910) by Laureana Wright de Kleinhans. I argue that these two indianista texts carry out a negotiation and destabilization of normative dichotomies (irrational/Indigenous vs. rational/white race) in order to subvert them and construct the superiority of pre-Columbian civilizations. This narrative strategy enables not only the restoration of the Nahua episteme based on the complementarity of opposite sexes, but also the legitimization of the transoceanic proto-feminist project with which these two authors, halfway between Spain and Mexico, are responding to the symbolic violence that excludes them from their own modern national projects. My analysis concludes that the resemantization of the Indigenous past and gender relations develops an alternative symbolic order across the Atlantic or, as Walter Mignolo calls it, an \"act of liberation,\" \"a project of de-linking\" from the colonial matrix of thinking the sexes as hierarchical and binary (\"Delinking\").","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128241038","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This article examines the representation of Cubanness in Virgilio Piñera's play Electra Garrigó by analyzing the disruptive presence of different media and technologies onstage. While most critics have explained Cubanness in Electra Garrigó through the use of popular elements and the mixture of different theatrical traditions, less attention has been paid to its revolutionary intermediality. My reading argues that the encounter of different media in the play disrupts the representation and definition of Cuban identity by challenging the stability of the theatrical space. After situating Electra Garrigó in relation to Piñera's poetry and previous debates about Cubanness, I examine how different forms of mediatization such as radio and cinema, among others, problematize not only the specificity of theater in this play, but also conceptions of race, power, and national identity. The final part of the article focuses on the heroine's uncanny metamorphosis into different material elements including domestic objects, fluids, and sounds. With respect to these mutations, I argue that the protagonist herself becomes a complex, failed medium that epitomizes the crisis of theater and Cubanness at the end of the performance.
{"title":"Nation and Theater in Crisis: The Intermedial Revolution of Electra Garrigó","authors":"Gustavo Herrera Díaz","doi":"10.1353/rvs.2021.0025","DOIUrl":"https://doi.org/10.1353/rvs.2021.0025","url":null,"abstract":"Abstract:This article examines the representation of Cubanness in Virgilio Piñera's play Electra Garrigó by analyzing the disruptive presence of different media and technologies onstage. While most critics have explained Cubanness in Electra Garrigó through the use of popular elements and the mixture of different theatrical traditions, less attention has been paid to its revolutionary intermediality. My reading argues that the encounter of different media in the play disrupts the representation and definition of Cuban identity by challenging the stability of the theatrical space. After situating Electra Garrigó in relation to Piñera's poetry and previous debates about Cubanness, I examine how different forms of mediatization such as radio and cinema, among others, problematize not only the specificity of theater in this play, but also conceptions of race, power, and national identity. The final part of the article focuses on the heroine's uncanny metamorphosis into different material elements including domestic objects, fluids, and sounds. With respect to these mutations, I argue that the protagonist herself becomes a complex, failed medium that epitomizes the crisis of theater and Cubanness at the end of the performance.","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115570819","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Karen Benezra, John T. Cull, Daniela Flesler, Gustavo Herrera Díaz, Rocío Ortuño Casanova, E. Fernández, Denise Kripper, Tom McEnaney, A. Merino, Gonzalo Montero, Katharine Murphy, Élika Ortega, R. Quispe-Agnoli, J. Slater, Irina Troconis, Sonia Zarco-Real
Abstract:In José María Arguedas's anthropological studies of Peru's southern central highlands, transculturation codes the historical logic of capital. The present essay takes, as its point of departure, Latin American subalternist critics who, in the 1990s and 2000s, identified the supposedly homogenizing logic of capital with that of transculturation or mestizaje as state ideology. By contrast, more recent interventions in postcolonial and Marxist theory suggest that what was at stake for Andean society and culture was not its wholesale destruction or incorporation into the nation-state, but rather the expedience of its preservation for the accumulation of capital. Arguedas's treatment of transculturation as a question of the so-called total conversion of the subject of highland property into a bourgeois individual mirrors the kind of anthropological transformation that Marx posited as part of the historical arc of capitalism's development and supposedly imminent demise. By underscoring the moment of total conversion as a semblance necessary for capturing non-capitalist ways of life, Arguedas's studies provide a space for considering the subjective effects of capital beyond teleological or reductive understandings of its historical unfolding.
