{"title":"Disfrutar la carpintería de lazo de la mano de Enrique Nuere","authors":"Llanos Gómez González","doi":"10.51303/jtbau.vi2.541","DOIUrl":"https://doi.org/10.51303/jtbau.vi2.541","url":null,"abstract":"Enrique Nuere MataucoLa carpintería que me atrapó entre sus lazosKALAM / Fundación EKABA, 2020","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75142802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
El Centro de Investigación de Arquitectura Tradicional (CIAT) es un centro científico-tecnológico fruto del convenio suscrito en 1996 entre la Universidad Politécnica de Madrid y el Ayuntamiento de Boceguillas (Segovia, España) para el desarrollo de actividades de investigación, formación y difusión de los valores de la arquitectura y la construcción tradicionales, la ciudad histórica, el paisaje cultural y el patrimonio edificado. La excelente disposición del Ayuntamiento de Boceguillas, la ayuda recibida de la Universidad Politécnica de Madrid y de su Escuela Técnica Superior de Arquitectura, y la financiación recibida de la Consejería de Fomento de la Junta de Castilla y León y del Programa Leader II de la Unión Europea (gestionado en la comarca nordeste de Segovia por CODINSE) hicieron posible la rehabilitación del edificio que alberga su sede y el inicio de su programa de actividades, que celebra en 2021 su veinticinco aniversario.
{"title":"25 años del Centro de Investigación de Arquitectura Tradicional","authors":"Fernando Vela Cossío","doi":"10.51303/jtbau.vi2.516","DOIUrl":"https://doi.org/10.51303/jtbau.vi2.516","url":null,"abstract":"El Centro de Investigación de Arquitectura Tradicional (CIAT) es un centro científico-tecnológico fruto del convenio suscrito en 1996 entre la Universidad Politécnica de Madrid y el Ayuntamiento de Boceguillas (Segovia, España) para el desarrollo de actividades de investigación, formación y difusión de los valores de la arquitectura y la construcción tradicionales, la ciudad histórica, el paisaje cultural y el patrimonio edificado. La excelente disposición del Ayuntamiento de Boceguillas, la ayuda recibida de la Universidad Politécnica de Madrid y de su Escuela Técnica Superior de Arquitectura, y la financiación recibida de la Consejería de Fomento de la Junta de Castilla y León y del Programa Leader II de la Unión Europea (gestionado en la comarca nordeste de Segovia por CODINSE) hicieron posible la rehabilitación del edificio que alberga su sede y el inicio de su programa de actividades, que celebra en 2021 su veinticinco aniversario.","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":"276 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80042292","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
La Real Fábrica de Paños es uno de los edificios más destacados dentro de la arquitectura industrial del siglo XVIII. Sin embargo, tras la paralización de su actividad textil y su progresivo abandono, llegó a nuestros días en un grave estado de ruina. Esto generó la acuciante necesidad de intervenir sobre la construcción. Al tratarse de un edificio histórico, la estrategia de actuación se basó en el uso de materiales y técnicas tradicionales, respetuosas y compatibles con el edificio, así como en la recuperación, la conservación y la reutilización de la mayor parte de los elementos constructivos existentes, con el fin de solucionar los problemas estructurales y de humedad que presentaba y volver a poner en valor el edificio.
{"title":"Recuperación de la Real Fábrica de Paños de Brihuega, Guadalajara","authors":"Juan de Dios De la Hoz Martínez","doi":"10.51303/jtbau.vi2.504","DOIUrl":"https://doi.org/10.51303/jtbau.vi2.504","url":null,"abstract":"La Real Fábrica de Paños es uno de los edificios más destacados dentro de la arquitectura industrial del siglo XVIII. Sin embargo, tras la paralización de su actividad textil y su progresivo abandono, llegó a nuestros días en un grave estado de ruina. Esto generó la acuciante necesidad de intervenir sobre la construcción. Al tratarse de un edificio histórico, la estrategia de actuación se basó en el uso de materiales y técnicas tradicionales, respetuosas y compatibles con el edificio, así como en la recuperación, la conservación y la reutilización de la mayor parte de los elementos constructivos existentes, con el fin de solucionar los problemas estructurales y de humedad que presentaba y volver a poner en valor el edificio.","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":"39 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87828389","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The seven-story apartment building in Emser Straße designed by Sebastian Treese Architekten stands in the vibrant district of Berlin Wilmersdorf. Currently under construction, its dark brick façade is a tribute to the expressionist architecture of early 1920s Berlin found widely in the area. In a world of increasingly industrialized building techniques and disappearing craftsmanship, Sebastian Treese Architekten tries to show that it is possible to combine both worlds. This essay describes the spatial and organizational context of the building and how it was designed to fit into and be part of its neighborhood by considering some of the compositional and material resources involved.
