Pub Date : 2023-03-30DOI: 10.55808/1999-4214.2023-1.11
В. Sagyndykuly
The article is based on the dissemination of scientific views on the category of modality in Kazakh linguistics. The author, differentiating the work of the scientist K. Mamadil, offers a different look at the nature of the topic termination. The article proposes to consider modal units, the most recognized morphological category, on the other side of linguistics. This is the lexical character of modal words. Here the emphasis is not only on the obligatory, predictable tone of modality, but also on the nature of their homonymization, synonymization. Secondly, the modal category is indicated as the main tool for creating an impersonal sentence type. Therefore, its syntactically character is revealed. Thirdly, it is argued that the scientific and theoretical proposals formed by the scientist K. Mamadil regarding the composition, structure and models of the modal structure of the verb can also be used in the recognition of other units of the language. This corresponds to the linguo-mathematical principles of the scientist's theme, and are recognized as the main ways of its implementation. All these designations were decided on the basis of the findings of Kazakh, Russian, German scientists. And he is responsible for the nature of the learning of contactology. In particular, such a principle affects the internal, external relationship of science, more precisely, morphosyntactic, lexico-syntactic and lingua-mathematical. In conclusion, it should be noted that the compositional-structural models proposed by K. Mamdil have priority in determining the functions of a constrained combination and a contact combination, which are already recognized as a syntactic unit. Indeed, although such scientific statements have a qualitative consistency in the field of phonetics and morphology of Kazakh linguistics, it is not possible to find the necessary conclusions from syntactic differences. Also, the homonymous and synonymous reasoning proposed by K. Mamadil opens the way to revealing the contactological nature of linguistics. It is clear that this feature underlies lexico-syntactic relations in the field of linguistics and will be an indispensable model for the main measurements of future research.
{"title":"THE CATEGORY OF MODALITY IN THE INTERPRETATION OF THE SCIENTIST K.MAMADIL","authors":"В. Sagyndykuly","doi":"10.55808/1999-4214.2023-1.11","DOIUrl":"https://doi.org/10.55808/1999-4214.2023-1.11","url":null,"abstract":"The article is based on the dissemination of scientific views on the category of modality in Kazakh linguistics. The author, differentiating the work of the scientist K. Mamadil, offers a different look at the nature of the topic termination. The article proposes to consider modal units, the most recognized morphological category, on the other side of linguistics. This is the lexical character of modal words. Here the emphasis is not only on the obligatory, predictable tone of modality, but also on the nature of their homonymization, synonymization. Secondly, the modal category is indicated as the main tool for creating an impersonal sentence type. Therefore, its syntactically character is revealed. Thirdly, it is argued that the scientific and theoretical proposals formed by the scientist K. Mamadil regarding the composition, structure and models of the modal structure of the verb can also be used in the recognition of other units of the language. This corresponds to the linguo-mathematical principles of the scientist's theme, and are recognized as the main ways of its implementation. All these designations were decided on the basis of the findings of Kazakh, Russian, German scientists. And he is responsible for the nature of the learning of contactology. In particular, such a principle affects the internal, external relationship of science, more precisely, morphosyntactic, lexico-syntactic and lingua-mathematical. In conclusion, it should be noted that the compositional-structural models proposed by K. Mamdil have priority in determining the functions of a constrained combination and a contact combination, which are already recognized as a syntactic unit. Indeed, although such scientific statements have a qualitative consistency in the field of phonetics and morphology of Kazakh linguistics, it is not possible to find the necessary conclusions from syntactic differences. Also, the homonymous and synonymous reasoning proposed by K. Mamadil opens the way to revealing the contactological nature of linguistics. It is clear that this feature underlies lexico-syntactic relations in the field of linguistics and will be an indispensable model for the main measurements of future research.","PeriodicalId":332122,"journal":{"name":"Bulletin of the Eurasian Humanities Institute, Philology Series","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127269826","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-30DOI: 10.55808/1999-4214.2023-1.04
Zh. A. Zhakupov, O. Amandykov
One of the functional-syntactic relations is homogeneous relations. The main indicator of homogeneous relations in a sentence is homogeneous members of the sentence. In Kazakh linguistics, the relations between homogeneous members of the sentence are not poorly studied, but there are connecting elements that are not taken into account at the proper level. Such elements as "cetera", "tantum", which were not previously considered in Kazakh linguistics, find their place in the syntactic system only when they are considered as separate linguistic units and studied in various aspects, separately from homogeneous sentence members. Previously, cetera was one of the generalizing words. In fact, generalizing elements are the general name of objects or features that are listed using homogeneous terms. The cetera is close to the homogeneous members of the sentence, but not identical to it, because it cannot exist separately from the homogeneous elements and only indicates that the action or phenomenon is numerous. Cetera is neither a general element nor a generalizing word. Its activity in a homogeneous structure is completely different. The similarity value in the "cetera" can be transmitted explicitly and implicitly. This article distinguishes between such homogeneous elements and a generalizing word. The ways of their reflection in the sentence are also analyzed, and their function in the sentence is determined.
