Pub Date : 2023-06-19DOI: 10.24114/gondang.v7i1.49854
Mirnawati Mirnawati, Asril Asril
Toxic relationships are dangerous. Toxic relationships are often found in dating relationships. The cause of a toxic relationship is when in a relationship there is intimidating behavior towards their partner, being rude, reluctant to blame and winning alone. The social phenomena of toxic relationships or toxic relationships above become ideas in the creation of works. The creators interpret the atmosphere and emotions experienced in dating such as joy, sadness, anger, chaos and moral messages about dating as important parts that can be expressed. In developing the work, the artist uses the local idiom of the Senandung Jolo tradition. The creation method used in the cultivation is based on the testimony of the creative thinker Graham Wallas (1926) in the book Psychology of Art by Irma Damayanti it is stated that there are three stages, namely the data collection stage, the observation stage, and the work embodiment stage. The author interprets that a toxic relationship always begins with harmony, but there is also an emotional imbalance with the big title Composition KauAku, which consists of three works entitled "Selaras", "Kentara" and "Swantantra" with world music approach.
{"title":"KauAku: Interpretation of Toxic Relationships and Senandung Jolo","authors":"Mirnawati Mirnawati, Asril Asril","doi":"10.24114/gondang.v7i1.49854","DOIUrl":"https://doi.org/10.24114/gondang.v7i1.49854","url":null,"abstract":"Toxic relationships are dangerous. Toxic relationships are often found in dating relationships. The cause of a toxic relationship is when in a relationship there is intimidating behavior towards their partner, being rude, reluctant to blame and winning alone. The social phenomena of toxic relationships or toxic relationships above become ideas in the creation of works. The creators interpret the atmosphere and emotions experienced in dating such as joy, sadness, anger, chaos and moral messages about dating as important parts that can be expressed. In developing the work, the artist uses the local idiom of the Senandung Jolo tradition. The creation method used in the cultivation is based on the testimony of the creative thinker Graham Wallas (1926) in the book Psychology of Art by Irma Damayanti it is stated that there are three stages, namely the data collection stage, the observation stage, and the work embodiment stage. The author interprets that a toxic relationship always begins with harmony, but there is also an emotional imbalance with the big title Composition KauAku, which consists of three works entitled \"Selaras\", \"Kentara\" and \"Swantantra\" with world music approach.","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":"137 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135422802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-19DOI: 10.24114/gondang.v7i1.48695
Wiflihani Wiflihani, Frisdo Ekardo
Merajut Dimensi Masa is a theatrical performance that is the result of elaboration of the sinden technique with pantomime motion techniques. The researcher initiated a musical theater that uses Mime Gestures as a concept for creating acting in the work. This has implications for an actor to study acting, music, and pantomime. The concept of this show elevates the spirit of the Javanese Koeli Kontrak in North Sumatra as the main story idea and theme in Merajut Dimensi Masa. The method used in this research is a qualitative research method. In collecting data using observation techniques, documentation, in-depth interviews and followed by interactive analysis. The stages of the training that the researchers carried out revolved around body exercises, vocal exercises, singing, sinden and pantomime exercises. So that through this systematic work, the concept of singing theater was born using mime as a concept of acting in the medium of performing arts. This research also seeks to offer new ideas in dramaturgical acting to create dramatic elements through the arts of singing and pantomime.
