The purpose of this article is to analyze the phenomenon of synesthesia in the context of information architecture. Synesthesia, as a phenomenon Paulina Kosobucka 28 of perception of sensations by various senses, can have a positive or negative impact on the reception of the message. Well-designed information will convince the recipient of the content. The creators of websites, applications, advertisements, and equipment try to integrate the senses in the message for the benefit of the recipient. In the information architect’s work, one can see many practical implications of synesthesia. The article, with some prognostic and futurological elements, is to initiate studies on this subject.
{"title":"Architektura informacji a synestezja – rozważania teoretyczne i przykłady zastosowania w praktyce","authors":"Paulina Kosobucka","doi":"10.12775/TSB.2020.013","DOIUrl":"https://doi.org/10.12775/TSB.2020.013","url":null,"abstract":"The purpose of this article is to analyze the phenomenon of synesthesia in the context of information architecture. Synesthesia, as a phenomenon Paulina Kosobucka 28 of perception of sensations by various senses, can have a positive or negative impact on the reception of the message. Well-designed information will convince the recipient of the content. The creators of websites, applications, advertisements, and equipment try to integrate the senses in the message for the benefit of the recipient. In the information architect’s work, one can see many practical implications of synesthesia. The article, with some prognostic and futurological elements, is to initiate studies on this subject.","PeriodicalId":30750,"journal":{"name":"Torunskie Studia Bibliologiczne","volume":"13 1","pages":"9"},"PeriodicalIF":0.0,"publicationDate":"2020-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44536452","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article, based on selected examples, shows the parallelism of graphic designs created in Poland, addressed to the youngest audience and published in both paper codex books and digital internet projects. The visual „art of Monika Janusz-Lorkowska 56 the Internet” is inspired by a traditional book, and the latest picturebooks are inspired by the Internet and computer games. The visual similarity of children’s pictorial stories and educational messages in old (paper) and new (electronic) media, often made by the same authors, indicate mediamorphosis of content carriers and allow for smooth transitions between them, while dispelling some of the concerns related to the child’s participation in digital culture.
这篇文章基于选定的例子，展示了波兰创作的平面设计的平行性，面向最年轻的观众，并发表在纸质编码书籍和数字互联网项目中。视觉“Monika Janusz Lorkowska的艺术56互联网”的灵感来自一本传统书籍，最新的图画书的灵感来自互联网和电脑游戏。儿童的图片故事和教育信息在旧（纸质）和新（电子）媒体中的视觉相似性，通常由同一作者制作，表明内容载体的媒介形态，并允许它们之间的平稳过渡，同时消除了与儿童参与数字文化相关的一些担忧。
{"title":"Książki obrazkowe a projekty internetowe – podobieństwa w strategiach wizualnych stosowanych przez polskich twórców dla dzieci","authors":"Monika Janusz-Lorkowska","doi":"10.12775/TSB.2020.014","DOIUrl":"https://doi.org/10.12775/TSB.2020.014","url":null,"abstract":"The article, based on selected examples, shows the parallelism of graphic designs created in Poland, addressed to the youngest audience and published in both paper codex books and digital internet projects. The visual „art of Monika Janusz-Lorkowska 56 the Internet” is inspired by a traditional book, and the latest picturebooks are inspired by the Internet and computer games. The visual similarity of children’s pictorial stories and educational messages in old (paper) and new (electronic) media, often made by the same authors, indicate mediamorphosis of content carriers and allow for smooth transitions between them, while dispelling some of the concerns related to the child’s participation in digital culture.","PeriodicalId":30750,"journal":{"name":"Torunskie Studia Bibliologiczne","volume":"13 1","pages":"29"},"PeriodicalIF":0.0,"publicationDate":"2020-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44765052","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
