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Légitimité littéraire de la littérature jeunesse : les Hunger Games de Suzanne Collins 青年文学的文学合法性:苏珊娜·柯林斯的饥饿游戏
Pub Date : 2021-06-29 DOI: 10.31261/rs.2021.19.03
Anne Sechin
The Hunger Games trilogy, an international commercial success, enables us to question the relationship between sales records and literary quality as well as to think critically about the literary status of Young Adult Literature. Are there some objective criteria that make it possible to establish a literary status, and can they be applied to Young Adult literature, especially as those works are usually perceived as “popular culture”?
《饥饿游戏》三部曲在国际商业上的成功,使我们能够质疑销售记录与文学质量之间的关系,并批判性地思考青少年文学的文学地位。是否存在一些客观的标准,使其成为可能建立文学地位,这些标准是否适用于青少年文学,特别是这些作品通常被视为“流行文化”?
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引用次数: 0
La construction du sentiment moral dans les romans contemporains pour la jeunesse Le Chagrin du roi mort et Le Combat d’hiver de Jean-Claude Mourlevat 当代青年小说《死亡国王的悲伤》和让-克洛德·穆列瓦特的《冬季之战》中道德情感的建构
Pub Date : 2021-06-29 DOI: 10.31261/rs.2021.19.04
Alizon Pergher
In the past, literature for children and adolescents reflected society’s belief that young readers were not supposed to think for themselves. Stories were vehicles to provide direct, simple moral lessons. Those moralistic books reinforced gender and good / evil tropes, leaving little room for interpretation, moral grey areas and non-traditional gender roles. In this paper, we examine two contemporary books, Le Combat d’hiver (2006) et Le Chagrin du roi mort (2009), as examples of how youth literature has evolved. In both books, readers are presented with complex characters, plots and themes that encourage personal reflection. Morals are not something to be taught but rather felt.
在过去,儿童和青少年文学反映了社会的信念,即年轻读者不应该为自己思考。故事是提供直接、简单的道德教训的工具。那些道德书籍强化了性别和善恶的比喻,几乎没有留下解释的空间,道德灰色地带和非传统的性别角色。在本文中,我们研究了当代的两本书,Le Combat d 'hiver(2006)和Le Chagrin du roi mort(2009),作为青年文学如何演变的例子。在这两本书中,读者都看到了复杂的人物、情节和主题,鼓励个人反思。道德不是教出来的,而是感觉出来的。
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引用次数: 0
Cheminer vers la littérature patrimoniale grâce aux oeuvres « mythographiantes » 通过“神话”作品走向遗产文学
Pub Date : 2021-06-29 DOI: 10.31261/rs.2021.19.02
Thierry Poyet
How are the two literatures – the classic, the heritage, the scholarly versus the children’s literature, the overly easy editorial productions – much less opposed in reality than one might think? How can a real complementarity exist between literatures which will perhaps never be patrimonial but which can become school and the “great” literature? We will show how the reading of mythographic works seeks to design a teaching which makes the encounter with the book a triple opportunity for enrichment: to be moved, to escape, to learn. We will show how the reading of mythographic works seeks to design a teaching which makes the encounter with the book a triple opportunity for enrichment: to be moved, to escape, to learn. By taking into account the requirements of the time and the need for the school not to operate apart from opinions and practices, by a literature and a reading which accept to be useful for something, the French course must make sense by offering a new culture which is first and foremost a culture of oneself. It is first of all to show a living classical literature.
