Pub Date : 2019-04-12DOI: 10.31471/2304-7402-2019-3(55)-303-308
V. I. Nytspol
Thе article focuses on the study of nonverbal behavior of serial killer characters, including prosodic communicative components. Research is carried out on the material of the American thrillers of the XX century, including Robert Bloch’s trilogy «Psycho», «Psycho II» and «Psycho House», B. E. Ellis «American psycho», S. King «Misery», T. Harris «The silence of the lambs», P. Highmith «The Talented Mr. Ripley» and J. Paterson «Along Came a Spider». Prosodic components such as coughing, speech errors, pauses are analysed. Findings show that coughing is aimed at attracting attention; speech errors point to the discrepancy between the words and thoughts of the serial killer characters; pauses are used to increase the time for reflection before the next statement. The combination of prosodic component with other non-verbal elements, as well as its interaction with verbal components is studied.
{"title":"PROSODIC COMMUNICATIVE COMPONENTS OF NON-VERBAL BEHAVIOUR OF THE SERIAL KILLER CHARACTERS IN THE AMERICAN PROSE OF THE XX CENTURY","authors":"V. I. Nytspol","doi":"10.31471/2304-7402-2019-3(55)-303-308","DOIUrl":"https://doi.org/10.31471/2304-7402-2019-3(55)-303-308","url":null,"abstract":"Thе article focuses on the study of nonverbal behavior of serial killer characters, including prosodic communicative components. Research is carried out on the material of the American thrillers of the XX century, including Robert Bloch’s trilogy «Psycho», «Psycho II» and «Psycho House», B. E. Ellis «American psycho», S. King «Misery», T. Harris «The silence of the lambs», P. Highmith «The Talented Mr. Ripley» and J. Paterson «Along Came a Spider». Prosodic components such as coughing, speech errors, pauses are analysed. Findings show that coughing is aimed at attracting attention; speech errors point to the discrepancy between the words and thoughts of the serial killer characters; pauses are used to increase the time for reflection before the next statement. The combination of prosodic component with other non-verbal elements, as well as its interaction with verbal components is studied.","PeriodicalId":338851,"journal":{"name":"PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125092614","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-04-12DOI: 10.31471/2304-7402-2019-3(55)-184-191
V. V. K. Konkulovskyy, V. Panchenko, V. V. Savchyshyn
The article outlines the peculiarities of humor of the original cinematic texts in «Brooklyn 9-9» series and their translation, as well as analyzes the most typical errors and causes of their occurrence. The «Brooklyn 9-9» series is full of jokes that can be classified as dark or so-called black humor. In the cinematic discourse films filled with such kind of humor are called black comedies. The latter is well-deservedly considered to be one of the most difficult genres of cinema. It is iconic for black comedies to incorporate jokes about different sacred things, such as race, human nature, diseases, funerals, disabilities, death, values and desires whilst this kind of humor is usually forbidden in a more formal setting. When working with cinematic text containing elements of black humor, a translator faces a serious number of problems and tasks. To render a source text into a target language adequately, it is important to identify the genre-stylistic dominant of the cinematic text, and to reproduce story-forming speech acts in different contexts. For black comedy cinematic texts chronotopic, characterological, compositional and lexical-semantic contexts will be relevant. According to these, the examples of black humor and puns in «Brooklyn 9-9» series were analyzed.
