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Sulla categorizzazione linguistica a proposito del Vocabolario dei suffissi ungheresi e i loro corrispondenti in italiano 关于匈牙利语词汇的语言分类及其意大利语通讯员
Pub Date : 2018-12-24 DOI: 10.13128/LEA-1824-484X-24419
Edit Rózsavölgyi.
The aim of this study is to offer a reflection on categorization in a crosslinguistic perspective and to investigate possible strategies in comparing the Italian and Hungarian languages. In the light of recent research on how to handle cross-linguistic variation using adequate comparative concepts (Haspelmath 2007, 2018), the existing correlation between Italian and Hungarian object marking will be highlighted in order to show how the two linguistic systems, which at first sight appear to be incompatible, are nothing more than variations on the theme. The idea of this analysis originated with regards to the Vocabulary of Hungarian suffixes compared to their Italian counterparties, which is in preparation and challenges us with significant research questions concerning categorization.
本研究的目的是从跨语言的角度对分类进行反思,并探讨比较意大利语和匈牙利语的可能策略。根据最近关于如何使用适当的比较概念处理跨语言差异的研究(Haspelmath 2007, 2018),将强调意大利语和匈牙利语对象标记之间的现有相关性,以显示这两种乍一看似乎不相容的语言系统如何只不过是主题的变化。这一分析的想法起源于匈牙利语后缀词汇与意大利语词汇的比较,这是在准备和挑战我们关于分类的重大研究问题。
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引用次数: 0
“A Sienne Mistique je dédie ce songe moderne”. Le Ressac di Camille Mallarmé “A Sienne Mistique过déce songe现代" .Le Ressac招娣Camille Mallarmé
Pub Date : 2018-12-24 DOI: 10.13128/LEA-1824-484X-24420
Diego Salvadori
This article aims to analyse the novel Le Ressac (1912) by Camille Mallarme, focusing, at first, on the literary representation of Tuscany (especially, the Chianti countryside), and then paying attention to the role played by the artistic heritage of Florence and Siena. Moreover, we want to give a comprehensive biographical portrait of Camille Mallarme, in order to assess her primacy in the cultural exchanges between Italy and France.
本文旨在分析卡米尔·马拉梅的小说《雷萨克》(1912),首先关注托斯卡纳(特别是基安蒂乡村)的文学表现,然后关注佛罗伦萨和锡耶纳的艺术遗产所起的作用。此外,我们想给卡米尔·马拉梅一个全面的传记肖像,以评估她在意大利和法国之间的文化交流的首要地位。
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引用次数: 0
A proposito di Franco Perrelli, Tre carteggi con Lucio Ridenti: Anton Giulio Bragaglia, Guglielmo Giannini, Tatiana Pavlova (Bari, Edizioni di Pagina, 2018, pp. 323) 关于Franco Perrelli,有三张与Lucio大笑的卡片:Anton Giulio Bragaglia, Guglielmo Giannini, Tatiana Pavlova (Bari, 2018页,第323页)。
Pub Date : 2018-12-24 DOI: 10.13128/LEA-1824-484X-24436
A. Petrini
This article discusses the book by Franco Perrelli Tre carteggi con Lucio Ridenti (Pagina, 2018), which reconstructs the role and importance of Lucio Ridenti (as well as that of Anton Giulio Bragaglia, Guglielmo Giannini and Tatiana Pavlova) in Italian theatre between the twenties and the sixties of the twentieth century.
本文讨论了Franco Perrelli的《Tre carteggi con Lucio Ridenti》(Pagina, 2018)一书,该书重建了Lucio Ridenti(以及Anton Giulio Bragaglia, Guglielmo Giannini和Tatiana Pavlova)在二十世纪二十年代至六十年代意大利戏剧中的作用和重要性。
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引用次数: 0
La dimensione ottica del testo. Poesia concreta e cultura visuale 文本的光学维度。具体的诗歌和视觉文化
Pub Date : 2018-12-24 DOI: 10.13128/LEA-1824-484X-24399
F. Fastelli
This article analyses some theoretical aspects of so called “concrete poetry”. It aims to exemplify the complexity and aesthetic importance of this kind of work within twentieth-century iconotexts. It also studies the relations between concrete poetry and the methodological acquisitions of Visual Cultural Studies. In this sense, a paradigmatic sampling of authors (Belloli, Mon, Gomringer, Kolar, Pignatari, Ruhm, Williams) is proposed, and the main reflections of poetics both of European concrete poets and of the Brazilian “Noigandres” group are discussed.
本文分析了“具象诗”的几个理论方面。它旨在举例说明这种工作的复杂性和美学的重要性在20世纪的图像文本。本文还探讨了具体诗歌与视觉文化研究方法论的关系。从这个意义上说,作者(贝洛里、蒙、戈林杰、科拉尔、皮格纳塔里、鲁姆、威廉姆斯)提出了一个范例抽样,并讨论了欧洲具体诗人和巴西“Noigandres”群体的诗学主要反映。
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引用次数: 1
Letteratura e cultura visuale. Stato dell’arte e qualche minima proposta 文学和视觉文化。最先进的技术和一些最低限度的建议
Pub Date : 2018-11-21 DOI: 10.13128/LEA-1824-484X-24217
F. Fastelli
This essay briefly summarizes the state of art on research about the relationship between Visual Culture and Literary Studies. It aims to exemplify the main critical consequences the methodological acquisitions of visual culture studies could bring on the literary discourse. In this sense, the main reflections on ekphrasis, iconotexts, iconisms and scopic regimes are discussed, and a paradigmatic sampling of theories (from W.J.T. Mitchell to G. Boehm) is proposed.
