Pub Date : 2020-12-27DOI: 10.17398/2660-714x.40.73
Yolanda Fernández Muñoz, Alicia Díaz Mayordomo
El grupo de investigación «Extremadura y América» de la Universidad de Extremadura, presenta el proyecto Monumenta Iconográfica Américana: La imagen de América en las artes europeas e iberoamericanas, para crear un gran banco de imágenes sobre la iconografía de la imagen de América en los tiempos de la modernidad y la contemporaneidad, mediante el trabajo de búsqueda, recopilación y análisis de diferentes acervos documentales y bibliográficos nacionales e internacionales. El repertorio iconográfico ocupará desde las cartas ilustradas de Colón impresas en 1493 hasta la imagen del continente americano que se ha dado en el arte, el cine, la prensa gráfica y en los mass media del siglo XX, haciendo especial hincapié en la imagen de la mujer en todos los apartados.
{"title":"Monumenta Iconográfica Americana: la imagen de América en las artes europeas e iberoamericanas","authors":"Yolanda Fernández Muñoz, Alicia Díaz Mayordomo","doi":"10.17398/2660-714x.40.73","DOIUrl":"https://doi.org/10.17398/2660-714x.40.73","url":null,"abstract":"El grupo de investigación «Extremadura y América» de la Universidad de Extremadura, presenta el proyecto Monumenta Iconográfica Américana: La imagen de América en las artes europeas e iberoamericanas, para crear un gran banco de imágenes sobre la iconografía de la imagen de América en los tiempos de la modernidad y la contemporaneidad, mediante el trabajo de búsqueda, recopilación y análisis de diferentes acervos documentales y bibliográficos nacionales e internacionales. El repertorio iconográfico ocupará desde las cartas ilustradas de Colón impresas en 1493 hasta la imagen del continente americano que se ha dado en el arte, el cine, la prensa gráfica y en los mass media del siglo XX, haciendo especial hincapié en la imagen de la mujer en todos los apartados.","PeriodicalId":33881,"journal":{"name":"Norba Arte","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68169648","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-27DOI: 10.17398/2660-714X.40.129
Sagrario López Poza, Nieves Pena Sueiro
Symbola es una base de datos y biblioteca digital destinada a recopilar el mayor número posible de divisas o empresas históricas que usaron reyes, caballeros, damas, eclesiásticos, académicos, impresores, etc. entre los siglos XIV y XVII, tanto en el ámbito español como internacional. Se ofrece como una aplicación de acceso gratuito a través de Internet junto con otros recursos creados por el mismo grupo de investigación (SIELAE-Grupo Hispania, de la Universidade da Coruña –España–) con financiación del programa estatal I + D de España (proyectos BIDISO 5 y BIDISO 6). Este artículo expone la motivación del planteamiento del proyecto, objetivos, las especificaciones para el diseño conceptual de la base de datos y detalles sobre el desarrollo de la herramienta web de gestión y la interfaz web de consulta.
{"title":"SYMBOLA, base de datos de divisas o empresas históricas. Un recurso sobre cultura visual, literatura e historia en internet","authors":"Sagrario López Poza, Nieves Pena Sueiro","doi":"10.17398/2660-714X.40.129","DOIUrl":"https://doi.org/10.17398/2660-714X.40.129","url":null,"abstract":"Symbola es una base de datos y biblioteca digital destinada a recopilar el mayor número posible de divisas o empresas históricas que usaron reyes, caballeros, damas, eclesiásticos, académicos, impresores, etc. entre los siglos XIV y XVII, tanto en el ámbito español como internacional. Se ofrece como una aplicación de acceso gratuito a través de Internet junto con otros recursos creados por el mismo grupo de investigación (SIELAE-Grupo Hispania, de la Universidade da Coruña –España–) con financiación del programa estatal I + D de España (proyectos BIDISO 5 y BIDISO 6). Este artículo expone la motivación del planteamiento del proyecto, objetivos, las especificaciones para el diseño conceptual de la base de datos y detalles sobre el desarrollo de la herramienta web de gestión y la interfaz web de consulta.","PeriodicalId":33881,"journal":{"name":"Norba Arte","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49053271","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-27DOI: 10.17398/2660-714X.40.157
Fernando Moreno Cuadro
Se presenta el proyecto de iconografía teresiana que he llevado a cabo en las tres últimas décadas, partiendo del deseo de conocer los temas y tipos iconográficos de una de las mujeres más importantes en la Historia de la Iglesia, la fundadora del Carmelo teresiano, a la que se han dedicado numerosas representaciones artísticas, lo que hizo que la tarea no fuera fácil por el ingente material a examinar que, finalmente, se ha dado a conocer a la comunidad científica en cuatro volúmenes que recogen los objetivos planteados, La herencia del espíritu de Elías (2016) que incardina a la reformadora en el Carmelo de la antigua observancia, Las series grabadas (2017) que permitían la trasmisión de temas y tipos, que se abordan en el tercer volumen De las visiones a la vida cotidiana (2018), para concluir con la Iconografía de los reformadores descalzos y la estampa alegórica (2919).