{"title":"HUMOR IN «BROOKLYN 9-9» SERIES. TRANSLATION ASPECT","authors":"V. V. K. Konkulovskyy, V. Panchenko, V. V. Savchyshyn","doi":"10.31471/2304-7402-2019-3(55)-184-191","DOIUrl":"https://doi.org/10.31471/2304-7402-2019-3(55)-184-191","url":null,"abstract":"The article outlines the peculiarities of humor of the original cinematic texts in «Brooklyn 9-9» series and their translation, as well as analyzes the most typical errors and causes of their occurrence. The «Brooklyn 9-9» series is full of jokes that can be classified as dark or so-called black humor. In the cinematic discourse films filled with such kind of humor are called black comedies. The latter is well-deservedly considered to be one of the most difficult genres of cinema. It is iconic for black comedies to incorporate jokes about different sacred things, such as race, human nature, diseases, funerals, disabilities, death, values and desires whilst this kind of humor is usually forbidden in a more formal setting. When working with cinematic text containing elements of black humor, a translator faces a serious number of problems and tasks. To render a source text into a target language adequately, it is important to identify the genre-stylistic dominant of the cinematic text, and to reproduce story-forming speech acts in different contexts. For black comedy cinematic texts chronotopic, characterological, compositional and lexical-semantic contexts will be relevant. According to these, the examples of black humor and puns in «Brooklyn 9-9» series were analyzed.","PeriodicalId":338851,"journal":{"name":"PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128358948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-04-12DOI: 10.31471/2304-7402-2019-3(55)-470-479
М. R. Kuzmin
The article outlines the most characteristic features of existentialism as an artistic phenomenon in the world literature, emphasizes the features of Ukrainian existentialism, which is characterized by its national peculiarity. The special attention is devoted to the particularities of the perception of revolutionary reality by various types of characters of B. Antonenko-Davidovich's early period creativity. A separate emphasis is placed on the contrast between the two types of consciousness, which in the author’s works forms a kind of opposition and is the link that connects the works of the early and post-rehabilitation periods of the author's prose. On the background of the “Vartovyi Chapenko” (“Guard Chapenko”) essay, a transitional element between the two types formed by the revolutionary heroes is drawn, whose tragedy determined the misunderstanding of the true essence of the Bolshevik system. On the basis of the “Synia Voloshka” (“Blue Flute”) story an existential model of self-understanding in the world is analyzed; it was discovered that such a way of self-identification is oppositional to the requirements of the contemporary society; it focuses on the destruction of the bright ideals and the appeal of hero-defenders to such existential categories as "alienation", "death", "absurdity". It has been proved that existential motives become distinctive markers of B. Antonenko-Davidovich's prose.
{"title":"EXISTENTIAL PARADIGM OF B. ANTONENKO-DAVIDOVICH PROSE","authors":"М. R. Kuzmin","doi":"10.31471/2304-7402-2019-3(55)-470-479","DOIUrl":"https://doi.org/10.31471/2304-7402-2019-3(55)-470-479","url":null,"abstract":"The article outlines the most characteristic features of existentialism as an artistic phenomenon in the world literature, emphasizes the features of Ukrainian existentialism, which is characterized by its national peculiarity. The special attention is devoted to the particularities of the perception of revolutionary reality by various types of characters of B. Antonenko-Davidovich's early period creativity. A separate emphasis is placed on the contrast between the two types of consciousness, which in the author’s works forms a kind of opposition and is the link that connects the works of the early and post-rehabilitation periods of the author's prose. On the background of the “Vartovyi Chapenko” (“Guard Chapenko”) essay, a transitional element between the two types formed by the revolutionary heroes is drawn, whose tragedy determined the misunderstanding of the true essence of the Bolshevik system. On the basis of the “Synia Voloshka” (“Blue Flute”) story an existential model of self-understanding in the world is analyzed; it was discovered that such a way of self-identification is oppositional to the requirements of the contemporary society; it focuses on the destruction of the bright ideals and the appeal of hero-defenders to such existential categories as \"alienation\", \"death\", \"absurdity\". It has been proved that existential motives become distinctive markers of B. Antonenko-Davidovich's prose.","PeriodicalId":338851,"journal":{"name":"PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word","volume":"120 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115177906","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-04-12DOI: 10.31471/2304-7402-2019-3(55)-101-108
O. Tytun, A. Boichuk, H. Sivkovych
The article deals with the problem of teaching students of Design and Fine Arts to write texts for professional purposes. The authors consider modern methods and activities for teaching writing. The authors underline the role of writing in teaching a foreign language that has gradually increased and considered as a reserve for improving the efficiency of teaching a foreign language. Stress is done on the importance for every educated modern person to produce different kinds of written texts for professional purposes. Modern advances in the field of information and communication technologies and the enormous popularity of using various social networks changed the attitude to writing. The importance of using information and communication technologies in teaching writing is considered. The authors suggest the following activities for improving and developing the acquired at school skills for writing texts. To improve the skills of writing annotations exercises are recommended. Activities for writing reports on videos are suggested. To master the skills of describing photos or paintings it is recommended to visit some sites. The authors recommend to make presentations on the given subjects. All the activities were successfully tested at English classes.