摘要:在jos María Arguedas对秘鲁南部中部高地的人类学研究中，跨文化(transculation)编码了资本的历史逻辑。本文以拉丁美洲次替代主义批评家为出发点，他们在20世纪90年代和21世纪初将资本的所谓同质化逻辑与跨文化或梅斯蒂萨伊作为国家意识形态的逻辑等同起来。相比之下，最近对后殖民主义和马克思主义理论的干预表明，安第斯社会和文化的利害关系不是它的大规模破坏或融入民族国家，而是它为资本积累而保存的权宜之计。阿格达斯对跨文化的处理是所谓的高地财产主体向资产阶级个体的完全转换的问题，这反映了马克思所假定的作为资本主义发展和即将灭亡的历史轨迹的一部分的人类学转变。阿格达斯的研究强调了完全转换的时刻是捕捉非资本主义生活方式所必需的外表，为考虑资本的主观影响提供了一个空间，超越了对其历史展开的目的论或简化的理解。
{"title":"Arguedas: Capital y conversión","authors":"Karen Benezra, John T. Cull, Daniela Flesler, Gustavo Herrera Díaz, Rocío Ortuño Casanova, E. Fernández, Denise Kripper, Tom McEnaney, A. Merino, Gonzalo Montero, Katharine Murphy, Élika Ortega, R. Quispe-Agnoli, J. Slater, Irina Troconis, Sonia Zarco-Real","doi":"10.1353/rvs.2021.0022","DOIUrl":"https://doi.org/10.1353/rvs.2021.0022","url":null,"abstract":"Abstract:In José María Arguedas's anthropological studies of Peru's southern central highlands, transculturation codes the historical logic of capital. The present essay takes, as its point of departure, Latin American subalternist critics who, in the 1990s and 2000s, identified the supposedly homogenizing logic of capital with that of transculturation or mestizaje as state ideology. By contrast, more recent interventions in postcolonial and Marxist theory suggest that what was at stake for Andean society and culture was not its wholesale destruction or incorporation into the nation-state, but rather the expedience of its preservation for the accumulation of capital. Arguedas's treatment of transculturation as a question of the so-called total conversion of the subject of highland property into a bourgeois individual mirrors the kind of anthropological transformation that Marx posited as part of the historical arc of capitalism's development and supposedly imminent demise. By underscoring the moment of total conversion as a semblance necessary for capturing non-capitalist ways of life, Arguedas's studies provide a space for considering the subjective effects of capital beyond teleological or reductive understandings of its historical unfolding.","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126040049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Signos vitales, procreación e imagen en la narrativa áurea by Enrique García Santo-Tomás (review)","authors":"Enrique Fernández","doi":"10.1353/rvs.2021.0027","DOIUrl":"https://doi.org/10.1353/rvs.2021.0027","url":null,"abstract":"","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128553804","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Lecturas del cuerpo. Fisiognomía y literatura en la España áurea by Folke Gernert (review)","authors":"J. Slater","doi":"10.1353/rvs.2021.0035","DOIUrl":"https://doi.org/10.1353/rvs.2021.0035","url":null,"abstract":"","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124483405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:In his miscellany Para todos: Exemplos morales, hvmanos, y divinos. En qve se tratan diversas ciencias, materias y facvltades (1632), the Spanish dramatist Juan Pérez de Montalbán inserted a rather lengthy treatise with the title, "Discurso del predicador" (ff. 192r-215r), in which he elaborates a lengthy list of books useful to the preacher for the embellishment of his sermons. This exhaustive catalogue of books both secular and divine includes many Renaissance and Baroque collections of emblems and imprese. What is more, Pérez de Montalbán contributed a poem to Vincencio Carducho's Diálogos de la pintura (1633) that describes an emblematic engraving of La Pintura (f. 162r). In view of the dramatist's clear familiarity with this phenomenon of combining words and symbolic images, this study explores the presence and function of emblematic influence in the dramatic works of Juan Pérez de Montalbán, the friend and disciple of Lope de Vega.
摘要:在他的杂记中，Para todos: exempes morales, hvmanos, y divinos。1632年，西班牙剧作家胡安·帕萨雷兹(Juan psamurez de Montalbán)插入了一篇相当长的论文，标题为“论述”(Discurso del predicador)。(192r-215r)，他在书中详细列出了一长串的书籍，这些书籍对牧师的布道很有用，可以用来修饰他的布道。这详尽的书籍目录世俗和神圣的包括许多文艺复兴和巴洛克收藏的象征和印象。更重要的是，p雷兹·德Montalbán为文森西奥·卡杜乔的《Diálogos de la pintura》(1633年)贡献了一首诗，描述了la pintura (162r)的象征性雕刻。鉴于剧作家对这种语言与象征意象相结合的现象非常熟悉，本研究探讨了象征影响在洛佩·德·维加的朋友和门徒胡安·帕萨雷兹·德·Montalbán戏剧作品中的存在和作用。
{"title":"A mí no hable en emblemas: The Function of Emblematics in the Plays of Juan Pérez de Montalbán","authors":"John T. Cull","doi":"10.1353/rvs.2021.0023","DOIUrl":"https://doi.org/10.1353/rvs.2021.0023","url":null,"abstract":"Abstract:In his miscellany Para todos: Exemplos morales, hvmanos, y divinos. En qve se tratan diversas ciencias, materias y facvltades (1632), the Spanish dramatist Juan Pérez de Montalbán inserted a rather lengthy treatise with the title, \"Discurso del predicador\" (ff. 192r-215r), in which he elaborates a lengthy list of books useful to the preacher for the embellishment of his sermons. This exhaustive catalogue of books both secular and divine includes many Renaissance and Baroque collections of emblems and imprese. What is more, Pérez de Montalbán contributed a poem to Vincencio Carducho's Diálogos de la pintura (1633) that describes an emblematic engraving of La Pintura (f. 162r). In view of the dramatist's clear familiarity with this phenomenon of combining words and symbolic images, this study explores the presence and function of emblematic influence in the dramatic works of Juan Pérez de Montalbán, the friend and disciple of Lope de Vega.","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120982534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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