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Narration as argument 作为论证的叙述
Q4 COMMUNICATION Pub Date : 2020-06-16 DOI: 10.1080/10511431.2020.1780692
Charles Athanasopoulos
Paula Olmos’ edited collection, Narration as Argument, pushes argumentation scholars to view narrative and argument as inextricable, and to develop frameworks for explaining how narratives function...
Paula Olmos编辑的文集《作为论证的叙述》促使论证学者将叙述和论证视为不可分割的,并发展了解释叙事如何发挥作用的框架……
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引用次数: 1
Inconvenient strangers: Transnational subjects and the politics of citizenship 不便的陌生人:跨国主题和公民政治
Q4 COMMUNICATION Pub Date : 2020-06-11 DOI: 10.1080/10511431.2020.1777510
Corinne Mitsuye Sugino
Published as part of “Intersectional Rhetorics,” a new series edited by Karma Chavez, Shui-Yin Sharon Yam’s Inconvenient Strangers: Transnational Subjects and the Politics of Citizenship explores t...
作为Karma Chavez编辑的新系列“交叉修辞学”的一部分,任水茵的《不便的陌生人:跨国主题和公民政治》探讨了……
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引用次数: 0
Harsh adjustments: speech hygiene for disabled competitors in individual events 严酷的调整:个人项目中残疾选手的语言卫生
Q4 COMMUNICATION Pub Date : 2020-04-02 DOI: 10.1080/10511431.2020.1743943
Dani R. Soibelman, Patrick Seick, Emily Trader
Abstract Disabled competitors face unique challenges in competitive forensics individual events (IE). However, formal and informal institutional forces often erase their stories or worsen their situations. Although the lived experiences of disabled speakers have been studied and celebrated in disability performance art and other non-forensics performance spaces, IE has not caught up largely due to the historical shadow of the speech hygiene movement. Through a confrontation with our activity’s past and a community autoethnography of disabled competitors from the last decade, we argue that this history must be uncovered and interrogated in order to mitigate harms and promote positive change in the IE community.
残疾人运动员在竞技取证单项项目中面临着独特的挑战。然而,正式和非正式的体制力量往往抹去她们的故事或使她们的处境恶化。虽然残障人士的生活经历已经在残障行为艺术和其他非法医表演空间中得到了研究和庆祝,但由于语言卫生运动的历史阴影,IE并没有赶上来。通过与我们活动的过去和过去十年残疾竞争对手的社区自我民族志的对抗,我们认为必须揭示和询问这段历史,以减轻危害并促进IE社区的积极变化。
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引用次数: 2
Blame, shame, and race terror: a case study examining the limits of blame epideictic 指责,羞耻和种族恐怖:一个案例研究,检查指责流行病的局限性
Q4 COMMUNICATION Pub Date : 2020-04-02 DOI: 10.1080/10511431.2020.1753935
Philip Dalton
Abstract The production, unveiling, and reception of David Powers’ public mural American Nocturne, 1932, in Elgin, Illinois illustrates ongoing challenges of publicly memorializing race terror. In 2007 the mural was dedicated and deceptively introduced by Powers as an allegory of the American Depression. In May 2016 two Elgin citizens recognized the mural depicted the lynch mob from the infamous photograph of the August 1930 lynchings of J. Thomas Shipp and Abram Smith in Marion, Indiana. Their post about it to a community Facebook page began a controversy. African American citizens lead the Elgin community in successfully protesting and demanding removal of the mural. Using the methods of participatory critical rhetoric, I analyze interviews with various community members to understand different perspectives on the mural and the artist’s intent. I argue that epideictic theory explains why the artist’s arguments about the meaning and intent of the mural could not withstand protestors’ critical scrutiny. Powers departed from epideictic conventions in formulating his purpose and adapting to his audience, and his ethos could not compensate. I conclude that epideictic theory may help to explain other efforts to publicly acknowledge and memorialize incidents of race terror.