{"title":"TEACHING ENGLISH PROFESSIONAL WRITING TO STUDENTS OF DESIGN AND FINE ARTS","authors":"O. Tytun, A. Boichuk, H. Sivkovych","doi":"10.31471/2304-7402-2019-3(55)-101-108","DOIUrl":"https://doi.org/10.31471/2304-7402-2019-3(55)-101-108","url":null,"abstract":"The article deals with the problem of teaching students of Design and Fine Arts to write texts for professional purposes. The authors consider modern methods and activities for teaching writing. The authors underline the role of writing in teaching a foreign language that has gradually increased and considered as a reserve for improving the efficiency of teaching a foreign language. Stress is done on the importance for every educated modern person to produce different kinds of written texts for professional purposes. Modern advances in the field of information and communication technologies and the enormous popularity of using various social networks changed the attitude to writing. The importance of using information and communication technologies in teaching writing is considered. The authors suggest the following activities for improving and developing the acquired at school skills for writing texts. To improve the skills of writing annotations exercises are recommended. Activities for writing reports on videos are suggested. To master the skills of describing photos or paintings it is recommended to visit some sites. The authors recommend to make presentations on the given subjects. All the activities were successfully tested at English classes.","PeriodicalId":338851,"journal":{"name":"PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114084460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-04-12DOI: 10.31471/2304-7402-2019-3(55)-480-490
V. Riazanova, O. Zayats, A. A. Ignatolia
The present article deals with the concepts of Ukrainian literary fairy tale and morality. Evolutionary stages of development of the Ukrainian literary fairy tale, components of moral development and levels of moral consciousness are considered. The specificity of fairy tales is found out within the limits of the unique direction of the artistic phenomenon at the level of modern knowledge of fairy-tales. The ideas of moral and aesthetic education of children are systematized on the basis of Ukrainian folklore and literary studies. Moral qualities of the person which are formed by means of inclusion of the fairy tale are defined in process of education. The place and role of the Ukrainian literary fairy tales in the process of education of moral and aesthetic qualities of children is outlined. The principles of transformation of folklore material and features of its assimilation by literature are considered. The opinions of many famous scientists and teachers on the use of folklore in the education of children are analyzed. It is determined that the Ukrainian literary fairy tale contains a considerable reserve of creativity for working with children, as well as developing their morality. It teaches children common to mankind values, thus forming a character trait such as self-esteem. The fairy tale prepares a child for a future life in the real world and shows examples of overcoming difficulties. It forms the moral qualities that will remain with the child for life. With the help of a fairy tale, the child develops moral and aesthetic feelings. Her potential includes a source of morality and at the same time is a popular means of upbringing. It promotes the formation of certain values, an ideal. The ideal for a child is a long-term perspective, which one she will strive, checking her affairs and deeds with her. An ideal, acquired in childhood, will in many ways define it as a person. It is concluded that the effectiveness of using the Ukrainian literary fairy tale in the moral and aesthetic education of children is verified in practice and very productive.
