Journal of Research in Gender Studies最新文献

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Social Media Photo Manipulation, Beauty Ideal Internalization, and Problematic Body Image 社交媒体照片处理，美的理想内化，和有问题的身体形象

Journal of Research in Gender Studies

Pub Date : 1900-01-01 DOI: 10.22381/jrgs12120223

引用次数: 0

The Intricate Interplay between Victimization and Agency: Reflections on the Experiences of Women Who Face Partner Violence in Mexico 受害与代理之间错综复杂的相互作用:对墨西哥面临伴侣暴力的妇女经历的反思

Journal of Research in Gender Studies

Pub Date : 1900-01-01 DOI: 10.22381/jrgs8120183

C. Herrera, María Carolina Agoff

引用次数: 8

Gender Differences in Behavior and Attitudes toward COVID-19: Perceived Risk of Infection, Negative Cognitive Emotions, and Sleep Disturbances 对COVID-19行为和态度的性别差异:感知感染风险、负面认知情绪和睡眠障碍

Journal of Research in Gender Studies

Pub Date : 1900-01-01 DOI: 10.22381/jrgs10220207

F. Newburn

引用次数: 4

Online Dating Behavior, Casual Relationships, and Sexual Encounters on Geosocial Networking Mobile Apps 在线约会行为、随意关系和地理社交网络移动应用程序上的性接触

Journal of Research in Gender Studies

Pub Date : 1900-01-01 DOI: 10.22381/jrgs10120207

引用次数: 1

FEMALE SEXUALITY AND LIBERATION OF THE BODY IN CONTEMPORARY MOROCCAN LITERATURE: THE CASE OF THE ALMOND BY NEDJMA 当代摩洛哥文学中女性的性欲和身体的解放:内杰马的杏仁的案例

Journal of Research in Gender Studies

Pub Date : 1900-01-01 DOI: 10.22381/jrgs9120194

引用次数: 0

Emotional and Psychological Distress Related to COVID-19 Isolation, Quarantine, and Physical Distancing: Evidence of Gender-based Differences 与COVID-19隔离、检疫和身体距离相关的情绪和心理困扰:基于性别差异的证据

Journal of Research in Gender Studies

Pub Date : 1900-01-01 DOI: 10.22381/jrgs10220202

引用次数: 8

The Automatability of Male and Female Jobs: Technological Unemployment, Skill Shift, and Precarious Work 男性和女性工作的自动化:技术性失业、技能转移和不稳定工作

Journal of Research in Gender Studies

Pub Date : 1900-01-01 DOI: 10.22381/jrgs9120197

引用次数: 12

The Gender Politics of Postfeminist Semantics 后女性主义语义学中的性别政治

Journal of Research in Gender Studies

Pub Date : 1900-01-01 DOI: 10.22381/jrgs71201710

R. Mihaila, M. Mateescu

1.IntroductionPostfeminism exploits a concept of feminism as inflexible, far-reaching, anti-sex and affair, challenging and extremist, providing the contentment of (re)claiming a distinctiveness manageable by gender politics, postmodernism, or established critique. Postfeminism frequently operates as a way of recording and apparently determining the continuity of option quandaries for women. The tremendous ideological effect that is constituted by an accrual of postfeminist cultural matter is the underpinning of conventional norms as the critical preeminent options (Bratu, 2016; Magrini, 2016; Schwieler and Magrini, 2015) in women's lives. Postfeminism confers substantial relevance to the configuration of a meaningful personal routine and the capacity to decide on the appropriate articles of trade to accomplish it, fetishizing female ascendancy and craving while reliably placing them within definite boundaries. (Negra, 2009)2.The Intricate, Shifting Gender Dynamics of the Present Postfeminist CultureThe influential politics within feminism has come out from the liberaldemocratic practice with a stress on marginal restructuring. The main goal is equality of chance, in which personal development is highlighted over essential alterations in the structural regulation of society. State interference concentrates on attaining a harmony between individual self-determination and community interests (Barnett, 2015; Krivochen, 2016; Rauch, 2016), assisting in moderating between opposing concerns. Liberal feminism is bound to accomplishing superior gender equality via legislative and policy amendment, its mission being to formulate and engage in carrying out schemes for alteration and bringing about equality for women via regulation within the political mechanisms and social strategies of liberal democracy. (Coppock et al., 2014)Postfeminism repudiates the egalitarian doctrines of feminism, becoming established as an ideological system in an epoch in which democratic fairness has coagulated into entitlism, substantially developing in the framework of influential antidemocratic propensities. The choices, chances, and incentives undergone by women in postfeminist media ensue to a gilt-edged group in possession of substantial informational, social, and financial resources. Postfeminism represses flexibility, furthering hindrance and the compliance to normative patterns of distinctiveness (Buchely, 2016; O'Neill, 2015; Zaharia and Zaharia, 2015) even while publicizing self-improving consumerism. Postfeminism flourishes on restlessness about aging, revamping the latter among a diversity of generational clusters and encompassing the possibility of age evasion. Postfeminism directs representational attention on household, time, labor, and consumer culture, and is likely to generate accounts and pictures that signify female apprehension and imagine female emancipation in these spheres. Retreatism is an essential social routine of postfeminist culture, being both vag