{"title":"Elaboration of the Sinden Technique with Mime in the Creation of Merajut Dimensi Masa","authors":"Wiflihani Wiflihani, Frisdo Ekardo","doi":"10.24114/gondang.v7i1.48695","DOIUrl":"https://doi.org/10.24114/gondang.v7i1.48695","url":null,"abstract":"Merajut Dimensi Masa is a theatrical performance that is the result of elaboration of the sinden technique with pantomime motion techniques. The researcher initiated a musical theater that uses Mime Gestures as a concept for creating acting in the work. This has implications for an actor to study acting, music, and pantomime. The concept of this show elevates the spirit of the Javanese Koeli Kontrak in North Sumatra as the main story idea and theme in Merajut Dimensi Masa. The method used in this research is a qualitative research method. In collecting data using observation techniques, documentation, in-depth interviews and followed by interactive analysis. The stages of the training that the researchers carried out revolved around body exercises, vocal exercises, singing, sinden and pantomime exercises. So that through this systematic work, the concept of singing theater was born using mime as a concept of acting in the medium of performing arts. This research also seeks to offer new ideas in dramaturgical acting to create dramatic elements through the arts of singing and pantomime.","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":"116 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135422803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-18DOI: 10.24114/gondang.v7i1.48956
Ilham Rifandi, Ifwanul Hakim, Nazlah Syahaf Nasution
Gabe Halak Batak is a term that was born from research on the bodiedness traditions of the Batak Toba people which means "Being a Batak Person". This research was conducted to take advantage of the bodiedness traditions of the Batak Toba Ethnic Community, one of which is Tortor. The author's interest in the tortor is because there are basic techniques in the tortor which are named metaphorically and through this naming can be an 'entrance' for actors in the process of exploring their physiology. In this study, the authors implemented it for actors from the Aka Bodi Theatre group in Medan who came from three different ethnicities. This study uses ethnographic and autoethnographic approaches in collecting data and interrogating the process of physiological exploration applied to acting training at the Aka Bodi Theatre. The results obtained are that each actor who participates in the training process experiences a variety of sensitivities related to the Batak Toba ethnic culture and has visual references regarding the creation of actions in the training.
Gabe Halak Batak这个词来源于对巴塔克多巴人身体传统的研究，意思是“成为巴塔克人”。本研究是利用巴塔克托巴族的身体传统进行的，其中之一是托托。作者之所以对折磨者感兴趣，是因为折磨者的基本技巧被隐喻地命名，通过这种命名可以成为演员探索其生理过程的“入口”。在这项研究中，作者对棉兰的Aka Bodi剧团的演员进行了实施，他们来自三个不同的种族。本研究采用民族志与自我民族志的方法收集资料，并探讨在阿卡博迪剧院表演训练中运用生理探索的过程。得到的结果是，参与培训过程的每个演员都经历了与巴塔克托巴民族文化相关的各种敏感性，并且对培训中的动作创作具有视觉参考。
{"title":"Gabe Halak Batak; Batak Toba Ethnic Bodiedness Traditions as a Reference for Actor Training","authors":"Ilham Rifandi, Ifwanul Hakim, Nazlah Syahaf Nasution","doi":"10.24114/gondang.v7i1.48956","DOIUrl":"https://doi.org/10.24114/gondang.v7i1.48956","url":null,"abstract":"Gabe Halak Batak is a term that was born from research on the bodiedness traditions of the Batak Toba people which means \"Being a Batak Person\". This research was conducted to take advantage of the bodiedness traditions of the Batak Toba Ethnic Community, one of which is Tortor. The author's interest in the tortor is because there are basic techniques in the tortor which are named metaphorically and through this naming can be an 'entrance' for actors in the process of exploring their physiology. In this study, the authors implemented it for actors from the Aka Bodi Theatre group in Medan who came from three different ethnicities. This study uses ethnographic and autoethnographic approaches in collecting data and interrogating the process of physiological exploration applied to acting training at the Aka Bodi Theatre. The results obtained are that each actor who participates in the training process experiences a variety of sensitivities related to the Batak Toba ethnic culture and has visual references regarding the creation of actions in the training.","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":"147 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135471039","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-18DOI: 10.24114/gondang.v7i1.49276
Jagar Lumbantoruan
The purpose of this study is to analyze and describe Paul Widyawan's “Bungong Jeumpa” song about conterpoint and non-harmonic tone arrangements. This type of research is qualitative with a content analysis approach, namely: objectivity, systematic, and generalization. The data in this study were taken from literature studies and song scores. The analysis technique uses choral composition techniques, conterpoint, and non-harmonic tones. The results showed that the composition of “Bungong Jeumpa”'s song has three parts, namely: intro, content, and coda. The intro consists of 8 measure chambers, contains 20-measure chambers, and 4 coda chambers. The arrangement of the song is a polyphony-homophony texture, based on the Cantus Firmus. SATB's melodic contour relationships are tonal conterpoint in the key of A minor harmonics. Each melodic contour moves with the same rhythm and is generally different. Differences in melodic contours produce four types of Motus, namely parallellus, contrarius, obliqus, and rectus. Besides that, with the differences in the rhythm and melody of the songs on SATB with the presence of insert notes between the harmonic tones, there is also a different musical atmosphere. Based on position, motion, and solutions of dissonant tones, five types were found, namely: passing tone, appoggiatura, changing tone, neighbouring tone, and retardation.
