Two enigmatic figures of 20th-century political theory, Eric Voegelin and Simone Weil, stand out with idiosyncratic receptions of ancient Greek texts. Both thinkers diagnosed that, as political agents in late modernity, we have unlearned to read world-making ancient texts and their narratives in their cosmic dimension and thus lost what has rooted European culture and history. Against this backdrop, Voegelin and Weil share ‘antidotal’ practises of combining historically and generically distinct material. These practices aim at fathoming a primordial experience at work in European narratives. With this comparative analysis of Voegelin's and Weil's symbolic readings (exemplified in this paper by passages from the Iliad, the History of the Peloponnesian War, and the Symposium), I present some considerations how their combinatory imagination of ancient material could supply late modern political agents with a pathos, a meaningful self-world relationship that was thought to have gone missing.
{"title":"Eric Voegelin's and Simone Weil's return to Ancient Greece","authors":"Thomas Sojer","doi":"10.1556/068.2021.00009","DOIUrl":"https://doi.org/10.1556/068.2021.00009","url":null,"abstract":"\u0000 Two enigmatic figures of 20th-century political theory, Eric Voegelin and Simone Weil, stand out with idiosyncratic receptions of ancient Greek texts. Both thinkers diagnosed that, as political agents in late modernity, we have unlearned to read world-making ancient texts and their narratives in their cosmic dimension and thus lost what has rooted European culture and history. Against this backdrop, Voegelin and Weil share ‘antidotal’ practises of combining historically and generically distinct material. These practices aim at fathoming a primordial experience at work in European narratives. With this comparative analysis of Voegelin's and Weil's symbolic readings (exemplified in this paper by passages from the Iliad, the History of the Peloponnesian War, and the Symposium), I present some considerations how their combinatory imagination of ancient material could supply late modern political agents with a pathos, a meaningful self-world relationship that was thought to have gone missing.","PeriodicalId":35670,"journal":{"name":"Acta Antiqua Academiae Scientiarum Hungaricae","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48433751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the study, I provide a comparative overview of the aesthetical debate that took place at the turn of the 18th and 19th century in Germany and Denmark concerning the use of the Old Norse versus the classical mythology in literature. I discuss Johann Gottfried Herder’s ideas on this topic, expressed in his work Vom neuern Gebrauch der Mythologie (1767) and especially in his dialogue Iduna oder der Apfel der Verjüngung (1796), with focus on the following question: Does the rejuvenating potential of the Norse myth as suggested by Herder in Iduna, allow any room for the classical inspirations in modern literature? Herder’s view will provide a starting point of the comparison for the cultural situation in Denmark where the University of Copenhagen announced in 1800 a prize question on aesthetics “Would it benefit Northern polite literature if ancient Northern mythology were introduced and generally accepted by our poets in place of its Greek counterpart?”. The entries in this contest represented the view of the younger generation, namely Adam Oehlenschläger, Jens Møller and Ludvig Stoud Platou. I summarize their views and examine Herder’s influence on the debate.
在这项研究中，我对18世纪和19世纪初在德国和丹麦发生的关于在文学中使用古斯堪的纳维亚语与古典神话的美学辩论进行了比较概述。我将讨论约翰·戈特弗里德·赫尔德(Johann Gottfried Herder)在他的著作《新神话》(1767)中表达的关于这个主题的观点，特别是在他的对话《Iduna oder der Apfel der verjngung》(1796)中，重点讨论以下问题:赫尔德在《Iduna》中提出的挪威神话的复兴潜力是否为现代文学中的古典灵感提供了任何空间?Herder的观点将为丹麦的文化状况提供一个比较的起点哥本哈根大学在1800年宣布了一个关于美学的获奖问题“如果古代北方神话被引入并被我们的诗人普遍接受，而不是希腊神话，这对北方的礼貌文学有好处吗?”本次比赛的参赛作品代表了年轻一代的观点，即Adam Oehlenschläger、Jens Møller和Ludvig Stoud Platou。我总结了他们的观点，并考察了赫尔德对这场辩论的影响。
