Nyeupah is a term in Sundanese society which means chewing betel leaves. Nyeupah itself has other terms such as nyirih for the Java area and Nginang for the Sumatra area. Consuming betel leaf has been done by our ancestors since the middle of 15th century, where the Chinese, Indians, Persians and Europeans had made transactions for herbs and spices in Nusantara. The Nyeupah tradition in Sundanese society has long existed and it is proved by the existence of Jangjawokan regarding Nyeupah. Jangjawokan is a Sundanese poem which can be interpreted as containing archaic or ajimantra. This article has been written to analyze the Nyeupah tradition in Sundanese society with a three-pattern cosmological approach to be able to give deeper meaning dealing with this tradition.
{"title":"Analisis Kosmologi Pola Tiga dalam Tradisi Nyeupah pada Masyarakat Sunda","authors":"Ahda Yunia Sekar","doi":"10.33153/glr.v19i1.3509","DOIUrl":"https://doi.org/10.33153/glr.v19i1.3509","url":null,"abstract":"Nyeupah is a term in Sundanese society which means chewing betel leaves. Nyeupah itself has other terms such as nyirih for the Java area and Nginang for the Sumatra area. Consuming betel leaf has been done by our ancestors since the middle of 15th century, where the Chinese, Indians, Persians and Europeans had made transactions for herbs and spices in Nusantara. The Nyeupah tradition in Sundanese society has long existed and it is proved by the existence of Jangjawokan regarding Nyeupah. Jangjawokan is a Sundanese poem which can be interpreted as containing archaic or ajimantra. This article has been written to analyze the Nyeupah tradition in Sundanese society with a three-pattern cosmological approach to be able to give deeper meaning dealing with this tradition.","PeriodicalId":33299,"journal":{"name":"Gelar Jurnal Seni Budaya","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47593559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study discusses about the Russian ballet which is acculturated with the Nusantara culture in Indonesia. This research uses acculturation theory by Readfiled, Linton, and Herskovits in The Cambridge Handbook of Acculturation Psychology (2006). The purpose of this study is to identify how acculturation occurs in Russian ballet with Indonesian traditional dances and what influences it. This study uses a qualitative method that uses the literature study method, and is supported by interview techniques. The results of this study identified that acculturation occurs in one of the many works that combine Russian ballet with Nusantara dance and that experience can also affect the acculturation results of the work.
{"title":"Balet Rusia À La Indonesia: Sebuah Akulturasi Dalam Tari Kabaret Baliano Karya Rusdy Rukmarata","authors":"Yunda Kenanga Valindyputri","doi":"10.33153/GLR.V19I1.3285","DOIUrl":"https://doi.org/10.33153/GLR.V19I1.3285","url":null,"abstract":"This study discusses about the Russian ballet which is acculturated with the Nusantara culture in Indonesia. This research uses acculturation theory by Readfiled, Linton, and Herskovits in The Cambridge Handbook of Acculturation Psychology (2006). The purpose of this study is to identify how acculturation occurs in Russian ballet with Indonesian traditional dances and what influences it. This study uses a qualitative method that uses the literature study method, and is supported by interview techniques. The results of this study identified that acculturation occurs in one of the many works that combine Russian ballet with Nusantara dance and that experience can also affect the acculturation results of the work.","PeriodicalId":33299,"journal":{"name":"Gelar Jurnal Seni Budaya","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47921164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article discusses pancer in the Javanese traditional Javanese music presentation of the Surakarta style. The word pancer is also used in several Javanese philosophies of life. This paper tries to unravel the correlation of the concept of pancer in the life of the Javanese society with the Javanese traditional music of Surakarta style. In Javanese life, the concept of pancawara and saptawara are well known. Meanwhile, the Javanese karawitan of the Surakarta style uses the concept of five tones for sléndro and five tones for pélog although physically, in the pélog barrel it involves seven tones. The methods used in writing this article include literature study, musicology (karawitan) studies, social approaches, interviews, and observations as well as collecting several collections of recordings for analysis. In this case, the kempyung theory and the concept of Martopangrawit's tone strength as well as the pathet concept (biang pathet in the laras sléndro) by Sri Hastanto are used as analytical tools. The results of the analysis found that not all notes in karawitan can be used as pancer. Pancer in Javanese philosophy represents the life link of the Javanese people, while pancer in karawitan shows the character and the sense of gending.
