Pub Date : 2019-10-19DOI: 10.5325/caliope.24.2.0109
Javier Álvarez
abstract:Daring is a key concept in Fernando de Herrera's poetry. Thus, it is present throughout his work as a whole; it especially appears in the background in a great part of his lyrical work, especially in his evocations of mythological characters. The majority of them share the fate of suffering torture in the shame in pain of their sacrilegious daring. Since the Sevillian poet usually compares himself with them, a comparative reading of these compositions is essential to determine what, exactly, Herrera's daring consists of.resumen:El concepto de osadía es nuclear en la poesía de Fernando de Herrera. Como tal, aparece en el trasfondo de gran parte de su producción lírica y, señaladamente, en sus evocaciones de determinados referentes mitológicos. La mayoría de ellos comparte el sino de sufrir suplicios en el averno en pena de sus sacrílegos atrevimientos. Puesto que el sevillano acostumbra a asimilarse a ellos, es imprescindible la lectura comparada de las composiciones en cuestión para determinar en qué consiste, exactamente, la osadía de Fernando de Herrera.
《大胆》是费尔南多·德·埃雷拉诗歌中的一个关键概念。因此，它在整个作品中呈现;尤其是it in the背景似乎in a great part of lyrical work,尤其是其evocations of mythological characters。他们中的大多数人都是受折磨的人，他们的痛苦是他们的亵渎。由于塞维利亚诗人通常将自己与这些作品进行比较，对这些作品的比较阅读对于确定埃雷拉大胆的内容是必要的。摘要:在费尔南多·德·埃雷拉的诗歌中，大胆的概念是核心。因此，它出现在他的许多抒情作品的背景中，特别是在他对某些神话参考的唤起中。他们中的大多数人都有同样的命运，在地狱里遭受折磨，以惩罚他们的神圣的大胆。由于塞维利亚人习惯将自己与之相融合，因此有必要对所讨论的作品进行比较阅读，以确定费尔南多·德·埃雷拉的大胆是什么。
{"title":"Imágenes de la osadía en la lírica de Fernando de Herrera: Images of daring in the poetry of Fernando de Herrera","authors":"Javier Álvarez","doi":"10.5325/caliope.24.2.0109","DOIUrl":"https://doi.org/10.5325/caliope.24.2.0109","url":null,"abstract":"abstract:Daring is a key concept in Fernando de Herrera's poetry. Thus, it is present throughout his work as a whole; it especially appears in the background in a great part of his lyrical work, especially in his evocations of mythological characters. The majority of them share the fate of suffering torture in the shame in pain of their sacrilegious daring. Since the Sevillian poet usually compares himself with them, a comparative reading of these compositions is essential to determine what, exactly, Herrera's daring consists of.resumen:El concepto de osadía es nuclear en la poesía de Fernando de Herrera. Como tal, aparece en el trasfondo de gran parte de su producción lírica y, señaladamente, en sus evocaciones de determinados referentes mitológicos. La mayoría de ellos comparte el sino de sufrir suplicios en el averno en pena de sus sacrílegos atrevimientos. Puesto que el sevillano acostumbra a asimilarse a ellos, es imprescindible la lectura comparada de las composiciones en cuestión para determinar en qué consiste, exactamente, la osadía de Fernando de Herrera.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82087141","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-10-01DOI: 10.5325/caliope.24.2.0194
Matthew D. Warshawsky
{"title":"Esther in Early Modern Iberia and the Sephardic Diaspora: Queen of the Conversas by Emily Colbert Cairns (review)","authors":"Matthew D. Warshawsky","doi":"10.5325/caliope.24.2.0194","DOIUrl":"https://doi.org/10.5325/caliope.24.2.0194","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86224571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-10-01DOI: 10.5325/caliope.24.2.0191
M. Quinn
{"title":"Beyond Sight: Engaging the Senses in Iberian Literatures and Cultures, 1200–1750 ed. by Ryan D. Giles and Steven Wagschal (review)","authors":"M. Quinn","doi":"10.5325/caliope.24.2.0191","DOIUrl":"https://doi.org/10.5325/caliope.24.2.0191","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72480438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-20DOI: 10.30965/9783846764008_006
P. Burgard
{"title":"CHORUS A Surfeit of Baroque","authors":"P. Burgard","doi":"10.30965/9783846764008_006","DOIUrl":"https://doi.org/10.30965/9783846764008_006","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88976809","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-20DOI: 10.30965/9783846764008_003
P. Burgard
{"title":"MODELS Art and Architecture: Bernini, Borromini, Velázquez, Rubens, Fracanzano, De Hooch, et al.","authors":"P. Burgard","doi":"10.30965/9783846764008_003","DOIUrl":"https://doi.org/10.30965/9783846764008_003","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82989692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-20DOI: 10.30965/9783846764008_004