{"title":"UKRAINIAN TALE: MORAL AND AESTHETIC PARADIGM OF FOLKLORE AND LITERATURE","authors":"V. Riazanova, O. Zayats, A. A. Ignatolia","doi":"10.31471/2304-7402-2019-3(55)-480-490","DOIUrl":"https://doi.org/10.31471/2304-7402-2019-3(55)-480-490","url":null,"abstract":"The present article deals with the concepts of Ukrainian literary fairy tale and morality. Evolutionary stages of development of the Ukrainian literary fairy tale, components of moral development and levels of moral consciousness are considered. The specificity of fairy tales is found out within the limits of the unique direction of the artistic phenomenon at the level of modern knowledge of fairy-tales. The ideas of moral and aesthetic education of children are systematized on the basis of Ukrainian folklore and literary studies. Moral qualities of the person which are formed by means of inclusion of the fairy tale are defined in process of education. The place and role of the Ukrainian literary fairy tales in the process of education of moral and aesthetic qualities of children is outlined. The principles of transformation of folklore material and features of its assimilation by literature are considered. The opinions of many famous scientists and teachers on the use of folklore in the education of children are analyzed. It is determined that the Ukrainian literary fairy tale contains a considerable reserve of creativity for working with children, as well as developing their morality. It teaches children common to mankind values, thus forming a character trait such as self-esteem. The fairy tale prepares a child for a future life in the real world and shows examples of overcoming difficulties. It forms the moral qualities that will remain with the child for life. With the help of a fairy tale, the child develops moral and aesthetic feelings. Her potential includes a source of morality and at the same time is a popular means of upbringing. It promotes the formation of certain values, an ideal. The ideal for a child is a long-term perspective, which one she will strive, checking her affairs and deeds with her. An ideal, acquired in childhood, will in many ways define it as a person. It is concluded that the effectiveness of using the Ukrainian literary fairy tale in the moral and aesthetic education of children is verified in practice and very productive.","PeriodicalId":338851,"journal":{"name":"PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122737379","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-04-12DOI: 10.31471/2304-7402-2019-3(55)-125-130
K. V. Bohatyrova, H. V. Hushcha
The article analyzes dynamic landscape that performs an important philosophical and psychological function in the poems of the French and Ukrainian authors, it helps them to express their emotions and reflections on the large-scale natural disasters that happened in Portugal and Hungary and caused great damage to the cities and led to the deaths of local residents. The authors also expressed condolences to the inhabitants in their works, because they worried about the fate of people, regardless of age, sex and social status, both poems permeated with sincere humanistic feelings. The poets tried to show and convince the readers that humanity is powerless and can not withstand the destructive energy of the nature. Landscapes in poetic works fulfill an important aesthetic and psychological function, help the authors to reveal emotions, mood, reflection, inner emotional experiences to the recipient, to adjust to the perception of joyous or sad information, and also indicate the geographical location of a particular event. Dynamic landscape in both poems is an important tool for representing reality and expressing authorial reflections of the power of the nature, which can be devastating and extremely dangerous to people. The titles of the works indicate the places of real events (Portuguese Lisbonin Voltaire’s poem and Hungarian Buda and Pestin Symeon Lysynetskyi’s poem).