{"title":"HOMOGENEOUS ELEMENTS IN A SENTENCE","authors":"Zh. A. Zhakupov, O. Amandykov","doi":"10.55808/1999-4214.2023-1.04","DOIUrl":"https://doi.org/10.55808/1999-4214.2023-1.04","url":null,"abstract":"One of the functional-syntactic relations is homogeneous relations. The main indicator of homogeneous relations in a sentence is homogeneous members of the sentence. In Kazakh linguistics, the relations between homogeneous members of the sentence are not poorly studied, but there are connecting elements that are not taken into account at the proper level. Such elements as \"cetera\", \"tantum\", which were not previously considered in Kazakh linguistics, find their place in the syntactic system only when they are considered as separate linguistic units and studied in various aspects, separately from homogeneous sentence members. Previously, cetera was one of the generalizing words. In fact, generalizing elements are the general name of objects or features that are listed using homogeneous terms. The cetera is close to the homogeneous members of the sentence, but not identical to it, because it cannot exist separately from the homogeneous elements and only indicates that the action or phenomenon is numerous. Cetera is neither a general element nor a generalizing word. Its activity in a homogeneous structure is completely different. The similarity value in the \"cetera\" can be transmitted explicitly and implicitly. This article distinguishes between such homogeneous elements and a generalizing word. The ways of their reflection in the sentence are also analyzed, and their function in the sentence is determined.","PeriodicalId":332122,"journal":{"name":"Bulletin of the Eurasian Humanities Institute, Philology Series","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129729457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-30DOI: 10.55808/1999-4214.2023-1.20
Zhanbota Sekey
The article deals with the story "Crazy wind" by Didakhmet Ashimkhanuly, who crossed the sacred threshold of literature in the seventies and eighties and managed to find his place in a short time. The purpose of the article is to demonstrate the writer's skill, reveal the fruit of the writer's creative imagination, the novelty of the artistic tool in revealing the psychology of the character's personality. In addition, the personality of the protagonist, the cognitive and artistic place of the fictional story combined with the legend is proved. We tried to study the possibility of helping to reveal the educational value of the work with specific examples. The work concludes the description of the character's personality in connection with nature, the search for the inner world of man, the contradictory feelings in man, the unity of the plot to describe the fate of the country, the glorification of human qualities. Analyzing the success of the writer's work in the years of independence, focusing on his short stories, stories, journalistic essays, works in the genres of literary criticism, we see that his works are associated with the complex issues of modern society, such as social change, national values, national destiny. The research deals with the issues of national goals, mother tongue, spiritual immorality in the works of the author. It is emphasized that the writer connects his creative skills with the emergence of new technologies (children talk not with their parents, but with the mirror, no one understands what they are talking about, that is, talking with the internet), which contributes to the development of fiction. Focusing freely on the issues of the inability to preserve the national mentality (a bull on a calf, girls on a boy, a naked knife, a demonic dance, a frantic state), social situation (tribal life, the fate of the nation, etc.), the writer tries to show the aspirations of the spiritually degenerate tribes for material wealth, trying to reveal the peculiarities of the mentality and national identity of each tribe, turning to small episodes that form the basis of everyday life of Obyr, Zhebir, Orman tribes. The details are interesting and different, thus enriching the ideological and artistic content of the story.
