Pub Date : 2022-12-30DOI: 10.37769/2077-6608-2022-39-2
U. Strugovshchikova
Biosemiotics is a theoretical approach that makes a research on signs, sign systems and semantic processes of the biosphere. It provides a conceptual framework for describing biological phenomena at all levels of the organization of life, and its relevance may be due to the unstable relationship between culture and nature. We are able to use this approach to initiate safe cultural forms and practices. Biosemiotic approach makes it possible to combine cultural and semiotic concepts with biological and biosemiotic frames in the relevance to ecosemiotics, as we are able to update cultural civilizational meanings and identify new vectors of human’s civilization development in the epoch of the post-anthropocentrism
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Pub Date : 2022-12-30DOI: 10.37769/2077-6608-2022-39-7
Roman Kremen
The genesis of space and time is investigated within the rotational-monadic paradigm. It is established that the essence of the phenomenon of space is revealed through the dialectical synthesis of its two aspects — ideal and material, where the material aspect is represented by the metaphysical construct of protomonad. It is shown that basic physical distinctions such as motion, mass, gravitation find a meaningful hermeneutic through the material aspect of space, which has a purely discrete structure, while the contradiction about finitude — infinity is resolved by juxtaposing metaphysical and ontic spaces, where the Universe is represented as an “egg”. The analysis of temporality is preceded by remarks on the relational and substantive concepts of time, consideration of the discreteness-continuity dilemma, and criticism of the absolutization of discreteness in the temporality representation. It is argued that discreteness and continuity are combined dialectical oppositions through which the temporal reality is actualized, where continuity is hidden from observation in the metaphysical world and discreteness is manifested explicitly in the physical world. Three dimensions of time — Present, Past and Future — are discussed, as a result of which it is stated that in the primary way time is found as an attribute of consciousness and only in the secondary way it correlates with phenomenological reality. New differentiations of time are revealed: interval Present, embracing as a universum other moduses of the Present, and two- component time in the form of cyclic and linear components which allow us to make a justified positive conclusion about the existence of transcendental subjectivity, being the basis of absolute temporality.
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Pub Date : 2022-12-30DOI: 10.37769/2077-6608-2022-39-3
I. Sizemskaya
The article traces the lines of interrelation of philosophy as a systematic knowledge of the world and literature as a form of artistic contemplation. Conceptual and figurative comprehension of the world, according to the author, are attributive properties of the spiritual life of society. In the paradigm of this understanding, the union of philosophy with diverse types of literary creativity is considered as a basic component of the national spiritual culture of the XIX — early XX century, which determined its national peculiarity, becoming a kind of symbolic code. On the one hand, she set the main vector of literary creativity, including the search for the meanings of being, and filled the intuitions of artistic and imaginative thinking with philosophical content, on the other hand, she "added" metaphysics of philosophical thought with ideological questions about progress, social justice and equality, insuring philosophical reflection from the dictates of rigid conceptual schemes
{"title":"Literary creativity and Russian philosophy","authors":"I. Sizemskaya","doi":"10.37769/2077-6608-2022-39-3","DOIUrl":"https://doi.org/10.37769/2077-6608-2022-39-3","url":null,"abstract":"The article traces the lines of interrelation of philosophy as a systematic knowledge of the world and literature as a form of artistic contemplation. Conceptual and figurative comprehension of the world, according to the author, are attributive properties of the spiritual life of society. In the paradigm of this understanding, the union of philosophy with diverse types of literary creativity is considered as a basic component of the national spiritual culture of the XIX — early XX century, which determined its national peculiarity, becoming a kind of symbolic code. On the one hand, she set the main vector of literary creativity, including the search for the meanings of being, and filled the intuitions of artistic and imaginative thinking with philosophical content, on the other hand, she \"added\" metaphysics of philosophical thought with ideological questions about progress, social justice and equality, insuring philosophical reflection from the dictates of rigid conceptual schemes","PeriodicalId":328399,"journal":{"name":"Vox. Philosophical journal","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129926164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-30DOI: 10.37769/2077-6608-2022-39-1
A. Syrodeeva
The theme of the Other remains relevant for both researchers and ordinary people. In the current world of information, characterized by increased social variability, the dynamics of becoming different (which is present in the life of any social subject) is regarded by author as an additional argument in favor of an empathic approach to the Other. Comprehension of one's own internal searches and various social relations is inscribed in the multi-layered social dynamics determined by various actors and their conceptualization (including ideological) of what is happening in the running time. The correlation of the problem of the Other with the theme of change in time is fruitful both ethically, psychologically, and politically, because it is consistent with the request for social integration both within certain groups and on a global scale. The grounds for integration largely determine its character. The shift in the public focus of evaluation, criticism (up to prohibition) from the social actor to his/her specific actions is justified by the democratic tendency in operating with the principle of social exclusion
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Pub Date : 2022-09-30DOI: 10.37769/2077-6608-2022-38-6
L. Strauss
The article which was published for the first and single time in 1939, is the starting point of Leo Strauss’ “esoteric” scholarship. While devoted to the investigation of Xenophon’s treatise called Constitution of the Lacedemonians the article, using it as an example, shows reasons, techniques, and the meaning of writing “between the lines”. Strauss sequentially shows how Xenophon hides his critique of the Spartan constitution behind the facade of an encomium. But what may be even more important, in the piece Strauss clearly tries to overcome the established 19th-century view that Xenophon was a mediocre and charged with laconophilia historian; he tries to reinstate Xenophon’s position as that of a serious thinker: a Socratic philosopher. He shows how meticulously Xenophon studies the Spartan constitution and that this apparently very successful and very stable regime, in fact, deserves serious politico-philosophic critique. Thereby he partially reveals the essence of classical political philosophy to careful readers.
