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Assessing Radio Station Value: A Review of Academic Literature and Analysis of Contemporary Industry Models 无线电台价值评估:学术文献回顾与当代产业模型分析
Pub Date : 2005-05-01 DOI: 10.1207/s15506843jrs1201_2
A. Albarran, W. Patrick
This article examines the topic of radio station valuation. A review of the key academic literature on station valuation is presented, followed by a discussion of the various models used by media industry brokers to systematically determine the value of a radio acquisition. The concluding section of the article discusses the implications of these models and their relationship to the literature on radio station valuation.
本文探讨了广播电台价值评估这一主题。本文对电台估值的主要学术文献进行了回顾,然后讨论了媒体行业经纪人用于系统地确定电台收购价值的各种模型。文章的结语部分讨论了这些模型的含义及其与广播电台估值文献的关系。
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引用次数: 2
"The Picture of Democracy We Are Seeking": CBC Radio Forums and the Search for a Canadian Identity, 1930–1950 “我们正在寻找的民主图景”:CBC广播论坛和对加拿大身份的探索,1930-1950
Pub Date : 2005-05-01 DOI: 10.1207/s15506843jrs1201_9
Paula A. Romanow
This article examines the Canadian government's use of national radio forums to forge a national identity during the 1930s and 1940s. It first explores why this question of a national identity has been problematic in Canada. Then, it discusses the development of radio in Canada, especially the potential that adult educators, working with the federal governments, saw for citizenship education. Then, a more detailed exploration of the radio forums is made. Finally, an assessment of the overall success of the forums in helping to forge a Canadian national identity is presented.
本文考察了加拿大政府在20世纪30年代和40年代利用国家广播论坛来建立国家认同的做法。它首先探讨了为什么民族认同问题在加拿大一直存在问题。然后,它讨论了广播在加拿大的发展,特别是与联邦政府合作的成人教育者对公民教育的潜力。然后,对无线电论坛进行了更详细的探索。最后,对论坛在帮助形成加拿大民族特性方面取得的总体成功进行了评估。
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引用次数: 8
Radio as a Successful Local Storyteller in Los Angeles: A Case Study of KKBT and KPCC 洛杉矶电台作为一个成功的地方故事讲述者:以KKBT和KPCC为例
Pub Date : 2005-05-01 DOI: 10.1207/s15506843jrs1201_12
Benjamin Hardyk, W. Loges, S. Ball-Rokeach
This case study examines the local storytelling practices of two radio stations in Los Angeles: one a commercial hip-hop station, the other a public radio station managed by Minnesota Public Radio with a news-talk format. Interviews with station staff and direct observation of station practices provide data that reveal specific practices showing how stations can apply communication infrastructure theory in attempts to forge the connections between the media, community residents, and the local organizations that bind neighborhoods. Obstacles to sustaining these practices are noted, including commercial pressures and journalistic principles that may hinder advocacy.
本案例研究考察了洛杉矶两家广播电台在当地讲故事的做法:一家是商业嘻哈电台,另一家是由明尼苏达州公共广播电台管理的新闻谈话形式的公共广播电台。对电台工作人员的采访和对电台实践的直接观察提供了揭示具体实践的数据,这些实践显示了电台如何应用通信基础设施理论,试图在媒体、社区居民和联系社区的地方组织之间建立联系。注意到维持这些做法的障碍,包括商业压力和可能妨碍宣传的新闻原则。
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引用次数: 9
Book Review of Leora M. Sies and Luther F. Sies's The Encyclopedia of Women in Radio, 1920–1960, and Mitchell E. Shapiro's Radio Network Prime Time Programming, 1926–1967 Leora M. Sies和Luther F. Sies的《广播女性百科全书》(1920-1960)和Mitchell E. Shapiro的《广播网络黄金时间节目》(1926-1967)的书评
Pub Date : 2005-05-01 DOI: 10.1207/S15506843JRS1201_13
Michael Brown
