Pub Date : 2021-12-31DOI: 10.3986/traditio2021500205
Tjaša Jakop
V prispevku osvetljujemo narečno podobo izbranih prekmurskih ljudskih pesmi. Jezik ljudskih pesmi navadno ni pravo narečje, je vmesna stopnja med narečjem in knjižnim jezikom (t. i. nadnarečje). Narečnosti se najbolj približajo zapisi ljudskih pesmi v fonetični pisavi. V članku bomo analizirali nekaj prekmurskih narečnih pesmi, objavljenih leta 1909 v glasoslovni razpravi Avgusta Pavla, in jih primerjali z zapisi v nadnarečni podobi.
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Pub Date : 2021-12-31DOI: 10.3986/traditio2021500201
Marjetka Golež Kaučič
Ta zvezek Traditiones je namenjen premisleku o jeziku v folklori, o tem kako, na kakšne načine mislimo folkloro ali premišljamo o njej z vidika zaznavanja njenih jezikovnih značilnosti, ki so v vsakem jezikovnem kodu različne. Avtorice in avtorji se ukvarjajo s tem, kako se jezikovni kodi prepletajo, kako nanje vplivajo različni dejavniki – zunanji in notranji. Prispevki tako izhajajo prav iz osnovnih vprašanj, ali sta folklora in narečje intrinzično povezana in kaj pomeni jezik folklore ali celo večjezikovni sistem v folklornih tekstih in kontekstih. Nekateri članki so nastali v raziskovalnem projektu Misliti folkloro: Folkloristične, etnološke in računske perspektive in pristopi k narečju, drugi pa obravnavajo različne pristope k obravnavi narečja, jezika, folklore ter pesemskega, pripovednega in gledališkega izročila posamičnih narodov.
{"title":"Misliti, govoriti in peti folkloro","authors":"Marjetka Golež Kaučič","doi":"10.3986/traditio2021500201","DOIUrl":"https://doi.org/10.3986/traditio2021500201","url":null,"abstract":"Ta zvezek Traditiones je namenjen premisleku o jeziku v folklori, o tem kako, na kakšne načine mislimo folkloro ali premišljamo o njej z vidika zaznavanja njenih jezikovnih značilnosti, ki so v vsakem jezikovnem kodu različne. Avtorice in avtorji se ukvarjajo s tem, kako se jezikovni kodi prepletajo, kako nanje vplivajo različni dejavniki – zunanji in notranji. Prispevki tako izhajajo prav iz osnovnih vprašanj, ali sta folklora in narečje intrinzično povezana in kaj pomeni jezik folklore ali celo večjezikovni sistem v folklornih tekstih in kontekstih. Nekateri članki so nastali v raziskovalnem projektu Misliti folkloro: Folkloristične, etnološke in računske perspektive in pristopi k narečju, drugi pa obravnavajo različne pristope k obravnavi narečja, jezika, folklore ter pesemskega, pripovednega in gledališkega izročila posamičnih narodov.","PeriodicalId":35228,"journal":{"name":"Traditiones","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44980016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-31DOI: 10.3986/traditio2021500207
Anja Moric
The article calls into question the understanding of the Kočevska (Gottschee) area as a “German language island”. Through examples of the use of different languages before the Second World War, it shows a different –multilingual or multicultural– image of this region. The author draws data from historical and archival sources, as well as from a survey that she conducted among Gottscheers (“Gottschee Germans”) living in Slovenia, Austria, Germany, the USA and Canada. Keywords: Gottschee, Gottscheers, Gottschee Germans, multilingualism, nationalism, linguistically mixed regions, linguistic islands, national identity
{"title":"German “Linguistic Island” or a Linguistically Mixed Region?: Multilingual Practices in the Kočevska (Gottschee) Area","authors":"Anja Moric","doi":"10.3986/traditio2021500207","DOIUrl":"https://doi.org/10.3986/traditio2021500207","url":null,"abstract":"The article calls into question the understanding of the Kočevska (Gottschee) area as a “German language island”. Through examples of the use of different languages before the Second World War, it shows a different –multilingual or multicultural– image of this region. The author draws data from historical and archival sources, as well as from a survey that she conducted among Gottscheers (“Gottschee Germans”) living in Slovenia, Austria, Germany, the USA and Canada. Keywords: Gottschee, Gottscheers, Gottschee Germans, multilingualism, nationalism, linguistically mixed regions, linguistic islands, national identity","PeriodicalId":35228,"journal":{"name":"Traditiones","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43513339","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-31DOI: 10.3986/traditio2021500206
T. McKean
Scottish Traveller Cant, a secret cover language used for communication in small groups and families, has changed in both context and function over the last century. From being a cryptolect used entirely within the culture it has now received exposure through Traveller performance and publications. Throughout these developments, the Cant continues to be a way for Travellers to control the narrative of who they are and who they wish to be. Using songs, stories, and interactions with fieldworkers, this paper explores the power of language to define and shape identity.