本文讨论了爪哇传统爪哇音乐中舞舞的表现形式。在爪哇的一些生活哲学中也使用了pancer这个词。本文试图揭示爪哇社会生活中的“舞”概念与爪哇泗水传统音乐之间的关系。在爪哇人的生活中，pancawara和saptawara的概念是众所周知的。与此同时，爪哇的Surakarta风格的karawitan使用了slsamendro和psamenlog的5个音调的概念尽管在物理上，在psamenlog桶中它包含了7个音调。在撰写这篇文章时使用的方法包括文献研究，音乐学(卡拉维坦)研究，社会方法，访谈和观察，以及收集一些录音进行分析。在这种情况下，kempyung理论和Martopangrawit's tone strength的概念以及Sri Hastanto的pathet概念(在laras slaindro中的biang pathet)被用作分析工具。分析结果发现，并不是所有的卡拉维坦笔记都可以作为证据。爪哇哲学中的潘瑟代表了爪哇人的生活纽带，而卡拉维坦中的潘瑟则表现了性格和性别感。
{"title":"Permasalahan Pancer dalam Karawitan Jawa Gaya Surakarta","authors":"D. Purwanto","doi":"10.33153/glr.v19i1.3472","DOIUrl":"https://doi.org/10.33153/glr.v19i1.3472","url":null,"abstract":"This article discusses pancer in the Javanese traditional Javanese music presentation of the Surakarta style. The word pancer is also used in several Javanese philosophies of life. This paper tries to unravel the correlation of the concept of pancer in the life of the Javanese society with the Javanese traditional music of Surakarta style. In Javanese life, the concept of pancawara and saptawara are well known. Meanwhile, the Javanese karawitan of the Surakarta style uses the concept of five tones for sléndro and five tones for pélog although physically, in the pélog barrel it involves seven tones. The methods used in writing this article include literature study, musicology (karawitan) studies, social approaches, interviews, and observations as well as collecting several collections of recordings for analysis. In this case, the kempyung theory and the concept of Martopangrawit's tone strength as well as the pathet concept (biang pathet in the laras sléndro) by Sri Hastanto are used as analytical tools. The results of the analysis found that not all notes in karawitan can be used as pancer. Pancer in Javanese philosophy represents the life link of the Javanese people, while pancer in karawitan shows the character and the sense of gending.","PeriodicalId":33299,"journal":{"name":"Gelar Jurnal Seni Budaya","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48689990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The combination of puppetry and theater creates an alternative offering a new style of treatment in the form of contemporary theater called “Pakeliran Sampakan”. Pakeliran sampakan carries the mission of modernizing traditional art with the hope of being able to answer the public's saturation regarding spectacle that smells Indonesian culture, especially wayang kulit with the target market the young people. “Sang Panggung” is an adaptation of a story from “Nyi Panggung” written by Eko Tunas which tells about the life behind the scenes of the group of tobong Ketoprak Eka Mardhika. The results of the work represent the form of performances by the tobong ketoprak artists, with the story "Sang Panggung". Like the marginalized who are alienated because of their deposed honour by the outside culture, it needs an action by doing 'transmigration'. It doesn’t only mean moving from one island to another but also a change in the human mindset to be renewed towards the sophisticated technology of mass media, in order that traditional arts can always involve in the international competitions.