{"title":"Iconografía de Santa Teresa","authors":"Fernando Moreno Cuadro","doi":"10.17398/2660-714X.40.157","DOIUrl":"https://doi.org/10.17398/2660-714X.40.157","url":null,"abstract":"Se presenta el proyecto de iconografía teresiana que he llevado a cabo en las tres últimas décadas, partiendo del deseo de conocer los temas y tipos iconográficos de una de las mujeres más importantes en la Historia de la Iglesia, la fundadora del Carmelo teresiano, a la que se han dedicado numerosas representaciones artísticas, lo que hizo que la tarea no fuera fácil por el ingente material a examinar que, finalmente, se ha dado a conocer a la comunidad científica en cuatro volúmenes que recogen los objetivos planteados, La herencia del espíritu de Elías (2016) que incardina a la reformadora en el Carmelo de la antigua observancia, Las series grabadas (2017) que permitían la trasmisión de temas y tipos, que se abordan en el tercer volumen De las visiones a la vida cotidiana (2018), para concluir con la Iconografía de los reformadores descalzos y la estampa alegórica (2919).","PeriodicalId":33881,"journal":{"name":"Norba Arte","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49636232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-27DOI: 10.17398/2660-714x.40.113
Pedro Germano Leal
This white paper briefly outlines two co-dependent research initiatives: ‘Global Emblems’ and ‘Transmission and Intermediality: the impact of the emblematic culture in Ibero-America’. Both projects are in their initial stage of development, at Brown University. ▪ ‘Global Emblems’ is set to map, document and study the presence of emblems in material culture, around the world, and cross-link these occurrences with pre-existing digital collections of emblem books. The database will be fed by an international network of specialists, which is already active, with members in over ten countries and the support of the Society for Emblem Studies. The platform will allow searches by concepts (using Iconclass classification system) and a number of locations will allow users to ‘visit’ them through Virtual Reality (360 annotated photos). The database will be systematically studied through ‘thematic clusters’. Although at first glance the focus on emblems may seem narrow, emblems have a broad geographical and historical spread, which can be traced, and that provides the necessary data for the kind of analytical and interpretative study required in the second research initiative, which illustrates the importance of emblems within the wider frame of Latin American cultural history. ▪ ‘Transmission and Intermediality: the impact of the emblematic culture on the Early Americas’ will analyse the data from ‘Global Emblems’ in order to understand the role of emblems in the colonial process in the Americas. More specifically, this project will look at the ‘pictorial dispute’ in the New World, by examining the ‘pictorial turn’ from the ‘catecismos jeroglíficos’ to the displayed emblems in the 17th-century (many of them resulting from the remediation of European prints), and the ideological, political and sociological implications around the presence of these emblems in buildings and early-modern festivals.