{"title":"DYNAMIC LANDSCAPE IN VOLTAIRE’S «POEM ON THE LISBON DISASTER» AND IN POEM OF SYMEON LYSYNETSKYI «A BEAST TO BEHOLD IN BUDA AND PEST»","authors":"K. V. Bohatyrova, H. V. Hushcha","doi":"10.31471/2304-7402-2019-3(55)-125-130","DOIUrl":"https://doi.org/10.31471/2304-7402-2019-3(55)-125-130","url":null,"abstract":"The article analyzes dynamic landscape that performs an important philosophical and psychological function in the poems of the French and Ukrainian authors, it helps them to express their emotions and reflections on the large-scale natural disasters that happened in Portugal and Hungary and caused great damage to the cities and led to the deaths of local residents. The authors also expressed condolences to the inhabitants in their works, because they worried about the fate of people, regardless of age, sex and social status, both poems permeated with sincere humanistic feelings. The poets tried to show and convince the readers that humanity is powerless and can not withstand the destructive energy of the nature. Landscapes in poetic works fulfill an important aesthetic and psychological function, help the authors to reveal emotions, mood, reflection, inner emotional experiences to the recipient, to adjust to the perception of joyous or sad information, and also indicate the geographical location of a particular event. Dynamic landscape in both poems is an important tool for representing reality and expressing authorial reflections of the power of the nature, which can be devastating and extremely dangerous to people. The titles of the works indicate the places of real events (Portuguese Lisbonin Voltaire’s poem and Hungarian Buda and Pestin Symeon Lysynetskyi’s poem).","PeriodicalId":338851,"journal":{"name":"PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word","volume":"104 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126015159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-04-12DOI: 10.31471/2304-7402-2019-3(55)-398-405
O. Danylenko
This paper considers headlines of German-language news articles and their functions in present-day political discourse of mass media. The concept of "political communication" is specified and the main target trends in studying news headlines from a linguistic point of view are interpreted. The headline is a text sign with a very strong effect, it has the following characteristics: informativeness, modality, formal construction and semantic completeness, interpretability, polyfunctionality. The high tempo and the level of the IT development change the manner of presenting material by focusing mostly on the readers of Internet news to whom of special importance is the degree of the newness of some information or the special viewpoint under which an information event is covered. The data for research within the framework of this paper are the headlines of articles with political news on the Deutsche Welle website. To reveal the mechanism of the influence of headlines on political discourse construction, special attention is paid to their functional and structural peculiarities in contemporary media space. The main structural types of news headlines are two-member sentences, headlines in the form of questions, elliptical headlines and nominative headlines difering from each other in the manner of presenting information. The prevailing structural pattern of the headline in the German-language press is a two-member sentence with a direct word order, the number of the words varying from six to eight. In the course of the analysis of news headlines the most typical functions are described: nominative-informative, graphically-highlighting, informational, influencing, advertising and evaluative-expressive as well as integrative and searching functions of headlines. Briefness and structural rigidity are characteristic of German-language news articles. The following principles are typical of the news articles on the Deutsche Welle website: intensified visualization, strongly pronounced interactivity, simplicity and promptness.
{"title":"HEADLINES AND THEIR FUNCTIONS IN PRESENT-DAY POLITICAL DISCOURSE OF MASS MEDIA","authors":"O. Danylenko","doi":"10.31471/2304-7402-2019-3(55)-398-405","DOIUrl":"https://doi.org/10.31471/2304-7402-2019-3(55)-398-405","url":null,"abstract":"This paper considers headlines of German-language news articles and their functions in present-day political discourse of mass media. The concept of \"political communication\" is specified and the main target trends in studying news headlines from a linguistic point of view are interpreted. The headline is a text sign with a very strong effect, it has the following characteristics: informativeness, modality, formal construction and semantic completeness, interpretability, polyfunctionality. The high tempo and the level of the IT development change the manner of presenting material by focusing mostly on the readers of Internet news to whom of special importance is the degree of the newness of some information or the special viewpoint under which an information event is covered. The data for research within the framework of this paper are the headlines of articles with political news on the Deutsche Welle website. To reveal the mechanism of the influence of headlines on political discourse construction, special attention is paid