Pub Date : 2022-06-30DOI: 10.53943/elcv.0122_157-173
Ana Maria Lisboa de Mello
Based on a review of historical events, especially in the 20th and 21st centuries, which caused immeasurable displacements of human beings, this article proposes to analyse the «migrant writing» in the Hanoi novel, by Adriana Lisboa, bringing a reflection about exile, transculturality, memory, post-memory and melancholy, aspects present in heiresses of family traumas or exiled characters. Hanoi brings the complexity of these human transits, the implications originated from the deterritorialization and coexistence with other cultures, experiences that cause strangeness in the world’s apprehension. In this novel, the Vietnam refugees in the USA need to adapt to a new culture and language, both very different from their own.
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Pub Date : 2022-06-30DOI: 10.53943/elcv.0122_68-83
M. Lachat
This paper discusses the genre of the first part of the Narrative Compendium of the Pilgrim of America (1728), by Nuno Marques Pereira. Based on the evidence found in this eighteenth-century prose fiction work, it is proposed that it consists of a «pretended history», according to the conception of this genre of history that is outlined in the dialogue I of Court in the Village (1619), by Francisco Rodrigues Lobo. Having no intention of defining this genre (or species), this article presents considerations that aim to contribute to a critical reading of the Pilgrim of America appropriate to the Portuguese and Luso-Brazilian literate practices of the early 18th century.
本文讨论了努诺·马奎斯·佩雷拉的《美洲朝圣者叙事纲要》(1728)第一部分的体裁。根据在这部18世纪散文小说作品中发现的证据，根据弗朗西斯科·罗德里格斯·洛博(Francisco Rodrigues Lobo)在1619年的《乡村法庭》(Court in the Village)的对话1中概述的这种历史类型的概念，有人提出，它由一段“虚构的历史”组成。本文无意定义这一类型(或物种)，本文提出了一些考虑，旨在为《美洲朝圣者》的批判性阅读做出贡献，以适应18世纪早期的葡萄牙和葡巴西文学实践。
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Pub Date : 2022-06-30DOI: 10.53943/elcv.0122_55-67
Maria do Socorro Fernandes de Carvalho
Poet António Serrão de Crasto (1614-1685) was a member of the Academy of the Singular Ones (Academia dos Singulares) from 1628 to 1665, and penned two tomes of academic poetic works in 1665 and 1668. This article aims to briefly present the 72 poems contained in those academic publications, and two occasional speeches given as he presided over academic sessions. It also includes some separate poems found in handwritten form or in books authored by others. In this article, I seek to put forward a short bibliography of Serrão de Crasto by collating several bibliographical sources known to date. Generally, the rhetorical artifice present in the texts lies in switching around serious and jocular styles, as the poet shifts between the seriousness of the subject and the playfulness of the concepts, ornaments and words with which he treats the argument or, conversely, as he clothes a trivial or low subject with high ornaments. Most of his romances, sonnets and gloses feature this shifting between serious and facetious styles.
诗人António serr o de Crasto(1614-1685)于1628年至1665年是奇人学院(Academia dos Singulares)的成员，并于1665年和1668年撰写了两部学术诗歌作品。本文旨在简要介绍这些学术出版物中包含的72首诗，以及他主持学术会议时偶尔发表的两次演讲。它还包括一些以手写形式或在其他人撰写的书中发现的独立诗歌。在这篇文章中，我试图通过整理几个已知的书目来源，提出一个简短的Crasto serr de Crasto参考书目。一般来说，文本中的修辞技巧在于在严肃和诙谐的风格之间转换，当诗人在主题的严肃性和他对待论点的概念，装饰和词汇的嬉闹性之间转换时，或者相反，当他给琐碎或低级的主题披上华丽的装饰时。他的大部分浪漫小说、十四行诗和诗集都以这种严肃和滑稽风格之间的转换为特色。
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Pub Date : 2022-06-30DOI: 10.53943/elcv.0122_84-103
Jerry Santos Guimarães
In this paper, we discuss how the «letrado» type, conceived as someone who has had access to a higher level of education, is handled by Gomes Eanes de Zurara in his chronicles, written in Portugal in the third quarter of the fifteenth century. We analyze the motives that lead the «letrados» to be praised or vituperated by Zurara. Finally, based on the Zurarian historiographic writing, we discuss the limits of assigning the term «letrado» to the chronicler himself.
