Pub Date : 2018-12-24DOI: 10.13128/LEA-1824-484X-24471
Chen Xi
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Pub Date : 2018-12-24DOI: 10.13128/LEA-1824-484X-24408
G. Carloni, Brian Zuccala
This contribution draws on the article by Carloni and Zuccala (2017), that offered a preliminary discussion of a joint telecollaborative project between Italian Studies at Monash University and the University of Urbino. The present work aims at providing a theoretical, as well as pragmatic, starting point for developing a Pre-Service Teacher-centred model for a “sustainable”, cross-institutional, blended mode of delivering foreign language and culture tuition in the field of Italian
{"title":"Blending Italian “down-under”: Toward a theoretical framework and pragmatic guide for blending tertiary Italian language and culture courses through Skype-enhanced, pre-service teacher-centred telecollaboration","authors":"G. Carloni, Brian Zuccala","doi":"10.13128/LEA-1824-484X-24408","DOIUrl":"https://doi.org/10.13128/LEA-1824-484X-24408","url":null,"abstract":"This contribution draws on the article by Carloni and Zuccala (2017), that offered a preliminary discussion of a joint telecollaborative project between Italian Studies at Monash University and the University of Urbino. The present work aims at providing a theoretical, as well as pragmatic, starting point for developing a Pre-Service Teacher-centred model for a “sustainable”, cross-institutional, blended mode of delivering foreign language and culture tuition in the field of Italian","PeriodicalId":340115,"journal":{"name":"LEA : Lingue e Letterature d'Oriente e d'Occidente","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123403610","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-24DOI: 10.13128/LEA-1824-484X-24417
A. Paoliello
Malaysia, as an ethnically diverse country, is the site of regular interactions among people from different ethnic groups. However, while Malay literature does not seem to be especially concerned with the portrayal of these interactions, many Sinophone Malaysian writers centre their works on these ethnic relations. Through the textual analysis of “Wei xiang” a Sinophone Malaysian short story by Ding Yun, the paper argues that Sinophone Malaysian fiction, by presenting Malaysia in its ethnic diversity, transcends the official label of sectional, ethnic or community-based literature. Moreover, the article claims that, through focusing on the struggles and the preoccupations of the Malaysian people regardless of their ethnic background, Ding Yun’s story, although not written in the national language, should be part of the Kesusasteraan Nasional Malaysia (Malaysian national literature).
马来西亚是一个多民族的国家，是不同民族的人经常交往的地方。然而，虽然马来文学似乎并不特别关注这些相互作用的写照，但许多讲华语的马来西亚作家将他们的作品集中在这些种族关系上。本文通过对丁云的马来语短篇小说《魏翔》的文本分析，认为马来语小说通过呈现马来西亚的民族多样性，超越了官方对区域文学、民族文学或社区文学的标签。此外，这篇文章声称，丁云的故事虽然不是用国语写成，但通过关注马来西亚人民不分种族背景的斗争和关注，应该成为Kesusasteraan Nasional Malaysia(马来西亚民族文学)的一部分。
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Pub Date : 2018-12-24DOI: 10.13128/LEA-1824-484X-24424
G. Horváth
The paper examines Peter Szondi’s theory of drama from two perspectives: 1. what traces of his new approach – i.e. textual interpretation – can be found in his early works; 2. to what extent are Szondi’s conclusions valid and original with respect to Cechov’s dramatic works? I identify common characteristics of Szondi’s conception of literature, formalist poetics, and phenomenological approaches. I also analyse two features of modern drama, epicization and the role of the intimate Self, through interpretations of Cechov’s dramas. I come to the conclusion that monologues acquire a narrative function in Cechov’s works, while through inner speech they also preserve the linguistic compactness characteristic of lyric poetry, i.e. the sound effects (alliteration, assonance and richly metaphorical language), which generates meaning-producing processes in the dramatic text.