to their functional and structural peculiarities in contemporary media space. The main structural types of news headlines are two-member sentences, headlines in the form of questions, elliptical headlines and nominative headlines difering from each other in the manner of presenting information. The prevailing structural pattern of the headline in the German-language press is a two-member sentence with a direct word order, the number of the words varying from six to eight. In the course of the analysis of news headlines the most typical functions are described: nominative-informative, graphically-highlighting, informational, influencing, advertising and evaluative-expressive as well as integrative and searching functions of headlines. Briefness and structural rigidity are characteristic of German-language news articles. The following principles are typical of the news articles on the Deutsche Welle website: intensified visualization, strongly pronounced interactivity, simplicity and promptness.","PeriodicalId":338851,"journal":{"name":"PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127873948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-04-12DOI: 10.31471/2304-7402-2019-3(55)-266-274
A. Zemlianska, A. Zemlianskyi
The article is devoted to the analysis of images of the main characters of the spy in S. Postolovskyi’s novel «The Enemy, or the Wrath of God». It is emphasised on author’s traditional representations of the typical image of spy showed in the images of James Bond (by I. Fleming), George Smiley (by J. Le Carre) and Stierlitz (by Yu. Semenov). The author updates these images according to the realities of the present. It is determined that the participants of the operation «The God’s Wrath», depicted in the S. Postolovskyi’s novel, are very colorful figures, people that are ready to fight, but this desire to take revenge on the enemies of their country is based for each of them on personal reasons: the desire to get a higher post, to find out the truth about the work of the spy-saboteur and to determine their own place in the battle for their country, establish justice, and so on. The writer successfully combines the contradictory features of heroes and criminals in their characters, emphasizing their ambiguity, which makes them believable, living people, and not ideologically well-established figures. It was found out that the most ideologized image in the work is the figure of Captain Ivan Principle, the favorite S. Postolovskyi’s hero, who has already met in the previous writer’s works. The surname of this character is fully matched with his inner qualities: he is honest, fair, takes the attention of women, and in his actions he is always guided by the law and believes that the means do not always justify the goal. The author tried to bring out a new image of a spy, a modern hero who could become a sample for the young generation. It was also revealed that in the images of other ministers of the Office, who participated in the organization of Operation «The God’s Wrath», – General Bulldog, Colonel Myron and Captain Nechypailo – the writer depicted the typical representatives of his time, capable of high aspirations and courageous deeds, but at the same time they are typical executors of any order, often criminal, when it coincides with their notions of justice and duty. Thus, S. Postolovskyi presented his own vision of Ukraine’s fate in the «hybrid war» with Russia and those people whom the result of this war directly depends on. Since he can’t foresee the future, the author leaves his protagonists a tragic fate, just like life itself.
本文致力于分析S. Postolovskyi的小说《敌人或上帝的愤怒》中间谍的主要人物形象。强调作者对典型间谍形象的传统再现，如詹姆斯·邦德(I. Fleming)、乔治·斯迈利(J. Le Carre)和施蒂利茨(J. Stierlitz)的形象。Semenov)。作者根据当前的现实更新了这些形象。是决定操作的参与者“上帝的忿怒”,描述美国Postolovskyi的小说,非常丰富多彩的人物,人准备战斗,但这渴望报复他们国家的敌人对他们每个人基于个人原因:渴望得到更高的帖子,发现真相的工作spy-saboteur并确定自己在争夺他们的国家,建立公正,等等。作者成功地将英雄和罪犯的矛盾特征结合在人物身上，强调了他们的模糊性，使他们成为可信的活生生的人，而不是思想上根深蒂固的人物。发现作品中最被意识形态化的形象是S.波斯特洛夫斯基最喜欢的主人公伊万·普林森上尉的形象，他在之前的作家的作品中已经见过了。这个角色的姓氏完全符合他的内在品质:他诚实、公正、关注女性，在他的行动中，他总是以法律为指导，并相信手段并不总是证明目标是正确的。作者试图塑造一个新的间谍形象，一个可以成为年轻一代榜样的现代英雄。还发现，在参与组织“上帝的愤怒”行动的办公室其他部长- -牛头犬将军、Myron上校和Nechypailo上尉- -的形象中，作者描绘了他那个时代的典型代表，能够有崇高的抱负和勇敢的行为，但同时他们是任何命令的典型执行者，当他们的正义和责任观念相一致时，他们往往是罪犯。因此，S. Postolovskyi提出了他自己对乌克兰在与俄罗斯和那些直接取决于这场战争结果的人的“混合战争”中的命运的看法。由于无法预见未来，作者给主人公留下了悲惨的命运，就像生活本身一样。