{"title":"Pakeliran Sampakan “Sang Panggung”","authors":"Sindhunata Gesit Widiharto, T. Santoso","doi":"10.33153/glr.v19i1.3534","DOIUrl":"https://doi.org/10.33153/glr.v19i1.3534","url":null,"abstract":"The combination of puppetry and theater creates an alternative offering a new style of treatment in the form of contemporary theater called “Pakeliran Sampakan”. Pakeliran sampakan carries the mission of modernizing traditional art with the hope of being able to answer the public's saturation regarding spectacle that smells Indonesian culture, especially wayang kulit with the target market the young people. “Sang Panggung” is an adaptation of a story from “Nyi Panggung” written by Eko Tunas which tells about the life behind the scenes of the group of tobong Ketoprak Eka Mardhika. The results of the work represent the form of performances by the tobong ketoprak artists, with the story \"Sang Panggung\". Like the marginalized who are alienated because of their deposed honour by the outside culture, it needs an action by doing 'transmigration'. It doesn’t only mean moving from one island to another but also a change in the human mindset to be renewed towards the sophisticated technology of mass media, in order that traditional arts can always involve in the international competitions. ","PeriodicalId":33299,"journal":{"name":"Gelar Jurnal Seni Budaya","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48230808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study explores the Maulud Lengger dance in the Suran ceremony. The problem is focused on discussing the form and function of the ritual. The problem of form is analyzed using Slamet MD's theory, while the problem of ritual function is analyzed using Soedarsono's theory. This research uses qualitative research methods. Data collection techniques were carried out by means of observation, interviews, and literature studies. The results of the study indicate that the Maulud Lengger dance has an important role in the implementation of the Suran ceremony, which is believed to have a major influence on the survival of the Gandu Village community. In terms of the form of the performance, this dance contains religious elements that can be seen from the poems that are played.
{"title":"Fungsi Ritual Tari Maulud Lengger Dalam Upacara Suran Di Desa Gandu Kecamatan Tembarak Kabupaten Temanggung","authors":"Anim Kartika Dilla, Slamet Md","doi":"10.33153/glr.v19i1.3287","DOIUrl":"https://doi.org/10.33153/glr.v19i1.3287","url":null,"abstract":"This study explores the Maulud Lengger dance in the Suran ceremony. The problem is focused on discussing the form and function of the ritual. The problem of form is analyzed using Slamet MD's theory, while the problem of ritual function is analyzed using Soedarsono's theory. This research uses qualitative research methods. Data collection techniques were carried out by means of observation, interviews, and literature studies. The results of the study indicate that the Maulud Lengger dance has an important role in the implementation of the Suran ceremony, which is believed to have a major influence on the survival of the Gandu Village community. In terms of the form of the performance, this dance contains religious elements that can be seen from the poems that are played. ","PeriodicalId":33299,"journal":{"name":"Gelar Jurnal Seni Budaya","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42550528","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study aims to determine the value of character education contained in the meaning of the variety of movements Mayang Rontek Dance Mojokerto district. This research is a qualitative research with a descriptive approach. The object of this study is the variety of movements Mayang Rontek Dance. The data source of this research was obtained from primary data sources, namely the results of observing the variety of movements of Mayang Rontek Dance through video of Mayang Rontek DIYoutube, as well as secondary data sources obtained from the collection of journals, books on Mayang Rontek Dance, and other documents containing analysis of research conducted. Data collection techniques through literature study. Literature study is conducted to obtain existing data, either in the form of photos, videos or other documents related to the research object to be examined. Analysis techniques include analyzing data, presenting data, and concluding. The results of the various movements of the Mayang Rontek Dance show that this dance contains the value of character education which is depicted in various movements of the Mayang Rontek Dance. Some of the various movements include Melampah Songgo Nompo, bukak nggawar kanan dan kiri, mlampah ngloro, mentang nggawar, nogo mangap, mlampah prapatan, kencrongan, bedhayan gajah oling, tmpang tali jombangan, dan lembeyan. The meaning of the movement consists of: 1) About sincerity and gratitude to God Almighty, 2) about human problems and their resolution, 3) about human life will not always be smooth, and 4) about humans having good, bad, and own attitudes lust.
