Pub Date : 2020-03-01DOI: 10.5325/caliope.25.1.0112
Leo Cabranes-Grant
{"title":"Hearing Voices: Aurality and New Spanish Sound Culture in Sor Juana Inés de la Cruz by Sarah Finley (review)","authors":"Leo Cabranes-Grant","doi":"10.5325/caliope.25.1.0112","DOIUrl":"https://doi.org/10.5325/caliope.25.1.0112","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"8 1","pages":"112 - 113"},"PeriodicalIF":0.1,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78875983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-03-01DOI: 10.5325/caliope.25.1.0120
Ignacio García Aguilar
{"title":"El «Cancionero de la Corte de Carlos V» y su autor, Luis de Ávila y Zúñiga by Nancy F. Marino (review)","authors":"Ignacio García Aguilar","doi":"10.5325/caliope.25.1.0120","DOIUrl":"https://doi.org/10.5325/caliope.25.1.0120","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"13 1","pages":"120 - 123"},"PeriodicalIF":0.1,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82972515","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-03-01DOI: 10.5325/caliope.25.1.0109
Luis Rodríguez-Rincón
{"title":"The Spanish Disquiet: The Biblical Natural Philosophy of Benito Arias Montano by María M. Portuondo (review)","authors":"Luis Rodríguez-Rincón","doi":"10.5325/caliope.25.1.0109","DOIUrl":"https://doi.org/10.5325/caliope.25.1.0109","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"40 1","pages":"109 - 111"},"PeriodicalIF":0.1,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74051310","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-03-01DOI: 10.5325/caliope.25.1.0105
Stacey Schlau
{"title":"Immaculate Conceptions: The Power of the Religious Imagination in Early Modern Spain by Hernández Rosilie (review)","authors":"Stacey Schlau","doi":"10.5325/caliope.25.1.0105","DOIUrl":"https://doi.org/10.5325/caliope.25.1.0105","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"15 640 1","pages":"105 - 109"},"PeriodicalIF":0.1,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75502168","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-03-01DOI: 10.5325/caliope.25.1.0103
Víctor Sierra Matute
{"title":"Staging Habla de Negros: Radical Performances of the African Diaspora in Early Modern Spain by Nicholas R. Jones (review)","authors":"Víctor Sierra Matute","doi":"10.5325/caliope.25.1.0103","DOIUrl":"https://doi.org/10.5325/caliope.25.1.0103","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"58 1","pages":"103 - 105"},"PeriodicalIF":0.1,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82215963","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-03-01DOI: 10.5325/caliope.25.1.0114
Silvia Stefan
{"title":"El Inca Garcilaso en su Siglo de Oro by Fernando Rodríguez Mansilla (review)","authors":"Silvia Stefan","doi":"10.5325/caliope.25.1.0114","DOIUrl":"https://doi.org/10.5325/caliope.25.1.0114","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"69 1","pages":"114 - 119"},"PeriodicalIF":0.1,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80357009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-01-01DOI: 10.5325/caliope.25.1.0044
F. Borrego
{"title":"Ut musica pictura: Góngora y la retórica sonoro-visual en unas anotaciones inéditas de Angulo y Pulgar al Polifemo","authors":"F. Borrego","doi":"10.5325/caliope.25.1.0044","DOIUrl":"https://doi.org/10.5325/caliope.25.1.0044","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"710 1","pages":"44-77"},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81827856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-10-19DOI: 10.5325/caliope.24.2.0148
Gema Balaguer Alba
abstract:Diego Felix de Quijada y Riquelme is a barely known Sevillian poet who belongs to the Spanish Golden Age and he is the author of a collection of love poems entitled Soliadas. This ill-fated poet achieved a promising position in the Spanish literary scene of the early 17th century thanks to the support of Juan de Arguijo and Lope de Vega and his participation in literary jousts. The preserved testimonies of his relationship with Arguijo and Lope are the primary sources for the reconstruction of the failed editorial process of his only work.resumen:Diego Félix de Quijada y Riquelme es un desconocido poeta sevillano de los Siglos de Oro, autor de un cancionero amoroso titulado Soliadas. Este malogrado poeta contó con una prometedora posición en el panorama literario español de principios del siglo XVII gracias al apoyo de Juan de Arguijo y Lope de Vega, así como por su participación en distintas justas literarias. Los testimonios que han llegado hasta nosotros constituyen fuentes primarias para la reconstrucción del frustrado proceso editorial de su única obra.
