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Peripheries of Girlhood; Erin Bow’s Plain Kate 少女时代的周边;艾琳·鲍的《平原凯特》
Pub Date : 1900-01-01 DOI: 10.31261/rs.2021.19.09
Zuzanna Szatanik
The focus of this analysis is a representation of girlhood in Erin Bow’s 2010 novel Plain Kate. The novel has been categorized as “Young Adult Literature” which has come to indicate subversive and a transformative potential in that it often evokes traditional narrative models only to de- and re- construct them. The eponymous Plain Kate, therefore, is a prototypical Other: an ugly, orphaned and homeless girl who has to flee her hometown under the accusations of beinga witch. She is a transitional character and a boundary-crosser; as such she does not belong anywhere. Importantly, the story makes it clear that what transforms Kate into an outsider is, among other things, her gender, which is why the protagonist’s evolution from a child into an adult is shown through metaphors of the fluid female body. This paper aims to discuss the topography of girlhood on the example of Bow’s novel, focusing specifically on the questions of marginality, otherness, liminality, and transgression, inscribed in the category of Young Adult Literature.
这一分析的重点是艾琳·鲍2010年的小说《平淡的凯特》中少女时代的表现。这部小说被归类为“青年文学”,它具有颠覆性和变革性的潜力,因为它经常唤起传统的叙事模式,只是为了对它们进行解构和重建。因此,与她同名的普通凯特是一个典型的他者:一个丑陋的、孤儿的、无家可归的女孩,她不得不在被指控为女巫的情况下逃离家乡。她是一个过渡性角色,也是一个跨界者;因此,她不属于任何地方。重要的是,这个故事清楚地表明,将凯特变成一个局外人的原因之一是她的性别,这就是为什么主人公从一个孩子到一个成年人的演变是通过女性流动身体的隐喻来表现的。本文旨在以鲍的小说为例,讨论少女时代的地形,特别关注边缘性、他者性、阈限性和越界等问题,这些问题都属于青年文学的范畴。
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引用次数: 0
Cuerpos poéticos de un océano a otro: Cristina Peri Rossi, Ana Rossetti (hispanas); Denise Desautels y Louise Dupré (quebequesas) 从一个海洋到另一个海洋的诗体:克里斯蒂娜·佩里·罗西、安娜·罗塞蒂(西班牙语);Denise Desautels和Louise dupre(魁北克)
Pub Date : 1900-01-01 DOI: 10.31261/rs.2019.15.07
Marina López Martínez
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引用次数: 0
Amoscritura: «cuerpos atrabesados». Somatología poética de Mario Martín Gijón 我们写的是:“身体有缺陷”。马里奥的诗性躯体学martin gijon
Pub Date : 1900-01-01 DOI: 10.31261/rs.2019.15.08
Ewa Śmiłek
: The body, although not presented in a direct way, connects the two main themes of Rendicción (2013), the second volume of poetry by Mario Martín Gijón. Based on the theory of José Enrique Finol (presented in the work La corposfera. Antropo-semiótica de las cartografías del cuerpo , 2015), I carry out an analysis of how the corporeality is depicted in the poetry of Martín Gijón. In the said poetry book, the body has not only obtained the status of the object (linked to the themes of love and eroticism), it has also become an assistance of the artistic activ -ity. In this way, the poetry is embodied (Merleau-Ponty, 1993), the word is a living body with all its creative powers.
:身体,虽然没有以直接的方式呈现,但连接了Rendicción(2013)的两个主题,马里奥的诗歌第二卷Martín Gijón。基于jos Enrique Finol的理论(在作品La corposfera中提出)。Antropo-semiótica de las cartografías del cuerpo, 2015),我对Martín Gijón诗歌中如何描绘肉体进行了分析。在上述诗集中,身体不仅获得了客体的地位(与爱情和情色主题联系在一起),而且还成为艺术活动的辅助工具。这样,诗就被具体化了(梅洛-庞蒂,1993),词是一个有生命的身体,拥有它所有的创造力。
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引用次数: 1
Livre sanctifié ou pulpe écorchée ? Le corps dans la poésie d’Umar Timol 圣典书还是剥皮的果肉?奥马尔·提摩尔诗歌中的身体
Pub Date : 1900-01-01 DOI: 10.31261/rs.2019.15.05
Aleksandra Nocoń
: The article concerns the place of corporeality in the poetry of a Maurician franco phone poet Umar Timol. One can distinguish four main attitudes towards the human body in Timol’s texts: body as an object of worship or – on the contrary – of disdain and condemnation, body as a humanitarian challenge and as an object of self-reflection. The absence of typically Western dualism of physical versus spiritual in Mauritian poet’s philosophy procures a new and exotic perspective for European readers. The author ponders the purpose and motifs which could stay behind such standpoints mainly by analysing the poems in the context of Mauritian culture and comparing them to other Muslim or Indian texts.