P. Burgard
{"title":"PRELUDE Opitz and the Play of Poetics","authors":"P. Burgard","doi":"10.30965/9783846764008_004","DOIUrl":"https://doi.org/10.30965/9783846764008_004","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82996004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-20DOI: 10.30965/9783846764008_007
P. Burgard
{"title":"POSTLUDE The Echo of Opitz","authors":"P. Burgard","doi":"10.30965/9783846764008_007","DOIUrl":"https://doi.org/10.30965/9783846764008_007","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73649159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-20DOI: 10.30965/9783846764008_005
P. Burgard
{"title":"PERFORMANCE Gryphius: Drama of Indecision and Tragedy of the Transitory","authors":"P. Burgard","doi":"10.30965/9783846764008_005","DOIUrl":"https://doi.org/10.30965/9783846764008_005","url":null,"abstract":"","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84823580","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-18DOI: 10.5325/CALIOPE.24.1.0054
Mark J. Mascia
ABSTRACT:This study examines the different ways in which Lope de Vega appropriates the mythological figure of Apollo throughout his lyric poetry, a topic often overlooked by scholars. Initially, in the Rimas humanas, Lope uses Apollo to serve somewhat traditional needs, such as offering praise, highlighting female beauty, or retelling the Apollo–Daphne myth. Yet, within the same Rimas, Lope begins to use Apollo in order to present himself as a poetic authority. Later, in La Filomena, Lope attacks his rivals through Apollo. Finally, in the Burguillos collection, Lope inverts standard myths involving Apollo and uses him for other functions, such as parodying Petrarchism. In sum, Lope reinvents Apollo and in some ways presents himself as his own figurative and self-styled "god" of poetry.RESUMEN:Este estudio examina las distintas maneras en que Lope de Vega se apropia de la figura mitológica de Apolo a lo largo de su lírica, un tema menos estudiado por la crítica. Al principio, en las Rimas humanas, Lope usa a Apolo para servir funciones tradicionales, por ejemplo alabar a ciertos personajes, presentar la belleza femenina, o contar el mito de Apolo y Dafne. Sin embargo, en las mismas Rimas, Lope empieza a usar Apolo para presentarse como autoridad poética. Luego, en La Filomena, Lope ataca a sus rivales por la figura de Apolo. Finalmente, en las Rimas de Burguillos, Lope invierte los mitos normativos de Apolo usándolo para otros propósitos, como parodiar el petrarquismo. En resumen, Lope reinventa a Apolo y de varias maneras lo usa para presentarse como un "dios" figurativo y de estilo propio de la poesía.
摘要:本文考察了洛佩·德·维加在其抒情诗中对神话人物阿波罗的不同挪用方式，这是一个经常被学者忽视的话题。最初，在《人类起源》中，洛佩用阿波罗来满足一些传统的需求，比如赞美、强调女性的美丽，或者重述阿波罗-达芙妮的神话。然而，在同一个Rimas中，Lope开始使用阿波罗，以呈现自己作为诗歌权威。后来，在《菲洛梅娜》中，洛普通过阿波罗攻击他的对手。最后，在Burguillos系列中，Lope颠倒了有关阿波罗的标准神话，并将他用于其他功能，例如模仿彼特拉克主义。总而言之，洛普重塑了阿波罗，并在某种程度上以他自己的形象和自封的“诗歌之神”自居。简历:Este estustudio考察了不同的风格，例如Lope de Vega se approia de la figura mitológica de Apolo和lo largo de su lírica, untema menos estudiado por la crítica。原则上，人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类、人类。在禁运期间，包括米斯马斯·里马斯、洛佩·埃皮埃萨和苏联阿波罗都出席了这次会议。Luego, en La Filomena, Lope ataca a sus rival por La figura de apollo。最后，就像Rimas de Burguillos一样，Lope邀请los mitos normativos de apollo usándolo para otros propósitos, como pardiar el petrarquismo。在简历中，Lope通过各种方式重新发明了阿波罗，并通过“estilo propio de la poesía”将其比喻为“dios”。
{"title":"Poet of the Sun: Lope de Vega's Appropriation of Apollo","authors":"Mark J. Mascia","doi":"10.5325/CALIOPE.24.1.0054","DOIUrl":"https://doi.org/10.5325/CALIOPE.24.1.0054","url":null,"abstract":"ABSTRACT:This study examines the different ways in which Lope de Vega appropriates the mythological figure of Apollo throughout his lyric poetry, a topic often overlooked by scholars. Initially, in the Rimas humanas, Lope uses Apollo to serve somewhat traditional needs, such as offering praise, highlighting female beauty, or retelling the Apollo–Daphne myth. Yet, within the same Rimas, Lope begins to use Apollo in order to present himself as a poetic authority. Later, in La Filomena, Lope attacks his rivals through Apollo. Finally, in the