Pub Date : 2019-06-28DOI: 10.31861/PYTLIT2019.99.036
S. Varetska
A literary process in Germany after the World War II was reviewed. In particular, a generational worldview change in the writers association “Group47”was traced. Considering the group's activity as an example a writers’ “birth” in German post-war society was demonstrated when the young people without professional education and literary experience (this was the 1945th year generation or the generation of “private soldiers”) managed to enter on the world scene within relatively short time. The “brand new” writers repudiated any abstractions, opposed the idealization of the past, present or future, focused on a comprehension and reflection of a real life “here and now” experiences. An attention to the lack of an unanimous opinion of literary critics regarding the functioning of the “Group47”was drawn. In particular, examples of critical statements about the association activities were given. Arising from such very different and violent reactions a rethinking of the World War II tragedies and its consequences took place. It has been shown as during few decades of the hot debates between different generations of writers the new sparks were flashed, which ignited entirely different centers, where according to the researchers in the 70's a new pop culture emerged, whose representatives were entirely new faces and unknown names.
{"title":"Influence of Generational Factor in “Group 47” Activity","authors":"S. Varetska","doi":"10.31861/PYTLIT2019.99.036","DOIUrl":"https://doi.org/10.31861/PYTLIT2019.99.036","url":null,"abstract":"A literary process in Germany after the World War II was reviewed. In particular, a generational worldview change in the writers association “Group47”was traced. Considering the group's activity as an example a writers’ “birth” in German post-war society was demonstrated when the young people without professional education and literary experience (this was the 1945th year generation or the generation of “private soldiers”) managed to enter on the world scene within relatively short time. The “brand new” writers repudiated any abstractions, opposed the idealization of the past, present or future, focused on a comprehension and reflection of a real life “here and now” experiences. An attention to the lack of an unanimous opinion of literary critics regarding the functioning of the “Group47”was drawn. In particular, examples of critical statements about the association activities were given. Arising from such very different and violent reactions a rethinking of the World War II tragedies and its consequences took place. It has been shown as during few decades of the hot debates between different generations of writers the new sparks were flashed, which ignited entirely different centers, where according to the researchers in the 70's a new pop culture emerged, whose representatives were entirely new faces and unknown names.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49326492","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-28DOI: 10.31861/PYTLIT2019.99.091
Olya Hrecheshnyuk
{"title":"The Role of the Writers' Generations in the Generational Novel (“Pawel's Letters” by M. Maron and “Heavenly Bodies” by T. Dückers)","authors":"Olya Hrecheshnyuk","doi":"10.31861/PYTLIT2019.99.091","DOIUrl":"https://doi.org/10.31861/PYTLIT2019.99.091","url":null,"abstract":"","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69758703","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-28DOI: 10.31861/PYTLIT2019.99.078
Kristiniia Paladian
{"title":"Non-Classical Forms in George Bacovia’s Poetry: Homomorphic Structures","authors":"Kristiniia Paladian","doi":"10.31861/PYTLIT2019.99.078","DOIUrl":"https://doi.org/10.31861/PYTLIT2019.99.078","url":null,"abstract":"","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47608112","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-28DOI: 10.31861/PYTLIT2019.99.050
V. Ivanenko
Вивчаються прозові тенденції трьох декад шотландського літературного життя: від 1980-х дотепер. Досліджується феномен Шотландії як літературного конструкту, до створення якого долучилася літературна еліта країни, коли втратила можливість отримати політичну автономію. З’ясовується, наскільки щільно в сучасній шотландській літературі переплетені літературний і політичний дискурси, а також наскільки конститутивні вони одне для одного. Докладно представлено інтерпретацію впливу ключових авторів періоду шотландської деволюції Аласдера Ґрея, Джеймса Келмана, Ірвіна Велша на становлення образу Шотландії. Вивчено наративні техніки, які стали в пригоді не тільки при створенні дискурсу національної літератури та ідентичності, але і виявилися політичною зброєю дискурсу шотландськості. Висвітлено також і кардинальний поворот у парадигмі від національної та націєтворчої літератури до літератури космополітизму і гуманізму в контексті нових викликів початку нульових. Ідеться, перш за все, про гуманістичний та етичний поворот у сучасній постдеволюційній шотландській прозі.
