Pub Date : 2022-12-29DOI: 10.53943/elcv.0222_182-185
Wellinton Rafael Araújo Guida
{"title":"Leituras Críticas: Leite, J. (2021). Itinerário do tempo. Pedro & João Editores. São Carlos: 175 pp.","authors":"Wellinton Rafael Araújo Guida","doi":"10.53943/elcv.0222_182-185","DOIUrl":"https://doi.org/10.53943/elcv.0222_182-185","url":null,"abstract":"","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127228526","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-29DOI: 10.53943/elcv.0222_166-170
Anamarija Marinović
Interview with João Morgado, recognized writer, awarded nationally and internationally, during his participation in the Festival of Portuguese Literature, held at the National Library of Belgrade, Serbia.
采访在塞尔维亚贝尔格莱德国家图书馆举行的葡萄牙文学节期间获得国内和国际奖项的知名作家jo o Morgado。
{"title":"Entrevista a João Morgado","authors":"Anamarija Marinović","doi":"10.53943/elcv.0222_166-170","DOIUrl":"https://doi.org/10.53943/elcv.0222_166-170","url":null,"abstract":"Interview with João Morgado, recognized writer, awarded nationally and internationally, during his participation in the Festival of Portuguese Literature, held at the National Library of Belgrade, Serbia.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121863575","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-29DOI: 10.53943/elcv.0222_112-125
Romeu Foz
Saramago's work was masterful in evoking and/or provoking the past and its crystallized discourses, with The Gospel According to Jesus Christ (1991) being a notable example. In this article, I propose to revisit this Saramago’s novel in order to argue that the work in question mobilizes a profanation of biblical figures at the lexical level. More specifically, and in the light of the Agambenian concept of profanation (2007), I argue that the narrator and the characters, through their lexical choices, set in motion a process of restoring certain words to a use that until then was denied to them not only by the weaving of the canonical gospels as well as by the historically constructed readings of these same texts, which, ultimately, contributes to a profanation of biblical figures.
{"title":"Profanações lexicais em O evangelho segundo Jesus Cristo, de José Saramago","authors":"Romeu Foz","doi":"10.53943/elcv.0222_112-125","DOIUrl":"https://doi.org/10.53943/elcv.0222_112-125","url":null,"abstract":"Saramago's work was masterful in evoking and/or provoking the past and its crystallized discourses, with The Gospel According to Jesus Christ (1991) being a notable example. In this article, I propose to revisit this Saramago’s novel in order to argue that the work in question mobilizes a profanation of biblical figures at the lexical level. More specifically, and in the light of the Agambenian concept of profanation (2007), I argue that the narrator and the characters, through their lexical choices, set in motion a process of restoring certain words to a use that until then was denied to them not only by the weaving of the canonical gospels as well as by the historically constructed readings of these same texts, which, ultimately, contributes to a profanation of biblical figures.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"2013 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127353954","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-29DOI: 10.53943/elcv.0222_142-152
Jean-Yves Mérien
Within Aluísio Azevedo’s literary production, O coruja (The Owl) occupies a distinctive place. This is not a work corresponding to the consecrated features of serial novel genre. First published in the footnotes of the newspaper O Paiz in Rio de Janeiro, between June and October 1885, O coruja caught the readers' attention through its protagonist and his tragic destiny’s exceptional character. In it lies an implicit and fierce criticism of the negligence by the authorities of the time with regard to the Brazilian people’s education at the end of the Second Empire. With a published volume in 1887, this novel remained little known, having never reached the popularity of works such as O mulato (The Mulatto) or O cortiço (The Slum). This article seeks to shed light on the novel’s importance for the debate over the necessary educational reform in Brazil, a topic that raised a great stir between 1883-1884. It is a heated denunciation of a system that favoured (and still favours in the 21st century) a small minority, which is represented in the novel by the antithetical figure of Teobaldo: a corrupt and opportunist, the perfect paradigm of the Brazilian ruling class.