{"title":"Classical or Old Norse myth? German and Danish approaches to the use of myth in the modern literature at the turn of the 19th century","authors":"M. Králová","doi":"10.1556/068.2021.00008","DOIUrl":"https://doi.org/10.1556/068.2021.00008","url":null,"abstract":"\u0000 In the study, I provide a comparative overview of the aesthetical debate that took place at the turn of the 18th and 19th century in Germany and Denmark concerning the use of the Old Norse versus the classical mythology in literature. I discuss Johann Gottfried Herder’s ideas on this topic, expressed in his work Vom neuern Gebrauch der Mythologie (1767) and especially in his dialogue Iduna oder der Apfel der Verjüngung (1796), with focus on the following question: Does the rejuvenating potential of the Norse myth as suggested by Herder in Iduna, allow any room for the classical inspirations in modern literature? Herder’s view will provide a starting point of the comparison for the cultural situation in Denmark where the University of Copenhagen announced in 1800 a prize question on aesthetics “Would it benefit Northern polite literature if ancient Northern mythology were introduced and generally accepted by our poets in place of its Greek counterpart?”. The entries in this contest represented the view of the younger generation, namely Adam Oehlenschläger, Jens Møller and Ludvig Stoud Platou. I summarize their views and examine Herder’s influence on the debate.","PeriodicalId":35670,"journal":{"name":"Acta Antiqua Academiae Scientiarum Hungaricae","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48079358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper aims at analysing the character of Briseis, Achilles’ slave in the Iliad, through the lenses of narratology, in order to highlight her importance in the poem. Far from being a pale shadow, Briseis has a privileged position among captive women in the Greek camp not only because she is the cause of the quarrel between Achilles and Agamemnon, but also because she is endowed with the privilege of direct speech; at the same time, she is also linked to important women on the Trojan side, like Helen and Andromache. Through scattered bits of information about her past, through epithets and periphrases, Homer creates an in fieri portrait of the character which culminates in the lament Briseis performs on the corpse of Patroclus in Il. XIX 282–302: in remarkable lines containing her first and unique speech in the Iliad, Briseis mourns for the death of her beloved friend, while lamenting her unlucky fate. As this paper will hopefully make clear, a refined and accurate characterization provides Briseis with a rich profile, which challenges the possibility of labelling her as a minor Iliadic character.
{"title":"Just a pale shadow? The characterization of Briseis in Homer’s Iliad","authors":"Linda Molli","doi":"10.1556/068.2021.00001","DOIUrl":"https://doi.org/10.1556/068.2021.00001","url":null,"abstract":"\u0000 This paper aims at analysing the character of Briseis, Achilles’ slave in the Iliad, through the lenses of narratology, in order to highlight her importance in the poem. Far from being a pale shadow, Briseis has a privileged position among captive women in the Greek camp not only because she is the cause of the quarrel between Achilles and Agamemnon, but also because she is endowed with the privilege of direct speech; at the same time, she is also linked to important women on the Trojan side, like Helen and Andromache. Through scattered bits of information about her past, through epithets and periphrases, Homer creates an in fieri portrait of the character which culminates in the lament Briseis performs on the corpse of Patroclus in Il. XIX 282–302: in remarkable lines containing her first and unique speech in the Iliad, Briseis mourns for the death of her beloved friend, while lamenting her unlucky fate. As this paper will hopefully make clear, a refined and accurate characterization provides Briseis with a rich profile, which challenges the possibility of labelling her as a minor Iliadic character.","PeriodicalId":35670,"journal":{"name":"Acta Antiqua Academiae Scientiarum Hungaricae","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45709739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Although no Aeschylean hypomnemata have been preserved, the papyri have returned evidences of ancient scholarship, such as fragments with marginalia and hypotheseis of several lost tragedies. For this reason, it is difficult to compare the scholia tradition, but it provides particular value for these ancient annotations. If the limited papyrus notes could testify a lower fortune of Aeschylus, the discovery of scholar materials, linked with lost tragedies, denotes that his productions was still available during the first centuries of Imperial Age. Interesting evidence is P.Oxy. XX 2257, which offers important information on the Aitnaiai stagecraft. My purpose is to reconstruct the drama setting and explain the technical modality of scene changes.