{"title":"Multi-Layered Communication and Function in Scottish Traveller Cant","authors":"T. McKean","doi":"10.3986/traditio2021500206","DOIUrl":"https://doi.org/10.3986/traditio2021500206","url":null,"abstract":"Scottish Traveller Cant, a secret cover language used for communication in small groups and families, has changed in both context and function over the last century. From being a cryptolect used entirely within the culture it has now received exposure through Traveller performance and publications. Throughout these developments, the Cant continues to be a way for Travellers to control the narrative of who they are and who they wish to be. Using songs, stories, and interactions with fieldworkers, this paper explores the power of language to define and shape identity.","PeriodicalId":35228,"journal":{"name":"Traditiones","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46939430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-31DOI: 10.3986/traditio2021500202
Gregor Strle
The article presents central paradigms on semantics and meaning. The aim is to introduce the reader of cultural studies to various aspects of modeling meaning and to provide a useful theoretical and methodological semantic apparatus. Various notions of meaning and semantics are examined from philosophical and cognitive perspectives. The author argues that meaning is a conventional entity and part of the social and cultural environment that emerges from the community of language users.
{"title":"Realist and Cognitive Perspectives on Meaning and Semantics","authors":"Gregor Strle","doi":"10.3986/traditio2021500202","DOIUrl":"https://doi.org/10.3986/traditio2021500202","url":null,"abstract":"The article presents central paradigms on semantics and meaning. The aim is to introduce the reader of cultural studies to various aspects of modeling meaning and to provide a useful theoretical and methodological semantic apparatus. Various notions of meaning and semantics are examined from philosophical and cognitive perspectives. The author argues that meaning is a conventional entity and part of the social and cultural environment that emerges from the community of language users.","PeriodicalId":35228,"journal":{"name":"Traditiones","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44343503","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-31DOI: 10.3986/traditio2021500204
Marjetka Golež Kaučič
V članku je obravnavano jezikovno preklapljanje iz narečja v nadnarečje oz. standardni jezik v treh položajih rabe jezika v folklornem dogodku. Ta označuje razmerje med petjem pesmi, govorom med informatorjem ali informatorko in spraševalcem ali spraševalko ter prilagajanje obeh različnim govornim položajem v dogodku. Ugotovitve temeljijo na analizi treh variant ljudske balade »Samomor nune« iz treh narečnih okolij in ene molitve ter analize govora. Ob tem avtorica razpravlja še o simbolnem pomenu rabe jezika v jezikovno-socialnem položaju ter vprašanju identitetne rabe obravnavanih jezikovnih kodov.