{"title":"‘Global Emblems’ and ‘Transmission and Intermediality: the impact of the emblematic culture on the early Americas’","authors":"Pedro Germano Leal","doi":"10.17398/2660-714x.40.113","DOIUrl":"https://doi.org/10.17398/2660-714x.40.113","url":null,"abstract":"This white paper briefly outlines two co-dependent research initiatives: ‘Global Emblems’ and ‘Transmission and Intermediality: the impact of the emblematic culture in Ibero-America’. Both projects are in their initial stage of development, at Brown University. \u0000▪ ‘Global Emblems’ is set to map, document and study the presence of emblems in material culture, around the world, and cross-link these occurrences with pre-existing digital collections of emblem books. The database will be fed by an international network of specialists, which is already active, with members in over ten countries and the support of the Society for Emblem Studies. The platform will allow searches by concepts (using Iconclass classification system) and a number of locations will allow users to ‘visit’ them through Virtual Reality (360 annotated photos). The database will be systematically studied through ‘thematic clusters’. \u0000Although at first glance the focus on emblems may seem narrow, emblems have a broad geographical and historical spread, which can be traced, and that provides the necessary data for the kind of analytical and interpretative study required in the second research initiative, which illustrates the importance of emblems within the wider frame of Latin American cultural history. \u0000▪ ‘Transmission and Intermediality: the impact of the emblematic culture on the Early Americas’ will analyse the data from ‘Global Emblems’ in order to understand the role of emblems in the colonial process in the Americas. More specifically, this project will look at the ‘pictorial dispute’ in the New World, by examining the ‘pictorial turn’ from the ‘catecismos jeroglíficos’ to the displayed emblems in the 17th-century (many of them resulting from the remediation of European prints), and the ideological, political and sociological implications around the presence of these emblems in buildings and early-modern festivals.","PeriodicalId":33881,"journal":{"name":"Norba Arte","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68169509","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-27DOI: 10.17398/2660-714x.40.203
Bárbara Skinfill Nogal
El objetivo de este trabajo es dar a conocer el proyecto de traducción y edición de la enciclopedia de emblemas e imprese Mundus Symbolicus de Filippo Picinelli que se lleva a cabo en el Centro de Estudios de las Tradiciones de El Colegio de Michoacán. Así, la traducción permitirá al lector moderno y, en especial, a los historiadores del arte descifrar los significados latentes de los símbolos empleados en la producción plástica y literaria, así como en diversos espacios culturales en donde floreció la emblemática.
这项工作的目的是让人们了解菲利波·皮奇内利(Filippo Picinelli)的《象征百科全书》(encyclopedia de emblemas e imprese Mundus Symbolicus)的翻译和编辑项目，该项目正在米却肯学院传统研究中心进行。因此，翻译将使现代读者，特别是艺术史学家，能够破译在造型和文学生产中使用的符号的潜在意义，以及在象征主义繁荣的各种文化空间中使用的符号。
{"title":"Proyecto de traducción del MUNDUS SYMBOLICUS de Filippo Picinelli en el Centro de Estudios de las Tradiciones del Colegio de Michoacán","authors":"Bárbara Skinfill Nogal","doi":"10.17398/2660-714x.40.203","DOIUrl":"https://doi.org/10.17398/2660-714x.40.203","url":null,"abstract":"El objetivo de este trabajo es dar a conocer el proyecto de traducción y edición de la enciclopedia de emblemas e imprese Mundus Symbolicus de Filippo Picinelli que se lleva a cabo en el Centro de Estudios de las Tradiciones de El Colegio de Michoacán. Así, la traducción permitirá al lector moderno y, en especial, a los historiadores del arte descifrar los significados latentes de los símbolos empleados en la producción plástica y literaria, así como en diversos espacios culturales en donde floreció la emblemática.","PeriodicalId":33881,"journal":{"name":"Norba Arte","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68169585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-18DOI: 10.17398/2660-714x.39.209
Juan Agustín Mancebo Roca
Angiolo Mazzoni, an Italian architect in the inter-war period, was linked to Futurism and Novecento from a workload that was an extension of the political regime. His most well-known piece, the Thermal Station in Santa Maria Novella was a consolation prize that came from the controversy that his project, Santa Maria Novella Station, suscitated in Florence (1929). Based on the Futuristic and Constructivist aspects of the Thermal Station, Mazzonis' work acquired a Novecentist tone, metaphysical even, following painters like De Chirico, Carlo Carra and Mario Sironi. His works were a reflection of the political and cultural landscape, like Calambrone (1925-26), the designs for post offices made between 1925 and 1935, as well as his work for Ferrovie dello Stato. Those projects made him one of the architects that translated fascist aesthetics into its buildings, creating an iconography linked to the political power in Mussolini's Italy. This lecture will be centered around Mazzoni's styles, his relationships with the metaphysical artists, his contributions to Futurist, as well as the links between this architectural style and Aldo Rossi's, or Massimo Scolari's, where the different projects and buildings are related to the big financial and cultural corporations of their time.
