This study examines the role of topoi in the short story “Les Prisonniers” (The Prisoners) by Maupassant. For historical reasons, the notion of topos is preferred to that of the stereotype, as the latter indicates a manner of conceiving reality from a 20th century perspective (and thus posterior to Maupassant’s authorship). The analysis of the topoi shows that the author brings to play intertextual references linked to the tradition of the folktale and the short story. In foregrounding the story, Maupassant prepares two opposing scenarios. Following the transgressive plot, the initially dominant features of the story are overthrown. The functionality of the narrative elements, entering as units in an elaborated plot, leads to a view of the story primarily as a fictional construction playing with topoi, rather than as an expression of Maupassant’s stereotyped vision of reality.
{"title":"Lieux ludiques: « Les Prisonniers » de Maupassant","authors":"Hans Färnlöf","doi":"10.31261/rs.2019.16.08","DOIUrl":"https://doi.org/10.31261/rs.2019.16.08","url":null,"abstract":"This study examines the role of topoi in the short story “Les Prisonniers” (The Prisoners) by Maupassant. For historical reasons, the notion of topos is preferred to that of the stereotype, as the latter indicates a manner of conceiving reality from a 20th century perspective (and thus posterior to Maupassant’s authorship). The analysis of the topoi shows that the author brings to play intertextual references linked to the tradition of the folktale and the short story. In foregrounding the story, Maupassant prepares two opposing scenarios. Following the transgressive plot, the initially dominant features of the story are overthrown. The functionality of the narrative elements, entering as units in an elaborated plot, leads to a view of the story primarily as a fictional construction playing with topoi, rather than as an expression of Maupassant’s stereotyped vision of reality.","PeriodicalId":332744,"journal":{"name":"Romanica Silesiana","volume":"107 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122118129","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Representaciones y consumo del cuerpo femenino negro en la poesía negrista antillana","authors":"Agnieszka Flisek","doi":"10.31261/rs.2019.15.03","DOIUrl":"https://doi.org/10.31261/rs.2019.15.03","url":null,"abstract":"","PeriodicalId":332744,"journal":{"name":"Romanica Silesiana","volume":"57 5","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132545978","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
: This paper highlights the way in which some Latin American women poets from different decades of the twentieth century, and from different countries, approached the territory of desire and pleasure, at times vindicating it by revealing how patriarchal culture denied them their expression, both in life as in literature, at other times, simply and decisively, proclaiming it without any kind of restriction. To this goal, significant examples of poetic approaches, empha -ses, and different tones are provided throughout the article.
{"title":"Hablando de sexo y de placer. Palabra de poetas latinoamericanas","authors":"M. J. Busto","doi":"10.31261/rs.2019.15.02","DOIUrl":"https://doi.org/10.31261/rs.2019.15.02","url":null,"abstract":": This paper highlights the way in which some Latin American women poets from different decades of the twentieth century, and from different countries, approached the territory of desire and pleasure, at times vindicating it by revealing how patriarchal culture denied them their expression, both in life as in literature, at other times, simply and decisively, proclaiming it without any kind of restriction. To this goal, significant examples of poetic approaches, empha -ses, and different tones are provided throughout the article.","PeriodicalId":332744,"journal":{"name":"Romanica Silesiana","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116700014","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
: Until recent times, the representation of desire and erotics in Spanish poetry was quite scanty. Even now, there are few poets who explicitly deal with sex in their poetry. In this article, I analyse the work of three poets with different outlooks on desire: a homosexual male (Rafael-José Díaz), a heterosexual female poet (Ada Salas), and a heterosexual male poet (Eduardo Moga). Taking into account, among others, the theories of Roland Barthes ( A Lover’s Discourse. Fragments ) and Anne Carson ( Eros the Bittersweet ), I attempt to emphasise the originality of the language treatment of bodies in love.