{"title":"Imagining Scotland: Scottish Literature at the End of the XX – the Beginning of the XXI Century from Nationalism to Cosmopolitism","authors":"V. Ivanenko","doi":"10.31861/PYTLIT2019.99.050","DOIUrl":"https://doi.org/10.31861/PYTLIT2019.99.050","url":null,"abstract":"Вивчаються прозові тенденції трьох декад шотландського літературного життя: від 1980-х дотепер. Досліджується феномен Шотландії як літературного конструкту, до створення якого долучилася літературна еліта країни, коли втратила можливість отримати політичну автономію. З’ясовується, наскільки щільно в сучасній шотландській літературі переплетені літературний і політичний дискурси, а також наскільки конститутивні вони одне для одного. Докладно представлено інтерпретацію впливу ключових авторів періоду шотландської деволюції Аласдера Ґрея, Джеймса Келмана, Ірвіна Велша на становлення образу Шотландії. Вивчено наративні техніки, які стали в пригоді не тільки при створенні дискурсу національної літератури та ідентичності, але і виявилися політичною зброєю дискурсу шотландськості. Висвітлено також і кардинальний поворот у парадигмі від національної та націєтворчої літератури до літератури космополітизму і гуманізму в контексті нових викликів початку нульових. Ідеться, перш за все, про гуманістичний та етичний поворот у сучасній постдеволюційній шотландській прозі.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":"30 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69758388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-28DOI: 10.31861/PYTLIT2019.99.151
Nataliya Krynytska
Стаття має на меті простежити зміни погляду на андроїда (тобто на копію, симулякр людини, метафору Іншого, яка дозволяє краще усвідомити основи нашої людяності) протягом півсторіччя на прикладі роману американського фантаста Філіпа Кіндреда Діка „Чи мріють андроїди про електричних овець?” (1968 р.) та кінострічок за мотивами цього твору: фільму Рідлі Скотта „Той, хто біжить по лезу” (1982 р.) та його сиквела „Той, хто біжить по лезу 2049”(2017 р.), знятого Дені Вільневом. Основні методи – порівняльний аналіз указаних творів у контексті проблем гуманізму й постгуманізму та міфопоетичний підхід у вивченні християнської символіки роману та його кіноадаптацій. Робиться висновок, що всі ці автори усвідомлюють відповідальність людства за спробу грати роль Бога та віддають перевагу гуманізму, тобто спираються на ідеали антропоцентризму, а не прагнуть до докорінної трансформації людської природи та культури, яка пов’язана з постгуманізмом і трансгуманізмом. Дослідження перспективне для вивчення естетики „нової тілесності”, проблеми гіперреальності та її відображення в науково-фантастичній літературі тощо.
{"title":"The God Game vs Human Game: Post / humanism from Philip Dick to Denis Villeneuve","authors":"Nataliya Krynytska","doi":"10.31861/PYTLIT2019.99.151","DOIUrl":"https://doi.org/10.31861/PYTLIT2019.99.151","url":null,"abstract":"Стаття має на меті простежити зміни погляду на андроїда (тобто на копію, симулякр людини, метафору Іншого, яка дозволяє краще усвідомити основи нашої людяності) протягом півсторіччя на прикладі роману американського фантаста Філіпа Кіндреда Діка „Чи мріють андроїди про електричних овець?” (1968 р.) та кінострічок за мотивами цього твору: фільму Рідлі Скотта „Той, хто біжить по лезу” (1982 р.) та його сиквела „Той, хто біжить по лезу 2049”(2017 р.), знятого Дені Вільневом. Основні методи – порівняльний аналіз указаних творів у контексті проблем гуманізму й постгуманізму та міфопоетичний підхід у вивченні християнської символіки роману та його кіноадаптацій. Робиться висновок, що всі ці автори усвідомлюють відповідальність людства за спробу грати роль Бога та віддають перевагу гуманізму, тобто спираються на ідеали антропоцентризму, а не прагнуть до докорінної трансформації людської природи та культури, яка пов’язана з постгуманізмом і трансгуманізмом. Дослідження перспективне для вивчення естетики „нової тілесності”, проблеми гіперреальності та її відображення в науково-фантастичній літературі тощо.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48250098","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-28DOI: 10.31861/PYTLIT2019.99.166
Tetiana Basniak
{"title":"The Novel by S. Lenz “Der Überläufer”: Success After Failure or the Paradox of Receptive Transgression","authors":"Tetiana Basniak","doi":"10.31861/PYTLIT2019.99.166","DOIUrl":"https://doi.org/10.31861/PYTLIT2019.99.166","url":null,"abstract":"","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47942802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-28DOI: 10.31861/PYTLIT2019.99.007
A. Angelov
Objectives of the paper: 1) To analyse Emil Staiger’s theoretical position and to reveal the reason I consider it anti-modern; 2) To compare his position to the one maintained by some ideologists of socialist realism in the same decade, and to outline similarities and differences. I pay more attention to the antimodernist and concept of Michail Al. Lifshitz; 3) To ground my opinion that the ideology of socialist realism in the 1960-ies is also anti-modern; 4) To expand the analysis with a brief introduction of Hans Sedlmayr’s attitude, and to explain why it is anti-modern as well; 5) To give an answer to the question what the social function of the anti-modern attitude is. I use a critical comparative approach to the original sources, asking for the social functions of the analysed concepts. The paper is a part of a monograph in progress on the works of Emil Staiger and on some anti-modern concepts in the reflexion on literature and on visual art in West and in the East of Europe in the 20th century.