在两次世界大战期间，意大利建筑师Angiolo Mazzoni与未来主义和Novecento联系在一起，因为他的工作是政治制度的延伸。他最著名的作品《Santa Maria Novella的热力站》是一个安慰奖，它来自于他的作品《Santa Maria Novella Station》(1929年)在佛罗伦萨的失败引起的争议。基于热站的未来主义和构成主义，Mazzonis的作品继承了De Chirico, Carlo Carra和Mario Sironi等画家的风格，获得了新主义的基调，甚至是形而上学的基调。他的作品反映了政治和文化景观，比如《Calambrone》(1925-26)，1925年至1935年间的邮局设计，以及他为Ferrovie dello Stato设计的作品。这些项目使他成为将法西斯美学融入建筑的建筑师之一，创造了一种与墨索里尼统治下的意大利政治权力联系在一起的形象。本讲座将围绕马佐尼的风格，他与形而上学艺术家的关系，他对未来主义的贡献，以及这种建筑风格与阿尔多·罗西或马西莫·斯科拉里的建筑风格之间的联系，不同的项目和建筑与当时的大型金融和文化公司有关。
{"title":"Angiolo Mazzoni: la estética mussoliniana aplicada a la arquitectura estatal. Relaciones con las artes plásticas y reminiscencias en la arquitectura de la ciudad contemporánea","authors":"Juan Agustín Mancebo Roca","doi":"10.17398/2660-714x.39.209","DOIUrl":"https://doi.org/10.17398/2660-714x.39.209","url":null,"abstract":"Angiolo Mazzoni, an Italian architect in the inter-war period, was linked to Futurism and Novecento from a workload that was an extension of the political regime. His most well-known piece, the Thermal Station in Santa Maria Novella was a consolation prize that came from the controversy that his project, Santa Maria Novella Station, suscitated in Florence (1929). Based on the Futuristic and Constructivist aspects of the Thermal Station, Mazzonis' work acquired a Novecentist tone, metaphysical even, following painters like De Chirico, Carlo Carra and Mario Sironi. His works were a reflection of the political and cultural landscape, like Calambrone (1925-26), the designs for post offices made between 1925 and 1935, as well as his work for Ferrovie dello Stato. Those projects made him one of the architects that translated fascist aesthetics into its buildings, creating an iconography linked to the political power in Mussolini's Italy. This lecture will be centered around Mazzoni's styles, his relationships with the metaphysical artists, his contributions to Futurist, as well as the links between this architectural style and Aldo Rossi's, or Massimo Scolari's, where the different projects and buildings are related to the big financial and cultural corporations of their time.","PeriodicalId":33881,"journal":{"name":"Norba Arte","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45827623","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-18DOI: 10.17398/2660-714x.39.273
A. E. F. Galán
The research addresses a number of electronic proposals from the second decade of the 21st Century that absorb a wide range of African genres.
这项研究涉及21世纪第二个十年的一些电子提案，这些提案吸收了广泛的非洲流派。
{"title":"El latido electrónico africano en la segunda década del siglo XXI","authors":"A. E. F. Galán","doi":"10.17398/2660-714x.39.273","DOIUrl":"https://doi.org/10.17398/2660-714x.39.273","url":null,"abstract":"The research addresses a number of electronic proposals from the second decade of the 21st Century that absorb a wide range of African genres.","PeriodicalId":33881,"journal":{"name":"Norba Arte","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45133815","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-18DOI: 10.17398/2660-714x.39.111
C. Adams
Hotel construction in Spain, in the late 50s of the 20th century, shows a clear commitment to functionalism and modernity. It is evidenced - through the National Architecture Magazine published in Madrid - that tourism architecture is attached at this stage to the international trends of the moment. This is also evident by the appearance of Spanish examples in European catalogs, among hotels of renowned architectural quality from other countries. Modernity also understood as functional sobriety in the exteriors; what hires with interiors where he recreates a luxurious taste Deco. Thus, avant-garde trends are present in Spain since postwar period, which demonstrates that regressions of the Autarchy did not prevent the maintenance of an innovative line in the national architecture that came from the previous stage.
