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Paul Maas, La critica del testo , traduzione a cura di Giorgio Ziffer, Roma, Edizioni di Storia e Letteratura, 2017, pp. XXVIII + 83 保罗·马斯,文本评论家,罗马历史与文学出版社,2017年,第XXVIII + 83页
Pub Date : 2017-12-31 DOI: 10.13128/LEA-1824-484X-22368
Silvio Melani
This review of the new (2017) Italian translation by Giorgio Ziffer of Paul Maas’ famous Textkritik focuses mainly on three aspects: the first concerns the translator’s decision to translate the German text as literally as possible. The second concerns how this choice is related to the particular importance bestowed on style, vocabulary and syntax in Paul Maas’ scholarly discourse. Finally, the third concerns the topicality of Paul Maas’ ecdotic thought, illustrated by some examples of still debated issues in textual criticism.
本文回顾了乔治·齐弗(Giorgio Ziffer)对保罗·马斯(Paul Maas)著名的Textkritik的新(2017)意大利语翻译,主要关注三个方面:第一,译者决定尽可能按字面意思翻译德语文本。第二个问题是,这种选择如何与保罗·马斯学术话语中对风格、词汇和句法的特别重视有关。最后,第三部分是关于保罗·马斯的异教思想的话题性,通过一些文本批评中仍有争议的问题的例子来说明。
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引用次数: 0
Cara Kato: lettere dell’attesa e della malattia 亲爱的卡托:等待和疾病的信件
Pub Date : 2017-12-31 DOI: 10.13128/LEA-1824-484X-22361
Luciano Zampese
Kato is the Hungarian name of Katia Bleier, Luigi Meneghello’s wife. The Bertoliana Library, in Vicenza, holds over forty letters from Luigi Meneghello to Kato, written during two very important lifespans: the autumn of 1948, when Meneghello was waiting for the arrival in England of his newly wedded wife, and the spring-summer of 1954, when Kato was hospitalised in Reading for a severe illness. These letters are a document of considerable emotional intensity, but they also shed some light to the experience of “dispatrio” (from Henry James’ dispatriation ), that was to be the new cultural hub interplaying with the small but powerful world of Malo, the native village of Meneghello. The most interesting bunch of letters is the first one: here we can find, mingled with predominant familiar writing, some examples of sublime style, which foreshadows the masterly hand of the Author.
Kato是Luigi Meneghello的妻子Katia Bleier的匈牙利名字。维琴察的Bertoliana图书馆收藏了路易吉·梅尼格罗写给加藤的四十多封信,这些信写于他生命中两个非常重要的时期:1948年秋天,梅尼格罗在等待新婚妻子抵达英国;1954年春夏,加藤因重病在雷丁住院。这些信件饱含着强烈的情感,但它们也揭示了“派遣”(来自亨利·詹姆斯(Henry James)的流放)的经历,那是一个新的文化中心,与梅内格罗(Meneghello)的家乡马洛(Malo)小而强大的世界相互作用。最有趣的一堆信件是第一封:在这里,我们可以发现,在主要熟悉的写作中,一些崇高风格的例子,预示着作者的精湛技艺。
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引用次数: 0
Gli hegeliani di Napoli e il Risorgimento: Bertrando Spaventa e Francesco De Sanctis a confronto (1848-1862) 那不勒斯黑格与复活:Bertrando吓唬和Francesco De Sanctis比较(1848-1862)
Pub Date : 2017-12-31 DOI: 10.13128/LEA-1824-484X-22350
Fernanda Gallo
The aim of this article is to analyse the role of Neapolitan Hegelianism within the general context of the Risorgimento highlighting the connections between Hegel’s reception in Italy and the process of national political emancipation. It first describes the relations between Hegelianism and the Risorgimento and then focuses on the confrontation between the two prtogonists of Hegelianism in Naples, Bertrando Spaventa (1817-1883) and Francesco De Sanctis (1817-1883). Aiming at understanding the whole phenomenon from a transnational perspective it highlights this aspect both in Spaventa’s “theory of the circulation of Italian and European thought” (1862) and by means of De Sanctis’ exile experience in Zurich (1856-1860) and his reflections on the Italian republican tradition.