在本文中，我们讨论了Gomes Eanes de Zurara在他的编年史中是如何处理“letrado”类型(被认为是接受过更高水平教育的人)的，他写于15世纪第三季度的葡萄牙。我们分析了导致“领导者”受到祖拉拉赞扬或谩骂的动机。最后，基于Zurarian的史学写作，我们讨论了将“letrado”一词分配给编年史者本人的限制。
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Pub Date : 2022-06-30DOI: 10.53943/elcv.0122_119-143
João Pedro Marques Morgado Ferreira de Oliveira
Using as its background the celebration of the 450 years since the publication of The Lusiads by Luís Vaz de Camões and the several discourses which have originated in the media around those same celebrations, this paper aims at analysing the contribution of this work for the shaping and development of Orientalist discourse in Portugal. I begin by listing the terms that Camões used to refer to Africans, Middle Easterners and Indians and then I compare them with modern media representations of the same peoples. I conclude that, despite the temporal difference, modern representations are defined by continuity and similarity rather than by rupture and difference. In the final section, I try to assess the different memories regarding Camões and his work as well as the history of Portugal and of the African and Asian people in the contemporary world.
本文以Luís Vaz de Camões《路西ads》出版450周年的庆祝活动为背景，以及围绕这些庆祝活动在媒体上产生的一些话语，旨在分析这项工作对葡萄牙东方主义话语的塑造和发展的贡献。我首先列出了Camões用来指代非洲人、中东人和印度人的术语，然后将它们与现代媒体对这些民族的描述进行比较。我的结论是，尽管存在时间上的差异，但现代表征的定义是连续性和相似性，而不是断裂和差异。在最后一部分，我试图评估关于Camões和他的作品的不同记忆，以及葡萄牙和非洲和亚洲人民在当代世界的历史。
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Pub Date : 2022-06-30DOI: 10.53943/elcv.0122_26-38
Jean Pierre Chauvin
In this essay we intend to comment Graciliano Ramo’s «Pequena história da República», in a way to observe the satiric mode and the didactic character of this biography about Brazil. During the analysis, we have stablished dialogues between Ramos’s work and other manuals that have been produced along 20th century in Brazil.
在这篇文章中，我们打算评论Graciliano Ramo的«Pequena história da República»，以某种方式观察这本关于巴西的传记的讽刺模式和说教特征。在分析过程中，我们建立了拉莫斯的作品与20世纪在巴西生产的其他手册之间的对话。
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Pub Date : 2022-06-30DOI: 10.53943/elcv.0122_104-117
Lainister Oliveira Esteves
This article analyzes the debates around realistic representation and fictional narration in the reception of Robinson Crusoe, a novel by Daniel Defoe.
本文分析了在接受丹尼尔·笛福的小说《鲁滨逊漂流记》时围绕现实再现和虚构叙述的争论。
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The paper analyzes the conditions of the Santa Barbara childbirth ward, at the Royal Hospital of S. José, based on the understanding of Alfredo da Costa, a professor at the Lisbon Medical-Surgical School, an obstetrician at this hospital and the director of this maternity. Both the opening lessons of the Medical-Surgical School Obstetrics Course in 1899 and 1900, as well as the report delivered in 1906 to the Lisbon Medical-Surgical School Council, denounce the deficient conditions of the space and the lack of essential materials indispensable to the proper functioning of the ward, as well as the poor physical state of the parturients.