直到最近，西班牙诗歌中对欲望和情色的描写还相当稀少。即使是现在，也很少有诗人在他们的诗歌中明确地处理性。在这篇文章中，我分析了三位有着不同欲望观的诗人的作品:同性恋男诗人(rafael - jos Díaz)、异性恋女诗人(Ada Salas)和异性恋男诗人(Eduardo Moga)。考虑到罗兰·巴特的理论(《情人的话语》)。《碎片》和安妮·卡森(《苦乐参半的厄洛斯》)，我试图强调爱情中身体的语言处理的原创性。
{"title":"Las metamorfosis de Eros. Poéticas del cuerpo enamorado en Rafael-José Díaz, Ada Salas y Eduardo Mogą","authors":"Mario Martín Gijón","doi":"10.31261/rs.2019.15.06","DOIUrl":"https://doi.org/10.31261/rs.2019.15.06","url":null,"abstract":": Until recent times, the representation of desire and erotics in Spanish poetry was quite scanty. Even now, there are few poets who explicitly deal with sex in their poetry. In this article, I analyse the work of three poets with different outlooks on desire: a homosexual male (Rafael-José Díaz), a heterosexual female poet (Ada Salas), and a heterosexual male poet (Eduardo Moga). Taking into account, among others, the theories of Roland Barthes ( A Lover’s Discourse. Fragments ) and Anne Carson ( Eros the Bittersweet ), I attempt to emphasise the originality of the language treatment of bodies in love.","PeriodicalId":332744,"journal":{"name":"Romanica Silesiana","volume":"95 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129120570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"«Por la carne también se llega al cielo». Cuerpo, éxtasis y paraíso en la poesía mexicana erótico-amorosa contemporánea","authors":"M. Llorente","doi":"10.31261/rs.2019.15.09","DOIUrl":"https://doi.org/10.31261/rs.2019.15.09","url":null,"abstract":"","PeriodicalId":332744,"journal":{"name":"Romanica Silesiana","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121806084","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Entre el cuerpo y el espíritu en la poesía de Piedra y Cielo","authors":"Małgorzata Ortiz Ramos","doi":"10.31261/rs.2019.15.10","DOIUrl":"https://doi.org/10.31261/rs.2019.15.10","url":null,"abstract":"","PeriodicalId":332744,"journal":{"name":"Romanica Silesiana","volume":"61 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130718728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this paper, the author analyzes the stereotypical representations of single woman from two French-language Algerian novels: Les Pierres dans ma poche by Kaouther Adimi and La fille de la Casbah by Leïla Marouane. By using different literary techniques, the chosen writers formulate a severe criticism of contemporary Algerian society which, despite the hard-won liberties of the second sex, maintains the status quo by enclosing women in stereotypical social roles and by stigmatizing those who do not do not conform to societal standards.
本文分析了阿尔及利亚法语小说中单身女性的刻板形象，分别是考瑟·阿迪米(Kaouther Adimi)的《Les Pierres dans ma poche》和Leïla Marouane的《La fille de La Casbah》。通过使用不同的文学技巧，被选中的作家对当代阿尔及利亚社会提出了严厉的批评，尽管第二性别获得了来之不易的自由，但仍维持现状，将妇女禁锢在陈规定型的社会角色中，并对那些不符合社会标准的人进行侮辱。
{"title":"Représentations stéréotypées de la femme célibataire chez Leïla Marouane et Kaouther Adimi","authors":"Magdalena Malinowska","doi":"10.31261/RS.2019.16.23","DOIUrl":"https://doi.org/10.31261/RS.2019.16.23","url":null,"abstract":"In this paper, the author analyzes the stereotypical representations of single woman from two French-language Algerian novels: Les Pierres dans ma poche by Kaouther Adimi and La fille de la Casbah by Leïla Marouane. By using different literary techniques, the chosen writers formulate a severe criticism of contemporary Algerian society which, despite the hard-won liberties of the second sex, maintains the status quo by enclosing women in stereotypical social roles and by stigmatizing those who do not do not conform to societal standards.","PeriodicalId":332744,"journal":{"name":"Romanica Silesiana","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127947521","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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