本文的目的是分析那不勒斯黑格尔主义在意大利复兴运动的大背景下所扮演的角色,强调黑格尔在意大利的接受与国家政治解放进程之间的联系。它首先描述了黑格尔主义与复兴运动之间的关系,然后重点讨论了黑格尔主义在那不勒斯的两位主要代表人物——贝尔特兰多·斯帕文塔(1817-1883)和弗朗西斯科·德·桑科蒂斯(1817-1883)之间的对抗。本文旨在从跨国视角来理解这一现象,通过斯帕文塔的“意大利和欧洲思想流通理论”(1862)和德桑科蒂斯在苏黎世的流亡经历(1856-1860)以及他对意大利共和传统的反思来强调这一方面。
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引用次数: 0
Formalismo 3: confronti storiografici 形式主义3:历史比较
Pub Date : 2017-12-31 DOI: 10.13128/LEA-1824-484X-22445
Aa.Vv. Aavv
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引用次数: 0
The Knight of the Burning Pestle e l’influsso del Chisciotte 燃烧之杵的骑士,我的名字叫l 'influsso del chisotte
Pub Date : 2017-12-31 DOI: 10.13128/LEA-1824-484x-22358
Annalisa Martelli
The Knight of the Burning Pestle is a colourful and lively burlesque comedy by Francis Beaumont, performed at the Blackfriars Theatre in 1607. It was not a success; the play, rejected by the Jacobean audience, is now considered the most important item in the Beaumont- and-Fletcher canon. This Jacobean drama is characterized by sharp and original social satire conveyed through a multilayered message and a meta-fictional structure as the elements of this extraordinary, indeed emblematic example of early modern English theatre. There is an ongoing debate among scholars about the influence of Cervantes’ Don Quixote on Beaumont’s comedy. This article aims to show a new perspective shedding light on some so far unexplored features of the play, clearly showing Cervantes’ influence on Beaumont’s Knight either as a model or as a source of inspiration.
《燃烧杵的骑士》是弗朗西斯·博蒙特创作的一部色彩缤纷、生动活泼的滑稽喜剧,1607年在黑衣修士剧院上演。这并不成功;这部剧被詹姆斯时代的观众拒绝,现在被认为是博蒙特和弗莱彻经典中最重要的作品。这部詹姆士王朝戏剧的特点是通过多层次的信息和元虚构的结构来传达尖锐而新颖的社会讽刺,这是早期现代英国戏剧的非凡元素,确实是象征性的例子。学者们一直在争论塞万提斯的《堂吉诃德》对博蒙特喜剧的影响。这篇文章的目的是展示一个新的视角来揭示一些迄今为止未被探索的戏剧特征,清楚地表明塞万提斯对博蒙特的骑士的影响无论是作为一个模型还是作为灵感的来源。
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引用次数: 0
Cercando l’Europa. “Traduzioni” dell’Italia nella cultura estone di inizio Novecento 寻找欧洲。意大利在20世纪初爱沙尼亚文化中的“翻译”
Pub Date : 2017-12-31 DOI: 10.13128/LEA-1824-484X-22359
Daniele Monticelli
The beginning of the 20th century was a period of linguistic and literary renewal in Estonia, where Italian literature became a reference point for the young generation of local modernists. This article analyses the influence of Italian writers on Estonian culture between 1905 and 1918, focusing on the activities of the literary movement “Young Estonia”. Its predilection for decadent aestheticism is compared with the impressions that direct contact with Italy made on the Estonian intellectuals who, in this period, started to visit the country and write about it in their travelogues. This comparison becomes the place for a reflection on the potentialities and contradictions of the “unequal” exchange between centre and periphery of the European literary and cultural tradition.
20世纪初是爱沙尼亚语言和文学复兴的时期,意大利文学成为当地年轻一代现代主义者的参考点。本文分析了1905年至1918年间意大利作家对爱沙尼亚文化的影响,重点分析了“青年爱沙尼亚”文学运动的活动。它对颓废唯美主义的偏爱与与意大利的直接接触给爱沙尼亚知识分子留下的印象相比较,在这一时期,爱沙尼亚知识分子开始访问该国并在他们的游记中写下它。这种比较成为反思欧洲文学和文化传统的中心和边缘之间“不平等”交换的潜力和矛盾的地方。
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引用次数: 1
Christian Genetelli, Storia dell’epistolario leopardiano. Con implicazioni filologiche per i futuri editori , Milano, LED, 2016, pp. 182 Christian Genetelli,豹书信的历史。对未来出版商的语言学影响,米兰,LED, 2016,第182页
Pub Date : 2017-12-31 DOI: 10.13128/LEA-1824-484X-22370
Martina Romanelli
With his latest publication, Christian Genetelli focuses again on Giacomo Leopardi’s correspondence. Looking for a new method to ascertain one of the collateral sources, which traditionally contributes to historical, biographical and aesthetical research, this book revolves around a sort of editorial cold case, i.e. the earliest collections of Leopardi’s epistles. At the same time, it may also represent a beginning for other editions, based a philological premise that could lead to a new critical edition of the text.