{"title":"\"THE TEARS THAT FLOWED, THINKING ABOUT ALAS...\" (BASED ON D. ASHIMKHANULY'S STORY \"CRAZY WIND\")","authors":"Zhanbota Sekey","doi":"10.55808/1999-4214.2023-1.20","DOIUrl":"https://doi.org/10.55808/1999-4214.2023-1.20","url":null,"abstract":"The article deals with the story \"Crazy wind\" by Didakhmet Ashimkhanuly, who crossed the sacred threshold of literature in the seventies and eighties and managed to find his place in a short time. The purpose of the article is to demonstrate the writer's skill, reveal the fruit of the writer's creative imagination, the novelty of the artistic tool in revealing the psychology of the character's personality. In addition, the personality of the protagonist, the cognitive and artistic place of the fictional story combined with the legend is proved. We tried to study the possibility of helping to reveal the educational value of the work with specific examples. The work concludes the description of the character's personality in connection with nature, the search for the inner world of man, the contradictory feelings in man, the unity of the plot to describe the fate of the country, the glorification of human qualities. Analyzing the success of the writer's work in the years of independence, focusing on his short stories, stories, journalistic essays, works in the genres of literary criticism, we see that his works are associated with the complex issues of modern society, such as social change, national values, national destiny. The research deals with the issues of national goals, mother tongue, spiritual immorality in the works of the author. It is emphasized that the writer connects his creative skills with the emergence of new technologies (children talk not with their parents, but with the mirror, no one understands what they are talking about, that is, talking with the internet), which contributes to the development of fiction. Focusing freely on the issues of the inability to preserve the national mentality (a bull on a calf, girls on a boy, a naked knife, a demonic dance, a frantic state), social situation (tribal life, the fate of the nation, etc.), the writer tries to show the aspirations of the spiritually degenerate tribes for material wealth, trying to reveal the peculiarities of the mentality and national identity of each tribe, turning to small episodes that form the basis of everyday life of Obyr, Zhebir, Orman tribes. The details are interesting and different, thus enriching the ideological and artistic content of the story.","PeriodicalId":332122,"journal":{"name":"Bulletin of the Eurasian Humanities Institute, Philology Series","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126752697","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-30DOI: 10.55808/1999-4214.2023-1.19
K. Nurgali, Z. Nurmanova
The work of Berdibek Sokpakbaev, a classic of Kazakh children's literature, often became the object of journalistic works, literary research and dissertation research. However, the fate of the book itself, which was continued in fiction, cinema, remakes, remained unexplored, which predetermined the relevance of this work. The purpose of this article is to describe the transformation of the well-known school story “My name is Kozha” by B. Sokpakbaev, which has gone from the text of the story to film texts (“My name is Kozha” by A. Karsakbaev (1964), “Menin de atym Kozha” by Yerkin Rakishev (2009) ) and the “boomerang” of the story “Angel” by Nurlan Sanzhar, who played the main role of Karsakbaev’s film masterpiece, which returned back to literature. Thus, B. Sokpakbaev's children's book has gone through an interesting path - from a story to a film adaptation, from a film adaptation to a film remake, from a remake back to a story. These transformations of the children's book "My name is Kozha" will be discussed in this article. The results of the study can be used in the course of teaching the disciplines "Kazakh children's literature", "History of Kazakh literature of the twentieth century", as well as philology students specializing in the field of literary criticism.