{"title":"La construcción hotelera en la España del final de la autarquía. Una aproximación a través de la Revista Nacional de Arquitectura","authors":"C. Adams","doi":"10.17398/2660-714x.39.111","DOIUrl":"https://doi.org/10.17398/2660-714x.39.111","url":null,"abstract":"Hotel construction in Spain, in the late 50s of the 20th century, shows a clear commitment to functionalism and modernity. It is evidenced - through the National Architecture Magazine published in Madrid - that tourism architecture is attached at this stage to the international trends of the moment. This is also evident by the appearance of Spanish examples in European catalogs, among hotels of renowned architectural quality from other countries. Modernity also understood as functional sobriety in the exteriors; what hires with interiors where he recreates a luxurious taste Deco. Thus, avant-garde trends are present in Spain since postwar period, which demonstrates that regressions of the Autarchy did not prevent the maintenance of an innovative line in the national architecture that came from the previous stage.","PeriodicalId":33881,"journal":{"name":"Norba Arte","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43172875","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
El presente artículo estudia la figura del escultor Diego de Gamboa, reuniendo los pocos datos que de él se conocen y aportando algunos desconocidos relativos a su biografía. También se analiza el estilo, que parte del romanismo miguelangelesco aprendido con Gregorio Español, todavía imperante en la diócesis de Astorga durante el primer tercio del siglo XVII, para meterse de lleno en el barroco, posiblemente debido a un contacto con el escultor Gregorio Fernández en Valladolid. Por último se dan a conocer nuevas obras en la provincia de León y Zamora que suponen hitos cronológicos en su trayectoria artística.
{"title":"Diego de Gamboa (Act. 1612-1637), escultor entre el Romanismo y el Barroco: Estilo y nuevas obras","authors":"Rubén Fernández Mateos","doi":"10.18002/da.v0i18.5907","DOIUrl":"https://doi.org/10.18002/da.v0i18.5907","url":null,"abstract":"El presente artículo estudia la figura del escultor Diego de Gamboa, reuniendo los pocos datos que de él se conocen y aportando algunos desconocidos relativos a su biografía. También se analiza el estilo, que parte del romanismo miguelangelesco aprendido con Gregorio Español, todavía imperante en la diócesis de Astorga durante el primer tercio del siglo XVII, para meterse de lleno en el barroco, posiblemente debido a un contacto con el escultor Gregorio Fernández en Valladolid. Por último se dan a conocer nuevas obras en la provincia de León y Zamora que suponen hitos cronológicos en su trayectoria artística.","PeriodicalId":33881,"journal":{"name":"Norba Arte","volume":"65 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75530570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Con el fin de contribuir al conocimiento del desarrollo disciplinar de la Historia del Arte en España, proponemos un análisis sobre el descubrimiento de una obra del pintor Diego Velázquez, el Retrato de Cristóbal Suárez de Ribera. Este suceso acaecido a comienzos del siglo XX nos permite comprender el desarrollo y evolución de los estudios histórico-artísticos en nuestro país y el papel fundamental que en él tuvieron los historiadores del arte procedentes de Alemania.
在这篇文章中，我们分析了西班牙艺术史的学科发展，并提出了对迭戈velazquez作品的发现的分析，cristobal suarez de Ribera的肖像。这一事件发生在20世纪初，让我们了解了我国历史艺术研究的发展和演变，以及来自德国的艺术史学家在其中所起的重要作用。
{"title":"\"El pintor monogramista\": controversia historiográfica en torno al Retrato de Cristóbal Suárez de Ribera de Velázquez","authors":"Carmen De Tena Ramírez","doi":"10.18002/da.v0i18.5482","DOIUrl":"https://doi.org/10.18002/da.v0i18.5482","url":null,"abstract":"Con el fin de contribuir al conocimiento del desarrollo disciplinar de la Historia del Arte en España, proponemos un análisis sobre el descubrimiento de una obra del pintor Diego Velázquez, el Retrato de Cristóbal Suárez de Ribera. Este suceso acaecido a comienzos del siglo XX nos permite comprender el desarrollo y evolución de los estudios histórico-artísticos en nuestro país y el papel fundamental que en él tuvieron los historiadores del arte procedentes de Alemania.","PeriodicalId":33881,"journal":{"name":"Norba Arte","volume":"42 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80670351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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