这两种文学——经典的,传统的,学术的和儿童文学的,过于简单的编辑作品——在现实中为什么没有人们想象的那么对立?文学也许永远不会是世袭的,但它可以成为学派和“伟大的”文学之间如何存在真正的互补?我们将展示神话作品的阅读如何寻求设计一种教学,使与书的接触成为丰富的三重机会:被感动,逃避,学习。我们将展示神话作品的阅读如何寻求设计一种教学,使与书的接触成为丰富的三重机会:被感动,逃避,学习。考虑到时代的要求和学校不能脱离观点和实践的需要,考虑到文学和阅读被认为是有用的,法语课程必须通过提供一种新的文化而有意义,这种文化首先是一种自我的文化。它首先表现的是一种鲜活的古典文学。
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引用次数: 0
Comprendre et respecter l’autre : le cas de l’autisme dans le roman pour adolescents et jeunes adultes 理解和尊重他人:青少年和年轻人小说中的自闭症案例
Pub Date : 2021-06-29 DOI: 10.31261/rs.2021.19.05
Květuše Kunešová
The article “Understand and Respect the Other: Autonomy and Autism in the Novel for Teenagers and Young Adults” is a comparative reflection of books that focus on the human relationships that are formed around young protagonists trying to find their own way and the true values of life. These are mostly realistic novels / mirror novels in which illness, disabilityor death represent a plot that puts the characters to the test. At crucial moments they are forced to deploy their energy and perseverance, and on that side, they learn to live and be independent. Novels about autism allow to consider new questions concerning identity and otherness, norm and outside the norm. The notion of freedom is viewed differently by the characters who are faced with the dilemma whether the need to care for the sick is a sacrifice or a duty.
《理解和尊重他人:青少年和青年小说中的自主性和自闭症》这篇文章是对以试图找到自己的道路和人生真正价值的年轻主人公为中心形成的人际关系的书籍的比较反映。这些大多是现实主义小说/镜像小说,其中疾病、残疾或死亡代表了一个考验人物的情节。在关键时刻,他们被迫部署自己的精力和毅力,在这方面,他们学会了生活和独立。关于自闭症的小说允许人们思考关于身份和他者、规范和规范之外的新问题。面对照顾病人是一种牺牲还是一种责任的困境,角色们对自由的概念有不同的看法。
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引用次数: 0
Renouvellement du personnage de la sorcière dans le roman pour la jeunesse 青年小说中女巫角色的更新
Pub Date : 2021-06-29 DOI: 10.31261/rs.2021.19.07
M. Hubert
There are many publications on witches both in children’s literature and in scholarly essays. Mona Chollet’s Witches, the Undefeated Power of Women explains that the word has become an emblem of feminism. This article offers a comparative analysis of several recent novels, based on the latter’s thesis, whose aim is to examine how the witch character is constructed, how the authors treat historical data (healer witch, witch-hunt, stake, etc.) and how they renew this character regarding certain issues (identity, transmission, emancipation, etc.). Are the witches of children’s novels carrying feminist demands for young readers?
在儿童文学和学术论文中都有许多关于女巫的出版物。莫娜·乔莱特的《女巫,女性不可战胜的力量》解释说,这个词已经成为女权主义的象征。本文以她的论文为基础,对近年来的几部小说进行了比较分析,目的是考察女巫角色是如何建构的,作者是如何对待历史数据的(医巫、猎巫、木桩等),以及他们是如何在某些问题上(身份、传播、解放等)更新这个角色的。儿童小说中的女巫是否为年轻读者带来了女权主义诉求?
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引用次数: 0
Mercy Thompson de Patricia Briggs – une série pour les jeunes féministes ? 帕特里夏·布里格斯的Mercy Thompson——年轻女权主义者的系列?
Pub Date : 2021-06-29 DOI: 10.31261/rs.2021.19.08
Agnieszka Loska
Nowadays, young adult literature is becoming increasingly popular and occupies an important place in the book market. Among the different genres offered to young readers, urban fantasy has a considerable potential. The aim of the present study is to examine if Patricia Briggs’ series about the adventures of Mercy Thompson can be considered as a literary work for young feminists. The analysis of the protagonist (an urban hunter and a shapeshifter) and some events in her life (relationship with her partner and rape) demonstrates the feminist aspect of the series.