别尔季别克·索帕克巴耶夫的作品是哈萨克儿童文学的经典，经常成为新闻作品、文学研究和论文研究的对象。然而，这本书本身的命运，在小说、电影、翻拍中继续存在，仍然没有被探索，这预先决定了这部作品的相关性。本文的目的是描述B. Sokpakbaev的著名学校故事《我叫Kozha》从故事文本到电影文本(A. Karsakbaev的《我叫Kozha》(1964)，Yerkin Rakishev的《Menin de atym Kozha》(2009))的转变，以及在Karsakbaev的电影杰作中扮演主角的Nurlan Sanzhar的故事《Angel》的“回旋器”回归文学。因此，B. Sokpakbaev的童书经历了一条有趣的道路——从故事到电影改编，从电影改编到电影翻拍，再从翻拍回到故事。本文将讨论儿童读物《我叫科扎》的这些变化。研究结果可用于“哈萨克族儿童文学”、“二十世纪哈萨克族文学史”等学科的教学，也可用于文学批评专业的文献学专业学生的教学。
{"title":"CHILDREN'S STORY B. SOKPAKBAYEV \"MY NAME IS KOJA\": FROM BOOK TO REMAKE","authors":"K. Nurgali, Z. Nurmanova","doi":"10.55808/1999-4214.2023-1.19","DOIUrl":"https://doi.org/10.55808/1999-4214.2023-1.19","url":null,"abstract":"The work of Berdibek Sokpakbaev, a classic of Kazakh children's literature, often became the object of journalistic works, literary research and dissertation research. However, the fate of the book itself, which was continued in fiction, cinema, remakes, remained unexplored, which predetermined the relevance of this work. The purpose of this article is to describe the transformation of the well-known school story “My name is Kozha” by B. Sokpakbaev, which has gone from the text of the story to film texts (“My name is Kozha” by A. Karsakbaev (1964), “Menin de atym Kozha” by Yerkin Rakishev (2009) ) and the “boomerang” of the story “Angel” by Nurlan Sanzhar, who played the main role of Karsakbaev’s film masterpiece, which returned back to literature. Thus, B. Sokpakbaev's children's book has gone through an interesting path - from a story to a film adaptation, from a film adaptation to a film remake, from a remake back to a story. These transformations of the children's book \"My name is Kozha\" will be discussed in this article. The results of the study can be used in the course of teaching the disciplines \"Kazakh children's literature\", \"History of Kazakh literature of the twentieth century\", as well as philology students specializing in the field of literary criticism.","PeriodicalId":332122,"journal":{"name":"Bulletin of the Eurasian Humanities Institute, Philology Series","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125381170","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-30DOI: 10.55808/1999-4214.2023-1.07
K. Muhatai, R. Dossymbekova
Nowadays the concept of «Internet vocabulary or Internet language» is widely used in modern electronic information space. Internet vocabulary can also be called the language of electronic communication, the language of computers and the Internet. This concept is directly related to the use of words, language culture and the quality of language use of Internet users. Chinese is one of the ten main languages widely used on the Internet in modern society. The article provides comprehensive answers to questions such as how Internet vocabulary, which is a branch of sociolinguistics, has developed in Chinese society in the last ten years, what is its impact on language learners, and what are the conditions of Internet use in China. At the same time, the theoretical principles of sociolinguistics are also discussed, the history of the development of the Internet vocabulary in the Chinese language, the ways of its creation and the ways of word formation are also considered. Many examples of Chinese Internet slang, jargon, and abbreviations commonly used in Internet language or electronic communications are given by the author. In the conclusion of the article, after researching the Internet vocabulary in Chinese, it is pointed out that the Internet vocabulary will be of great benefit to language learners in the future, and it will be very effective in Chinese teaching in Kazakhstan universities.