迭戈·菲利克斯·德·基哈达·里克尔梅是一位几乎不知名的塞维利亚诗人，他属于西班牙的黄金时代，他是一本名为Soliadas的爱情诗集的作者。This ill-fated poet一a的position in the [literary缺失of the early 17th century to the support of幸亏Juan Arguijo and Vega and其participation in literary jousts大步慢跑。The preserved testimonies其relationship with Arguijo and大步慢跑are The primary sources for The重建of The failed process of出版其only work。迭戈felix德基哈达里克尔梅(Diego felix de Quijada y Riquelme)是塞维利亚黄金时代一位不知名的诗人，他写了一首名为《Soliadas》的情歌。这位不幸的诗人在17世纪早期的西班牙文学界有着很有前途的地位，这要归功于胡安·德·阿吉霍和洛普·德·维加的支持，以及他参加了各种文学博览会。我们所能得到的证词是重建他唯一一部作品的编辑过程受受受难日的主要来源。
{"title":"Un poeta a las puertas del Parnaso: Diego Félix de Quijada y Riquelme: A poet at the gates of the Parnassus: Diego Félix de Quijada y Riquelme","authors":"Gema Balaguer Alba","doi":"10.5325/caliope.24.2.0148","DOIUrl":"https://doi.org/10.5325/caliope.24.2.0148","url":null,"abstract":"abstract:Diego Felix de Quijada y Riquelme is a barely known Sevillian poet who belongs to the Spanish Golden Age and he is the author of a collection of love poems entitled Soliadas. This ill-fated poet achieved a promising position in the Spanish literary scene of the early 17th century thanks to the support of Juan de Arguijo and Lope de Vega and his participation in literary jousts. The preserved testimonies of his relationship with Arguijo and Lope are the primary sources for the reconstruction of the failed editorial process of his only work.resumen:Diego Félix de Quijada y Riquelme es un desconocido poeta sevillano de los Siglos de Oro, autor de un cancionero amoroso titulado Soliadas. Este malogrado poeta contó con una prometedora posición en el panorama literario español de principios del siglo XVII gracias al apoyo de Juan de Arguijo y Lope de Vega, así como por su participación en distintas justas literarias. Los testimonios que han llegado hasta nosotros constituyen fuentes primarias para la reconstrucción del frustrado proceso editorial de su única obra.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"128 1","pages":"148 - 161"},"PeriodicalIF":0.1,"publicationDate":"2019-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86916179","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-10-19DOI: 10.5325/caliope.24.2.0162
Soledad Pérez-Abadín Barro
abstract:The recently discovered Cancioneiro Verdelho contains a gloss ("Todo el mal se hace blando") attributed to Camões. Another version appears in the Obras of Diego Hurtado de Mendoza (1610), within the Quintillas "Ya no más casos pasados", also inserted in "Veo tener a mi enemiga" (BNF VII, 354). This recurrence reveals a process of expansion in three phases, resulting in a poem that is composed of independent sections. Although the contradictory information from the testimonies does not allow for the authorship to be determined, this textual convergence demonstrates the dynamic cultural exchange between Spain and Portugal during the sixteenth century.resumen:El Cancioneiro Verdelho, recientemente descubierto, contiene una glosa ("Todo el mal se hace blando") atribuida a Camões. Otra versión aparece en las Obras de Diego Hurtado de Mendoza (1610), dentro de las Quintillas "Ya no más casos pasados", también insertas en "Veo tener a mi enemiga" (BNF VII, 354). Dicha recurrencia revela un proceso de expansión en tres fases, que da como resultado un poema integrado por secciones autónomas. Aunque la información contradictoria de los testimonios no permite determinar la autoría, esta convergencia textual demuestra un dinámico intercambio cultural entre España y Portugal durante el siglo XVI.
摘要:最近发现的Cancioneiro Verdelho包含了一个gloss(“所有的邪恶变得柔软”)归因于camoes。另一个版本出现在迭戈·胡尔塔多·德·门多萨(Diego Hurtado de Mendoza, 1610)的作品中，在昆蒂拉斯“不再有过去的案例”中，也插入了“Veo tener a mi enemiga”(BNF VII, 354)。This recurrence reveals a process of安排in三阶段的in a poem that is任独立号文件。虽然从证词中获得的相互矛盾的信息无法确定作者身份，但这种文本的融合显示了16世纪西班牙和葡萄牙之间动态的文化交流。摘要:最近发现的Cancioneiro Verdelho包含了camoes的注释(“所有的邪恶都变软了”)。另一个版本出现在迭戈·胡尔塔多·德·门多萨(Diego Hurtado de Mendoza, 1610)的作品中，在Quintillas“不再有过去的案例”中，也插入了“我看到了我的敌人”(BNF VII, 354)。这种重复揭示了一个三个阶段的扩展过程，导致了一首由独立部分组成的诗。尽管来自证词的相互矛盾的信息无法确定作者身份，但这种文本融合显示了16世纪西班牙和葡萄牙之间动态的文化交流。
{"title":"Una atribución compartida: Camões y Hurtado de Mendoza: A shared attribution: Camões and Hurtado de Mendoza","authors":"Soledad Pérez-Abadín Barro","doi":"10.5325/caliope.24.2.0162","DOIUrl":"https://doi.org/10.5325/caliope.24.2.0162","url":null,"abstract":"abstract:The recently discovered Cancioneiro Verdelho contains a gloss (\"Todo el mal se hace blando\") attributed to Camões. Another version appears in the Obras of Diego Hurtado de Mendoza (1610), within the Quintillas \"Ya no más casos pasados\", also inserted in \"Veo tener a mi enemiga\" (BNF VII, 354). This recurrence reveals a process of expansion in three phases, resulting in a poem that is composed of independent sections. Although the contradictory information from the testimonies does not allow for the authorship to be determined, this textual convergence demonstrates the dynamic cultural exchange between Spain and Portugal during the sixteenth century.resumen:El Cancioneiro Verdelho, recientemente descubierto, contiene una glosa (\"Todo el mal se hace blando\") atribuida a Camões. Otra versión aparece en las Obras de Diego Hurtado de Mendoza (1610), dentro de las Quintillas \"Ya no más casos pasados\", también insertas en \"Veo tener a mi enemiga\" (BNF VII, 354). Dicha recurrencia revela un proceso de expansión en tres fases, que da como resultado un poema integrado por secciones autónomas. Aunque la información contradictoria de los testimonios no permite determinar la autoría, esta convergencia textual demuestra un dinámico intercambio cultural entre España y Portugal durante el siglo XVI.