本研究旨在确定马阳龙泰舞Mojokerto区各种动作所包含的品格教育价值意义。本研究为定性研究，采用描述性研究方法。本研究的对象是马阳龙舞的各种动作。本研究的数据来源来源于一手数据来源，即通过马扬龙腾DIYoutube视频观察马扬龙腾舞蹈各种动作的结果;二手数据来源来源于马扬龙腾舞蹈的期刊、书籍和其他包含研究分析的文件。通过文献研究的数据收集技术。文献研究法是为了获得现有的资料，可以是照片、视频或其他与研究对象相关的文件。分析技术包括分析数据、呈现数据和得出结论。马扬龙舞的各种动作的结果表明，马扬龙舞包含了性格教育的价值，这种价值体现在马扬龙舞的各种动作中。一些不同的动作包括Melampah Songgo Nompo, bukak nggawar kanan dan kiri, mlampah ngloro, mentang nggawar, nogo mangap, mlampah prapatan, kencrongan, bedhayan gajah oling, tmpang tali jombangan, dan lembeyan。该运动的意义包括:1)对全能的上帝的真诚和感激;2)人类的问题及其解决;3)人类的生活并不总是一帆风顺的;4)人类有好有坏，有自己的态度。
{"title":"Nilai Pendidikan Karakter dalam Ragam Gerak Tari Mayang Rontek Kabupaten Mojokerto","authors":"Leni Nur Halita","doi":"10.33153/GLR.V18I2.3057","DOIUrl":"https://doi.org/10.33153/GLR.V18I2.3057","url":null,"abstract":"This study aims to determine the value of character education contained in the meaning of the variety of movements Mayang Rontek Dance Mojokerto district. This research is a qualitative research with a descriptive approach. The object of this study is the variety of movements Mayang Rontek Dance. The data source of this research was obtained from primary data sources, namely the results of observing the variety of movements of Mayang Rontek Dance through video of Mayang Rontek DIYoutube, as well as secondary data sources obtained from the collection of journals, books on Mayang Rontek Dance, and other documents containing analysis of research conducted. Data collection techniques through literature study. Literature study is conducted to obtain existing data, either in the form of photos, videos or other documents related to the research object to be examined. Analysis techniques include analyzing data, presenting data, and concluding. The results of the various movements of the Mayang Rontek Dance show that this dance contains the value of character education which is depicted in various movements of the Mayang Rontek Dance. Some of the various movements include Melampah Songgo Nompo, bukak nggawar kanan dan kiri, mlampah ngloro, mentang nggawar, nogo mangap, mlampah prapatan, kencrongan, bedhayan gajah oling, tmpang tali jombangan, dan lembeyan. The meaning of the movement consists of: 1) About sincerity and gratitude to God Almighty, 2) about human problems and their resolution, 3) about human life will not always be smooth, and 4) about humans having good, bad, and own attitudes lust.","PeriodicalId":33299,"journal":{"name":"Gelar Jurnal Seni Budaya","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42796681","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Tugas akhir ini merupakan suatu penggambaran gagasaan imajinasi dalam bentu karya seni lukis, yang terinspirasi dari Anjing. Permasalahan yang dibahas dalam tugas akhir ini yaitu 1) Apa pemahaman tentang Anjing 2) Mengapa Anjing menjadi sumber ide dalam penciptaan karya seni lukis 3) Bagaimana memvisualisasikan tema anjing dalam penciptaan secara maksimal untuk diwujudkan dalam seni lukis. Dalam karya tugas ini berisi konsep karya seni lukis yang bertolak dari pengamatan terhadap nilai-nilai positif ang dimiliki hewan anjing. Anjing adalah binatang yang setia, jujur, dan patuh makanya banyak manusia yang menjadikan anjing sebagai bintang peliharaan. Namun disisi lain anjing mempunyai nilai negatif disebagian kalangan manusia, karena anjing itu dinilai kotor, najis dan haram bahkan namanya juga dijadikan sebagai ucapan untuk mencemooh dan umpatan. Padahal banyak niali-nilai positif yang bisa diambil dari binatang anjing sebagai pelajaran hidup bagi manusia. Nilai-nilai positif pada anjing ini menjadikan sebuah inspirasi untuk diimplementaasikan menjadi sebuah karya seni lukis dua dimensi.