{"title":"THE SOCIAL SIGNIFICANCE OF INTERNET VOCABULARY IN CHINESE LANGUAGE","authors":"K. Muhatai, R. Dossymbekova","doi":"10.55808/1999-4214.2023-1.07","DOIUrl":"https://doi.org/10.55808/1999-4214.2023-1.07","url":null,"abstract":"Nowadays the concept of «Internet vocabulary or Internet language» is widely used in modern electronic information space. Internet vocabulary can also be called the language of electronic communication, the language of computers and the Internet. This concept is directly related to the use of words, language culture and the quality of language use of Internet users. Chinese is one of the ten main languages widely used on the Internet in modern society. The article provides comprehensive answers to questions such as how Internet vocabulary, which is a branch of sociolinguistics, has developed in Chinese society in the last ten years, what is its impact on language learners, and what are the conditions of Internet use in China. At the same time, the theoretical principles of sociolinguistics are also discussed, the history of the development of the Internet vocabulary in the Chinese language, the ways of its creation and the ways of word formation are also considered. Many examples of Chinese Internet slang, jargon, and abbreviations commonly used in Internet language or electronic communications are given by the author. In the conclusion of the article, after researching the Internet vocabulary in Chinese, it is pointed out that the Internet vocabulary will be of great benefit to language learners in the future, and it will be very effective in Chinese teaching in Kazakhstan universities.","PeriodicalId":332122,"journal":{"name":"Bulletin of the Eurasian Humanities Institute, Philology Series","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115132914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-30DOI: 10.55808/1999-4214.2023-1.12
Z. Aimukhambet
In the article Abay’s poem «Masgut» is considered in the mythopoetic aspect. The meaning of gifting an apple as the main mythical motif of this poem is analyzed in detail. The motifs associated with the apple in world mythology and Kazakh folklore were collected and compared in the study. Thus, the meaning of the motif in Abay’s poem is taken into account. One of the mythical motifs of the poem «Masgut» is to see harbinger in a dream. The poet attaches importance to the symbols in the core of knowledge, taking the motifs of ancient times as a basis, and takes these symbolic details as an object in representing his artistic purpose. Among the most popular motifs associated with apples, we can mention the fruit of paradise as special apples that grow in the Garden of the Hesperides and the island of Avalon. The scientists emphasize the dual nature of the apple, saying that the word «apple» is given as «fruit» in many motifs. The apple, which is seen as a symbol of love and knowledge, youth and beauty, on the other hand, is a symbol of enmity, misfortune, temptation, evil and other unpleasant and bad deeds. In Abay’s poem apples are given in three colors, and the red apple chosen by the main character has its own characteristics. Another motif in the poem is dreaming. The dream foretells an upcoming event. In Abay’s artistic knowledge these motifs are important because they describe eternal human ideals, humanism, and social behavior with the subtext. The conclusion in the article is made in this context.
{"title":"MYTHICAL BASIS AND POETIC MEANING OF MOTIFS IN ABAY’S POEM «MASGUT»","authors":"Z. Aimukhambet","doi":"10.55808/1999-4214.2023-1.12","DOIUrl":"https://doi.org/10.55808/1999-4214.2023-1.12","url":null,"abstract":"In the article Abay’s poem «Masgut» is considered in the mythopoetic aspect. The meaning of gifting an apple as the main mythical motif of this poem is analyzed in detail. The motifs associated with the apple in world mythology and Kazakh folklore were collected and compared in the study. Thus, the meaning of the motif in Abay’s poem is taken into account. One of the mythical motifs of the poem «Masgut» is to see harbinger in a dream. The poet attaches importance to the symbols in the core of knowledge, taking the motifs of ancient times as a basis, and takes these symbolic details as an object in representing his artistic purpose. Among the most popular motifs associated with apples, we can mention the fruit of paradise as special apples that grow in the Garden of the Hesperides and the island of Avalon. The scientists emphasize the dual nature of the apple, saying that the word «apple» is given as «fruit» in many motifs. The apple, which is seen as a symbol of love and knowledge, youth and beauty, on the other hand, is a symbol of enmity, misfortune, temptation, evil and other unpleasant and bad deeds. In Abay’s poem apples are given in three colors, and the red apple chosen by the main character has its own characteristics. Another motif in the poem is dreaming. The dream foretells an upcoming event. In Abay’s artistic knowledge these motifs are important because they describe eternal human ideals, humanism, and social behavior with the subtext. The conclusion in the article is made in this context.","PeriodicalId":332122,"journal":{"name":"Bulletin of the Eurasian Humanities Institute, Philology Series","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114299180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-30DOI: 10.55808/1999-4214.2023-1.14