{"title":"Counterpoint and Non-harmonic tone Arrangements on “Bungong Jeumpa” Song Arrangements Works of Paul Widyawan","authors":"Jagar Lumbantoruan","doi":"10.24114/gondang.v7i1.49276","DOIUrl":"https://doi.org/10.24114/gondang.v7i1.49276","url":null,"abstract":"The purpose of this study is to analyze and describe Paul Widyawan's “Bungong Jeumpa” song about conterpoint and non-harmonic tone arrangements. This type of research is qualitative with a content analysis approach, namely: objectivity, systematic, and generalization. The data in this study were taken from literature studies and song scores. The analysis technique uses choral composition techniques, conterpoint, and non-harmonic tones. The results showed that the composition of “Bungong Jeumpa”'s song has three parts, namely: intro, content, and coda. The intro consists of 8 measure chambers, contains 20-measure chambers, and 4 coda chambers. The arrangement of the song is a polyphony-homophony texture, based on the Cantus Firmus. SATB's melodic contour relationships are tonal conterpoint in the key of A minor harmonics. Each melodic contour moves with the same rhythm and is generally different. Differences in melodic contours produce four types of Motus, namely parallellus, contrarius, obliqus, and rectus. Besides that, with the differences in the rhythm and melody of the songs on SATB with the presence of insert notes between the harmonic tones, there is also a different musical atmosphere. Based on position, motion, and solutions of dissonant tones, five types were found, namely: passing tone, appoggiatura, changing tone, neighbouring tone, and retardation.","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":"336 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135471038","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-17DOI: 10.24114/gondang.v7i1.48148
Muhammad Panji Wahyu Mukti, Muhammad Jazuli, Syakir Syakir
YouTube is the world’s largest video platform and has become a popular place for musicians to promote their digital music. This study aims to describe the effectiveness of YouTube as a platform to promote digital music by the music group Ndarboy Genk. The method used is descriptive-qualitative, describing Ndarboy Genk musicians who have used YouTube to promote their digital music. The perspective used to study this research is Internet marketing. Internet marketing is the process of empowering musicians to promote their websites, products, or services online and through social media channels to communicate with a much larger community. The result is that the YouTube digital platform is a solution for artists or music creators to promote their work without having to be sheltered by a music label; even music labels can be created by the artists or creators themselves.
{"title":"YouTube as a Platform for Promoting Digital Works: A Study on Ndarboy Genk Music Group Yogyakarta","authors":"Muhammad Panji Wahyu Mukti, Muhammad Jazuli, Syakir Syakir","doi":"10.24114/gondang.v7i1.48148","DOIUrl":"https://doi.org/10.24114/gondang.v7i1.48148","url":null,"abstract":"YouTube is the world’s largest video platform and has become a popular place for musicians to promote their digital music. This study aims to describe the effectiveness of YouTube as a platform to promote digital music by the music group Ndarboy Genk. The method used is descriptive-qualitative, describing Ndarboy Genk musicians who have used YouTube to promote their digital music. The perspective used to study this research is Internet marketing. Internet marketing is the process of empowering musicians to promote their websites, products, or services online and through social media channels to communicate with a much larger community. The result is that the YouTube digital platform is a solution for artists or music creators to promote their work without having to be sheltered by a music label; even music labels can be created by the artists or creators themselves.","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135525259","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-17DOI: 10.24114/gondang.v7i1.49555
Quinta Sari, Venny Rosalina
The figure of Siti Manggopoh is an inspirational Minangkabau woman who fought for human rights. The dance work "Manggopoh Dalam Bingkai" showcases and symbolizes her unwavering spirit as she led a war against the Dutch. It reflects the traditional martial art of "silek" as the dancers' fundamental movement. This dance work carefully incorporates local idioms with distinct Minangkabau nuances, including the setting, music, costumes, dialogue, and etiquette. Its main objective is to nurture creativity in the creation of dance art, an aspect that has been studied throughout the course of education."Manggopoh Dalam Bingkai" sets a benchmark for choreographers aspiring to transform historical events into dance works with compelling storylines. Drawing inspiration from the phenomenal figure of Siti Manggopoh, this production aims to preserve and carry forward the precious local wisdom from the land of Minang.Through this dance work, we revitalize the spirit of resilient and courageous Minangkabau women. It serves as a powerful reminder of the values of bravery, tenacity, and an unyielding spirit in defending their homeland from oppression. With its captivating movements and expressions, "Manggopoh Dalam Bingkai" aims to inspire present and future generations to cherish and continue the struggle and cultural heritage of great significance.