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Pub Date : 2018-12-24DOI: 10.13128/LEA-1824-484X-24393
Enza Biagini
“La Nouvelle ecole litteraire en Russie par Boris Tomasevskij” / “La Nuova scuola letteraria letteraria in Russia di Boris Tomasevskij” (1928) is a further fundamental text discussing Russian Formalism (1915-1930) in which the author, who was one of the leading theoreticians and protagonists of the movement, in his presentation of the assumptions, the initial “struggles” and developments, offers readers a detailed, first hand analysis of these phenomena.
{"title":"Riletture teoriche IV","authors":"Enza Biagini","doi":"10.13128/LEA-1824-484X-24393","DOIUrl":"https://doi.org/10.13128/LEA-1824-484X-24393","url":null,"abstract":"“La Nouvelle ecole litteraire en Russie par Boris Tomasevskij” / “La Nuova scuola letteraria letteraria in Russia di Boris Tomasevskij” (1928) is a further fundamental text discussing Russian Formalism (1915-1930) in which the author, who was one of the leading theoreticians and protagonists of the movement, in his presentation of the assumptions, the initial “struggles” and developments, offers readers a detailed, first hand analysis of these phenomena.","PeriodicalId":340115,"journal":{"name":"LEA : Lingue e Letterature d'Oriente e d'Occidente","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131679881","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-24DOI: 10.13128/LEA-1824-484X-24451
Maria Teresa Chialant
Luca Baratta’s book consists of a catalogue of forty-eight full-length documents – street literature , such as broadside ballads , pamphlets and leaflets , as well as medical writings drawn from Philosophical Transactions – that all deal with the phenomenon of monstrous births in early modern England. The volume is divided in four parts: “God’s judgment (1550-1603)”, “The Great Amazement (1603-1642)”, “The Monsters’ Wars (1642-1660)”, and “The Age of Wonders, the Age of Science (1660-1715)”. In each section, the documents are distributed according to a chronological order, with the aim to show the metamorphoses that the perceptions and representations of monsters have gone through in the course of time: from prodigies with religious implications to objects of curiosity and scientific enquiry.
{"title":"Luca Baratta, The Age of Monsters. Nascite prodigiose nell’Inghilterra della prima età moderna: storia, testi, immagini (1550-1715) , prefazione di Maurizio Ascari, Roma, Aracne, 2017, pp. 876","authors":"Maria Teresa Chialant","doi":"10.13128/LEA-1824-484X-24451","DOIUrl":"https://doi.org/10.13128/LEA-1824-484X-24451","url":null,"abstract":"Luca Baratta’s book consists of a catalogue of forty-eight full-length documents – street literature , such as broadside ballads , pamphlets and leaflets , as well as medical writings drawn from Philosophical Transactions – that all deal with the phenomenon of monstrous births in early modern England. The volume is divided in four parts: “God’s judgment (1550-1603)”, “The Great Amazement (1603-1642)”, “The Monsters’ Wars (1642-1660)”, and “The Age of Wonders, the Age of Science (1660-1715)”. In each section, the documents are distributed according to a chronological order, with the aim to show the metamorphoses that the perceptions and representations of monsters have gone through in the course of time: from prodigies with religious implications to objects of curiosity and scientific enquiry.","PeriodicalId":340115,"journal":{"name":"LEA : Lingue e Letterature d'Oriente e d'Occidente","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130523771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-24DOI: 10.13128/LEA-1824-484X-24401
Teresa Spignoli
The paper proposes an analysis of the first phase of the artistic-literary activity of Arrigo Lora Totino, from the review Antipiugiu to the “concrete turn” of the 1960s, in relation to the diffusion of concrete experimentation in Germany and Brasil, and in relation to the development of kinetic and programmed art in Italy. In particular, the characters of programmed art, described by Umberto Eco in two important contributions of the early Sixties, show a connection with the theoretical reflection of Totino and the composition of the first “verbotectures”, in relation to the concepts of seriality and variation. This is evident in works like Space and Time and in the “chromophoneme” In sleep, the dream, of which a textual analysis is carried out.