{"title":"The cold case of Aitnaiai's stagecraft","authors":"Daniela Immacolata Cagnazzo","doi":"10.1556/068.2021.00002","DOIUrl":"https://doi.org/10.1556/068.2021.00002","url":null,"abstract":"\u0000 Although no Aeschylean hypomnemata have been preserved, the papyri have returned evidences of ancient scholarship, such as fragments with marginalia and hypotheseis of several lost tragedies. For this reason, it is difficult to compare the scholia tradition, but it provides particular value for these ancient annotations. If the limited papyrus notes could testify a lower fortune of Aeschylus, the discovery of scholar materials, linked with lost tragedies, denotes that his productions was still available during the first centuries of Imperial Age. Interesting evidence is P.Oxy. XX 2257, which offers important information on the Aitnaiai stagecraft. My purpose is to reconstruct the drama setting and explain the technical modality of scene changes.","PeriodicalId":35670,"journal":{"name":"Acta Antiqua Academiae Scientiarum Hungaricae","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47995121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the paper, I am revisiting the complicated and many-layered interpretation of Ven. Fort. Carm. 5. 6, letter and figure poem. I am adding another layer by including the role of St. Symphorian, who is implicitly present in the poem through the addressee Syagrius, the bishop of Autun, Symphorian’s hometown. The presence of the saint plays together with the story of father and son that is told in the letter; the parallelism of the story in the letter and the saint’s legend could have laid additional pressure on Bishop Syagrius to give into Fortunatus’s plea.
{"title":"The poet, the saint and the imitation of Christ in Venantius Fortunatus’ carmen 5. 6*","authors":"Enno Friedrich","doi":"10.1556/068.2021.00005","DOIUrl":"https://doi.org/10.1556/068.2021.00005","url":null,"abstract":"\u0000 In the paper, I am revisiting the complicated and many-layered interpretation of Ven. Fort. Carm. 5. 6, letter and figure poem. I am adding another layer by including the role of St. Symphorian, who is implicitly present in the poem through the addressee Syagrius, the bishop of Autun, Symphorian’s hometown. The presence of the saint plays together with the story of father and son that is told in the letter; the parallelism of the story in the letter and the saint’s legend could have laid additional pressure on Bishop Syagrius to give into Fortunatus’s plea.","PeriodicalId":35670,"journal":{"name":"Acta Antiqua Academiae Scientiarum Hungaricae","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47822440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In addition to other sources, Plato's dialogues are transmitted via 130 papyri that contribute to the constitution of the text. Starting from the Corpus dei papiri filosofici greci e latini volumes, about 1070 readings preserved by the Platonic papyri have been collected in a database, where they have been classified in different lists. For instance, the papyri may preserve new correct readings or, since in principle they represent half of the tradition, they can be seen as contributing to the choice between adiaphora. In addition, papyri belie conjectures much more than they confirm them, thus rehabilitating the mistrusted medieval text.
除了其他来源外，柏拉图的对话还通过130张纸莎草纸传播，这些纸莎草书对文本的构成做出了贡献。从《纸莎草书》（Corpus dei papiri filosofici greci e latini）卷开始，柏拉图时期纸莎草纸保存的约1070份读数被收集在一个数据库中，并被分类在不同的列表中。例如，纸莎草纸可能会保留新的正确读数，或者，由于原则上它们代表了传统的一半，它们可以被视为有助于在adiaphora之间做出选择。此外，纸莎草纸对猜测的否认远远超过了对它们的证实，从而恢复了被怀疑的中世纪文本。
{"title":"Notes on the papyri of Plato and the constitution of the text†","authors":"Maria Vittoria Curtolo","doi":"10.1556/068.2021.00003","DOIUrl":"https://doi.org/10.1556/068.2021.00003","url":null,"abstract":"\u0000 In addition to other sources, Plato's dialogues are transmitted via 130 papyri that contribute to the constitution of the text. Starting from the Corpus dei papiri filosofici greci e latini volumes, about 1070 readings preserved by the Platonic papyri have been collected in a database, where they have been classified in different lists. For instance, the papyri may preserve new correct readings or, since in principle they represent half of the tradition, they can be seen as contributing to the choice between adiaphora. In addition, papyri belie conjectures much more than they confirm them, thus rehabilitating the mistrusted medieval text.","PeriodicalId":35670,"journal":{"name":"Acta Antiqua Academiae Scientiarum Hungaricae","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42189121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The paper aims to investigate the influence of the Peripatus on the Alexandrian Homeric philology and exegesis. This relationship is examined through the study of the Homeric fragments of the Peripatetic Megaclides of Athens. In a fragment specifically dedicated to the poetic portrayal of Heracles, it is possible to observe a distinction between Homer and post-Homeric poets and a devaluation of the latter’s renewal of Homeric themes. Both observations recur also in the Aristarchean exegesis, which indicates the post-Homeric poets with the derogatory expression οἱ νϵώτϵροι, perhaps already employed for this purpose by the Peripatus.