Siti Manggopoh的形象是一位鼓舞人心的米南卡保妇女，她为人权而战。舞蹈作品“Manggopoh Dalam Bingkai”展示和象征了她领导与荷兰人的战争的坚定不移的精神。它反映了传统武术的“丝”作为舞者的基本动作。这种舞蹈作品仔细地将当地习语与独特的米南卡保细微差别结合起来，包括背景、音乐、服装、对话和礼仪。其主要目的是在舞蹈艺术创作中培养创造力，这是整个教育过程中一直在研究的一个方面。“Manggopoh Dalam Bingkai”是希望将历史事件转化为引人入胜的故事情节的舞蹈编导的标杆。这部作品的灵感来自于Siti Manggopoh的非凡形象，旨在保护和发扬米南土地上宝贵的当地智慧。通过这一舞蹈作品，我们重振了米南卡堡妇女坚韧勇敢的精神。它有力地提醒着人们勇敢、坚韧和不屈的精神的价值，以捍卫他们的家园免受压迫。“manggopooh Dalam Bingkai”以其迷人的动作和表达，旨在激励当代和后代珍惜和延续具有重要意义的斗争和文化遗产。
{"title":"Manggopoh dalam Bingkai: Weaving the History of Siti Manggopoh Into the Choreography of a Dance Work","authors":"Quinta Sari, Venny Rosalina","doi":"10.24114/gondang.v7i1.49555","DOIUrl":"https://doi.org/10.24114/gondang.v7i1.49555","url":null,"abstract":"The figure of Siti Manggopoh is an inspirational Minangkabau woman who fought for human rights. The dance work \"Manggopoh Dalam Bingkai\" showcases and symbolizes her unwavering spirit as she led a war against the Dutch. It reflects the traditional martial art of \"silek\" as the dancers' fundamental movement. This dance work carefully incorporates local idioms with distinct Minangkabau nuances, including the setting, music, costumes, dialogue, and etiquette. Its main objective is to nurture creativity in the creation of dance art, an aspect that has been studied throughout the course of education.\"Manggopoh Dalam Bingkai\" sets a benchmark for choreographers aspiring to transform historical events into dance works with compelling storylines. Drawing inspiration from the phenomenal figure of Siti Manggopoh, this production aims to preserve and carry forward the precious local wisdom from the land of Minang.Through this dance work, we revitalize the spirit of resilient and courageous Minangkabau women. It serves as a powerful reminder of the values of bravery, tenacity, and an unyielding spirit in defending their homeland from oppression. With its captivating movements and expressions, \"Manggopoh Dalam Bingkai\" aims to inspire present and future generations to cherish and continue the struggle and cultural heritage of great significance.","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135525260","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-17DOI: 10.24114/gondang.v7i1.48188
Welly Suryandoko
This paper aims to create works of art with Bandura's social cognitive theory approach consisting of a) Attention (attention), b) Retention, c) Motion Reproduction and d) Motivation as a foundation in the creative process of art learning in monologue courses in the Drama Concentration, Drama, Dance and Music Education Study Program (Sendratasik) Faculty of Language and Arts, Surabaya State University. This lecture is a type of practice with a total of 4 credits, students are directed to practice directly through various methods, strategies and competency content contained in the course. The focus in the current discussion is to practice the Monologue Ludrukan Garingan Markeso Mudo is a competency achievement that will be obtained by students if the stages can be carried out according to the procedure. The implementation of the Ludrukan Garingan Markeso Mudo Monologue is simulated in public spaces targeting crowded places such as markets, stalls or other public spaces that are in accordance with the needs of the actor's concept. The application of Bandura's Social Cognitive Theory as a tool to produce student process space in obtaining structured steps before implementing in the Monologue Ludrukan Garingan Markeso Mudo. Finally, it can obtain a good implementation formulation in practice in the field