McFarland & Company, Inc., have recently published two reference books that focus on radio. The most recent is The Encyclopedia of Women in Radio. Leora Sies (who passed away before the completion of the volume) and Luther Sies use a variety of academic sources, archives, magazines and newspapers, and professional sources to identify the women who performed on radio. The Sieses do not claim to have identified all the women of radio. “This book is far from complete. It is little more than a representative sample, since most of the record of women’s work in broadcasting has been lost” (p. vi). In spite of this limitation the work contains over 10,000 entries in 407 pages. The book is organized alphabetically with each entry assigned a number. Most of the entries are quite short and simply list names and stations. For example, entry number 3534 is “Gillen, Anne. Organist (WGBS, New York, NY, 1929)” (p. 119). Entries are longer when more is known about the person. In addition to entries about individual women, the encyclopedia lists programs that prominently featured women. The program entries are generally more extensive than those of individuals. Also included in the volume are nine extended entries “that describe women’s special contributions to American Radio” (p. 3). The topics include comediennes, daytime serials, gender discrimination, and pioneers, among others. The gender discrimination entry includes quotes from women about their experiences and discusses many of the ideas about gender that characterized the times. For example, Elmer Lawler of ABC news is quoted as saying, “Many women may possess the knowledge and authority but they seldom can convey this through their voices ... Her voice is naturally thinner ... It’s not appropriate for reporting crucial events” (p. 110). These extended entries are among the most useful for scholars who want more in-depth information. The book is easy to use. There is an appendix that lists broadcasters by category, such as actresses, bridge experts, home economists, and numerous other categories. There is an index of names. This would seem somewhat redundant given the alphabetical listing of names in the book, but some names appear in multiple entries. There is an index of programs and a good basic bibliography. The primary strength of The Encyclopedia of Women in Radio is that it demonstrates the overwhelming presence of women in radio. The extensive list of names testifies to the variety of roles women played on the air. It also provides a good starting point for identifying particular individuals and identifying issues of gender that are worth further study. There are a few limitations to this work. Because so many of the entries are quite short they have lim-
麦克法兰公司最近出版了两本关于无线电的参考书。最近的一本是《广播界女性百科全书》。莱奥拉·赛斯(她在这本书完成之前就去世了)和路德·赛斯利用各种学术资料、档案、杂志和报纸以及专业资料来确定在广播中表演的女性。西塞斯夫妇并没有声称他们已经辨认出了所有的女广播员。“这本书还远未完成。这不过是一个具有代表性的样本,因为妇女在广播方面的工作的大部分记录已经丢失”(第六页)。尽管有这种限制,这项工作有407页的10 000多个条目。这本书是按字母顺序排列的,每个条目都有编号。大多数条目都很短,只是简单地列出了名字和车站。例如,编号3534的条目是“Gillen, Anne”。管风琴师(WGBS,纽约,纽约,1929)”(第119页)。对一个人了解得越多,条目就越长。除了关于女性个体的条目外,百科全书还列出了以女性为突出特色的节目。程序条目通常比个人条目更广泛。该卷还包括“描述妇女对美国广播的特殊贡献”的九个扩展条目(第3页)。主题包括喜剧、日间连续剧、性别歧视和先驱等。性别歧视条目包括女性对其经历的引用,并讨论了许多具有时代特征的性别观念。例如,引用ABC新闻的Elmer Lawler的话说:“许多女性可能拥有知识和权威,但她们很少能通过声音传达这些……她的声音天生就比较细。它不适合报道关键事件”(第110页)。这些扩展条目对于想要更深入信息的学者来说是最有用的。这本书很容易使用。在附录中列出了演员、桥牌专家、家庭经济学家等播音员的分类。有一个名字索引。考虑到书中名字的字母顺序,这似乎有些多余,但有些名字出现在多个条目中。有一个节目索引和一个很好的基本参考书目。《广播界女性百科全书》的主要优势在于,它展示了女性在广播界的压倒性存在。这么多的名字证明了女性在电视节目中扮演的各种角色。它还为确定特定个人和确定值得进一步研究的性别问题提供了一个良好的起点。这项工作有一些限制。因为很多条目都很短,所以有lim-
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引用次数: 2
A Mic of Her Own: Stations, Collectives, and Women's Access to Radio 《她自己的麦克风:电台、集体和妇女使用广播》
Pub Date : 2004-11-01 DOI: 10.1207/S15506843JRS1102_3
S. Carter
As the 1960s came to a close, increasing social and political pressure was brought to bear on broadcasters to augment women's participation on the air. The pressure, from changes in civil rights laws and the Second Wave of the women's liberation movement, took several different forms; three models o f women's access to the airwaves emerged in the ensuing decade. Women using the models to gain access to the air met with varying degrees of success. This article will discuss the ways in which women broadcast, particularly on the radio during this period, and why two of the three models o f access faded as the Second Wave lost energy at the end of the 1970s.