{"title":"Against Modernity: the concepts of Emil Staiger, Michail Lifshitz and Hans Sedlmayr. Part 1","authors":"A. Angelov","doi":"10.31861/PYTLIT2019.99.007","DOIUrl":"https://doi.org/10.31861/PYTLIT2019.99.007","url":null,"abstract":"Objectives of the paper: 1) To analyse Emil Staiger’s theoretical position and to reveal the reason I consider it anti-modern; 2) To compare his position to the one maintained by some ideologists of socialist realism in the same decade, and to outline similarities and differences. I pay more attention to the antimodernist and concept of Michail Al. Lifshitz; 3) To ground my opinion that the ideology of socialist realism in the 1960-ies is also anti-modern; 4) To expand the analysis with a brief introduction of Hans Sedlmayr’s attitude, and to explain why it is anti-modern as well; 5) To give an answer to the question what the social function of the anti-modern attitude is. I use a critical comparative approach to the original sources, asking for the social functions of the analysed concepts. The paper is a part of a monograph in progress on the works of Emil Staiger and on some anti-modern concepts in the reflexion on literature and on visual art in West and in the East of Europe in the 20th century.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69758229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-28DOI: 10.31861/PYTLIT2019.99.135
A. Matiychak
The primary aim of the article is to gain a better understanding of narrative unreliability as a literary device in reception perspective. While previous studies have focused mainly on textual incongruities, argued for an encoded strategy on the part of the implied author or have embraced a reader-oriented model; the present study attempts to analyze the concept of unreliable narration as a convergence of both the rhetorical and cognitive/constructivist models in genre identification. The object of the analyses is Sarah Waters’ novel “The Little Stranger”, in particular its metamorphosed genre with the elements of historical sketch, mystery, poltergeist/ ghost story, mysticism and detective intrigue. The author’s narrative strategy is specified by the multiple readers’ responses. Despite the explicit Gothic modality, the historical context makes it possible to implement the author's conceptual intentions. Sarah Waters chooses a subjective narration type, when the homodiegetic narrator performs a dual function: both the narrator-observer and the character. In his unreliable narratives, the complementarities of misreporting, misinterpreting, underreporting and misevaluating are traced. Narrative unreliability in the novel serves as a kind of disguise for the mental aberrations of the homodiegetic narrator, so that the peculiarities of his narration cause doubts about his adequacy, freeing the reader from his influence and making it possible to create various interpretations of the story. Consequently, narrative unreliability here directly affects both the genre identification and the range of reception shift from the implicit reader to the text (implicit communication), and from interpretive frames to the implicit author and reverse, that allows to apply a convergence of rhetorical and cognitive/ constructivist methods in the novel analyses.
{"title":"Narrative Unreliability as a Literary Device and Reception Shift","authors":"A. Matiychak","doi":"10.31861/PYTLIT2019.99.135","DOIUrl":"https://doi.org/10.31861/PYTLIT2019.99.135","url":null,"abstract":"The primary aim of the article is to gain a better understanding of narrative unreliability as a literary device in reception perspective. While previous studies have focused mainly on textual incongruities, argued for an encoded strategy on the part of the implied author or have embraced a reader-oriented model; the present study attempts to analyze the concept of unreliable narration as a convergence of both the rhetorical and cognitive/constructivist models in genre identification. The object of the analyses is Sarah Waters’ novel “The Little Stranger”, in particular its metamorphosed genre with the elements of historical sketch, mystery, poltergeist/ ghost story, mysticism and detective intrigue. The author’s narrative strategy is specified by the multiple readers’ responses. Despite the explicit Gothic modality, the historical context makes it possible to implement the author's conceptual intentions. Sarah Waters chooses a subjective narration type, when the homodiegetic narrator performs a dual function: both the narrator-observer and the character. In his unreliable narratives, the complementarities of misreporting, misinterpreting, underreporting and misevaluating are traced. Narrative unreliability in the novel serves as a kind of disguise for the mental aberrations of the homodiegetic narrator, so that the peculiarities of his narration cause doubts about his adequacy, freeing the reader from his influence and making it possible to create various interpretations of the story. Consequently, narrative unreliability here directly affects both the genre identification and the range of reception shift from the implicit reader to the text (implicit communication), and from interpretive frames to the implicit author and reverse, that allows to apply a convergence of rhetorical and cognitive/ constructivist methods in the novel analyses.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69758344","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-28DOI: 10.31861/PYTLIT2019.99.180
Kateryna Kalynych
Розглянуто причини студентських протестів 1968 року. Увага акцентується на передумовах виникнення французької травневої революції. Досліджено роман Р. Мерля „За склом” (1970) у ключі вузівської системи навчання. Визначено причинно-наслідковий процес соціальних подій в аспекті архаїчної традиції викладання у системі вишівського навчання Франції ХХ ст. Простежено, що назрілість термінового оновлення навчальних програм, лекційних та семінарських занять спровокувала бунтарські настрої студентів. Зроблено висновок, що студентські заворушення 1968 р. не лише змінили соціально-економічну сферу французького суспільства, а й суттєво оновили систему вишівського викладання.
