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Who tells the story in “The Devils”? 《魔鬼》里的故事是谁讲的?
Pub Date : 2021-06-30 DOI: 10.37769/2077-6608-2021-33-4
N. Murzin
Against all numerous complexities and riddles that Dostoevsky’s “The Devils” contain, a great storm of searing passions, insane ideas and wild behavior its characters reprise, the figure of Storyteller often seems lost, pale, quite insignificant. He is merely a mask of the Author, a weaver of narration, a devoted chronicler of what happened. Or is he really? We somehow rarely realize that it’s his eyes we look through and see what is considered to be the “final truth” of the novel, the meaning and motivation behind its heroes’ actions, let alone the deepest secrets of their minds and souls. How come a character all like themselves has all the keys, where’s the source of his all-knowing, and is it only a matter of pure art, a writer’s convention that we must easily accept and pay so much attention? Maybe ignoring this strangeness means we really underestimate the troubling greatness of “The Devils”, its many layers and ruinous conflict that lies at the core of all its confusion.
陀思妥耶夫斯基的《魔鬼》包含了无数的复杂性和谜题,其中的人物反复出现了强烈的激情、疯狂的想法和狂野的行为,与之相比,讲故事的人的形象往往显得迷失、苍白、微不足道。他只是作者的一个面具,一个叙述的编织者,一个忠实的记录者。或者他真的是这样吗?不知何故,我们很少意识到,透过他的眼睛,我们看到了被认为是小说“最终真相”的东西,看到了主人公行为背后的意义和动机,更不用说他们思想和灵魂深处的秘密了。为什么一个和他们一样的角色拥有所有的钥匙,他的无所不知的来源在哪里,这仅仅是一种纯粹的艺术问题,一种我们必须轻易接受和关注的作家惯例吗?也许忽视这种陌生感意味着我们真的低估了《魔鬼》令人不安的伟大之处,它的许多层次和毁灭性的冲突是它所有混乱的核心。
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引用次数: 0
What is needed to understand alchemical texts 理解炼金术文本需要什么
Pub Date : 2021-06-30 DOI: 10.37769/2077-6608-2021-33-8
S. Stasenko
The article is written on the basis of the first part of the thesis, devoted to the substantiation, interpretation and re-actualization of spiritual alchemy. Recognizing the great difficulty in reading alchemical texts, it is proposed to consider 3 authors (E. Husserl, M. Eliade and C. G. Jung), with the help of which a separate method is formed to achieve the necessary setting when reading certain treatises of this direction. The methodological principle necessary for its acquisition emerges.
本文在第一部分的基础上,对精神炼金术的实体化、阐释和再实现进行了探讨。认识到阅读炼金术文本的巨大困难,建议考虑三位作者(E.胡塞尔,M. Eliade和C. G.荣格),在他们的帮助下,形成了一种单独的方法,以便在阅读这一方向的某些论文时实现必要的设置。获得它所必需的方法论原则出现了。
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引用次数: 0
Representation failureor How to survive in the realm of shadows(quest for the keys to Hegel’s “Science of Logic” — key No. 2) 再现失败或如何在阴影中生存(寻找黑格尔“逻辑科学”的关键-关键2)
Pub Date : 2020-12-31 DOI: 10.37769/2077-6608-2020-31-3
A. Sukhno, V. Gulin
In this paper, causes of the complexity of Hegel's philosophical language is being investigated. The authors of the article come to the conclusion that they are not as much individually psychological, as objective, and are associated with the knowledge structure per se, which is obtained in the framework of various scientific disciplines. This knowledge altogether forms a “circle”, and therefore it is not possible to discover its fundamental basis from which knowledge should be derived. This imposes a number of significant restrictions on the operations that can be performed with the concepts of logic. These operations make full use of other research programs, precisely because they avoid the global challenge given by Hegel. Consequently, the ambitiousness of the task, the high stakes associated with it, accompanying its implementation, doom Hegel to use such a philosophical language, which is considered to be “extremely difficult”, “rigid”, “entangled”.