这篇文章是关于肉体在毛里西亚佛朗哥诗人Umar Timol诗歌中的地位。在提莫尔的文本中,人们可以区分出对人体的四种主要态度:身体是崇拜的对象,相反,是蔑视和谴责的对象,身体是人道主义的挑战,也是自我反思的对象。毛里求斯诗人哲学中缺乏典型的西方物质与精神的二元论,为欧洲读者提供了一种全新的、充满异国情调的视角。作者主要通过分析毛里求斯文化背景下的诗歌,并将其与其他穆斯林或印度文本进行比较,来思考这些观点背后的目的和主题。
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引用次数: 0
El cuerpo reflejado. Los cuerpos dobles y los dobles corporales en la poesía española actual 反射的身体。现代西班牙诗歌中的双重身体和双重身体
Pub Date : 1900-01-01 DOI: 10.31261/rs.2019.15.04
V. Mora
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引用次数: 0
Transmitir la corporeidad poética en el proceso de traducción. Anna Świrszczyńska traducida al español 在翻译过程中传递诗意的物质性。安娜Świrszczyń斯卡翻译成西班牙文
Pub Date : 1900-01-01 DOI: 10.31261/rs.2019.15.12
Aleksandra Jackiewicz
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引用次数: 1
Le Combat d’hiver de Jean-Claude Mourlevat : les stéréotypes dans le processus de lecture du récit dystopique pour adolescents Jean-Claude Mourlevat的《冬季之战:青少年反乌托邦叙事阅读过程中的刻板印象》
Pub Date : 1900-01-01 DOI: 10.31261/RS.2019.16.14
Aleksandra Komandera
Adolescent dystopian literature has been in vogue recently. Its popularity reflects in fact several aspects, from readers’ preferences, through marketing rules, to writers’ choices. The predominance and reiteration of dystopian fiction suggests that they can involve stereotypes. Taking into consideration the fact that the stereotype is a reading construction, we analyse in this paper the role of stereotypes in perceiving and decoding a dystopian universe, with its elements, such as prison environment, oppressive authorities, tentative of revolt, and final victory or defeat, with respect of his young readers, in Jean-Claude Mourlevat’s novel Le Combat d’hiver.
青少年反乌托邦文学最近很流行。它的受欢迎程度实际上反映了几个方面,从读者的偏好,通过营销规则,到作者的选择。反乌托邦小说的主导地位和反复出现表明,它们可能涉及刻板印象。考虑到刻板印象是一种阅读结构,本文分析了让-克洛德·穆尔勒瓦的小说《战斗》(Le Combat d’hiver)中,刻板印象在感知和解读反乌托邦世界中的作用,包括监狱环境、压迫当局、反抗的尝试、最终的胜利或失败等因素。
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引用次数: 0
«¡Eternidad, dulce niña!»: un acercamiento a la corporeidad de la «niña muerta» en Historias de Juan Ramón Jiménez “永恒,亲爱的孩子!”»:胡安ramon jimenez故事中“死去的女孩”的身体方法
Pub Date : 1900-01-01 DOI: 10.31261/rs.2019.15.11
Virginie Giuliana
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引用次数: 0
Deciphering the Self and the World Through Fantasy in Neil Gaiman’s Coraline 在尼尔·盖曼的《鬼妈妈》中通过幻想解读自我和世界
Pub Date : 1900-01-01 DOI: 10.31261/rs.2021.19.10
Tuğçe Alkiş
The aim of this paper is to show how contemporary children’s fantasy fiction offers alternative methods to children and teenagers for confronting real-life issues, such as self-discovery, sense of belonging and the process of individuation, through the analysis of Neil Gaiman’s Coraline. In his contemporary children’s fantasy book, Gaiman empowers his protagonist to explore her sense of self, overcome her insecurities and fears in a fantastic mirror-like home. This paper argues that fantasy is an effective device for explaining the complexities and dilemmas of the self and examining a child’s quest for self-discovery in the process of maturation and individuation.
本文的目的是通过对尼尔·盖曼的小说《鬼妈妈》的分析,展示当代儿童奇幻小说如何为儿童和青少年提供了面对现实问题的替代方法,如自我发现、归属感和个性化的过程。在他的当代儿童奇幻书中,盖曼让主人公在一个梦幻般的镜子般的家中探索自我,克服不安全感和恐惧。本文认为,幻想是一种解释自我复杂性和困境的有效手段,并审视了儿童在成熟和个性化过程中对自我发现的追求。
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引用次数: 0
Dérouter le lecteur ou comment dépasser le stéréotype du roman de la route au Québec au XXIe siècle – l’exemple de François Blais 让读者困惑或如何克服21世纪魁北克公路小说的刻板印象——francois Blais的例子
Pub Date : 1900-01-01 DOI: 10.31261/RS.2019.16.17
Ewelina Berek
The article discusses the stereotype of road novel in Québec in the 21st century, exemplified by François Blais’s sixth novel entitled Document 1 published in 2012. Blais’s novel appears different from the typical road novels by playing with the genre’s codes in order to create something altogether new. The aim of the article is to shed light on the character development, the representations of place and the journey itself presented in the novel.
本文以法国作家布莱斯2012年出版的第六部小说《文件1》为例,探讨了21世纪曲海小说的刻板印象。布莱斯的小说似乎与典型的公路小说不同,他玩弄了这一类型的规则,以创造一些全新的东西。本文的目的是揭示小说中人物的发展,地点的表现和旅程本身。
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引用次数: 0
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Romanica Silesiana
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