{"title":"Jezik govora, jezik pesmi: Med narečjem, nadnarečjem in standardnim jezikom","authors":"Marjetka Golež Kaučič","doi":"10.3986/traditio2021500204","DOIUrl":"https://doi.org/10.3986/traditio2021500204","url":null,"abstract":"V članku je obravnavano jezikovno preklapljanje iz narečja v nadnarečje oz. standardni jezik v treh položajih rabe jezika v folklornem dogodku. Ta označuje razmerje med petjem pesmi, govorom med informatorjem ali informatorko in spraševalcem ali spraševalko ter prilagajanje obeh različnim govornim položajem v dogodku. Ugotovitve temeljijo na analizi treh variant ljudske balade »Samomor nune« iz treh narečnih okolij in ene molitve ter analize govora. Ob tem avtorica razpravlja še o simbolnem pomenu rabe jezika v jezikovno-socialnem položaju ter vprašanju identitetne rabe obravnavanih jezikovnih kodov.","PeriodicalId":35228,"journal":{"name":"Traditiones","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41689176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-31DOI: 10.3986/traditio2021500203
V. Bold
This article considers one song, “The Bonny Lass o Fyvie”, in examples from Scotland, England, and North America. As it moves between language areas – from Scots language into English, Ulster-Scots and American English – there are significant shifts in audiences’ understanding of its subtexts. The song was originally about women’s rights to assert independence from men’s desires, and the vulnerability of men in love. It ends as being about women’s vulnerabilities, dislocated from its indigenous culture.
本文以苏格兰、英格兰和北美的歌曲“The Bonny Lass o Fyvie”为例。随着它在不同语言区域之间的转换——从苏格兰语到英语、阿尔斯特-苏格兰语和美国英语——观众对其潜台词的理解也发生了重大变化。这首歌最初是关于女性坚持独立于男性欲望的权利，以及男人在爱情中的脆弱。它的结尾是关于女性的脆弱性，与本土文化脱节。
{"title":"“It’s Braw to Ride Round and Follow the Camp” The Linguistic Journey of a Scots Song, with an Irish Soldier, through Space and Time Valentina Bold","authors":"V. Bold","doi":"10.3986/traditio2021500203","DOIUrl":"https://doi.org/10.3986/traditio2021500203","url":null,"abstract":"This article considers one song, “The Bonny Lass o Fyvie”, in examples from Scotland, England, and North America. As it moves between language areas – from Scots language into English, Ulster-Scots and American English – there are significant shifts in audiences’ understanding of its subtexts. The song was originally about women’s rights to assert independence from men’s desires, and the vulnerability of men in love. It ends as being about women’s vulnerabilities, dislocated from its indigenous culture.","PeriodicalId":35228,"journal":{"name":"Traditiones","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48781604","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-31DOI: 10.3986/traditio2021500208
Delia Dattilo, C. Citraro
In this paper we will highlight certain literary works belonging to different times and different genres, all revolving around the category of “Southern Italy”, dealing with the irreversibility of social changes and defining certain specific contexts by recalling sound-related expressions. We take into account the comedy Frischijamu by Domenico Mosca as an example of a representation of sound phenomena as perceived by the community in the semi-public environment of the ruga (gr. Pοῡγα ‘alley’).
在本文中，我们将突出一些属于不同时代和不同体裁的文学作品，所有这些作品都围绕着“南意大利”的范畴，处理社会变化的不可逆性，并通过回忆声音相关的表达来定义某些特定的语境。我们将Domenico Mosca的喜剧《Frischijamu》作为一个例子，它代表了社区在ruga(希腊语:Pο ο γα ' alley ')的半公共环境中所感知到的声音现象。
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Pub Date : 2021-12-29DOI: 10.3986/traditio2021500102
Alessandro Testa
This article offers an overview of the origins and development of the anthropology of cultural heritage in Europe, tracing its main genealogical lineages stemming from kindred disciplines and methods in a comparative fashion. This brief genealogy is then complemented by a set of considerations and observations about the author’s personal ethnographic explorations of various European countries and regions, again with the aim of fruitful comparison. The article discusses how the anthropology of cultural heritage in Europe emerged, where it stands now, and where it might be going.
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