„Obrona Kultury”, a socio-cultural magazine, was published in Warsaw between 1938 and 1939. Its first issues appeared weekly and the next ones biweekly. The journal’s editor was Adam Szczepanik. This paper’s objective is to show an ephemeral magazine in the interwar years as a source of information about that period’s book market. In total 270 texts on the theme were identified in the magazine. The following thematic groups were addressed to publishing, librarianship, bookselling, reading, publications, writers, press, exhibitions, miscellany. Most frequently the magazine presented discussions on various publications – books, journals. Another group involved the texts which dealt with the issues related to publishing companies, both professional and non– professional. Further, the magazine provided information on the writers and the conditions of libraries. The texts may represent a supplement to bibliographic sources and contribute to a more complete overview of the book market in the
{"title":"Czasopismo „Obrona Kultury” (1938-1939) jako źródło informacji o rynku książki w dwudziestoleciu międzywojennym","authors":"Monika Olczak-Kardas","doi":"10.12775/TSB.2020.015","DOIUrl":"https://doi.org/10.12775/TSB.2020.015","url":null,"abstract":"„Obrona Kultury”, a socio-cultural magazine, was published in Warsaw between 1938 and 1939. Its first issues appeared weekly and the next ones biweekly. The journal’s editor was Adam Szczepanik. This paper’s objective is to show an ephemeral magazine in the interwar years as a source of information about that period’s book market. In total 270 texts on the theme were identified in the magazine. The following thematic groups were addressed to publishing, librarianship, bookselling, reading, publications, writers, press, exhibitions, miscellany. Most frequently the magazine presented discussions on various publications – books, journals. Another group involved the texts which dealt with the issues related to publishing companies, both professional and non– professional. Further, the magazine provided information on the writers and the conditions of libraries. The texts may represent a supplement to bibliographic sources and contribute to a more complete overview of the book market in the","PeriodicalId":30750,"journal":{"name":"Torunskie Studia Bibliologiczne","volume":"13 1","pages":"57"},"PeriodicalIF":0.0,"publicationDate":"2020-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47382097","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Działalność Towarzystwa Wydawniczego „Kompas” w Łodzi do 1939 r.","authors":"A. Stawiszyńska","doi":"10.12775/TSB.2020.016","DOIUrl":"https://doi.org/10.12775/TSB.2020.016","url":null,"abstract":"","PeriodicalId":30750,"journal":{"name":"Torunskie Studia Bibliologiczne","volume":"13 1","pages":"77"},"PeriodicalIF":0.0,"publicationDate":"2020-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44694456","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
stwarzającymi rzeczywiste skutki. Na przy kład wypowiedź performatywna „biorę sobie ciebie za żonę” tworzy związek małżeński. celebrated the centenary of its existence. The anniversary became an occasion and, at the same time, an in-spiration to undertake many initiatives, the recipients of which were mainly teachers, students, pupils, and inhabitants of the region. The Pedagogical Library in Toruń has a long and interesting history. It is an important institution on the educational map of Toruń and the Kuyavian-Pomeranian Voivodeship. It provides its services primarily stationary, at the same time trying to expand its educational offer with remote offers. In the jubilee year, the Pedagogical Library in Toruń prepared and implemented many events, both independen-tly and in cooperation with various institutions. The text presents the acti-vities undertaken in the jubilee year, which also became the background for showing the broad spectrum of the library’s activity in the local environment. learners’
Stwarzającymi rzeczywiste skutki。Na przy kład wypowied_performywna " bior_sobie ciebie za żonę " tworzy związek małżeński。庆祝其成立一百周年。周年纪念成为一个机会，同时也激励人们采取许多主动行动，这些行动的接受者主要是该地区的教师、学生、小学生和居民。托鲁奇的教学图书馆有着悠久而有趣的历史。它是托鲁奇和库亚维亚-波美拉尼亚省教育地图上的一个重要机构。它提供的服务主要是固定的，同时试图通过远程服务来扩大其教育服务。在五十周年纪念期间，托卢奇的教学图书馆独立或与各机构合作筹备和实施了许多活动。文本介绍了在禧年开展的活动，这也成为展示图书馆在当地环境中广泛活动的背景。学习者的