{"title":"Arrigo Lora Totino, “architetto di parole”: dalle verbotetture ai cromofonemi","authors":"Teresa Spignoli","doi":"10.13128/LEA-1824-484X-24401","DOIUrl":"https://doi.org/10.13128/LEA-1824-484X-24401","url":null,"abstract":"The paper proposes an analysis of the first phase of the artistic-literary activity of Arrigo Lora Totino, from the review Antipiugiu to the “concrete turn” of the 1960s, in relation to the diffusion of concrete experimentation in Germany and Brasil, and in relation to the development of kinetic and programmed art in Italy. In particular, the characters of programmed art, described by Umberto Eco in two important contributions of the early Sixties, show a connection with the theoretical reflection of Totino and the composition of the first “verbotectures”, in relation to the concepts of seriality and variation. This is evident in works like Space and Time and in the “chromophoneme” In sleep, the dream, of which a textual analysis is carried out.","PeriodicalId":340115,"journal":{"name":"LEA : Lingue e Letterature d'Oriente e d'Occidente","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128336920","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-24DOI: 10.13128/LEA-1824-484X-24397
Chen Xi
{"title":"Anticipazione da Luoma tiankong xia / Sotto il cielo di Roma , a cura di Matilde Marzi e Anna Di Toro","authors":"Chen Xi","doi":"10.13128/LEA-1824-484X-24397","DOIUrl":"https://doi.org/10.13128/LEA-1824-484X-24397","url":null,"abstract":"","PeriodicalId":340115,"journal":{"name":"LEA : Lingue e Letterature d'Oriente e d'Occidente","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115697522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-24DOI: 10.13128/LEA-1824-484X-24433
M. Fanfani
The recent book of poems by Davide Puccini ( Il fondo e L’onda , Nomos Edizioni 2016) is a fervent and intimate inventory of the world of childhood and adolescence recollected through playing, environments and objects sunk in the oblivion of the bottom of the sea or brought afloat by the waves. The past can, however, be remembered thanks to poetic words. Apart from much literary interference the poems are linked to the Author’s previous works and have a surprising recovery in the coming-of-age novel that Puccini published in 2018.
大卫·普契尼(Davide Puccini)最近出版的诗集(Il fondo e L’onda, Nomos Edizioni, 2016)是对童年和青春期世界的热情而亲密的盘点，通过玩耍、环境和沉入海底或被海浪漂浮的物体来回忆。但是，过去的事情，可以通过诗意的文字来记住。除了文学上的干扰，这些诗歌与作者以前的作品有关，并在普契尼2018年出版的成人小说中惊人地恢复了。
{"title":"Il fondo, l’onda e il mare di Davide Puccini","authors":"M. Fanfani","doi":"10.13128/LEA-1824-484X-24433","DOIUrl":"https://doi.org/10.13128/LEA-1824-484X-24433","url":null,"abstract":"The recent book of poems by Davide Puccini ( Il fondo e L’onda , Nomos Edizioni 2016) is a fervent and intimate inventory of the world of childhood and adolescence recollected through playing, environments and objects sunk in the oblivion of the bottom of the sea or brought afloat by the waves. The past can, however, be remembered thanks to poetic words. Apart from much literary interference the poems are linked to the Author’s previous works and have a surprising recovery in the coming-of-age novel that Puccini published in 2018.","PeriodicalId":340115,"journal":{"name":"LEA : Lingue e Letterature d'Oriente e d'Occidente","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131863461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-24DOI: 10.13128/LEA-1824-484X-24435
A. Giusti
This is a review of the volume Stabat mater. Immagini e sequenze nel moderno , edited by Anna Dolfi. It provides a brief description of the theme of the Stabat mater (in literature, music, art) developed in the twenty-eight essays of the volume.
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