A. Aktanova, Sh. Aktanova, M. Amangazykyzy
The article discusses the theme of women in the works of the world-famous double-classical writers E. Hemingway and M. Auezov, as well as the most talked about gender issues today. The psychological basis of the problematic issues that prevented women from being happy in the works of two writers is revealed. According to a modern person's perspective, all of the issues mentioned in the article are distinct from those in classical and earlier works since they represent the complicated reality of contemporary life. The article's core thesis is that complicated interactions may be resolved in straightforward ways. Although sometimes the same decisions are tragic in nature, the fact is that people strengthen their game about humanity based on high humanism. In general, the peculiarities of the portrayal of women by two writers, consonant with the realities of the time in which they live, lead to interesting stories. The overlapping manifestation of the image of a woman in the realities of the era and the thoughts of humanity as a whole is associated with the internal psychological state of a woman as an individual. One of the main goals of the article is to determine how the term gender is characterized in world literature and Kazakh literature. At the same time, one of the eternal themes – the manifestation of spiritual and sexual relations between a man and a woman-is differentiated by the fact that it is connected with the National worldview of writers.
{"title":"GENDER ISSUES IN THE TRANSMISSION OF THE ARTISTIC IMAGE OF WOMEN IN THE WORKS OF M. AUEZOV AND E. HEMINGWAY","authors":"A. Aktanova, Sh. Aktanova, M. Amangazykyzy","doi":"10.55808/1999-4214.2023-1.14","DOIUrl":"https://doi.org/10.55808/1999-4214.2023-1.14","url":null,"abstract":"The article discusses the theme of women in the works of the world-famous double-classical writers E. Hemingway and M. Auezov, as well as the most talked about gender issues today. The psychological basis of the problematic issues that prevented women from being happy in the works of two writers is revealed. According to a modern person's perspective, all of the issues mentioned in the article are distinct from those in classical and earlier works since they represent the complicated reality of contemporary life. The article's core thesis is that complicated interactions may be resolved in straightforward ways. Although sometimes the same decisions are tragic in nature, the fact is that people strengthen their game about humanity based on high humanism. In general, the peculiarities of the portrayal of women by two writers, consonant with the realities of the time in which they live, lead to interesting stories. The overlapping manifestation of the image of a woman in the realities of the era and the thoughts of humanity as a whole is associated with the internal psychological state of a woman as an individual. One of the main goals of the article is to determine how the term gender is characterized in world literature and Kazakh literature. At the same time, one of the eternal themes – the manifestation of spiritual and sexual relations between a man and a woman-is differentiated by the fact that it is connected with the National worldview of writers.","PeriodicalId":332122,"journal":{"name":"Bulletin of the Eurasian Humanities Institute, Philology Series","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114819289","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-30DOI: 10.55808/1999-4214.2023-1.09
G. Rainbekova
One of the topical problems in the study of phraseological antonyms in Kazakh linguistics is their reflection in the context. For this reason, we think it is important to define antonymy in phraseological units in context, depending on the field of application.Context is one of the main criteria for identifying contrasts in idioms. Consideration of phraseological antonyms on the scale of the context can serve as a basis for determining their stylistic properties and highlighting the forms of antonymic relationships that may exist between the phraseological units. The antonymic relationship of phraseological expressions is clearer and more concrete in the language of a work of fiction.Every work of fiction can be realised through a variety of linguistic means, which increases the significance of the work.Phraseological antonyms have the same specific characteristics. Comparisons of opposite features, of different behaviour, social status, human life, even the opposite side of nature, are skillfully and precisely conveyed in the works of the writer by means of phraseological expressions.However, in linguistics, the opinions and statements about the transmission property of antonyms in context are expressed, and grouped only in relation to lexical units. Phraseological expressions, as well as the revival of the language of a literary work, also give the language of the work a national colouring.The ability to use phraseological expressions correctly is combined with an ability to transmit the language of actors and to master the treasures of the national language.