{"title":"System informacyjny jako obiekt graniczny","authors":"M. Nahotko","doi":"10.12775/tsb.2020.001","DOIUrl":"https://doi.org/10.12775/tsb.2020.001","url":null,"abstract":"stwarzającymi rzeczywiste skutki. Na przy kład wypowiedź performatywna „biorę sobie ciebie za żonę” tworzy związek małżeński. celebrated the centenary of its existence. The anniversary became an occasion and, at the same time, an in-spiration to undertake many initiatives, the recipients of which were mainly teachers, students, pupils, and inhabitants of the region. The Pedagogical Library in Toruń has a long and interesting history. It is an important institution on the educational map of Toruń and the Kuyavian-Pomeranian Voivodeship. It provides its services primarily stationary, at the same time trying to expand its educational offer with remote offers. In the jubilee year, the Pedagogical Library in Toruń prepared and implemented many events, both independen-tly and in cooperation with various institutions. The text presents the acti-vities undertaken in the jubilee year, which also became the background for showing the broad spectrum of the library’s activity in the local environment. learners’","PeriodicalId":30750,"journal":{"name":"Torunskie Studia Bibliologiczne","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43999201","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Własny głos w autorstwie kobiecym w pierwszej połowie XIX w. na przykładzie Klementyny z Tańskich Hoffmanowej i Narcyzy Żmichowskiej","authors":"Teresa Święćkowska","doi":"10.12775/TSB.2020.018","DOIUrl":"https://doi.org/10.12775/TSB.2020.018","url":null,"abstract":"","PeriodicalId":30750,"journal":{"name":"Torunskie Studia Bibliologiczne","volume":"13 1","pages":"145"},"PeriodicalIF":0.0,"publicationDate":"2020-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47064260","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
: One example of professional journals of the interwar period is „Nowa Książka. 10 zeszytów rocznie poświęconych krytyce literackiej i naukowej oraz bibliografii”. The periodical was published in 1934–1939 at the Trzaska, Evert and Michalski Bookshop Publishing House in Warsaw, edited by the philologist, literary critic, and publicist, Stanisław Lam. The structure of the magazine consisted of scholarly articles, reporting, and registration sections, as well as the Chronicle, which included minor mentions of the cultural life of the 1930s. On the basis of a critical analysis of the content of this section, ways of commemorating people of Polish culture – writers, literary researchers, translators, people connected with art and its patrons – were shown. The Chronicle most frequently informs about publications devoted to outstanding personalities, about research conducted on their lives and achievements, a little less frequently about various forms of promoting the achievements of people of culture, and sporadically about their legacy. The section also included obituaries.
：两次世界大战时期专业期刊的一个例子是《Nowa Ksińka》。10 zeszytów rocznie poświÉconych krytyce literatickiej i naukowej oraz bibliografii”。该期刊于1934年至1939年在华沙的Trzaska、Evert和Michalski书店出版社出版，由文献学家、文学评论家和公关人员Stanisław Lam编辑。该杂志的结构包括学术文章、报道和注册部分，以及编年史，其中包括对20世纪30年代文化生活的少量提及。在对本节内容进行批判性分析的基础上，展示了纪念波兰文化人的方式——作家、文学研究人员、翻译人员、与艺术相关的人及其赞助人。《纪事报》最常报道的是专门介绍杰出人物的出版物，对他们的生活和成就进行的研究，较少报道各种形式的宣传文化人的成就，偶尔也会报道他们的遗产。该部分还包括讣告。
{"title":"Świadectwa pamięci o ludziach kultury w Kronice \"Nowej Książki\" (1934-1939)","authors":"A. Kamińska, A. Gołda","doi":"10.12775/tsb.2020.008","DOIUrl":"https://doi.org/10.12775/tsb.2020.008","url":null,"abstract":": One example of professional journals of the interwar period is „Nowa Książka. 10 zeszytów rocznie poświęconych krytyce literackiej i naukowej oraz bibliografii”. The periodical was published in 1934–1939 at the Trzaska, Evert and Michalski Bookshop Publishing House in Warsaw, edited by the philologist, literary critic, and publicist, Stanisław Lam. The structure of the magazine consisted of scholarly articles, reporting, and registration sections, as well as the Chronicle, which included minor mentions of the cultural life of the 1930s. On the basis of a critical analysis of the content of this section, ways of commemorating people of Polish culture – writers, literary researchers, translators, people connected with art and its patrons – were shown. The Chronicle most frequently informs about publications devoted to outstanding personalities, about research conducted on their lives and achievements, a little less frequently about various forms of promoting the achievements of people of culture, and sporadically about their legacy. The section also included obituaries.","PeriodicalId":30750,"journal":{"name":"Torunskie Studia Bibliologiczne","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44461539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