{"title":"A House in Wilmersdorf, Berlin","authors":"Sebastian Treese Architekten, Tobias Zepter","doi":"10.51303/jtbau.vi2.509","DOIUrl":"https://doi.org/10.51303/jtbau.vi2.509","url":null,"abstract":"The seven-story apartment building in Emser Straße designed by Sebastian Treese Architekten stands in the vibrant district of Berlin Wilmersdorf. Currently under construction, its dark brick façade is a tribute to the expressionist architecture of early 1920s Berlin found widely in the area. In a world of increasingly industrialized building techniques and disappearing craftsmanship, Sebastian Treese Architekten tries to show that it is possible to combine both worlds. This essay describes the spatial and organizational context of the building and how it was designed to fit into and be part of its neighborhood by considering some of the compositional and material resources involved.","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":"26 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88722113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The accelerated growth of Calcutta as a trading center under the British between the mid-18th and early 20th centuries brought an influx of diverse trading communities, including Armenians, Baghdadi Jews, Parsis, and Chinese, who settled in the historic bazaar nucleus of the city known today as Central Calcutta. These ethnoreligious communities erected significant heritage buildings reflecting their cultures. But with large-scale emigration and a rapidly dwindling local population, this shared built heritage is in neglect and has little or no relevance for Central Calcutta’s contemporary communities. This paper discusses the issues faced by these heritage resources and offers recommendations for enhancing community engagement, initiating co-management and developing common goals amongst contemporary communities so as to effectively safeguard this built heritage of dwindling minorities.
{"title":"Engagement of Contemporary Communities with the Shared Heritage Resources of the Dwindling Minorities of Central Calcutta","authors":"S. Pyne","doi":"10.51303/jtbau.vi2.530","DOIUrl":"https://doi.org/10.51303/jtbau.vi2.530","url":null,"abstract":"The accelerated growth of Calcutta as a trading center under the British between the mid-18th and early 20th centuries brought an influx of diverse trading communities, including Armenians, Baghdadi Jews, Parsis, and Chinese, who settled in the historic bazaar nucleus of the city known today as Central Calcutta. These ethnoreligious communities erected significant heritage buildings reflecting their cultures. But with large-scale emigration and a rapidly dwindling local population, this shared built heritage is in neglect and has little or no relevance for Central Calcutta’s contemporary communities. This paper discusses the issues faced by these heritage resources and offers recommendations for enhancing community engagement, initiating co-management and developing common goals amongst contemporary communities so as to effectively safeguard this built heritage of dwindling minorities.","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":"16 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74968185","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The beautiful city of Charleston, South Carolina, was built by enslaved Africans, and the painful historical connections between classical architecture and slavery have encouraged some critics to see classicism as racist. Contemporary black artist Jonathan Green, however, proposed a new way of viewing Charleston’s buildings: as a testament to black creativity and resilience that fused African architectural traditions, such as colonnaded porches and metalwork, with European ones. Following Green, this essay traces a number of trans-Atlantic architectural connections forged during the age of empires. Many different African nations, from Ethiopia to Ghana, developed great classical architectures that traveled to Europe and America through the migration of people or the publication of books. African-American designs also returned to Africa, sometimes with European accents, and found compatibility with indigenous traditions. As Green asserted, a beautiful truth emerges from this study: traditional architecture is bigger than racism. It is African, American, and human.
{"title":"Classicisms of Color: Transatlantic Exchanges in African and American Traditional Architecture","authors":"N. Walker","doi":"10.51303/jtbau.vi2.531","DOIUrl":"https://doi.org/10.51303/jtbau.vi2.531","url":null,"abstract":"The beautiful city of Charleston, South Carolina, was built by enslaved Africans, and the painful historical connections between classical architecture and slavery have encouraged some critics to see classicism as racist. Contemporary black artist Jonathan Green, however, proposed a new way of viewing Charleston’s buildings: as a testament to black creativity and resilience that fused African architectural traditions, such as colonnaded porches and metalwork, with European ones. Following Green, this essay traces a number of trans-Atlantic architectural connections forged during the age of empires. Many different African nations, from Ethiopia to Ghana, developed great classical architectures that traveled to Europe and America through the migration of people or the publication of books. African-American designs also returned to Africa, sometimes with European accents, and found compatibility with indigenous traditions. As Green asserted, a beautiful truth emerges from this study: traditional architecture is bigger than racism. It is African, American, and human.","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78223604","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the increasingly digitized profession of architecture, opportunities to draw by hand decline constantly. The thorough shift from traditional to digital tools is rarely questioned and commonly justified by the demands of the trade. Cognitive, pedagogic and economic values of traditional documentation methods are easily overlooked, while the craft of hand drawing is under increasing threat of extinction. Taking part in vernacular heritage documentation adventures from China and eastern Serbia to Thailand and northern Pakistan, I witnessed how humble pencils and inking pens enrich human lives. These experiences have transformed me and expanded my own view of the world.