1.后女权主义将女权主义定义为不灵活的、深远的、反性和婚外情的、具有挑战性的和极端主义的，提供了一种满足，即(重新)声称一种由性别政治、后现代主义或既定批评管理的独特性。后女权主义经常作为一种记录和确定女性选择困境连续性的方式运作。由后女权主义文化问题累积而成的巨大意识形态效应是传统规范作为关键卓越选择的基础(Bratu, 2016;Magrini, 2016;Schwieler and Magrini, 2015)对女性生活的影响。后女权主义赋予了一个有意义的个人日常配置的实质性关联，以及决定适当的交易条款来完成它的能力，崇拜女性的优势和渴望，同时可靠地将她们置于明确的界限内。(猪肉,2009)2。当代后女性主义文化中复杂多变的性别动态女性主义内部的影响力政治产生于自由民主实践，强调边缘重构。主要目标是机会平等，其中强调个人发展，而不是社会结构调节的根本改变。国家干预的重点是实现个人自决和社区利益之间的和谐(Barnett, 2015;Krivochen, 2016;Rauch, 2016)，协助缓和对立的担忧。自由主义女性主义必然要通过立法和政策修正来实现优越的性别平等，其使命是在自由民主的政治机制和社会策略范围内，制定并参与实施变革方案，通过规制实现妇女平等。(Coppock et al.， 2014)后女权主义否定了女权主义的平等主义教义，在民主公平已经凝结成权利主义的时代，成为一种意识形态体系，在有影响力的反民主倾向的框架下实质性地发展。女性在后女权主义媒体中所经历的选择、机会和激励，造就了一个拥有大量信息、社会和财政资源的镀金群体。后女权主义压制灵活性，进一步阻碍和遵守规范性模式的独特性(Buchely, 2016;奥尼尔,2015;Zaharia and Zaharia, 2015)，甚至在宣传自我完善的消费主义的同时。后女权主义因对衰老的不安而蓬勃发展，在不同的代际群体中改造了后者，并包含了逃避年龄的可能性。后女权主义将代表性的注意力集中在家庭、时间、劳动和消费文化上，并可能产生表明女性忧虑和想象女性在这些领域解放的账户和图片。隐退主义是后女权主义文化的一种基本的社会惯例，既模糊又在政治上没有定论。后女权主义媒体文化倾向于重新处理已建立的代表性代码，但剥夺了它们的改良主义和/或冲突属性。在一个超婚姻、后女权主义的文化中，即使个人对主题媒体的回忆消失了，关键情况也经常转化为分析。(Negra, 2009)所有性别的个体都接受新自由主义、后女权主义的主体性观点。后女权主义的修辞强调并赞扬了女性在男性主导的劳动环境中的成就。后女权主义对女性专家的强调塑造了假定的劳动和花钱的权利，作为女性个人自主权的基本原理。后女权主义将女性的新自我决定表述为做出个人决定的能力，尽管有大量的选择和要求(Chen, 2015;彼得斯，2015)，使他们在一个不断的原因导致期权偶尔成为一种负担。…

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引用次数: 2

Journal of Research in Gender Studies

Pub Date : 1900-01-01 DOI: 10.22381/jrgs10220204

C. Duncan

Empirical evidence on gender-related depression, anxiety, and psychological stress experienced during the COVID-19 pandemic has been scarcely documented in the literature. Using and replicating data from ACHA, ARI, GWI, Harvard Medical School, HMN, ICF, LAC/DMH, Pew Research Center, Rek et al. (2020), Statista, and UNC School of Medicine, I performed analyses and made estimates re

关于COVID-19大流行期间与性别相关的抑郁、焦虑和心理压力的经验证据在文献中几乎没有记录。使用和复制来自ACHA, ARI, GWI，哈佛医学院，HMN, ICF, LAC/DMH，皮尤研究中心，Rek等人(2020)，Statista和北卡罗来纳大学医学院的数据，我进行了分析和估计

引用次数: 7

The Road to Mandalay: Orientalism, "Burma Girls" and Western Music 曼德勒之路:东方主义、“缅甸女孩”与西方音乐

