The importance of the plural work of Jorge de Sena (1919-1978) in the field of Portuguese literary criticism. His intense work of critique dedicated to Portuguese-Brazilian cultural, political and literary relations, based on the life experience in the two countries connected by the same language. The concept of culture defined by a threefold requirement: methodical doubt, analytical judgment, synthetic vision along with a method of analysis that consisted of a penetrating interpretive dialectics.
{"title":"O exercício da crítica: «minha prosa mais áspera»","authors":"Ida Alves","doi":"10.53943/elcv.0219_11","DOIUrl":"https://doi.org/10.53943/elcv.0219_11","url":null,"abstract":"The importance of the plural work of Jorge de Sena (1919-1978) in the field of Portuguese literary criticism. His intense work of critique dedicated to Portuguese-Brazilian cultural, political and literary relations, based on the life experience in the two countries connected by the same language. The concept of culture defined by a threefold requirement: methodical doubt, analytical judgment, synthetic vision along with a method of analysis that consisted of a penetrating interpretive dialectics.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"136 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127352503","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Based on a more comprehensive study dedicated to presenting the concept of the SEA in Portuguese and Croatian phraseology, in this work we focus on the aspect pointing to the conceptualization of the SEA as Other Space (otherness, «non-self»). The analysis of the semantic-conceptual structure of phraseological units (idioms and proverbs with figurative meaning) with constituents from the sea semantic sphere revealed that the motivation of the subgroup’s idiomatic meaning is based on some kind of «cultural» or «secondary» experience (and not physical-perceptive) of space, implying a considerable influence of «folk theories», which in principle are subjective. In this case the SEA, at the conceptual level, represents a space that, in relation to the subject, is «exterior», alien, unnatural, inadequate, where the subject «does not exist». We propose to identify the most relevant metaphorical structures for such conceptualisation, as well as the specific mappings that motivate meanings of units in our corpus.
{"title":"O mar como um Outro Espaço nas fraseologias portuguesa e croata","authors":"Nina Lanović","doi":"10.53943/elcv.0219_14","DOIUrl":"https://doi.org/10.53943/elcv.0219_14","url":null,"abstract":"Based on a more comprehensive study dedicated to presenting the concept of the SEA in Portuguese and Croatian phraseology, in this work we focus on the aspect pointing to the conceptualization of the SEA as Other Space (otherness, «non-self»). The analysis of the semantic-conceptual structure of phraseological units (idioms and proverbs with figurative meaning) with constituents from the sea semantic sphere revealed that the motivation of the subgroup’s idiomatic meaning is based on some kind of «cultural» or «secondary» experience (and not physical-perceptive) of space, implying a considerable influence of «folk theories», which in principle are subjective. In this case the SEA, at the conceptual level, represents a space that, in relation to the subject, is «exterior», alien, unnatural, inadequate, where the subject «does not exist». We propose to identify the most relevant metaphorical structures for such conceptualisation, as well as the specific mappings that motivate meanings of units in our corpus.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132240844","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article focuses on four poems by Gregorio de Matos (1636-1695) dominated by the topic of menstruation. After the contextualization of the theme from an anthropological point of view, we study the unusual way that the topic assumes in the texts of the Bahian poet, highlighting in particular the imagery variations performed by the author, in a register in which the obscene is attenuated by humor.
{"title":"L’hôte impertinent: le thème de la menstruation dans la poésie de Gregório de Matos","authors":"Francisco Topa","doi":"10.53943/elcv.0219_15","DOIUrl":"https://doi.org/10.53943/elcv.0219_15","url":null,"abstract":"The article focuses on four poems by Gregorio de Matos (1636-1695) dominated by the topic of menstruation. After the contextualization of the theme from an anthropological point of view, we study the unusual way that the topic assumes in the texts of the Bahian poet, highlighting in particular the imagery variations performed by the author, in a register in which the obscene is attenuated by humor.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"238 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115180651","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the wake of Les fleurs du mal, the fin de siècle literature incorporates into the ethos of eroticism a demonic vision of divinity confrontation. The work of António Patrício is on the boundary between the presence of God and the confrontation with God, which is the other possible side of seduction. In D. João e a máscara, this confrontation with divinity is revealed in the close relation that exists between death and eroticism. Aspiring to eternity is a way of craving for the divine. Paradoxically, if the desire to be like God is the desire to attain the absolute, on the human scale one can only secure this through death: «Nothing can we call our own but death».