大卫·鲍尔斯1932年在伊利诺伊州埃尔金的公共壁画《美国夜曲》的制作、揭幕和接受说明了公开纪念种族恐怖的持续挑战。2007年,鲍尔斯将这幅壁画作为美国大萧条的寓言进行了介绍。2016年5月,两名埃尔金市民认出了这幅壁画,壁画描绘了1930年8月在印第安纳州马里昂对j·托马斯·希普和亚伯拉姆·史密斯处以私刑的臭名昭著的照片。他们在一个社区Facebook页面上发布的帖子引发了一场争议。非裔美国公民领导埃尔金社区成功抗议并要求移除壁画。使用参与式批评修辞的方法,我分析了对不同社区成员的采访,以了解对壁画和艺术家意图的不同观点。我认为流行病理论解释了为什么艺术家关于壁画的意义和意图的论点无法抵挡抗议者的批判性审查。鲍尔斯在阐述他的目的和适应他的听众时背离了流行病的惯例,他的精神无法弥补。我的结论是,流行病理论可能有助于解释公开承认和纪念种族恐怖事件的其他努力。
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引用次数: 1
Make America meme again: the rhetoric of the Alt-right 让美国重现模因:另类右翼的言辞
Q4 COMMUNICATION Pub Date : 2020-03-09 DOI: 10.1080/10511431.2020.1736439
Mallory L. Marsh
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引用次数: 38
Embodied queer theology in Showtime’s Queer as Folk 在Showtime的《作为民间的酷儿》中体现了酷儿神学
Q4 COMMUNICATION Pub Date : 2020-01-09 DOI: 10.1080/10511431.2019.1709773
Leland G. Spencer
Abstract Treating bodies as explicitly rhetorical, this article analyzes two queer Christian characters from the television series Queer as Folk (Showtime, 2000–2005), arguing that these guest characters represent embodied queer theologies. As they interact with main characters Brian and Justin, queer minister Tom and militant queer activist Cody offer an embodied queer theology where presence invites a visceral experience of queer Christian life. As such, these characters complicate the typical antagonistic role that Christianity often plays in queer narratives and illustrate the queer potential of embodied arguments, including in contexts of spirituality.
本文将身体作为一种明确的修辞,分析了电视剧《作为民间的酷儿》(Showtime, 2000-2005)中的两个基督教酷儿角色,认为这些客串角色体现了酷儿神学。当他们与主角布莱恩和贾斯汀互动时,酷儿牧师汤姆和激进的酷儿活动家科迪提供了一种具体的酷儿神学,在这种神学中,存在邀请了对酷儿基督徒生活的本能体验。因此,这些角色使基督教在酷儿叙事中经常扮演的典型的敌对角色复杂化,并说明了体现论点的酷儿潜力,包括在灵性背景下。
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引用次数: 2
Arguing about others’ personal issues: a reconceptualization of argument type 争论他人的个人问题:争论类型的重新定义
Q4 COMMUNICATION Pub Date : 2020-01-02 DOI: 10.1080/10511431.2019.1708687
Yiwen Dai, M. Zhan
Abstract Extending the existing typology of interpersonal argument (i.e., public- and personal-issue argument), this manuscript focuses on a distinctive argument type: one that concerns others’ personal issues (i.e., OP arguments). OP arguments involve issues that have direct implications for other people’s personal relationships. We present a survey conducted to provide evidence for the existence of OP arguments, as well as how argument type affects people’s beliefs related to arguing from the perspective of the new conceptualization. The results have shown that OP arguments came across as more enjoyable than personal-issue arguments, but less so than public-issue ones. The participants also indicated that OP and public-issue arguments yielded similar level of pragmatic outcomes. OP and public-issue arguments were reported to be similarly ego-involving, but less so than personal-issue arguments. After having OP and personal-issue arguments, the participants indicated not having as many positive thoughts and feelings about themselves as they did after public-issue arguments.
在现有的人际争论类型(即公共问题和个人问题争论)的基础上,本文着重于一种独特的争论类型:一种涉及他人个人问题的争论类型(即OP争论)。OP争论涉及到对其他人的个人关系有直接影响的问题。我们提出了一项调查,从新的概念化的角度为OP论点的存在提供证据,以及论点类型如何影响人们与论点相关的信念。结果表明,OP的论点比个人问题的论点更令人愉快,但不如公共问题的论点。与会者还指出,OP和公共议题的争论产生了类似水平的务实结果。据报道,OP和公共问题的争论同样涉及到自我,但比个人问题的争论少。在经历了OP和个人问题的争论之后,参与者表示,他们对自己的积极想法和感觉没有经历过公开问题的争论之后那么多。
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引用次数: 0
Multi-modal argumentation and rhetoric in judicial proceedings 司法程序中的多模态论证与修辞
Q4 COMMUNICATION Pub Date : 2020-01-02 DOI: 10.1080/10511431.2019.1708686
M. Novak
Abstract Multi-modal argumentation is a relatively new approach in argumentation theory. In Gilbert’s approach to multi-modality, it focusses not only on the logical mode of argumentation but also on the emotional, the kisceral, and the visceral: the so-called “alternate” modes. Due to the formal institutional constraints in law, the logical mode (in its dialectical variant) is a normative imperative due to the demands of the rule of law. However, especially in the so-called unclear cases, we can find traces of the alternate modes, either in their dialectical or rhetorical dimensions. If it already has been claimed that logic is only one part of legal “business,” a multi-modal argumentation analysis of law, in a Gilbertarian style, is presented here for the first time.