{"title":"O coruja de Aluísio de Azevedo: um romance singular","authors":"Jean-Yves Mérien","doi":"10.53943/elcv.0222_142-152","DOIUrl":"https://doi.org/10.53943/elcv.0222_142-152","url":null,"abstract":"Within Aluísio Azevedo’s literary production, O coruja (The Owl) occupies a distinctive place. This is not a work corresponding to the consecrated features of serial novel genre. First published in the footnotes of the newspaper O Paiz in Rio de Janeiro, between June and October 1885, O coruja caught the readers' attention through its protagonist and his tragic destiny’s exceptional character. In it lies an implicit and fierce criticism of the negligence by the authorities of the time with regard to the Brazilian people’s education at the end of the Second Empire. With a published volume in 1887, this novel remained little known, having never reached the popularity of works such as O mulato (The Mulatto) or O cortiço (The Slum). This article seeks to shed light on the novel’s importance for the debate over the necessary educational reform in Brazil, a topic that raised a great stir between 1883-1884. It is a heated denunciation of a system that favoured (and still favours in the 21st century) a small minority, which is represented in the novel by the antithetical figure of Teobaldo: a corrupt and opportunist, the perfect paradigm of the Brazilian ruling class.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133697909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-29DOI: 10.53943/elcv.0222_187-189
Carlos Fiolhais, H. Leitão, J. E. Franco
{"title":"Projeto: História Global da Ciência Portuguesa","authors":"Carlos Fiolhais, H. Leitão, J. E. Franco","doi":"10.53943/elcv.0222_187-189","DOIUrl":"https://doi.org/10.53943/elcv.0222_187-189","url":null,"abstract":"","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130892693","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-29DOI: 10.53943/elcv.0222_172-176
Maria Carlos Lino de Sena Aldeia
{"title":"Leituras Críticas: Soares, F.C. (2020). A via láctea. Um percurso literário (1974-2020). Edições Húmus. Vila Nova de Famalicão: 435 pp.","authors":"Maria Carlos Lino de Sena Aldeia","doi":"10.53943/elcv.0222_172-176","DOIUrl":"https://doi.org/10.53943/elcv.0222_172-176","url":null,"abstract":"","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126376212","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-29DOI: 10.53943/elcv.0222_14-28
Vania Pinheiro Chaves
This article aims to demonstrate that in Os homens dos pés redondos Antônio Torres used innovative aesthetic strategies to build a biting and daring portrait of the dictatorship of António de Oliveira Salazar in Portugal. The novel represents an avant-garde fictional work which offers an implicit denunciation of the dictatorship installed in Brazil with the 1964 military coup. Renewing the tradition of national engaged literature, it describes the authoritarianism, censorship and violence of the dictatorial regimes in both countries.
本文旨在证明，在《Os homens dos p redondos Antônio》一书中，托雷斯运用了创新的美学策略，为葡萄牙的António de Oliveira Salazar独裁政权构建了一种尖锐而大胆的肖像。这部小说是一部前卫的小说作品，含蓄地谴责了1964年军事政变后在巴西建立的独裁政权。它更新了民族参与文学的传统，描述了两国独裁政权的威权主义、审查制度和暴力。
{"title":"Autoritarismo, cerceamento da liberdade e tortura em Os homens dos pés redondos, de Antônio Torres","authors":"Vania Pinheiro Chaves","doi":"10.53943/elcv.0222_14-28","DOIUrl":"https://doi.org/10.53943/elcv.0222_14-28","url":null,"abstract":"This article aims to demonstrate that in Os homens dos pés redondos Antônio Torres used innovative aesthetic strategies to build a biting and daring portrait of the dictatorship of António de Oliveira Salazar in Portugal. The novel represents an avant-garde fictional work which offers an implicit denunciation of the dictatorship installed in Brazil with the 1964 military coup. Renewing the tradition of national engaged literature, it describes the authoritarianism, censorship and violence of the dictatorial regimes in both countries.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127654321","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.53943/elcv.0122_39-54
Fernanda Santos
«Relação da missão da serra da Ibiapaba» is a text by Father Antônio Vieira from 1660th. After some frustrated missions to the region, Vieira decides to write the report as a way to collect resources for the Ignatians and, above all, obtain a favorable position from the Portuguese Crown. It is intended to analyze the rhetorical preceptives of «Relação» and its belonging to the demonstrative (or ecfrasic), deliberative and judicial genres, from classic authors such as Aristotle, Plato and Quintiliano. If, on the one hand, the text does not shy away from showing the hardness of the obstacles faced by missionaries, on the other hand, Ibiapaba is configured as a locus amoenus, in horaceous terms. The text's descriptive capacity (evidentia) shows a series of historical, geographic and ethnographic elements that allow the understanding of the temporal and spiritual action of the Society of Jesus in Portuguese America, in full Counter-Reform. The mission to Ibiapaba intends to allegorize, narratively, Ignatian conquests in Brazilian lands. More than that, «Relação» is based on the Society of Jesus’s providential theological-political thinking, with the inscription of the future in the events narrated. In addition to the classic authors mentioned above, the article is based on studies on the rhetorical genres of Rodolpho (2014), Santos (2018 and 2019), Guedes (2014), Pernot (2000) and within the scope of the allegorization and providentialism of Society of Jesus, Lima (2009), Hansen (1993 and 2017), Sartorelli (2011) and Luz (2018).