{"title":"Anjing Sebagai Sumber Ide dalam Penciptaan Karya Seni Lukis","authors":"A. Faqihudin, Narsen Afatara","doi":"10.33153/GLR.V18I2.3194","DOIUrl":"https://doi.org/10.33153/GLR.V18I2.3194","url":null,"abstract":"Tugas akhir ini merupakan suatu penggambaran gagasaan imajinasi dalam bentu karya seni lukis, yang terinspirasi dari Anjing. Permasalahan yang dibahas dalam tugas akhir ini yaitu 1) Apa pemahaman tentang Anjing 2) Mengapa Anjing menjadi sumber ide dalam penciptaan karya seni lukis 3) Bagaimana memvisualisasikan tema anjing dalam penciptaan secara maksimal untuk diwujudkan dalam seni lukis. Dalam karya tugas ini berisi konsep karya seni lukis yang bertolak dari pengamatan terhadap nilai-nilai positif ang dimiliki hewan anjing. Anjing adalah binatang yang setia, jujur, dan patuh makanya banyak manusia yang menjadikan anjing sebagai bintang peliharaan. Namun disisi lain anjing mempunyai nilai negatif disebagian kalangan manusia, karena anjing itu dinilai kotor, najis dan haram bahkan namanya juga dijadikan sebagai ucapan untuk mencemooh dan umpatan. Padahal banyak niali-nilai positif yang bisa diambil dari binatang anjing sebagai pelajaran hidup bagi manusia. Nilai-nilai positif pada anjing ini menjadikan sebuah inspirasi untuk diimplementaasikan menjadi sebuah karya seni lukis dua dimensi.","PeriodicalId":33299,"journal":{"name":"Gelar Jurnal Seni Budaya","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47629985","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Kampung wisata Batik Kembang Turi merupakan salah satu perwujudan kepedulian pemerintah Kota Blitar dalam upaya pelestarian tradisi batik dan meningkatkan perekonomian masyarakat. Berdiri tahun 2018, Kampung Wisata ini diharapkan menjadi salah satu pusat pariwisata dimana produk kain batik menjadi daya tarik utamanya. Pada kajian ini memaparkan tentang sejarah pendirian kampung wisata Batik Kembang Turi, ciri khas batik dan motif serta filosofi yang terkandung didalamnya, juga menjelaskan tahapan proses membatik yang dilakukan oleh masyarakat setempat. Kajian ini dilakukan dengan melakukan studi literatur pada pustaka batik, observasi ke kampung wisata Batik Kembang Turi dan wawancara langsung kepada pemilik dan asosiasi Batik di Blitar. Pada penelitian mengungkapkan bahwa Kampung Wisata Batik kembang Turi Blitar sudah memproduksi sekitar 15 motif batik ciri khas salah satunya adalah Batik Turi Kuncup. Menggunakan berbagai teknik batik, yaitu batik tulis, batik cap, dan teknik remekan. Pada proses pewarnaan batik menggunakan pewarna sintetis dan pewarna alam. Tujuan penelitian ini adalah untuk mengungkapkan potensi Kampung Wisata Batik Kembang Turi untuk dapat dijadikan rujukan peneliti dan desainer sebagai acuan dalam mengembangkan produk batik kedepannya.Kata kunci : Batik, Blitar,Kembang Turi, Motif
{"title":"Kajian Perkembangan Kampung Wisata Batik Kembang Turi Blitar","authors":"Nofita Sari","doi":"10.33153/GLR.V18I2.3176","DOIUrl":"https://doi.org/10.33153/GLR.V18I2.3176","url":null,"abstract":"Kampung wisata Batik Kembang Turi merupakan salah satu perwujudan kepedulian pemerintah Kota Blitar dalam upaya pelestarian tradisi batik dan meningkatkan perekonomian masyarakat. Berdiri tahun 2018, Kampung Wisata ini diharapkan menjadi salah satu pusat pariwisata dimana produk kain batik menjadi daya tarik utamanya. Pada kajian ini memaparkan tentang sejarah pendirian kampung wisata Batik Kembang Turi, ciri khas batik dan motif serta filosofi yang terkandung didalamnya, juga menjelaskan tahapan proses membatik yang dilakukan oleh masyarakat