{"title":"Bandura's Social Cognitive Theory and Its Implementation in Markeso Mudo's Garingan Ludrukan Monologue","authors":"Welly Suryandoko","doi":"10.24114/gondang.v7i1.48188","DOIUrl":"https://doi.org/10.24114/gondang.v7i1.48188","url":null,"abstract":"This paper aims to create works of art with Bandura's social cognitive theory approach consisting of a) Attention (attention), b) Retention, c) Motion Reproduction and d) Motivation as a foundation in the creative process of art learning in monologue courses in the Drama Concentration, Drama, Dance and Music Education Study Program (Sendratasik) Faculty of Language and Arts, Surabaya State University. This lecture is a type of practice with a total of 4 credits, students are directed to practice directly through various methods, strategies and competency content contained in the course. The focus in the current discussion is to practice the Monologue Ludrukan Garingan Markeso Mudo is a competency achievement that will be obtained by students if the stages can be carried out according to the procedure. The implementation of the Ludrukan Garingan Markeso Mudo Monologue is simulated in public spaces targeting crowded places such as markets, stalls or other public spaces that are in accordance with the needs of the actor's concept. The application of Bandura's Social Cognitive Theory as a tool to produce student process space in obtaining structured steps before implementing in the Monologue Ludrukan Garingan Markeso Mudo. Finally, it can obtain a good implementation formulation in practice in the field","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":"269 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135525261","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-16DOI: 10.24114/gondang.v7i1.40031
Sostenes Mono Tandililing, S. Sunarto, Widodo Widodo
Penanian Dolo This is a spiritual song brought by evangelists from the Netherlands along with the Dutch colonial events in Tana Toraja. Penanian Dolo is a song or song that was originally used in the liturgy of Christian worship in Tana Toraja. Over time, Penanian Dolo was used by the people of Gandangbatu in the procession of carrying the corpse (Ma'bulle Tomate).This study aims to determine the form and structure of Penanian Dolo music, Mesa'ri Tendan Lamatoto'. The research method used in this research is qualitative research using sociology and musicology approaches. The results of the study show that Penanian Dolo music, the song Mesa'ri Tendan Lamatoto'is a one-part song form with a total of 8 bars composed of one sentence/period. The song Mesa'ri Tendan Lamatoto' has two clauses, namely interrogative sentences/antecedent phrases (bars 1 – 4) and answer sentences/consequences phrases (bars 5 – 8). Each has the same number of bars but in the consequence phrase motif there are sentence pieces that are not the same length, in other words, they are not symmetrical. This can happen because the division of motifs must pay attention to the integrity of a sentence because the unity of the sentence is more important than the importance of each tone. The motif of the song begins with a tonic chord and ends with a dominant chord to a tonic chord (perfect cadences). The development of dominant motifs uses repetition techniques. The rhythm used in the song Mesa'ri Tendan Lamatoto' uses three types of note values, namely not , notes ¼ and notes 1/8 . The measure or beat pattern used in Mesa'ri Tendan Lamatoto's song uses 4/4 measure, which means that there are four quarter notes in one measure. The tempo used in Mesa'ri Tendan Lamatoto song is moderato which means moderate with a speed of 92-104 beats per minute. The melody used in the Penanian Dolo song as a whole uses diatonic scales. On the other hand, the lyrics in Mesa'ri Tendan Lamatoto' contain aspects of worship and surrender to the almighty. The melody used in the song Penanian Dolo as a whole uses a diatonic scale. On the other hand, the poems in the song Mesa'ri Tendan Lamatoto' contain aspects of worship and submission to the almighty. The melody used in the Penanian Dolo song as a whole uses diatonic scales. On the other hand, the lyrics in Mesa'ri Tendan Lamatoto' contain aspects of worship and surrender to the almighty.