随着20世纪60年代的结束,越来越多的社会和政治压力向广播公司施加,要求增加妇女在广播中的参与。来自民权法律的变化和第二次妇女解放运动的压力采取了几种不同的形式;在接下来的十年里,出现了三种女性接触电视的模式。利用模特获得空气的女性取得了不同程度的成功。本文将讨论女性广播的方式,特别是在这一时期的广播中,以及为什么三种模式中的两种随着20世纪70年代末第二次浪潮失去活力而消失。
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引用次数: 12
Book Review—Alan L. Heil, Jr., Voice of America: A History 书评——小艾伦·l·海尔,《美国之音:一段历史》
Pub Date : 2004-11-01 DOI: 10.1207/s15506843jrs1102_12
Dale L. Cressman
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引用次数: 0
A Longitudinal Analysis of Mergers and Acquisitions Patterns of Radio Companies in the U.S. 美国无线电公司并购模式的纵向分析
Pub Date : 2004-11-01 DOI: 10.1207/s15506843jrs1102_5
Byeng-Hee Chang, Eyun‐Jung Ki
This study examined the trends of M&As (mergers and acquisitions) in the radio industry from 1981 through 2002. In terms of method, the study investigated both MUS by radio firms and M&As targeting radio firms, and compared M&A frequency and M&A transaction values. The result showed that (1) although M&A activities have consistently increased, they have recently begun to decrease, (2) the loosening of ownership regulations prompted more M&A activities, and (3) the passage of the Telecommunications Act of 1996 encouraged interindustry M&As by radio firms, while the flow of investments from other industries into the radio industry was not changed by the Act.
本研究考察了1981年至2002年间无线电行业的并购趋势。在方法上,本研究调查了广播公司自主并购和以广播公司为目标的并购,并比较了并购频率和并购交易价值。结果表明:(1)并购活动虽然持续增加,但最近开始减少;(2)所有权管制的放松促进了更多的并购活动;(3)1996年电信法的通过鼓励了无线电公司的跨行业并购,而其他行业的投资流向无线电行业并未受到该法的影响。
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引用次数: 4
JRS: The World's First Scholarly Radio Journal JRS:世界上第一个学术广播杂志
Pub Date : 2004-11-01 DOI: 10.1207/S15506843JRS1102_1
Frank J. Chorba
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引用次数: 1
Creating "America's Storyteller": The Early Radio Career of Charles Kuralt 创造“美国讲故事的人”:查尔斯·库拉尔特的早期广播生涯
Pub Date : 2004-11-01 DOI: 10.1207/S15506843JRS1102_8
J. Cleary
Charles Kuralt is remembered as one of television journalism's unique voices, but it was radio that launched his broadcasting career. This article examines Kuralt's early radio writing, including the commentaries he wrote from 1961 to 1968. Although Kuralt's television work is well-chronicled and documented, his radio scripts offer an important and largely unknown transitional step that took him from a career as a young newspaper columnist to one of the country's preeminent broadcast journalists. The scripts predate and foreshadow Kuralt's groundbreaking "On The Road" series show distress concerning his country's neglect of its citizens, his dedication to preserving the environment, and an often ironic view of how social institutions function.
查尔斯·库拉尔特被认为是电视新闻界独一无二的声音之一,但他的广播事业是由广播开始的。本文考察了库拉尔特早期的广播写作,包括他从1961年到1968年写的评论。尽管库拉尔特的电视作品被记录在案,但他的广播剧本提供了一个重要的、基本上不为人知的过渡步骤,使他从一名年轻的报纸专栏作家成为该国杰出的广播记者之一。这些剧本早于库拉尔特开创性的《在路上》系列作品,也为其埋下了伏笔。《在路上》系列作品表现了他对国家忽视公民的担忧,他对保护环境的奉献,以及对社会机构如何运作的经常具有讽刺意味的看法。
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引用次数: 0
Empowering Youth With Radio Power: "Anything Goes" on CKUT Campus-Community Radio 以无线电力量赋能青年:中大校园社区广播“随心所欲”
Pub Date : 2004-11-01 DOI: 10.1207/s15506843jrs1102_11
Holly Wagg
Many forms of alternative media empower marginalized populations by providing the tools of media production as an outlet for their voices. Drawing on the experiences of youth collected from semi-structured ethnographic interviews, the preliminary research presented in this paper demonstrates how youth, in their own words, are empowered through their participation in the alternative media production process. Since the relationship between empowerment and radio production is currently unexplored, critical media literacy is applied to illustrate how production can enfranchise the creator. Although the production of the radio artifact initiates the process, it is the legitimacy of the discursive space that is truly empowering for youth.
许多形式的另类媒体通过提供媒体制作工具作为边缘化人群发声的渠道,增强了他们的能力。根据从半结构化人种学访谈中收集的青年经验,本文中提出的初步研究表明,用青年自己的话来说,他们如何通过参与替代媒体生产过程而获得权力。由于授权与广播制作之间的关系目前尚未探索,因此应用批判性媒体素养来说明制作如何使创作者获得授权。虽然无线电制品的生产启动了这一过程,但真正赋予年轻人权力的是话语空间的合法性。
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引用次数: 14
期刊
Journal of Radio Studies
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