«rela o da miss o da serra da Ibiapaba»是神父Antônio Vieira于1660年撰写的文本。在对该地区进行了一些失败的任务后，维埃拉决定写这份报告，作为为伊格纳蒂亚人收集资源的一种方式，最重要的是，从葡萄牙王室那里获得有利的地位。本文旨在分析《相对》的修辞概念，以及它属于指示(或基本)、审议和司法类型，来自亚里士多德、柏拉图和昆提利亚诺等经典作家。如果，一方面，文本没有回避显示传教士所面临的困难，另一方面，Ibiapaba被配置为一个伟大的地方，在可怕的术语。文本的描述能力(证据)显示了一系列的历史，地理和人种学的因素，使我们能够理解耶稣会在葡萄牙美洲的时间和精神行动，完全反改革。伊比亚帕巴的使命意在以叙事的方式寓言化伊格纳爵在巴西土地上的征服。更重要的是，《相对 o》是基于耶稣会的天命神学政治思想，在叙述的事件中铭刻了未来。除了上述经典作者之外，本文还研究了鲁道夫(2014)、桑托斯(2018和2019)、格德斯(2014)、佩诺特(2000)的修辞体裁，并在耶稣会、利马(2009)、汉森(1993和2017)、萨托雷利(2011)和卢兹(2018)的寓言化和天意主义范围内进行了研究。
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Pub Date : 2022-06-30DOI: 10.53943/elcv.0122_11-25
Cleber Felipe
The article resumes and analyzes some figurations of the 1755 earthquake, paying attention to conventions related to the locus horrendus or horrendous place. Furthermore, it seeks to demonstrate that the dramatic effects of narratives must be apprehended from the linguistic codes and theological-political topics mobilized by the scholars of the 18th and 19th centuries, and not from aestheticizing, psychological or idealistic categories that assume the centrality of the taste as a paradigm of the arts.
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Pub Date : 2022-06-30DOI: 10.53943/elcv.0122_144-156
G. Foglia
This work analyzes Antes do passado. O silêncio que vem do Araguaia (2012) by Liniane Haag Brum, an account of the author’s search for traces of the life of Cilon Cunha Brum, her uncle and godfather, PC do B’s militant from the 60’s until his disappearance in the jungle in the 70’s. Liniane and Cilon, for different reasons, are victims of State violence, which justifies the reading of Antes do passado in the light of reflections on testimonial literature. Like many texts of this type, the report is made up of fragments and silences, but also, until almost the end, it is strongly marked by fears and mistrust among those who lived with Cilon and the narrator-protagonist; she doesn’t even seem interested in their stories of suffering. The work’s hypothesis is that Haag Brum’s text can be read as a «training novel»: a protagonist narrator who looks for a family member, who is not interested in listening to witnesses when the focus of the speech deviates from its objective and which, in the end, is transformed; not only her but also, to some extent, her writing.
这篇文章分析了passado的意思。《O silêncio que vem do Araguaia》(2012)由Liniane Haag Brum所著，讲述了作者寻找她的叔叔兼教父Cilon Cunha Brum的生活痕迹，从60年代到70年代在丛林中失踪，他一直是PC do B的激进分子。由于不同的原因，利尼亚内和西隆都是国家暴力的受害者，这就有理由根据对证言文学的反思来阅读《passado的Antes》。像许多这类文本一样，这份报告是由片段和沉默组成的，但直到几乎最后，它还强烈地表现出与西伦和叙述者-主角一起生活的人的恐惧和不信任;她似乎对他们的痛苦故事都不感兴趣。该作品的假设是，哈格布鲁姆的文本可以被解读为一部“训练小说”:一个寻找家庭成员的主角叙述者，当演讲的焦点偏离其目标时，他对倾听证人不感兴趣，最终被转换;不仅是她，在某种程度上，还有她的写作。
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