{"title":"THE IMAGE OF THE SPY IN THE NOVEL BY S. POSTOLOVSKYI «THE ENEMY, OR THE GOD’S WRATH » – A HERO OR A CRIMINAL?","authors":"A. Zemlianska, A. Zemlianskyi","doi":"10.31471/2304-7402-2019-3(55)-266-274","DOIUrl":"https://doi.org/10.31471/2304-7402-2019-3(55)-266-274","url":null,"abstract":"The article is devoted to the analysis of images of the main characters of the spy in S. Postolovskyi’s novel «The Enemy, or the Wrath of God». It is emphasised on author’s traditional representations of the typical image of spy showed in the images of James Bond (by I. Fleming), George Smiley (by J. Le Carre) and Stierlitz (by Yu. Semenov). The author updates these images according to the realities of the present. It is determined that the participants of the operation «The God’s Wrath», depicted in the S. Postolovskyi’s novel, are very colorful figures, people that are ready to fight, but this desire to take revenge on the enemies of their country is based for each of them on personal reasons: the desire to get a higher post, to find out the truth about the work of the spy-saboteur and to determine their own place in the battle for their country, establish justice, and so on. The writer successfully combines the contradictory features of heroes and criminals in their characters, emphasizing their ambiguity, which makes them believable, living people, and not ideologically well-established figures. It was found out that the most ideologized image in the work is the figure of Captain Ivan Principle, the favorite S. Postolovskyi’s hero, who has already met in the previous writer’s works. The surname of this character is fully matched with his inner qualities: he is honest, fair, takes the attention of women, and in his actions he is always guided by the law and believes that the means do not always justify the goal. The author tried to bring out a new image of a spy, a modern hero who could become a sample for the young generation. It was also revealed that in the images of other ministers of the Office, who participated in the organization of Operation «The God’s Wrath», – General Bulldog, Colonel Myron and Captain Nechypailo – the writer depicted the typical representatives of his time, capable of high aspirations and courageous deeds, but at the same time they are typical executors of any order, often criminal, when it coincides with their notions of justice and duty. Thus, S. Postolovskyi presented his own vision of Ukraine’s fate in the «hybrid war» with Russia and those people whom the result of this war directly depends on. Since he can’t foresee the future, the author leaves his protagonists a tragic fate, just like life itself.","PeriodicalId":338851,"journal":{"name":"PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121383245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-04-12DOI: 10.31471/2304-7402-2019-3(55)-22-28
L. Moroz
The article deals with the artistic phenomenon of role lyrics as a poetic text constructed in the form of a holistic speech statement and organized from a person who is distanced from the author and can not be identified taking into consideration biographical, socio-historical or gender status of the speech subject as well as the range of moral, ethical, ideological, aesthetic, existential values and representations submitted by him. A separate type of role lyrics includes poetic texts that are generally constructed in the form of the expression of one or more characters while the author's representation is minimized in them to some separate and fragmentary replicas which function as a specific frame element that formally combines submitted representational forms. On the contrary, it does not transfer them into the artistic plane concerning auto-psychological form of expression. This type of role-playing lyricism is constructed in the form of a monologue or a dialogue with two or more characters or a role dramatic scene where the author's voice acts as a remark linking the voices of poetic speech subjects. The article analyzes the problems of literary critics’ theoretical searches in their studies related to the lyrics subject organization specifics. It makes an attempt to characterize the spectrum of poetic speech subjects in role lyrics. An attempt is also made to typologize the role types of author's consciousness expression in T. Shevchenko’s lyrics. The varieties of the hero’s character actual role-type (i.e. personalized and personified) are analyzed as well. The hero’s actual role-type is defined as the type when degree of objectification confirms his categorical (at least, outwardly declared) non-identity with the author himself motivated by biographical, socio-professional, existential, etc. incompatibility. The article also deals with the problems related to the methods of composite and speech design of poetic role-text. It outlines conceptual and substantive points which reveal themselves at the level of ideological and thematic concepts of expression.