在他的最新出版物中,Christian Genetelli再次关注贾科莫·利奥帕尔迪的通信。寻找一种新的方法来确定一个附带的来源,它传统上有助于历史,传记和美学研究,这本书围绕着一种编辑的悬案,即利奥帕尔第书信的最早的集合。同时,它也可能代表了其他版本的开始,基于一个可能导致文本的新批评版本的语言学前提。
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引用次数: 0
Tendances nouvelles en histoire littéraire ( Etudes Françaises , 1930, pp. 1-66) / Nuove tendenze nella storia letteraria (trad. di Josiane Tourres) Tendances nouvelles en历史littéraire(会前ç普法aises, 1930年,pp . 1-66) /文学历史上的新趋势”。(Josiane Tourres著)
Pub Date : 2017-12-31 DOI: 10.13128/LEA-1824-484x-22363
P. V. Tieghem
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引用次数: 0
Gli intellettuali/scrittori ebrei e il dovere della testimonianza. In ricordo di Giorgio Bassani , a cura di Anna Dolfi, Firenze, Firenze UP, 2017, pp. 740 犹太知识分子/作家和作证的义务。为了纪念安娜·多菲编辑的乔治·巴萨尼,佛罗伦萨,佛罗伦萨起来,2017年,第740页
Pub Date : 2017-12-31 DOI: 10.13128/LEA-1824-484X-22369
Martina Romanelli
Some events of our history hurt us deeply, as rational and moral beings, without time or recurrence of (in)direct experiences being able to create addiction. But, how can we ensure this collective memory over time? How can we preserve it from ambiguous manipulations, in a world that is constantly attracted by indifference and banalization? Gli intellettuali/scrittori ebrei e il dovere della testimonianza wants to answer these questions by setting up an interdisciplinary and intercultural dialogue. The book focuses on the (still current) problem of the Shoah and offers a overview of Jewish vicissitudes and culture, which delves into the historical and ethical role of literature and art.
我们历史上的一些事件深深地伤害了我们,作为理性和道德的人,没有时间或直接经历的重复能够产生上瘾。但是,我们如何确保这种集体记忆随着时间的推移?在一个不断被冷漠和平庸所吸引的世界里,我们如何保护它免受模棱两可的操纵?Gli知识分子/作家希望通过建立跨学科和跨文化的对话来回答这些问题。这本书的重点是(仍然存在的)浩劫问题,并提供了犹太人的变迁和文化的概述,其中深入研究了文学和艺术的历史和伦理角色。
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引用次数: 0
L’Ermetismo e Firenze. Atti del convegno internazionale di studi Firenze, 27-31 ottobre 2014, Luzi, Bigongiari, Parronchi, Bodini, Sereni , vol. II, a cura di Anna Dolfi, Firenze, Firenze UP, 2016, pp. 773 隐士和佛罗伦萨。国际研究会议论文集,佛罗伦萨,2014年10月27日至31日,Luzi, Bigongiari, Parronchi, Bodini, Sereni,第二卷,Anna Dolfi,佛罗伦萨,佛罗伦萨UP, 2016,第773页
Pub Date : 2017-12-31 DOI: 10.13128/LEA-1824-484X-22366
D. Collini
This is a review of the second volume of L’Ermetismo e Firenze, Atti del convegno internazionale di studi Firenze, 27-31 ottobre 2014, Luzi, Bigongiari, Parronchi, Bodini, Sereni , vol. II, a cura di Anna Dolfi. It provides a brief description of the fifty-five papers published in the conference proceedings.
这是对《神秘主义与佛罗伦萨》第二卷的回顾,《国际研究会议记录》,佛罗伦萨,2014年10月27日至31日,Luzi, Bigongiari, Parronchi, Bodini, Sereni,第二卷,Anna Dolfi。它提供了会议程序中发表的五份文件的简要描述。
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LEA : Lingue e Letterature d'Oriente e d'Occidente
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