本文简要总结了视觉文化与文学研究关系的研究现状。它旨在举例说明视觉文化研究的方法论获取可能给文学话语带来的主要关键后果。在这个意义上,本文讨论了对短语、意象文本、意象主义和范围制度的主要思考,并提出了从米切尔到Boehm的理论范例。
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引用次数: 0
Desideri ambivalenti. Relazioni tra la Turchia e l'Unione Europea 矛盾的愿望。土耳其与欧盟的关系
Pub Date : 2017-12-31 DOI: 10.13128/LEA-1824-484X-22365
A. Saraçgil
This article aims to reflect upon the problematic relationships between Turkey and the European Union. The long lasting difficulties facing Turkey’s entrance in the European family have many explanations and the obstacles are situated on both sides. Whilst the European Community is basically concerned with Turkey’s religious and cultural difference, Turkey’s difficulties derive from the historical formation of its democracy, and of the relations between state and society.
本文旨在反思土耳其与欧盟之间存在问题的关系。土耳其进入欧洲大家庭所面临的长期困难有许多解释,障碍位于双方。虽然欧洲共同体基本上关心土耳其的宗教和文化差异,但土耳其的困难来自其民主的历史形成以及国家与社会之间的关系。
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引用次数: 0
1917. Sguardi sulla Rivoluzione russa. Note sul convegno del 17-18 ottobre 2017 tenuto all’Università di Udine 1917. 看看俄国革命。关于2017年10月17日至18日在乌迪内大学举行的会议的说明
Pub Date : 2017-12-31 DOI: 10.13128/LEA-1824-484x-22371
G. Volpi
The following text is a report upon the Congress organized by two scholars of the University of Udine, in order to present new and original contributions in studies related to 1917’s Russian Revolution. The main aim of the promoters was to invite best of the Italian experts in Russian and Slavic studies to discuss together in Udine. Thanks to its geographic position and historic heritage Udine seems to be the ideal place to connect Western and Eastern European languages, history and culture. The survey gives a brief account of the organization, scientific program and communications in the two days of the Congress.
以下文本是由乌迪内大学的两位学者组织的关于大会的报告,目的是在与1917年俄国革命有关的研究中提出新的和原创的贡献。推动者的主要目的是邀请在俄罗斯和斯拉夫研究方面最好的意大利专家在乌迪内一起讨论。由于其地理位置和历史遗产,乌迪内似乎是连接西欧和东欧语言,历史和文化的理想场所。该调查简要介绍了为期两天的大会的组织、科学计划和交流情况。
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引用次数: 0
L'Aldilà boreale
Pub Date : 2017-12-31 DOI: 10.13128/LEA-1824-484X-22362
Elisa Zanchetta
The study of the North Germanic and Finnish conceptions of the Other World from a comparative-contrastive point of view highlights several differences, but at the same time allows us to suggest explanations about complicated Germanic concepts, such as that of the soul. According to the Finns, the soul could be a living or shattered soul, while it seems the Germans knew only the former. Thanks to the Finnish concept of haltia , we may assume that the Germanic hamingja and fylgja should be regarded as guardian spirits of the individual and of the kin that are both present during lifetime. The Germans had many Other Worlds, each one for a specific kind of death, while the Finns knew only one. Paradise is hardly described in Finnish sources, although the northland Pohjola has similarities with both the Germanic Valhǫll and Nastrǫnd .
从比较对比的角度对北日耳曼和芬兰关于另一个世界的概念进行研究,突出了一些差异,但同时也使我们能够对复杂的日耳曼概念(如灵魂)提出解释。根据芬兰人的说法,灵魂可以是活着的灵魂,也可以是破碎的灵魂,而德国人似乎只知道前者。由于芬兰的haltia概念,我们可以假设日耳曼语的hamingja和fylgja应该被视为个人和亲属的守护神,它们在一生中都存在。德国人有很多“其他世界”,每一个都有一种特定的死亡方式,而芬兰人只知道一种。尽管北部的Pohjola与日耳曼语Valhǫll和Nastrǫnd有相似之处,但芬兰文献中几乎没有对Paradise的描述。
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引用次数: 0
Francesco De Sanctis: da un centenario all'altro 弗朗西斯科·德·桑提斯:从一个世纪到另一个世纪
Pub Date : 2017-12-31 DOI: 10.13128/LEA-1824-484x-22446
Aa.Vv. Aavv
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引用次数: 0
Autobiografia e autobiografismo in Karen Blixen. Una lettura contrastiva di Out of Africa e delle lettere “africane” 凯伦·布利森的自传和自传体。非洲以外的对比解读和字母“非洲”
Pub Date : 2017-12-31 DOI: 10.13128/LEA-1824-484X-22357
Carolina Iacucci
The main aim of this article is to challenge the interpretation of Karen Blixen’s Out of Africa as a sample of autobiographical or memorialistic writing, and to highlight its connections to ethnography and epic. By means of a contrastive analysis of the literary work based on Blixen’s experience as a European farmer in Kenya and the private epistolary written during her seventeen-year-long stay in Africa, the present study investigates the writer’s stylistic choice of depersonalization and aims to understand the profoundly elusive and hybrid nature of the text, at the same time distant from the imperative of reporting and from introspection.
本文的主要目的是挑战凯伦·布利克森的《走出非洲》作为自传体或纪念性写作样本的解释,并强调其与民族志和史诗的联系。通过对比分析布利森作为欧洲农民在肯尼亚的经历和她在非洲17年期间所写的私人书信,本研究调查了作家去人格化的风格选择,旨在理解文本中深刻的难以捉摸和混合的本质,同时远离报告的必要性和内省。
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引用次数: 0
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