{"title":"THE SPECIFICITY OF PHRASEOLOGICAL REFLECTION IN CONTEXT","authors":"G. Rainbekova","doi":"10.55808/1999-4214.2023-1.09","DOIUrl":"https://doi.org/10.55808/1999-4214.2023-1.09","url":null,"abstract":"One of the topical problems in the study of phraseological antonyms in Kazakh linguistics is their reflection in the context. For this reason, we think it is important to define antonymy in phraseological units in context, depending on the field of application.Context is one of the main criteria for identifying contrasts in idioms. Consideration of phraseological antonyms on the scale of the context can serve as a basis for determining their stylistic properties and highlighting the forms of antonymic relationships that may exist between the phraseological units. The antonymic relationship of phraseological expressions is clearer and more concrete in the language of a work of fiction.Every work of fiction can be realised through a variety of linguistic means, which increases the significance of the work.Phraseological antonyms have the same specific characteristics. Comparisons of opposite features, of different behaviour, social status, human life, even the opposite side of nature, are skillfully and precisely conveyed in the works of the writer by means of phraseological expressions.However, in linguistics, the opinions and statements about the transmission property of antonyms in context are expressed, and grouped only in relation to lexical units. Phraseological expressions, as well as the revival of the language of a literary work, also give the language of the work a national colouring.The ability to use phraseological expressions correctly is combined with an ability to transmit the language of actors and to master the treasures of the national language.","PeriodicalId":332122,"journal":{"name":"Bulletin of the Eurasian Humanities Institute, Philology Series","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116616249","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-30DOI: 10.55808/1999-4214.2023-1.17
D. Kapuly, G. Saginadyn
One of the urgent problems of modern Kazakh literature is the analysis of the world of fiction, outside of its historical homeland, the analysis of development trends, the study of prospects, the assessment of the present, the identification of its main representatives. If we talk about the fact that national literature has deep historical roots, then it can be argued that Kazakh literature, which in each country and in different places is distinguished by its local and regional characteristics, is its fruitful, multifaceted Golden Branch. Therefore, the timely study of the rich cultural and literary heritage of near and far abroad is due to national necessity. Akyt Ulimzhiuly is a man who published several books in Kazakh history during his life. He is a great poet and educator at the level of Abai, Shakarim. Of no small importance is the contribution and significance of the works of Akyt Ulimzhiuly to the popularization of traditions, literature, culture, religion, history, philosophy, psychology of the Kazakh people at the end of the 19th-first quarter of the 20th century. Due to the historical reasons of that period, the poet lived alternately in the rich regional region of China and Mongolia. His works reflect the life, religion, state, being, customs, worldview of the Kazakh people who inhabited these two regions. It was in this direction that we studied the life path of the poet-scientist, teacher-educator, public and religious figure, one of the founders of written literature Akyt Ulimzhiuly, who follows the main Kazakh poet Abay. We would like to analyze his rich literary heritage, his national position and reveal the folklore side of Akyt's works. In particular, this article will be devoted to the problem of the poetics of folklore and works by A. Ulimzhiuly. Folklorism, consideration of the patterns of folklore integrity, differentiation of manifestations of folklore motifs underlie the goals and objectives of the study.