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"44 1","pages":"162 - 190"},"PeriodicalIF":0.1,"publicationDate":"2019-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74349629","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-10-19DOI: 10.5325/caliope.24.2.0128
Alicia Gallego Zarzosa
abstract:The ballad Altisidora sings in chapter XLIV is a seduction song full of erotic references that has not been studied under this light yet. This work covers the existing literary critic about Altisidora, and then places the erotic context for the ballad within the episode of sexual harassment the damsel plays for don Quijote. The core of this work is a detailed analysis of the erotic references to the romancero, popular poetry and erotic literature in the ballad. The article shows that, beyond the literary parody, Altisidora's ballad is the most powerful resource for the young lady to erotically siege don Quijote.resumen:El romance de Altisidora en el capítulo XLIV es un canto de seducción plagado de referencias eróticas que no ha sido estudiado como tal. Este trabajo repasa la literatura crítica sobre Altisidora y, a continuación, pone en contexto erótico el romance dentro del episodio de asedio sexual de la doncella a don Quijote. El centro del trabajo lo constituye un detallado análisis de las referencias eróticas al romancero, a la lírica popular y a la literatura erótica utilizadas en el romance. El artículo demuestra que, además de una parodia literaria, el romance de Altisidora es el arma más poderosa de la joven para llevar a cabo su agresión erótica contra don Quijote.
第十五章Altisidora唱的民谣是一首充满情色参考的诱惑之歌，在这种情况下还没有被研究过。这部作品涵盖了现有的关于Altisidora的文学评论家，然后将情色背景置于少女为堂吉诃德扮演的性骚扰情节中。本文的核心是详细分析叙事诗中对浪漫主义文学、通俗诗歌和情色文学的情色参考。文章表明，在文学模仿之外，Altisidora的歌谣是这位年轻女子对堂吉诃德进行情爱围攻的最有力的资源。简历:El romance de Altisidora en El capítulo xlives uncanto de seducción platagado de references eróticas que no ha sido estudiado como tal。Este trabajo repasa la literatura crítica sobre Altisidora y, a continuación，电话en context erótico el romance dentro del episodio de asedio sexual de la doncella and don Quijote。El centro del trabajo o constituye undetallado análisis de las referreferas eróticas al romancero, a la lírica受欢迎的a la literature erótica利用了El romance。El artículo demueststra que, además de una parpardia literaria, El romance de Altisidora es El arma más poderosa de la joven para llevar a cabo su agresión erótica contra don Quijote。
{"title":"El despertar sexual de don Quijote: construcción literaria y parodia erótica en el romance de Altisidora: Don Quixote's sexual awakening: literary construction and erotic parody in Altisidora's ballad","authors":"Alicia Gallego Zarzosa","doi":"10.5325/caliope.24.2.0128","DOIUrl":"https://doi.org/10.5325/caliope.24.2.0128","url":null,"abstract":"abstract:The ballad Altisidora sings in chapter XLIV is a seduction song full of erotic references that has not been studied under this light yet. This work covers the existing literary critic about Altisidora, and then places the erotic context for the ballad within the episode of sexual harassment the damsel plays for don Quijote. The core of this work is a detailed analysis of the erotic references to the romancero, popular poetry and erotic literature in the ballad. The article shows that, beyond the literary parody, Altisidora's ballad is the most powerful resource for the young lady to erotically siege don Quijote.resumen:El romance de Altisidora en el capítulo XLIV es un canto de seducción plagado de referencias eróticas que no ha sido estudiado como tal. Este trabajo repasa la literatura crítica sobre Altisidora y, a continuación, pone en contexto erótico el romance dentro del episodio de asedio sexual de la doncella a don Quijote. El centro del trabajo lo constituye un detallado análisis de las referencias eróticas al romancero, a la lírica popular y a la literatura erótica utilizadas en el romance. El artículo demuestra que, además de una parodia literaria, el romance de Altisidora es el arma más poderosa de la joven para llevar a cabo su agresión erótica contra don Quijote.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":"20 1","pages":"128 - 147"},"PeriodicalIF":0.1,"publicationDate":"2019-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83296563","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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