{"title":"Why Are You Not Using Computers? A Case for Drawing Vernacular Architecture by Hand","authors":"Jelena Pejković","doi":"10.51303/jtbau.vi2.512","DOIUrl":"https://doi.org/10.51303/jtbau.vi2.512","url":null,"abstract":"In the increasingly digitized profession of architecture, opportunities to draw by hand decline constantly. The thorough shift from traditional to digital tools is rarely questioned and commonly justified by the demands of the trade. Cognitive, pedagogic and economic values of traditional documentation methods are easily overlooked, while the craft of hand drawing is under increasing threat of extinction. Taking part in vernacular heritage documentation adventures from China and eastern Serbia to Thailand and northern Pakistan, I witnessed how humble pencils and inking pens enrich human lives. These experiences have transformed me and expanded my own view of the world.","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77931274","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Àngels Castellarnau Visús, Pilar Diez Rodríguez, Miguel Macho Villameriel, Ignacio Represa Bermejo, Sebastiano D`UrsoWorkshop arquitectura tradicional e identidad localAssur - Laboratorio Cultural, 2020
Àngels Castellarnau Visús、支柱十rodriguez、Miguel Villameriel男子气概,伊格纳西奥水库鲜红色,Sebastiano D 'UrsoWorkshop架构localAssur -实验室文化传统和身份,2020年
{"title":"Paredes de Nava: Un espacio rural experimental","authors":"José María García de Acilu","doi":"10.51303/jtbau.vi2.539","DOIUrl":"https://doi.org/10.51303/jtbau.vi2.539","url":null,"abstract":"Àngels Castellarnau Visús, Pilar Diez Rodríguez, Miguel Macho Villameriel, Ignacio Represa Bermejo, Sebastiano D`UrsoWorkshop arquitectura tradicional e identidad localAssur - Laboratorio Cultural, 2020","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":"81 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84975174","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article shows that building issues have not been tackled fundamentally differently in Europe and Japan despite large cultural differences. Different cultural expressions must not necessarily be equated with different thinking. The paper contrasts two apparently contradictory views. Numerous analyses of Japanese “otherness” in “Western” as well as local perception dominate the literature. But the results of extensive architectural field surveys seem to indicate the contrary. These results show similar and equal backgrounds and conditions resulting in similar and equal building types and techniques. They show that our ways of addressing a task are prompted by pragmatism. Broadly identical solutions were developed worldwide long before globalization. Yet this realization does not allow us to conclude that equal appearances can be taken to be equal in content.
{"title":"Recognizing the Similar and Thus Accepting the Other: The European and Japanese Traditions of Building With Wood","authors":"Klaus Zwerger","doi":"10.51303/jtbau.vi2.520","DOIUrl":"https://doi.org/10.51303/jtbau.vi2.520","url":null,"abstract":"This article shows that building issues have not been tackled fundamentally differently in Europe and Japan despite large cultural differences. Different cultural expressions must not necessarily be equated with different thinking. The paper contrasts two apparently contradictory views. Numerous analyses of Japanese “otherness” in “Western” as well as local perception dominate the literature. But the results of extensive architectural field surveys seem to indicate the contrary. These results show similar and equal backgrounds and conditions resulting in similar and equal building types and techniques. They show that our ways of addressing a task are prompted by pragmatism. Broadly identical solutions were developed worldwide long before globalization. Yet this realization does not allow us to conclude that equal appearances can be taken to be equal in content.","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":"77 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87376353","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
S. Bastidas, Gerard Bastidas Caldentey, Boris Bastidas
El actual hotel Can Ferrereta fue desde el siglo XVIII una de las grandes casas señoriales del pueblo. La familia Soldevila-Ferrer, responsable del hotel Sant Francesc en el casco antiguo de Palma, buscaba un lugar en la isla donde poder recrear en un entorno rural su modelo de negocio. El objetivo era crear una gran casa que mantuviera el carácter rural de la edificación original y que incorporara al aspecto general del edificio algunos de los elementos del campo cercano. Las premisas eran fundir en una mezcla homogénea las partes originales del edificio y las nuevas construcciones, y utilizar materiales naturales y artesanales de gran calidad, en algunos casos recuperados de otros edificios.
{"title":"La restauración y la construcción de Can Ferrereta, Mallorca","authors":"S. Bastidas, Gerard Bastidas Caldentey, Boris Bastidas","doi":"10.51303/jtbau.vi2.502","DOIUrl":"https://doi.org/10.51303/jtbau.vi2.502","url":null,"abstract":"El actual hotel Can Ferrereta fue desde el siglo XVIII una de las grandes casas señoriales del pueblo. La familia Soldevila-Ferrer, responsable del hotel Sant Francesc en el casco antiguo de Palma, buscaba un lugar en la isla donde poder recrear en un entorno rural su modelo de negocio. El objetivo era crear una gran casa que mantuviera el carácter rural de la edificación original y que incorporara al aspecto general del edificio algunos de los elementos del campo cercano. Las premisas eran fundir en una mezcla homogénea las partes originales del edificio y las nuevas construcciones, y utilizar materiales naturales y artesanales de gran calidad, en algunos casos recuperados de otros edificios.","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":"51 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79534704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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