{"title":"«Maternidade ou antecâmara de um inferno feminino?» Alfredo da Costa e a saúde materno-infantil","authors":"M. F. Reis","doi":"10.53943/elcv.0121_07","DOIUrl":"https://doi.org/10.53943/elcv.0121_07","url":null,"abstract":"The paper analyzes the conditions of the Santa Barbara childbirth ward, at the Royal Hospital of S. José, based on the understanding of Alfredo da Costa, a professor at the Lisbon Medical-Surgical School, an obstetrician at this hospital and the director of this maternity. Both the opening lessons of the Medical-Surgical School Obstetrics Course in 1899 and 1900, as well as the report delivered in 1906 to the Lisbon Medical-Surgical School Council, denounce the deficient conditions of the space and the lack of essential materials indispensable to the proper functioning of the ward, as well as the poor physical state of the parturients.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129519160","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of this reflection is to find out how José Saramago (1922-2010) uses parody for the development of his narrative, both regarding the clear and effective deconstruction of the biblical text and the maintenance of certain elements found in the canonical accounts for later subversion. This last characteristic of the parody is hardly taken into account in the various critical readings on the construction of the fictional discourse in O evangelho segundo Jesus Cristo (1991), since clearly the «deconstructive» parody, with the full subversion of biblical texts, can already be seen at a first reading of the narrative.
这一反思的目的是找出jos Saramago(1922-2010)是如何利用戏仿来发展他的叙事的，既要明确有效地解构圣经文本，又要维护规范叙述中发现的某些元素，以备后来的颠覆。在对《O evangelho segundo Jesus Cristo》(1991)中虚构话语构建的各种批判性解读中，模仿的最后一个特征几乎没有被考虑在内，因为很明显，在对叙事的第一次阅读中，已经可以看到对圣经文本的完全颠覆的“解构性”模仿。
{"title":"Aspetos da paródia em O Evangelho segundo Jesus Cristo, de José Saramago","authors":"Antonio Augusto Nery","doi":"10.53943/elcv.0120_14","DOIUrl":"https://doi.org/10.53943/elcv.0120_14","url":null,"abstract":"The purpose of this reflection is to find out how José Saramago (1922-2010) uses parody for the development of his narrative, both regarding the clear and effective deconstruction of the biblical text and the maintenance of certain elements found in the canonical accounts for later subversion. This last characteristic of the parody is hardly taken into account in the various critical readings on the construction of the fictional discourse in O evangelho segundo Jesus Cristo (1991), since clearly the «deconstructive» parody, with the full subversion of biblical texts, can already be seen at a first reading of the narrative.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117203072","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Along the nineteenth century, almost all manuals concerning to the Brazilian History helped to build, disseminate and sediment a positive and modernizing image of Sebastião José de Carvalho e Melo, overestimating the «hits» and reducing the «excesses» practiced by the minister of the King D. José I. In this article, we analyze how Pombal’s controversial figure was incorporated into the official historiography of Brazilian nation, based on ideological assumptions agreed upon by the founding partners of the Instituto Histórico e Geográfico do Brasil, under Emperor D. Pedro II protection and patronage. The validation of Conde de Oeiras, especially in didactic materials, obeyed a teleological conception of History, a method that persists in twentieth and twenty-first centuries’ historiography.
在整个19世纪，几乎所有关于巴西历史的手册都有助于建立、传播和沉淀一个积极的、现代化的塞巴斯蒂安··约瑟夫·德·卡瓦略·梅洛的形象，高估了“打击”，减少了国王d·约瑟夫一世大臣的“过度”行为。在这篇文章中，我们分析了庞巴尔这个有争议的人物是如何被纳入巴西国家的官方史学的。基于在佩德罗二世皇帝的保护和赞助下，由巴西研究所Histórico e Geográfico的创始伙伴商定的意识形态假设。康德·德·奥伊拉斯的证实，特别是在教学材料中，遵循了一种目的论的历史观，这种方法在20世纪和21世纪的史学中一直存在。
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