在《堕落的花朵》之后，最后的文学在情色精神中融入了一种对神性对抗的恶魔般的看法。António Patrício的工作是在上帝的存在和与上帝的对抗之间的边界上，这是诱惑的另一个可能的方面。在D. jo o ea máscara中，这种与神性的对抗在死亡与情色之间的密切关系中得到了揭示。向往永恒是一种对神圣的渴望。矛盾的是，如果想要像天主一样的愿望是想要达到绝对的愿望，那么在人类的尺度上，一个人只能通过死亡来确保这一点:“除了死亡，我们什么也不能称为我们自己的”。
{"title":"António Patrício: a versão demoníaca de Eros","authors":"T. Cerdeira","doi":"10.53943/elcv.0219_17","DOIUrl":"https://doi.org/10.53943/elcv.0219_17","url":null,"abstract":"In the wake of Les fleurs du mal, the fin de siècle literature incorporates into the ethos of eroticism a demonic vision of divinity confrontation. The work of António Patrício is on the boundary between the presence of God and the confrontation with God, which is the other possible side of seduction. In D. João e a máscara, this confrontation with divinity is revealed in the close relation that exists between death and eroticism. Aspiring to eternity is a way of craving for the divine. Paradoxically, if the desire to be like God is the desire to attain the absolute, on the human scale one can only secure this through death: «Nothing can we call our own but death».","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125481630","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article attempts to clarify the thesis by St. Thomas Aquinas, according to which it is possible to prove that the existence of God can be demonstrated. On the basis of the analyses in Summa Theologica I, q.2 and Summa contra gentiles I (I-XV), there is an attempt to understand the meaning and relevance of this thesis, its implications and its philosophical and theological significance. Thomas Aquinas’ analyses underline the importance of distinguishing between a knowledge about the existence of God and one regarding his essence, while highlighting in each case a set of difficulties and lack of knowledge factors. In a context where the idea of confusion plays a central role, Thomas Aquinas tries to show that: a) no matter how confused knowledge about God is and no matter how large the disproportion between the human and divine perspectives, there is an ineradicable notitia Dei, and b) this notice is linked at the same time to the inability to know God’s essenceand the ability to demonstrate His existenceby means of certain effects and traces of His. This all leads to the peculiar demonstration of the existence of a Deus absconditus. It is precisely the discovery of this God who manifests himself and at the same time hides himself that makes it possible to document the pos-sibility of demonstrating that God exists and that constitutes the foundations on which every and any demonstration of the existence of God rests.
{"title":"São Tomás de Aquino metido num “imbróglio”: A demonstração da existência de Deus","authors":"S. Oliveira","doi":"10.53943/elcv.0219_13","DOIUrl":"https://doi.org/10.53943/elcv.0219_13","url":null,"abstract":"This article attempts to clarify the thesis by St. Thomas Aquinas, according to which it is possible to prove that the existence of God can be demonstrated. On the basis of the analyses in Summa Theologica I, q.2 and Summa contra gentiles I (I-XV), there is an attempt to understand the meaning and relevance of this thesis, its implications and its philosophical and theological significance. Thomas Aquinas’ analyses underline the importance of distinguishing between a knowledge about the existence of God and one regarding his essence, while highlighting in each case a set of difficulties and lack of knowledge factors. In a context where the idea of confusion plays a central role, Thomas Aquinas tries to show that: a) no matter how confused knowledge about God is and no matter how large the disproportion between the human and divine perspectives, there is an ineradicable notitia Dei, and b) this notice is linked at the same time to the inability to know God’s essenceand the ability to demonstrate His existenceby means of certain effects and traces of His. This all leads to the peculiar demonstration of the existence of a Deus absconditus. It is precisely the discovery of this God who manifests himself and at the same time hides himself that makes it possible to document the pos-sibility of demonstrating that God exists and that constitutes the foundations on which every and any demonstration of the existence of God rests.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"56 15","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131471388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Both A queda dum anjo (Camilo Castelo Branco) and Triste Fim de Policarpo Quaresma (Lima Barreto) update the figure of Quixote. In this article, we try to enumerate the defining aspects of the quixotism of the protagonists, in a first moment, and the satirical reach of this quixotism; and then to emphasize what distinguishes Calisto and Polycarp, drawing conclusions from this distinction.
A queda dum anjo (Camilo Castelo Branco)和Triste Fim de Policarpo Quaresma (Lima Barreto)都更新了堂吉诃德的形象。在这篇文章中，我们试图在第一时间列举主人公堂吉诃德主义的定义方面，以及这种堂吉诃德主义的讽刺范围;然后强调卡利斯托和波利卡普的区别，并从中得出结论。
{"title":"Calisto Elói e Policarpo Quaresma ou o confronto (quixotesco) com a modernidade","authors":"Sérgio Dinis Teixeira de Sousa","doi":"10.53943/elcv.0219_16","DOIUrl":"https://doi.org/10.53943/elcv.0219_16","url":null,"abstract":"Both A queda dum anjo (Camilo Castelo Branco) and Triste Fim de Policarpo Quaresma (Lima Barreto) update the figure of Quixote. In this article, we try to enumerate the defining aspects of the quixotism of the protagonists, in a first moment, and the satirical reach of this quixotism; and then to emphasize what distinguishes Calisto and Polycarp, drawing conclusions from this distinction.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128178132","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Approach of Jorge de Sena’s poem «Como de Vós...», the last one of his book Fidelidade (1958), from a Christian religious perspective.