Burguillos collection, Lope inverts standard myths involving Apollo and uses him for other functions, such as parodying Petrarchism. In sum, Lope reinvents Apollo and in some ways presents himself as his own figurative and self-styled \"god\" of poetry.RESUMEN:Este estudio examina las distintas maneras en que Lope de Vega se apropia de la figura mitológica de Apolo a lo largo de su lírica, un tema menos estudiado por la crítica. Al principio, en las Rimas humanas, Lope usa a Apolo para servir funciones tradicionales, por ejemplo alabar a ciertos personajes, presentar la belleza femenina, o contar el mito de Apolo y Dafne. Sin embargo, en las mismas Rimas, Lope empieza a usar Apolo para presentarse como autoridad poética. Luego, en La Filomena, Lope ataca a sus rivales por la figura de Apolo. Finalmente, en las Rimas de Burguillos, Lope invierte los mitos normativos de Apolo usándolo para otros propósitos, como parodiar el petrarquismo. En resumen, Lope reinventa a Apolo y de varias maneras lo usa para presentarse como un \"dios\" figurativo y de estilo propio de la poesía.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83434250","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-18DOI: 10.5325/caliope.24.1.0001
M. Rísquez
ABSTRACT:Ausiàs March (1400–1459) was imitated in the Hispanic Renaissance. It is already visible in Garcilaso de la Vega's (1501–1535) poetry as well as in Juan Boscán's (1487/92–1542). Hernando de Acuña (1518–1580/82) was their follower. Previous research accounts for the exclusive imitation of some of March's lesser-known poems in Acuña's Varias poesías (1591). First, this paper offers other examples that had been unperceived. Second, it sheds new light on these already known imitation cases, and it justifies their existence in the context of the imitatio of March in the first half of the sixteenth century.RESUMEN:Ausiàs March (1400–1459) fue muy imitado durante el Renacimiento hispánico. Puede apreciarse ya en poesías de Garcilaso de la Vega (1501–1535) y Juan Boscán (1487/92–1542). Hernando de Acuña (1518–1580/82), más joven, se cuenta entre sus seguidores. Estudios anteriores mencionan la imitación exclusiva que Acuña hizo en sus sonetos de algunas poesías marquianas no especialmente conocidas. Este trabajo, en primer lugar, presenta casos de imitatio que habían pasado desapercibidos. En segundo lugar, evalúa de nuevo los sonetos ya señalados como imitación para ahondar en ellos y justificar su aparición en el contexto de la imitatio de March en la primera mitad del Quinientos.
{"title":"Hernando de Acuña, casos de imitatio de Ausiàs March en el petrarquismo hispánico del Quinientos = Hernando de Acuña: Cases of imitatio of Ausiàs March in the Hispanic Petrarchism of the 1500s","authors":"M. Rísquez","doi":"10.5325/caliope.24.1.0001","DOIUrl":"https://doi.org/10.5325/caliope.24.1.0001","url":null,"abstract":"ABSTRACT:Ausiàs March (1400–1459) was imitated in the Hispanic Renaissance. It is already visible in Garcilaso de la Vega's (1501–1535) poetry as well as in Juan Boscán's (1487/92–1542). Hernando de Acuña (1518–1580/82) was their follower. Previous research accounts for the exclusive imitation of some of March's lesser-known poems in Acuña's Varias poesías (1591). First, this paper offers other examples that had been unperceived. Second, it sheds new light on these already known imitation cases, and it justifies their existence in the context of the imitatio of March in the first half of the sixteenth century.RESUMEN:Ausiàs March (1400–1459) fue muy imitado durante el Renacimiento hispánico. Puede apreciarse ya en poesías de Garcilaso de la Vega (1501–1535) y Juan Boscán (1487/92–1542). Hernando de Acuña (1518–1580/82), más joven, se cuenta entre sus seguidores. Estudios anteriores mencionan la imitación exclusiva que Acuña hizo en sus sonetos de algunas poesías marquianas no especialmente conocidas. Este trabajo, en primer lugar, presenta casos de imitatio que habían pasado desapercibidos. En segundo lugar, evalúa de nuevo los sonetos ya señalados como imitación para ahondar en ellos y justificar su aparición en el contexto de la imitatio de March en la primera mitad del Quinientos.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74511721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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