{"title":"CREATIVITY OF AKYT ULIMZHIULY AND LITERARY AND FOLKLORE INTEGRATION","authors":"D. Kapuly, G. Saginadyn","doi":"10.55808/1999-4214.2023-1.17","DOIUrl":"https://doi.org/10.55808/1999-4214.2023-1.17","url":null,"abstract":"One of the urgent problems of modern Kazakh literature is the analysis of the world of fiction, outside of its historical homeland, the analysis of development trends, the study of prospects, the assessment of the present, the identification of its main representatives. If we talk about the fact that national literature has deep historical roots, then it can be argued that Kazakh literature, which in each country and in different places is distinguished by its local and regional characteristics, is its fruitful, multifaceted Golden Branch. Therefore, the timely study of the rich cultural and literary heritage of near and far abroad is due to national necessity. Akyt Ulimzhiuly is a man who published several books in Kazakh history during his life. He is a great poet and educator at the level of Abai, Shakarim. Of no small importance is the contribution and significance of the works of Akyt Ulimzhiuly to the popularization of traditions, literature, culture, religion, history, philosophy, psychology of the Kazakh people at the end of the 19th-first quarter of the 20th century. Due to the historical reasons of that period, the poet lived alternately in the rich regional region of China and Mongolia. His works reflect the life, religion, state, being, customs, worldview of the Kazakh people who inhabited these two regions. It was in this direction that we studied the life path of the poet-scientist, teacher-educator, public and religious figure, one of the founders of written literature Akyt Ulimzhiuly, who follows the main Kazakh poet Abay. We would like to analyze his rich literary heritage, his national position and reveal the folklore side of Akyt's works. In particular, this article will be devoted to the problem of the poetics of folklore and works by A. Ulimzhiuly. Folklorism, consideration of the patterns of folklore integrity, differentiation of manifestations of folklore motifs underlie the goals and objectives of the study.","PeriodicalId":332122,"journal":{"name":"Bulletin of the Eurasian Humanities Institute, Philology Series","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121296331","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-30DOI: 10.55808/1999-4214.2023-1.03
B. Yessimseitov
Probably, the beginning of writing the concept of corruption in Russian literature can be traced back to the 1970s. However, the intensive use of this concept in society can be attributed to the recognition of corruption crimes as some types of crimes that were considered official crimes in Soviet legislation. One observation is that the characteristics given to this term, whether in the official language or in the state language, indicate that this concept is used from the Latin word «corruption» in the sense of «bribery», and the concept is characterized by definitions and conclusions given in other countries. Thus, «corruption is the aggregate name of crimes that consist in the use of a person's official powers and rights related to his / her activities for the purpose of his / her personal enrichment against the interests of the state, society, and individuals». Today, the term law is widely used in texts. We can see that the basic properties of the term created by journalists, which can be used as the main tool in creating a term, also correspond to the requirements imposed on them. The author analyzes the problems of translating words created on the basis of the term «corruption» in the article, giving specific examples.
{"title":"PROBLEMS OF TRANSLATION OF WORDS BASED ON THE TERM CORRUPTION","authors":"B. Yessimseitov","doi":"10.55808/1999-4214.2023-1.03","DOIUrl":"https://doi.org/10.55808/1999-4214.2023-1.03","url":null,"abstract":"Probably, the beginning of writing the concept of corruption in Russian literature can be traced back to the 1970s. However, the intensive use of this concept in society can be attributed to the recognition of corruption crimes as some types of crimes that were considered official crimes in Soviet legislation. One observation is that the characteristics given to this term, whether in the official language or in the state language, indicate that this concept is used from the Latin word «corruption» in the sense of «bribery», and the concept is characterized by definitions and conclusions given in other countries. Thus, «corruption is the aggregate name of crimes that consist in the use of a person's official powers and rights related to his / her activities for the purpose of his / her personal enrichment against the interests of the state, society, and individuals». Today, the term law is widely used in texts. We can see that the basic properties of the term created by journalists, which can be used as the main tool in creating a term, also correspond to the requirements imposed on them. The author analyzes the problems of translating words created on the basis of the term «corruption» in the article, giving specific examples.","PeriodicalId":332122,"journal":{"name":"Bulletin of the Eurasian Humanities Institute, Philology Series","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129131852","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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