{"title":"Analysis Of the Structure of Music Penanian Dolo Mesa'ri Tendan Lamatoto' Song","authors":"Sostenes Mono Tandililing, S. Sunarto, Widodo Widodo","doi":"10.24114/gondang.v7i1.40031","DOIUrl":"https://doi.org/10.24114/gondang.v7i1.40031","url":null,"abstract":"Penanian Dolo This is a spiritual song brought by evangelists from the Netherlands along with the Dutch colonial events in Tana Toraja. Penanian Dolo is a song or song that was originally used in the liturgy of Christian worship in Tana Toraja. Over time, Penanian Dolo was used by the people of Gandangbatu in the procession of carrying the corpse (Ma'bulle Tomate).This study aims to determine the form and structure of Penanian Dolo music, Mesa'ri Tendan Lamatoto'. The research method used in this research is qualitative research using sociology and musicology approaches. The results of the study show that Penanian Dolo music, the song Mesa'ri Tendan Lamatoto'is a one-part song form with a total of 8 bars composed of one sentence/period. The song Mesa'ri Tendan Lamatoto' has two clauses, namely interrogative sentences/antecedent phrases (bars 1 – 4) and answer sentences/consequences phrases (bars 5 – 8). Each has the same number of bars but in the consequence phrase motif there are sentence pieces that are not the same length, in other words, they are not symmetrical. This can happen because the division of motifs must pay attention to the integrity of a sentence because the unity of the sentence is more important than the importance of each tone. The motif of the song begins with a tonic chord and ends with a dominant chord to a tonic chord (perfect cadences). The development of dominant motifs uses repetition techniques. The rhythm used in the song Mesa'ri Tendan Lamatoto' uses three types of note values, namely not , notes ¼ and notes 1/8 . The measure or beat pattern used in Mesa'ri Tendan Lamatoto's song uses 4/4 measure, which means that there are four quarter notes in one measure. The tempo used in Mesa'ri Tendan Lamatoto song is moderato which means moderate with a speed of 92-104 beats per minute. The melody used in the Penanian Dolo song as a whole uses diatonic scales. On the other hand, the lyrics in Mesa'ri Tendan Lamatoto' contain aspects of worship and surrender to the almighty. The melody used in the song Penanian Dolo as a whole uses a diatonic scale. On the other hand, the poems in the song Mesa'ri Tendan Lamatoto' contain aspects of worship and submission to the almighty. The melody used in the Penanian Dolo song as a whole uses diatonic scales. On the other hand, the lyrics in Mesa'ri Tendan Lamatoto' contain aspects of worship and surrender to the almighty.","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42663800","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-15DOI: 10.24114/gondang.v7i1.38420
Arindy Sabilla Dewi, E. Sugiarto
Analysis of Visual Expression in Images of Children with Special Needs is one form of observation and research on the characteristics of pictures of children with special needs. Children with special needs are very synonymous with visual language rather than spoken language. How children express their creativity and work in a picture, where the picture of every child who has certain deficiencies and disability certainly has the meaning, uniqueness and characteristics of each in expressing art. Some images show various image periodizations. Some show unique image typography. This study was conducted to find out whether a person's deficiencies or disability can affect the creativity and style of drawing children with special needs. Research uses a qualitative approach with a case study design, which will be carried out at SLB Muhammadiyah Surya Gemilang. Research uses controlled observation techniques, interviews with teachers and document studies. In this SLB there are several different disabled classes. Among them such as mental retardation, disabilities, deaf, and autism. The data to be analyzed in the form of images from children with special needs that have been selected for further research in it. The results of this study, children with special needs based on the shortcomings and disability suffered have their own characteristics based on their use, so that the expression of pictures of children with special needs under certain conditions has differences in both ideas and visualization of images