本文探讨了黑格尔哲学语言复杂性的原因。这篇文章的作者得出的结论是,它们不是个体心理的,而是客观的,并且与知识结构本身有关,而知识结构是在各种科学学科的框架中获得的。这些知识形成了一个“圆圈”,因此不可能发现知识的基本基础。这对可以使用逻辑概念执行的操作施加了许多重要的限制。这些操作充分利用了其他研究项目,正是因为它们避免了黑格尔提出的全球性挑战。因此,这项任务的雄心壮志,与之相关的高风险,伴随着它的实施,注定了黑格尔使用这样一种哲学语言,这被认为是“极其困难的”,“僵化的”,“纠缠的”。
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引用次数: 0
Casual Style of Criticism 随意的批评风格
Pub Date : 2020-12-31 DOI: 10.37769/2077-6608-2020-31-6
A. Syrodeeva
Social criticism is one of the factors that supports transformations in contemporary dynamic world. Its accessible publicity raises for various social agents the question of the constructiveness of their critical efforts. The article discusses how important it is for the effectiveness of criticism not only its meaning, but also the style of expression, based on the degree of willingness to see in those who stand on the opposing side of the social discussion barrier also human beings as the critic himself/herself is. Referring to two works by Timur Kibirov: the poem Through Farewell Tears and the novel The General and His Family, the author examines some aspects of social criticism that define its tone, intonation, including attention to sociocultural details, consideration of the ambivalence of a particular social phenomenon, as well as the doubts of the social subject concerning his/her own critical views.
社会批评是支持当代动态世界变革的因素之一。它的无障碍宣传为各种社会行动者提出了他们的批判性努力的建设性问题。本文讨论了批评的有效性,不仅是它的意义,而且是表达方式的重要性,基于愿意看到那些站在社会讨论障碍的对立面的人,以及作为批评者自己的人。作者以基比罗夫的诗歌《告别的眼泪》和小说《将军和他的家人》为例,探讨了社会批评的语气和语调,包括对社会文化细节的关注,对特定社会现象的矛盾心理的思考,以及对社会主体对自己批评观点的质疑。
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引用次数: 0
Handwriting, Spelling, Sense 书写,拼写,感觉
Pub Date : 2020-12-31 DOI: 10.37769/2077-6608-2020-31-7
Konstantin О. Vasilyev
The author of the essay, a linguist, argues that a certain part of the so-called wise sayings and quotes are mere platitudes. Some of them are believed to be indisputable truths but they make no sense; among false assertions are the well-known statements “There is no rule without exceptions” and “The exception proves/confirms the rule”. One of the famous quotations, namely Gandhi’s statement that “Bad handwriting is a sign of an imperfect education” is dealt with separately and extensively. The author thinks that schoolteachers’ efforts are to little avail if the student has no talent for calligraphy and spelling (as well as for other subjects). The priority of sense is contended with regard to all statements including philosophical ones. The authors draws on Gandhi’s “Autobiography” and Oscar Wilde’s “The Decay of Lying” and their Russian translations to show that foreign texts reach the Russian reader with the meaning/message of the original more or less distorted. The Russian translation of Ludwig Feuerbach’s exposition of Spinoza’s philosophical views is subjected to criticism.
这篇文章的作者是一位语言学家,他认为所谓的智慧语录和引语中有一部分只是陈词滥调。其中一些被认为是不争的事实,但它们毫无意义;错误的断言中有众所周知的“没有例外的规则”和“例外证明/证实了规则”。其中一个著名的语录,即甘地的声明,“糟糕的书法是教育不完善的标志”,被单独和广泛地处理。作者认为,如果学生在书法和拼写(以及其他科目)方面没有天赋,学校教师的努力是无济于事的。对于包括哲学命题在内的一切命题,感觉的优先性都是有争议的。作者引用了甘地的《自传》和奥斯卡·王尔德的《谎言的衰落》以及他们的俄文译本,表明外国文本到达俄罗斯读者手中时,原文的意思或多或少被扭曲了。费尔巴哈对斯宾诺莎哲学观点的阐述的俄文翻译受到了批评。
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引用次数: 0
Anselm’s apories 安瑟伦的apories
Pub Date : 2020-12-31 DOI: 10.37769/2077-6608-2020-31-8
V. N. Olenich
This article deals with the analyse of “Proslogion” of Anselm of Canterbury and examines the apophatic aspects of “unum argumentum”. In the conclusion it shows a number of specific apories that characterize Anselm’s thought. It makes a suggestion about the role of the “fool” from 14th Psalm in the elaboration of this argument.
本文对坎特伯雷的安瑟伦的《序辞》进行了分析,并考察了“unum argumentum”的冷静方面。在结束语中,它展示了安瑟伦思想的一些具体特征。在阐述这一论点时,它提出了一个关于第14篇诗篇中“愚人”的角色的建议。
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引用次数: 0
Changing the interpretation of Heidegger's philosophyin the discourse of Soviet Marxism 在苏联马克思主义话语中改变对海德格尔哲学的解释
Pub Date : 2020-12-31 DOI: 10.37769/2077-6608-2020-31-1
Alexey E. Savin
The talk reveals the transformation logic of Heidegger's philosophy interpretation in the domestic Soviet Marxism. The stages of development of Heidegger's philosophy interpretation are highlighted. The talk demonstrates that the transformation of Heidegger's philosophy interpretation in the Soviet Union takes place against the background of the degeneration of Soviet Marxism in the USSR. In particular, this process determines the weakening of the radicalism of the Russian criticism of Heidegger’s philosophy and the legitimation of Heideggerian studies in Russia.