{"title":"Megaclides of Athens and the Homeric Exegesis between Aristotle and Aristarchus","authors":"M. Fogagnolo","doi":"10.1556/068.2021.00004","DOIUrl":"https://doi.org/10.1556/068.2021.00004","url":null,"abstract":"\u0000 The paper aims to investigate the influence of the Peripatus on the Alexandrian Homeric philology and exegesis. This relationship is examined through the study of the Homeric fragments of the Peripatetic Megaclides of Athens. In a fragment specifically dedicated to the poetic portrayal of Heracles, it is possible to observe a distinction between Homer and post-Homeric poets and a devaluation of the latter’s renewal of Homeric themes. Both observations recur also in the Aristarchean exegesis, which indicates the post-Homeric poets with the derogatory expression οἱ νϵώτϵροι, perhaps already employed for this purpose by the Peripatus.","PeriodicalId":35670,"journal":{"name":"Acta Antiqua Academiae Scientiarum Hungaricae","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42807414","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Ugolino Verino (1438–1516) wrote an impressive Latin epic poem on Charlemagne, the Carlias. In this paper, both internal and contextual arguments are put forth in support of the interpretation of Florence as the New Jerusalem in this poem, a hypothesis already made by the first (and only) modern editor of the work. First, the internal arguments come from an analysis of the passage in which the refoundation of Florence takes place and from the structure of the entire composition, a clearly eschatological narrative. Then, the similarities and debts with relevant previous and contemporary apocalyptic literature on the Second Charlemagne are pointed out.
{"title":"Florence as the New Jerusalem in Ugolino Verino’s Carlias","authors":"Oriol Febrer","doi":"10.1556/068.2021.00006","DOIUrl":"https://doi.org/10.1556/068.2021.00006","url":null,"abstract":"\u0000 Ugolino Verino (1438–1516) wrote an impressive Latin epic poem on Charlemagne, the Carlias. In this paper, both internal and contextual arguments are put forth in support of the interpretation of Florence as the New Jerusalem in this poem, a hypothesis already made by the first (and only) modern editor of the work. First, the internal arguments come from an analysis of the passage in which the refoundation of Florence takes place and from the structure of the entire composition, a clearly eschatological narrative. Then, the similarities and debts with relevant previous and contemporary apocalyptic literature on the Second Charlemagne are pointed out.","PeriodicalId":35670,"journal":{"name":"Acta Antiqua Academiae Scientiarum Hungaricae","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45349659","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of this paper is the analysis of the meaning of the iconography of the month of September in Late Antique Roman illustrated calendars. This image alludes to the apotropaic ritual of the grape harvest done through the suspension of a lizard above bunches of grapes or containers of wine. The use of this image attests to the continuity of the Dionysian cult in Late Antiquity, even if only at a popular level, because of the definitive affirmation of Christianity. At the same time, the new religion included this iconographic pattern, which has acquired an eschatological meaning related to eternal life.
{"title":"The celebration of the lizard:","authors":"","doi":"10.1556/068.2020.00023","DOIUrl":"https://doi.org/10.1556/068.2020.00023","url":null,"abstract":"\u0000 The aim of this paper is the analysis of the meaning of the iconography of the month of September in Late Antique Roman illustrated calendars. This image alludes to the apotropaic ritual of the grape harvest done through the suspension of a lizard above bunches of grapes or containers of wine. The use of this image attests to the continuity of the Dionysian cult in Late Antiquity, even if only at a popular level, because of the definitive affirmation of Christianity. At the same time, the new religion included this iconographic pattern, which has acquired an eschatological meaning related to eternal life.","PeriodicalId":35670,"journal":{"name":"Acta Antiqua Academiae Scientiarum Hungaricae","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49082146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Vergil constructs Dido's curse on Aeneas in direct correspondence to Dido's personal experiences; it is thus a measured response to Aeneas' desertion, as it includes a desire that he suffer what Dido herself has endured. Because Dido had initially offered a union between the Trojans and Tyrians and considered herself and Aeneas married, her curse involves both their nations.
{"title":"Dido's curse of Aeneas and Rome: An historical endorsement of prophetic emotions","authors":"","doi":"10.1556/068.2020.00019","DOIUrl":"https://doi.org/10.1556/068.2020.00019","url":null,"abstract":"\u0000 Vergil constructs Dido's curse on Aeneas in direct correspondence to Dido's personal experiences; it is thus a measured response to Aeneas' desertion, as it includes a desire that he suffer what Dido herself has endured. Because Dido had initially offered a union between the Trojans and Tyrians and considered herself and Aeneas married, her curse involves both their nations.","PeriodicalId":35670,"journal":{"name":"Acta Antiqua Academiae Scientiarum Hungaricae","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44647634","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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