豪尔赫·德·塞纳的诗《Como de Vós…，他的书Fidelidade(1958)的最后一个，从基督教的角度来看。
{"title":"«Como de vós…»: um acto de fé","authors":"A. Nascimento","doi":"10.53943/elcv.0219_07","DOIUrl":"https://doi.org/10.53943/elcv.0219_07","url":null,"abstract":"Approach of Jorge de Sena’s poem «Como de Vós...», the last one of his book Fidelidade (1958), from a Christian religious perspective.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"122 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122202923","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The present article intends to suggest a reading of musical language as a semiotic presupposition in the construction of Jorge de Sena’s poetics.
本文旨在提出一种解读音乐语言的符号学前提在豪尔赫·德·塞纳的诗学的建设。
{"title":"Da «miséria de ser por intervalos»: música e silêncio na poesia de J. de Sena","authors":"L. Salles","doi":"10.53943/elcv.0219_05","DOIUrl":"https://doi.org/10.53943/elcv.0219_05","url":null,"abstract":"The present article intends to suggest a reading of musical language as a semiotic presupposition in the construction of Jorge de Sena’s poetics.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"697 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114959146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of the present article, based on the comparative method, is to analyse the topic of the double in the work of two authors belonging to literatures that, at first sight, seem to have little in common. The first is Mário de Sá-Carneiro (1890-1916), Portuguese writer and poet, and the second is Richard Weiner (1884-1937), Czech writer, poet and dramatist. The two authors lived in the same period of modernism, in Paris, being influenced by the same artistic and literary sources. In fact, there are some identical, typical modernist proceedings and issues in the work of the two authors (especially, the subjectivism and the identity/alterity problem). In this essay, the common double theme is analysed in the short-stories «Eu-próprio o Outro» (1915) by Sá-Carneiro and «Dvojníci (1916) by Weiner.
本文的目的，基于比较的方法，是分析两个作者的作品中的双重主题，属于文献，乍一看，似乎没有什么共同之处。第一个是Mário de Sá-Carneiro(1890-1916)，葡萄牙作家和诗人，第二个是理查德·韦纳(1884-1937)，捷克作家、诗人和剧作家。这两位作者都生活在同一现代主义时期的巴黎，受到同样的艺术和文学来源的影响。事实上，在两位作者的作品中，有一些相同的、典型的现代主义的程序和问题(特别是主观主义和同一性/替代性问题)。本文分析了Sá-Carneiro的短篇小说《Eu-próprio o Outro》(1915)和韦纳的短篇小说《Dvojníci》(1916)中常见的双重主题。
{"title":"Aquele que passeia ao teu lado: o fascínio de duplos em Mário de Sá-Carneiro e Richard Weiner","authors":"Silvie Špánková","doi":"10.53943/elcv.0119_08","DOIUrl":"https://doi.org/10.53943/elcv.0119_08","url":null,"abstract":"The aim of the present article, based on the comparative method, is to analyse the topic of the double in the work of two authors belonging to literatures that, at first sight, seem to have little in common. The first is Mário de Sá-Carneiro (1890-1916), Portuguese writer and poet, and the second is Richard Weiner (1884-1937), Czech writer, poet and dramatist. The two authors lived in the same period of modernism, in Paris, being influenced by the same artistic and literary sources. In fact, there are some identical, typical modernist proceedings and issues in the work of the two authors (especially, the subjectivism and the identity/alterity problem). In this essay, the common double theme is analysed in the short-stories «Eu-próprio o Outro» (1915) by Sá-Carneiro and «Dvojníci (1916) by Weiner.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131768389","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper aims to explain the reception of literatures in Portuguese language in the Serbian cultural space. Firstly, I will study the relations between Portugal and Serbia from historical and diplomatic perspectives, and afterwards I will focus on the teaching of the Portuguese language and culture in the former Yugoslavia, highlighting the translation activity in the process of approaching the Lusophone and Slavic worlds, namely Serbian world. One of the topics to be analyzed are the stereotypes about Portugal in Serbia, before and after contact with literature, concluding that the path of cultural cooperation in the Iberian and Slavic languages — is open, but always with new perspectives to explore.
{"title":"Receção das literaturas de língua portuguesa na Sérvia","authors":"Anamarija Marinović","doi":"10.53943/elcv.0119_09","DOIUrl":"https://doi.org/10.53943/elcv.0119_09","url":null,"abstract":"This paper aims to explain the reception of literatures in Portuguese language in the Serbian cultural space. Firstly, I will study the relations between Portugal and Serbia from historical and diplomatic perspectives, and afterwards I will focus on the teaching of the Portuguese language and culture in the former Yugoslavia, highlighting the translation activity in the process of approaching the Lusophone and Slavic worlds, namely Serbian world. One of the topics to be analyzed are the stereotypes about Portugal in Serbia, before and after contact with literature, concluding that the path of cultural cooperation in the Iberian and Slavic languages — is open, but always with new perspectives to explore.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121914071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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