谈话揭示了海德格尔哲学解释在国内苏联马克思主义中的转化逻辑。强调了海德格尔哲学解释的发展阶段。谈话表明,海德格尔哲学解释在苏联的转变是在苏联马克思主义蜕化的背景下发生的。特别是,这一过程决定了俄罗斯对海德格尔哲学批判的激进主义的弱化和海德格尔研究在俄罗斯的正当化。
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引用次数: 0
Project «Infiltration» or How to survive in the realm of shadows 项目«渗透»或如何在阴影领域生存
Pub Date : 2020-09-30 DOI: 10.37769/2077-6608-2020-30-2
A. Sukhno, V. Gulin
The purpose of the article is to change the perception of Hegel's Science of Logic as a classic work that has exclusively «historical» and «philosophical» value. The authors show that it reproduces an ambiguous intellectual situation, which indicates an internal discord in the structure of scientific utterance. This raises the question of the need for a specific action for an adequate reading of Hegel's text, capable of overcoming this ambiguity. The result of using such an action will be that it will remove the critical distance from the reader with respect to the Hegelian work, and will allow him to "enter" into it. This revolution in the perception of the classical philosophical text, according to the authors, should lead to its actualization.
本文的目的是改变人们对黑格尔的《逻辑学》是一部只具有“历史”和“哲学”价值的经典著作的看法。作者认为,它再现了一种模棱两可的智力状况,这表明科学话语结构的内部不和谐。这就提出了一个问题,即需要一个具体的行动来充分阅读黑格尔的文本,能够克服这种模糊性。使用这种行为的结果将是,它将消除读者对黑格尔作品的关键距离,并允许他“进入”其中。在作者看来,这种对古典哲学文本感知的革命应该导致它的实现。
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引用次数: 0
Note on the Plan of Nietzsche’s «Beyond Good and Evil» 关于尼采《超越善恶》计划的注解
Pub Date : 2020-03-31 DOI: 10.37769/2077-6608-2020-28-3
Note on the Plan of Nietzsche’s «Beyond Good and Evil» is one of the last of Leo Strauss’ works and his only written work devoted to Nietzsche’s philosophy. In the Note Strauss — in his specific manner of writing — consecutively analyses all nine chapters of «Beyond Good and Evil», trying show peculiar qualities of each chapter. Simultaneously he emphasizes some decisive features of Nietzsche’s philosophy in general. Among which one can name: a new concept of truth (as a result of creation and not of contemplation), anti-Platonism (an attempt of abolition or revaluation of Socrates’ legacy), the problem of nature (a transformation of universal nature into individual nature), perception of modern freedom as a transitional state from one kind of slavery to another which will be much greater and harsher. All of these efforts must give to the reader clearer, though, naturally, partisan image of the philosophy of the future, prelude to which this work constitutes.
尼采的《超越善恶》是列奥·施特劳斯最后的作品之一,也是他唯一致力于尼采哲学的书面作品。在笔记施特劳斯-在他的具体的写作方式-连续分析所有九个章节«超越善与恶»,试图显示每一章的独特品质。同时,他强调了尼采哲学的一些决定性特征。其中包括:一种新的真理概念(作为创造的结果,而不是沉思的结果),反柏拉图主义(试图废除或重新评价苏格拉底的遗产),自然问题(将普遍性质转变为个人性质),将现代自由视为从一种奴隶制过渡到另一种奴隶制的过渡状态,这种过渡状态将更加强大和严酷。所有这些努力必须给读者更清晰的,虽然,自然,党派性的未来哲学的形象,序曲,这工作构成。
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引用次数: 22
Ars historica sive de historiae et historices natura historiaque scribende praeceptis commentatio
Pub Date : 2020-03-31 DOI: 10.37769/2077-6608-2020-28-4
Vossii
It is the continuation of the translation of the book by the Dutch theologian, historian and philologist G. J. Fossius "The Art of Historians", which began in No. 23–31 Vox. Chapter 14 reveals a way of discovering historical certainty using the example of the deployment of specific historical causes. The most important elements of evidence for what can be considered historically accurate are considered.
这是荷兰神学家、历史学家和语言学家G. J. fossil对《历史学家的艺术》(the Art of Historians)的翻译的延续,该翻译始于Vox第23-31期。第14章以具体历史原因的运用为例,揭示了一种发现历史确定性的方法。可以被认为是历史准确的证据的最重要的元素被考虑。
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引用次数: 0
期刊
Vox. Philosophical journal
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