Journal of Research in Gender Studies

Pub Date : 1900-01-01 DOI: 10.22381/jrgs6120165

Andrew Selth

Over the past 70 years, considerable attention has been paid to the ways in which Burma was portrayed during the colonial era (1826-1948). However, to date no-one has looked in a systematic way at how Western music played a role in influencing and reflecting popular perceptions. This is curious, as during the nineteenth and early twentieth centuries music was a powerful cultural vector, strongly affecting public attitudes to foreign places and events. Images of the "Orient," and of Oriental women in particular, were conveyed thr ough songs a nd popular ent ertainments. T o a sur pr ising ext ent, this included portrayals of Burma, and "Burma girls." From the publication of Rudyard Kipling's enor mously popular ballad "Mandalay" in 1890, until Burma regained its independence from Britain in 1948, more than 180 songs and tunes were published with Burmese themes, helping to create a codified image of Burma's women as demure, attractive and available. In doing so, however, these compositions probably revealed as much about contemporary Western society as they did about the "Far East."The Research ProblemFor decades, scholars and commentators have tried to answer the questions: how was colonial Burma perceived in and by the Western world, how did people in countries like the United Kingdom (UK) and United States (US) form their views, and how were they manifested?Historians led the way, not only by infor ming Western audiences about developments in Burma but also by describing how European contacts over the centuries gave rise to a wide range of myths and misconceptions.1 Other social scient ists ma de useful contributions. In 1985, for example, Josef Silverstein discussed the portrayal of Burma in a number of novels by European and American authors.2 Clive Christie and Stephen Keck later surveyed the travel literature produced during the colonial period, and weighed its impact on Western perceptions of Burma.3 Deborah Boyer searched through Victorian-era periodicals for references to Burma and its role in the British Empire.4 In 2009, this author examined the way in which Burma had been represented in Hollywood movies and how this might have influenced views of the countr y. 5 Others ha ve comment ed on the paintings of Bur ma a nd Burmese people produced by British artists during the colonial period. 6 Engravings, photographs and picture postcards also influenced the way in which Burma was seen in the UK, US and elsewhere.7To date, however, no-one has looked in a systematic way at how Western views of colonial Burma were influenced by popular music. Indeed, music has been absent from almost all overviews of the country.8 This is surprising, as during the nineteenth and early twentieth centuries songs and tunes were powerful cultural vectors, highly influential in shaping not only attitudes to domestic developments but also perceptions of foreign places and events.9 As well as live performances, both in public and in private, broadsides and commercia

在过去的70年里，人们对缅甸在殖民时期(1826-1948)的描绘方式给予了相当大的关注。然而，到目前为止，还没有人系统地研究过西方音乐是如何影响和反映大众观念的。这很奇怪，因为在19世纪和20世纪初，音乐是一种强大的文化载体，强烈地影响着公众对外国地方和事件的态度。“东方”的形象，尤其是东方女性的形象，是通过歌曲和流行娱乐来传达的。这是一个令人惊讶的下一个，这包括描绘缅甸和“缅甸女孩”。从1890年拉迪亚德·吉卜林(Rudyard Kipling)脍炙人口的民谣《曼德勒》(Mandalay)出版，到1948年缅甸从英国手中获得独立，共出版了180多首以缅甸为主题的歌曲和曲调，帮助塑造了缅甸女性端庄、迷人、随和的形象。然而，在这样做的过程中，这些作品可能揭示了当代西方社会和“远东”一样多的东西。研究问题几十年来，学者和评论家一直试图回答以下问题:西方世界是如何看待殖民地缅甸的?英国和美国等国的人们是如何形成他们的观点的?这些观点又是如何表现出来的?历史学家引领潮流，不仅向西方读者介绍缅甸的发展情况，而且还描述了几个世纪以来与欧洲的接触是如何产生各种各样的神话和误解的其他社会科学家也做出了有益的贡献。例如，在1985年，约瑟夫·西尔弗斯坦(Josef Silverstein)讨论了一些欧美作家在小说中对缅甸的描写克莱夫·克里斯蒂和斯蒂芬·凯克后来调查了殖民时期产生的旅游文献，并权衡了其对西方对缅甸的看法的影响。德博拉·博耶尔在维多利亚时代的期刊中搜索有关缅甸及其在大英帝国中的作用的文献。本作者研究了好莱坞电影中缅甸的表现方式，以及这可能如何影响人们对这个国家的看法。5还有人评论了殖民时期英国艺术家创作的布尔玛和缅甸人民的画作。雕刻、照片和图片明信片也影响了英国、美国和其他地方对缅甸的看法。然而，到目前为止，还没有人系统地研究过流行音乐是如何影响西方人对缅甸殖民地的看法的。事实上，几乎所有关于这个国家的概述都没有提到音乐这是令人惊讶的，因为在19世纪和20世纪初，歌曲和曲调是强大的文化载体，不仅在塑造对国内发展的态度，而且在塑造对外国地方和事件的看法方面具有很大的影响力与现场表演一样，无论是在公共场合还是私下，海报和商业乐谱都是传达形象和思想的重要手段，这些形象和思想是英国第二次帝国扩张中被征服的国家和民族的一部分。在二十世纪之交之后，由于留声机唱片、商业广播电台和“有声”图片的发展，传播过程的范围和速度迅速增加。音乐成为反映和影响大众观念的更重要的工具。这一现象已经被其他领域的文化历史学家和音乐学家所认识，但到目前为止，它对缅甸的影响似乎还没有引起他们的注意。在这方面，《圣经》似乎被忽视为一个独立的分析主题的一个原因是，它从未被视为更广泛的历史和社会文化趋势的一个值得注意的例子。19世纪是政治、经济和社会发生深远变化的时代。这也是西方向世界其他地区(包括所谓的“远东”)大力扩张的时期。…

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