多模态论证是一种较新的论证理论。在吉尔伯特的多模态方法中,它不仅关注论证的逻辑模式,而且关注情感、本能和本能:即所谓的“交替”模式。由于法律的形式制度约束,逻辑模式(在其辩证变体中)是一种出于法治要求的规范性命令。然而,特别是在所谓的不明确的情况下,我们可以发现交替模式的痕迹,无论是在他们的辩证或修辞的维度。如果已经有人声称逻辑只是法律“业务”的一部分,那么本文将第一次以吉尔伯尔主义风格提出对法律的多模态论证分析。
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引用次数: 1
Judging when triggered: exploring the trauma of the judge as a captive audience member within intercollegiate forensic tournaments 被触发时的判断:探索在校际法庭比赛中,作为被俘虏的观众的法官的创伤
Q4 COMMUNICATION Pub Date : 2020-01-02 DOI: 10.1080/10511431.2019.1708601
J. Walker, J. Samens
Abstract Intercollegiate forensics provides space for students to learn through performance, to challenge normative frameworks, and explore intersectionality. Increasingly, student performances include content and live-action portrayal of traumatic events. Judges become captive audience members who are unable to leave if they experience (re)trauma(tization) during a performance. Through iterative thematic analysis of exploratory data (n = 65) researchers found that participants connected being triggered within rounds to the concepts of automated reactions; feeling bound by forensic norms; triggering student performance characteristics; material lived experience compared to embodied performance; and meditated judge responses.
校际法医学为学生提供了通过表演学习、挑战规范框架和探索交叉性的空间。越来越多的学生表演包括内容和真人的创伤事件的写照。评委们在演出过程中,如果经历(再)创伤(精神化),就会成为无法离开的“俘虏观众”。通过对探索性数据(n = 65)的迭代主题分析,研究人员发现参与者将在回合内被触发与自动反应的概念联系起来;感觉受到法医规范的束缚;触发学生表现特征;物质生活体验与具体表现的对比;以及经过深思熟虑的法官的反应。
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引用次数: 2
There they go again: invoking the < Reagan > ideograph 他们又来了:借用意指
Q4 COMMUNICATION Pub Date : 2020-01-02 DOI: 10.1080/10511431.2019.1708602
Ryan Neville-Shepard, Skye de Saint Felix
Abstract Tracking all mentions of Ronald Reagan during presidential primary and general election debates from 1988 to 2016, we suggest that < Reagan > has emerged as a complex ideograph in contemporary political discourse. Demonstrating what we call the “personified ideograph,” this essay tracks the reverence toward Reagan that indicates the name’s status as a god term, and suggests the historic meaning of the ideograph is linked to secondary terms like “principled,” “peace through strength,” and “prosperity.” We further contend that such a calcified memory of Reagan has led to a schism in the GOP, and we describe the alternative understanding of < Reagan > as linked to such terms as “bipartisanship” and “change.”
通过对1988年至2016年总统初选和大选辩论中所有提及罗纳德·里根的情况进行追踪,我们认为,在当代政治话语中,里根已成为一个复杂的意指概念。这篇文章展示了我们所说的“人格化的意指”,它追踪了人们对里根的崇敬,这表明了这个名字作为一个神的词的地位,并表明这个意指的历史意义与“有原则的”、“通过力量实现和平”和“繁荣”等次要术语有关。我们进一步认为,这种对里根的钙化记忆导致了共和党的分裂,我们描述了与“两党合作”和“变革”等术语相关的另一种理解。
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Argumentation and Advocacy
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