setempat. Kajian ini dilakukan dengan melakukan studi literatur pada pustaka batik, observasi ke kampung wisata Batik Kembang Turi dan wawancara langsung kepada pemilik dan asosiasi Batik di Blitar. Pada penelitian mengungkapkan bahwa Kampung Wisata Batik kembang Turi Blitar sudah memproduksi sekitar 15 motif batik ciri khas salah satunya adalah Batik Turi Kuncup. Menggunakan berbagai teknik batik, yaitu batik tulis, batik cap, dan teknik remekan. Pada proses pewarnaan batik menggunakan pewarna sintetis dan pewarna alam. Tujuan penelitian ini adalah untuk mengungkapkan potensi Kampung Wisata Batik Kembang Turi untuk dapat dijadikan rujukan peneliti dan desainer sebagai acuan dalam mengembangkan produk batik kedepannya.Kata kunci : Batik, Blitar,Kembang Turi, Motif","PeriodicalId":33299,"journal":{"name":"Gelar Jurnal Seni Budaya","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46588348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
M.Sn Ferdinanda, Elianna Gerda Pertiwi, R. I. Suryani
Dalam stastistik Kebudayaan Indonesia tahun 2019, memaparkan bahwa Indonesia memiliki 2.744 warisan budaya benda, 819 Warisan budaya tak benda, dan 2700 kesenian yang tersebar dalam 34 provinsi. Dari sekian banyak kebudayaan yang ada di Indonesia, dalam tulisan ini penulis akan berfokus pada kebudayaan yang terdapat di daerah Banyumas. Dinas Kepemudaan Olahraga Kebudayaan dan Pariwisata (Dinporabudpar) Banyumas meliris beberapa kesenian asli Bayumas yang terancam punah, yaitu: Gondolio, Tari Buncis, Dhalang Jemblung, Sintren, Rengkong, Cepetan, Rinding, dan Baritan. Sumber ide penciptaan dalam karya film dokumenter berjudul Nguri-uri Banyumasan ini berupa kebudayaan asli Banyumas yang terancam punah. Proses pembuatan film ini dilakukan melalui tiga tahap, yaitu pra produksi, Produksi dan Pasca Produksi. Film Dokumenter ini mendeskripsikan beberapa budaya tradisional Banyumas yang terancan punah, dengan tujuan menyediakan alternatif media informasi dalam bentuk digital. Hal ini dilakukan sebagai upaya pelestarian kebudayaan tradisional Banyumas dari kepunahan.
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I. W. Dedy Prayatna, Hendra Santosa, Tjok Istri Ratna Cora
Kain tenun Gotya merupakan salah satu kain tradisional di Desa Adat Tenganan Pegringsingan. Keunikan kain tenun Gotya sebagai karya kain tenun yait dengan motif garis 2.1.2.1 berwarna hitam dengan arah horizontal dan vertikal dengan di dasari warna putih, sehingga kain Gotya memiliki kualitas, nilai estetis. Diperlukan penyusunan prinsip desain untuk menghindari kemonotonan dan kekacau-balauan ke dalam sebuah karya seni. Prinsip keseimbangan dan keselarasan juga sangat diperhatikan dalam proses pembuatan kain tenun gothia mulai dari penyusunan warna dan motif sehingga menibulkan tekstur, hal tersebut bertujuan agar kain tenun gothia dapat enak dilihat, bersifat tenang, tidak berat sebelah. Tujuan dari penulisan ini adalah untuk menganalisa pengelolaan prinsip keseimbangan dan keselarasan dalam kain tenun Gotya. Permasalahan yang dibahas adalah Bagiamana struktur keseimbangan dan keselarasan dalam kain tenun Gotya? Metode yang digunakan adalah metode penelitian kualitatif. pengumpulan data meliputi Interviu, observasi dan kepustakaan. Hasil menunjukan bahwa Keseimbangan yang diterapkan adalah keseimbangan formal, terlihat dari penerapan garis, warna, ukuran pada kain dengan kesamaan ukuran yang seimbang antar bagian yang lainnya. Keselarasan dicapai dengan mengadakan pengulangan warna dan garis pada motif kain tenun.
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