如今,青少年文学越来越受欢迎,在图书市场上占有重要地位。在提供给年轻读者的不同体裁中,城市幻想具有相当大的潜力。本研究的目的是检验帕特里夏·布里格斯关于默西·汤普森冒险的系列小说是否可以被视为年轻女权主义者的文学作品。对主人公(一个城市猎人和一个变形人)和她生活中的一些事件(与伴侣的关系和强奸)的分析显示了该系列的女权主义方面。
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引用次数: 0
Teenage Identity in the Face of the Other in Nnedi Okorafor’s Organic Fantasy 在Nnedi Okorafor的《有机幻想》中面对他者的青少年身份
Pub Date : 2021-06-29 DOI: 10.31261/rs.2021.19.11
E. Drab
The present paper aims at discussing What Sunny Saw in the Flames by Nnedi Okorafor as a fantasy novel for children and young adults focused upon the question of self-identification. In the framework of fiction for younger audiences, the fantasy mode becomes a tool which allows to examine the topics important to young readers, such as identity and their place within the society, by providing a confrontation with the Other. The example of Nnedi Okorafor’s book, known in the USA as Akata Witch, shows how the instrumentation of a fantasy novel enables an exposition of the process in which the protagonist grows on the intellectual, emotional and cultural levels. In other words, the fantasy mode aids in the exploration of Sunny’s American-Nigerian origin, her albinism, coming of age and the comprehension of her identity. Simultaneously, as additional topics emerge from the analysis, it becomes visible that the question of the Self cannot be separated from the concept of the Other, with the lesson of empathy and respect for what is different.
本文旨在探讨尼迪·奥科拉福的《阳光在火焰中看到了什么》是一部以自我认同为主题的儿童和青少年奇幻小说。在面向年轻读者的小说框架中,幻想模式成为一种工具,可以通过提供与他者的对抗,来审视对年轻读者来说重要的话题,比如身份和他们在社会中的地位。以Nnedi Okorafor的《赤田女巫》为例,这本书在美国被称为《赤田女巫》,它展示了奇幻小说的工具如何能够阐述主人公在智力、情感和文化层面上的成长过程。换句话说,幻想模式有助于探索Sunny的美国-尼日利亚血统,她的白化病,成年和对她身份的理解。同时,随着更多的话题从分析中浮现出来,我们可以看到,自我的问题不能从他者的概念中分离出来,这是同理心和尊重不同之处的教训。
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引用次数: 0
Mot de la Rédaction
Pub Date : 2021-06-29 DOI: 10.31261/rs.2021.19.01
Ewa Drab, Aleksandra Komandera
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引用次数: 0
Carnavalisation et travail des stéréotypes dans La Guerre, yes sir! (1968) de Roch Carrier 狂欢化和战争中的刻板印象,是的,先生!(1968),罗奇·开利
Pub Date : 2021-03-31 DOI: 10.31261/rs.2019.16.18
Józef Kwaterko
Carrier’s novel was published in the same year as Nègres blancs d’Amérique by Pierre Vallières and it relies on the same dialectics between the colonizer and the colonized that was prevalent in Québécois narrative prose in the 1960s. While being grounded in this cultural context, Carrier transforms this dialectic by setting his narrative in a rural environment and against the background of World War II (the visitation of a fallen French-Canadian soldier whose remains are escorted to his native village by English-Canadian comrades). Such aesthetic reworking complexifies the ideological message of Carrier’s novel. I will study the interplay between national ideology and Carrier’s narratives strategies and particularly on the clash between ethnic stereotypes and the « carnavalesque » and the grotesque.
开利的小说与皮埃尔·瓦里在同一年出版,它依靠的是殖民者和被殖民者之间的辩证法,这种辩证法在20世纪60年代的魁氏叙事散文中很流行。在这种文化背景下,开利通过将叙事置于乡村环境和第二次世界大战的背景(一名阵亡的法裔加拿大士兵的遗体被英裔加拿大战友护送到他的家乡村庄)来改变这种辩证法。这种美学上的改造使开利小说的意识形态信息变得复杂。我将研究国家意识形态与开利叙事策略之间的相互作用,特别是种族刻板印象与“狂欢节”和怪诞之间的冲突。
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引用次数: 0
Stéréotypes et identité narrative des personnages dans Au commencement était la mer, de Maïssa Bey maisa Bey的《初为海》中人物的刻板印象和叙事身份
Pub Date : 2021-03-31 DOI: 10.31261/rs.2019.16.24
Salah Ait Challal
In this contribution, we try to show how Maissa Bey tells, through stereotypical linguistic and narrative categories, the experience of emblematic characters carrying narrative identities contradictory, in an Algerian society in crisis. These identities reveal conflicts dealing with the underestimation of the female gender.
在这篇文章中,我们试图展示Maissa Bey如何通过刻板的语言和叙事类别,在危机中的阿尔及利亚社会中讲述具有矛盾叙事身份的象征性人物的经历。这些身份揭示了与低估女性性别有关的冲突。
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Romanica Silesiana
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