: On the basis of European culture, the Vienna Workshops are one of the best-known examples of implementing the assumptions of the Arts and Crafts movement created in the 19th century. The activities undertaken by the artists associated with the Workshops have significantly contributed to the development of book art, especially the decoration of binding. While creating them, manual methods were returned, using the involvement of the best craftsmen – bookbinders or goldsmiths. Due to the significant impact of the Workshops’ activities on the book culture in Europe and the artistic value of their design binding, which is still valued today, this issue is discussed in the article based on the Max Morgenstern collection. The history of the creation of the Vienna Workshop was outlined, with particular emphasis on the bookbinding workshop, and the biography of M. Morgenstern, one of the best workshop customers. However, the main part of the article is to discuss the artistic solutions used in the design of the luminaires and show their application on the example of the collection in question. Issues of authorship and the specificity of materials that artists and craftsmen used in the Vienna Workshops will also be addressed.
{"title":"Sztuka introligatorska Wiener Werkstätte jako urzeczywistnienie idei ruchu Arts and Crafts w europejskiej kulturze książki XX w. (na przykładzie kolekcji książkowej Maxa Morgensterna)","authors":"Agnieszka Łakomy-Chłosta","doi":"10.12775/tsb.2020.010","DOIUrl":"https://doi.org/10.12775/tsb.2020.010","url":null,"abstract":": On the basis of European culture, the Vienna Workshops are one of the best-known examples of implementing the assumptions of the Arts and Crafts movement created in the 19th century. The activities undertaken by the artists associated with the Workshops have significantly contributed to the development of book art, especially the decoration of binding. While creating them, manual methods were returned, using the involvement of the best craftsmen – bookbinders or goldsmiths. Due to the significant impact of the Workshops’ activities on the book culture in Europe and the artistic value of their design binding, which is still valued today, this issue is discussed in the article based on the Max Morgenstern collection. The history of the creation of the Vienna Workshop was outlined, with particular emphasis on the bookbinding workshop, and the biography of M. Morgenstern, one of the best workshop customers. However, the main part of the article is to discuss the artistic solutions used in the design of the luminaires and show their application on the example of the collection in question. Issues of authorship and the specificity of materials that artists and craftsmen used in the Vienna Workshops will also be addressed.","PeriodicalId":30750,"journal":{"name":"Torunskie Studia Bibliologiczne","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42756559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Archiwa jako instytucje kultury: współczesne wyzwania w kontekście archiwizacji dokumentów elektronicznych oraz zabezpieczenia oryginalnej dokumentacji papierowej","authors":"J. Adamus-Kowalska, A. Bangrowska","doi":"10.12775/tsb.2020.002","DOIUrl":"https://doi.org/10.12775/tsb.2020.002","url":null,"abstract":"","PeriodicalId":30750,"journal":{"name":"Torunskie Studia Bibliologiczne","volume":"13 1","pages":"41"},"PeriodicalIF":0.0,"publicationDate":"2020-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48469734","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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