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Pub Date : 2022-09-30DOI: 10.37769/2077-6608-2022-38-5
G.J. Fossii
In the seventeenth chapter, the discussion of the relationship between the organic whole of the historical work and its individual storylines (previously mentioned as parts of history), which began in the sixteenth chapter, continues. It turns out which of them are essential to the general course of events, and which do not affect it, and therefore may be ignored. Obviously, the continuation of such consideration is in the following chapters.
{"title":"Ars historica sive de historiae et historices natura historiaque scribende praeceptis commentatio","authors":"G.J. Fossii","doi":"10.37769/2077-6608-2022-38-5","DOIUrl":"https://doi.org/10.37769/2077-6608-2022-38-5","url":null,"abstract":"In the seventeenth chapter, the discussion of the relationship between the organic whole of the historical work and its individual storylines (previously mentioned as parts of history), which began in the sixteenth chapter, continues. It turns out which of them are essential to the general course of events, and which do not affect it, and therefore may be ignored. Obviously, the continuation of such consideration is in the following chapters.","PeriodicalId":328399,"journal":{"name":"Vox. Philosophical journal","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133300139","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-30DOI: 10.37769/2077-6608-2022-38-1
Andrei Voronin
The problem of objective threats and subjective experiences of fragility, insecurity of human life in the conceptual opposition to the boundlessness of the life force of humanity as a global community is discussed. Modernity multiplies both risks and threats, as well as the protection and omnipotence of man, leaving the individual a wide space of self-determination, in which, however, dangerous tendencies independent of man continue to persist. They are connected both with the progress of the technical and intellectual environment, and with unexpected outbursts of militarism and political arbitrariness.
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Pub Date : 2022-09-30DOI: 10.37769/2077-6608-2022-38-3
Giorgy Masalkini
The phenomenon of "social alchemy", containing the idea of the possibility of creating a new man and a new world and passing through all radical thought, especially of the New and Modern times, had and has a habit of pouring out into violence, in the broadest sense of the word, — from the guillotine and concentration camps to modern "information colonization of consciousness". Having received technological support, when digital technologies and new communication systems cover almost the entire world community, leaving no one outside of their comprehensive influence, the phenomenon of "social alchemy" has acquired a qualitatively different, special and global significance. At the same time, the goals, means and actors have changed, only its radical component has remained unchanged, striving to transform society and build such social, political and economic structures and relations, that would correspond to certain ideas of some elites (economic, political, intellectual) about what should the global world be like in order to ensure their interests to the greatest extent.
{"title":"\"Social Alchemy\" Yesterday and Today","authors":"Giorgy Masalkini","doi":"10.37769/2077-6608-2022-38-3","DOIUrl":"https://doi.org/10.37769/2077-6608-2022-38-3","url":null,"abstract":"The phenomenon of \"social alchemy\", containing the idea of the possibility of creating a new man and a new world and passing through all radical thought, especially of the New and Modern times, had and has a habit of pouring out into violence, in the broadest sense of the word, — from the guillotine and concentration camps to modern \"information colonization of consciousness\".\u0000Having received technological support, when digital technologies and new communication systems cover almost the entire world community, leaving no one outside of their comprehensive influence, the phenomenon of \"social alchemy\" has acquired a qualitatively different, special and global significance. At the same time, the goals, means and actors have changed, only its radical component has remained unchanged, striving to transform society and build such social, political and economic structures and relations, that would correspond to certain ideas of some elites (economic, political, intellectual) about what should the global world be like in order to ensure their interests to the greatest extent.","PeriodicalId":328399,"journal":{"name":"Vox. Philosophical journal","volume":"106 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131409208","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-30DOI: 10.37769/2077-6608-2022-38-7
M. Bandurin
The study presents the broad outlines for a relationalist interpretation of the Indian epistemological doctrine svataḥ prāmāṇya. Due to the inadequacy of the main western interpretations thereof, the paper’s approach can be considered an inference to the best explanation. Its main part is devoted to the typologization of various epistemological doctrines based on the svataḥ prāmāṇya principle in terms of strong and weak disjunctivism. Three paradigm cases of strong disjunctivism and a special variety of weak disjunctivism have thus been identified in Indian epistemology, which allowed to draw a conclusion that strong disjunctivism constituted one of its general paradigms
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Pub Date : 2022-09-30DOI: 10.37769/2077-6608-2022-38-2
N. Murzin
Thomas Mann’s famous novella “Death in Venice” is more than social critics or metaphor of artistic search for means. Its ambiguous poetry of forbidden longing offers a game we play ever since, a drama of strange, dreamlike romance unfolding itself in a highly troublesome atmosphere of ordinary life succumbing to the oncoming devastation and catastrophe of the outer world that inexplicably links with the wishes of a soul. This plot became a focus of ideas, a web of meanings covering more and more areas of mentality and imagination while living on. One of the latter writers rarely compared to Mann, a popular American author Stephen King, master of macabre fantasy, suddenly shows some extraordinary level of coincidence of his works’ throughout motives/invariants with those of the European classic. The answers both of them are chasing after lie in the mysterious character of the Whole of the world denying any isolate and solid sense, medium lands of affection and connection, Gordian knots of disastrous dialectics interweaving will and passivity, creation and destruction. Why dark fantasy (that King embodies) constantly insists on destroying, erasing the entire world for the sake of some bittersweet heroic pathos upon its ruin, as before Mann unleashes the epidemics to his story’s bourgeois backgrounds to celebrate the phantom love of his characters? Why does Beauty transgress the borders of subjectivity very much like Death does the borders of physicality, and they both lead us to the same revelation of some great apophatic quasi-Platonian chora at the core of our being where everything is born and we are all one?
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