{"title":"Education System as a Social Provocation in the Novel “Behind The Glass” by Robert Merle","authors":"Kateryna Kalynych","doi":"10.31861/PYTLIT2019.99.180","DOIUrl":"https://doi.org/10.31861/PYTLIT2019.99.180","url":null,"abstract":"Розглянуто причини студентських протестів 1968 року. Увага акцентується на передумовах виникнення французької травневої революції. Досліджено роман Р. Мерля „За склом” (1970) у ключі вузівської системи навчання. Визначено причинно-наслідковий процес соціальних подій в аспекті архаїчної традиції викладання у системі вишівського навчання Франції ХХ ст. Простежено, що назрілість термінового оновлення навчальних програм, лекційних та семінарських занять спровокувала бунтарські настрої студентів. Зроблено висновок, що студентські заворушення 1968 р. не лише змінили соціально-економічну сферу французького суспільства, а й суттєво оновили систему вишівського викладання.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69758575","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-28DOI: 10.31861/PYTLIT2018.98.059
Alena Bahdzevich
The article analyzes the main aspects of the functioning of the topos “book” in the history of culture: the sources of formation of the semantic field, as well as the dynamics of the values of the topos. As the precedent texts that defined the core of the topos “book”, named myths and the Bible, which actualize the positively marked elements of the binary opposition that make up the structure of the topos: “salvation”, “power” (in the myth), “healing”, “wealth”, “justice” (in the Bible), as well as the seven “memory”, “knowledge” – common to the two sources. The emergence of fundamentally new values of the topos “book” occurs in a situation of transition, historical instability. Around the topos “book” formed a stable poetic and semantic complex, the structure of which, on the one hand, includes the traditional motives of the mental existence of the book, the identification of the book with the true knowledge, on the other hand, there are qualitatively new ideas related to the archiving of book culture, as well as the destruction of humanitarian knowledge (which is especially important for the literature of recent decades). The main stages of the evolution of the topos “book” are considered: each cultural epoch has its own peculiarities of perception of this topos as a model of the world, which demonstrates the ontological, axiological and epistemological attitudes characteristic of a person's worldview of a particular historical period.
{"title":"Topos “Book” in the History of Culture: The Origins of the Development of the Semantic Field, the Evolution of the Values","authors":"Alena Bahdzevich","doi":"10.31861/PYTLIT2018.98.059","DOIUrl":"https://doi.org/10.31861/PYTLIT2018.98.059","url":null,"abstract":"The article analyzes the main aspects of the functioning of the topos “book” in the history of culture: the sources of formation of the semantic field, as well as the dynamics of the values of the topos. As the precedent texts that defined the core of the topos “book”, named myths and the Bible, which actualize the positively marked elements of the binary opposition that make up the structure of the topos: “salvation”, “power” (in the myth), “healing”, “wealth”, “justice” (in the Bible), as well as the seven “memory”, “knowledge” – common to the two sources. The emergence of fundamentally new values of the topos “book” occurs in a situation of transition, historical instability. Around the topos “book” formed a stable poetic and semantic complex, the structure of which, on the one hand, includes the traditional motives of the mental existence of the book, the identification of the book with the true knowledge, on the other hand, there are qualitatively new ideas related to the archiving of book culture, as well as the destruction of humanitarian knowledge (which is especially important for the literature of recent decades). The main stages of the evolution of the topos “book” are considered: each cultural epoch has its own peculiarities of perception of this topos as a model of the world, which demonstrates the ontological, axiological and epistemological attitudes characteristic of a person's worldview of a particular historical period.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48910496","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：