{"title":"ROLE-HERO IN TARAS SHEVCHENKO’S POETRY","authors":"L. Moroz","doi":"10.31471/2304-7402-2019-3(55)-22-28","DOIUrl":"https://doi.org/10.31471/2304-7402-2019-3(55)-22-28","url":null,"abstract":"The article deals with the artistic phenomenon of role lyrics as a poetic text constructed in the form of a holistic speech statement and organized from a person who is distanced from the author and can not be identified taking into consideration biographical, socio-historical or gender status of the speech subject as well as the range of moral, ethical, ideological, aesthetic, existential values and representations submitted by him. \u0000A separate type of role lyrics includes poetic texts that are generally constructed in the form of the expression of one or more characters while the author's representation is minimized in them to some separate and fragmentary replicas which function as a specific frame element that formally combines submitted representational forms. On the contrary, it does not transfer them into the artistic plane concerning auto-psychological form of expression. This type of role-playing lyricism is constructed in the form of a monologue or a dialogue with two or more characters or a role dramatic scene where the author's voice acts as a remark linking the voices of poetic speech subjects. \u0000The article analyzes the problems of literary critics’ theoretical searches in their studies related to the lyrics subject organization specifics. It makes an attempt to characterize the spectrum of poetic speech subjects in role lyrics. \u0000An attempt is also made to typologize the role types of author's consciousness expression in T. Shevchenko’s lyrics. The varieties of the hero’s character actual role-type (i.e. personalized and personified) are analyzed as well. \u0000The hero’s actual role-type is defined as the type when degree of objectification confirms his categorical (at least, outwardly declared) non-identity with the author himself motivated by biographical, socio-professional, existential, etc. incompatibility. \u0000The article also deals with the problems related to the methods of composite and speech design of poetic role-text. It outlines conceptual and substantive points which reveal themselves at the level of ideological and thematic concepts of expression.","PeriodicalId":338851,"journal":{"name":"PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116249182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-04-12DOI: 10.31471/2304-7402-2019-3(55)-338-349
V. V. Seligey
The creative work of modern Taiwanese writer Ho Dinsheng is considered for the first time in the Ukrainian literary studies. The analysis is focused on the peculiarities of the intertextual semantics of transculturation in the essay collection "The Ugly Chinaman and the Crisis of Chinese Culture". The transcultural perspective is embodied as the project, akin to the tendencies of "culture criticism". The accusatory tone, the lashing portrayal of iconic stamps, resulted from simplifying projection of traditional culture into mass discourse, is combined with multiple allusion, reminiscence and quotation techniques, thus the complicated experiment of rereading and deconstructing artistic and philosophical tradition of China in the global perspective is carried out. Within broad context of global literature, the experiment features the reassessment of genre peculiarities of philosophical essay, lecture essay, explicit cultural pragmatism, emotional positivism akin to late Romanticism and modern projects, mildly developing the poetics of postmodernism.
{"title":"THE TRANSCULTURAL VISTA OF REASSESSING THE DISCOURSE OF CHINESE TRADITION IN GUO DINSHEN’S ESSAY COLLECTION “THE UGLY CHINAMAN AND THE CRISIS OF CHINESE CULTURE”","authors":"V. V. Seligey","doi":"10.31471/2304-7402-2019-3(55)-338-349","DOIUrl":"https://doi.org/10.31471/2304-7402-2019-3(55)-338-349","url":null,"abstract":"The creative work of modern Taiwanese writer Ho Dinsheng is considered for the first time in the Ukrainian literary studies. The analysis is focused on the peculiarities of the intertextual semantics of transculturation in the essay collection \"The Ugly Chinaman and the Crisis of Chinese Culture\". The transcultural perspective is embodied as the project, akin to the tendencies of \"culture criticism\". The accusatory tone, the lashing portrayal of iconic stamps, resulted from simplifying projection of traditional culture into mass discourse, is combined with multiple allusion, reminiscence and quotation techniques, thus the complicated experiment of rereading and deconstructing artistic and philosophical tradition of China in the global perspective is carried out. Within broad context of global literature, the experiment features the reassessment of genre peculiarities of philosophical essay, lecture essay, explicit cultural pragmatism, emotional positivism akin to late Romanticism and modern projects, mildly developing the poetics of postmodernism.","PeriodicalId":338851,"journal":{"name":"PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word","volume":"140 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115080215","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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