{"title":"Visual Expression of Children with Special Needs in SLB Muhammadyaah Surya Gemilang in the Image of the Picture","authors":"Arindy Sabilla Dewi, E. Sugiarto","doi":"10.24114/gondang.v7i1.38420","DOIUrl":"https://doi.org/10.24114/gondang.v7i1.38420","url":null,"abstract":"Analysis of Visual Expression in Images of Children with Special Needs is one form of observation and research on the characteristics of pictures of children with special needs. Children with special needs are very synonymous with visual language rather than spoken language. How children express their creativity and work in a picture, where the picture of every child who has certain deficiencies and disability certainly has the meaning, uniqueness and characteristics of each in expressing art. Some images show various image periodizations. Some show unique image typography. This study was conducted to find out whether a person's deficiencies or disability can affect the creativity and style of drawing children with special needs. Research uses a qualitative approach with a case study design, which will be carried out at SLB Muhammadiyah Surya Gemilang. Research uses controlled observation techniques, interviews with teachers and document studies. In this SLB there are several different disabled classes. Among them such as mental retardation, disabilities, deaf, and autism. The data to be analyzed in the form of images from children with special needs that have been selected for further research in it. The results of this study, children with special needs based on the shortcomings and disability suffered have their own characteristics based on their use, so that the expression of pictures of children with special needs under certain conditions has differences in both ideas and visualization of images","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43909479","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-14DOI: 10.24114/gondang.v7i1.48157
Ilham Rifandi, Ifwanul Hakim, Nazlah Syahaf Nasution
Dalam diskursus teater di Indonesia, wacana-wacana teater Barat masih mendominasi pada wilayah teoritis bahkan dalam wilayah praksisnya, baik di lingkungan akademis maupun teater otodidak. Dominasi tersebut menjadikan teater terkesan berjarak dengan masyarakat penontonnya. Sebagai upaya mendekatkan teater pada masyarakat, pengembangan metode akting berbasis tradisi etnis dapat menjadi alternatif. Metode penelitian yang akan digunakan dalam penelitian ini adalah metode Penelitian dan Pengembangan (Research and Development) yang dikembangkan oleh Thiagarajan, dkk. Tahapan pelaksanaan penelitian sebagai berikut: Pendefinisian, Perancangan, Pengembangan. Hasil dari penelitian ini adalah metode pelatihan akting Batak Toba yang disusun dalam pelatihan tubuh berdasarkan teknik tari Batak Toba dan Beladiri Mossak.Pengembangan metode pelatihan akting yang penulis sebut sebagai Gabe Halak Batak ini bertujuan untuk menghimpun hal yang dapat membantu aktor dalam menciptakan tindakan berbasis kinerja.
在印度尼西亚的戏剧课程中，西方戏剧仍然主导理论领域，甚至在实践领域，无论是学术环境还是自学剧场。这种优势使戏剧与观众圈子相通。随着剧院对社区的接近，基于民族传统的表演方法的发展可能成为另一种选择。本研究将使用的研究方法是Thiagarajan, dkk开发的研究与开发方法。研究执行的阶段如下:定义、设计、发展。这项研究的结果是一种基于巴塔克多巴舞和莫萨克武术的表演训练方法。作家Gabe Halak Batak拍摄的表演训练方法的发展，其目的是收集可以帮助演员创造基于表演的行为的内容。
{"title":"Gabe Halak Batak; Theatrical Training Method Based on the Toba Batak Ethnic Tradition","authors":"Ilham Rifandi, Ifwanul Hakim, Nazlah Syahaf Nasution","doi":"10.24114/gondang.v7i1.48157","DOIUrl":"https://doi.org/10.24114/gondang.v7i1.48157","url":null,"abstract":"Dalam diskursus teater di Indonesia, wacana-wacana teater Barat masih mendominasi pada wilayah teoritis bahkan dalam wilayah praksisnya, baik di lingkungan akademis maupun teater otodidak. Dominasi tersebut menjadikan teater terkesan berjarak dengan masyarakat penontonnya. Sebagai upaya mendekatkan teater pada masyarakat, pengembangan metode akting berbasis tradisi etnis dapat menjadi alternatif. Metode penelitian yang akan digunakan dalam penelitian ini adalah metode Penelitian dan Pengembangan (Research and Development) yang dikembangkan oleh Thiagarajan, dkk. Tahapan pelaksanaan penelitian sebagai berikut: Pendefinisian, Perancangan, Pengembangan. Hasil dari penelitian ini adalah metode pelatihan akting Batak Toba yang disusun dalam pelatihan tubuh berdasarkan teknik tari Batak Toba dan Beladiri Mossak.Pengembangan metode pelatihan akting yang penulis sebut sebagai Gabe Halak Batak ini bertujuan untuk menghimpun hal yang dapat membantu aktor dalam menciptakan tindakan berbasis kinerja. ","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41612068","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：