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Apparatus最新文献

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Doing Performance Art History. An Introduction and Interview with Amy Bryzgel 表演艺术史。Amy Bryzgel的介绍和采访
Q2 Arts and Humanities Pub Date : 2020-10-09 DOI: 10.17892/APP.2020.0000.184
Sylvia Sasse
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引用次数: 0
VHS as a Medium of Subculture 作为亚文化媒介的VHS
Q2 Arts and Humanities Pub Date : 2020-10-09 DOI: 10.17892/APP.2020.0000.193
Marina Gržinić
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引用次数: 0
Archiving Performance Art in The Artpool Art Research Center – Museum of Fine Arts, Budapest. An Interview with Julia Klaniczay and Gabriella Schuller (Artpool) 布达佩斯美术馆Artpool艺术研究中心的行为艺术档案。Julia Klaniczay和Gabriella Schuller访谈(Artpool)
Q2 Arts and Humanities Pub Date : 2020-10-09 DOI: 10.17892/APP.2020.0000.203
Kata Krasznahorkai
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引用次数: 0
Work, 2008–2010 工作,2008 - 2010
Q2 Arts and Humanities Pub Date : 2020-10-09 DOI: 10.17892/APP.2020.0000.196
Ion Grigorescu
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引用次数: 0
Sounds from 1983 1983年的声音
Q2 Arts and Humanities Pub Date : 2020-10-09 DOI: 10.17892/APP.2020.0000.195
Andrei Monastyrski
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引用次数: 0
The “Dialectical Document” in Eastern European Art of the 1970s and 1980s 二十世纪七八十年代东欧艺术中的“辩证文献”
Q2 Arts and Humanities Pub Date : 2020-10-09 DOI: 10.17892/APP.2020.0000.201
Sven Spieker
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引用次数: 0
Actions 1978–2015 – an Attempt at a Typology 1978-2015年的行动——类型学的尝试
Q2 Arts and Humanities Pub Date : 2020-10-09 DOI: 10.17892/APP.2020.0000.187
V. Zakharov
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引用次数: 0
The Storming of the Authoritarian Archive – Doing Performance Archiving as an Artistic Act 威权档案的风暴——把表演档案作为一种艺术行为
Q2 Arts and Humanities Pub Date : 2020-10-09 DOI: 10.17892/APP.2020.0000.200
Kata Krasznahorkai
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引用次数: 0
Centrality and Centralisation A Social Network Analysis of the Early Soviet Film Industry, 1918-1953 中心性与集中化:1918-1953年早期苏联电影工业的社会网络分析
Q2 Arts and Humanities Pub Date : 2020-10-06 DOI: 10.17892/APP.2020.00010.177
J. Neuberger
Die sowjetische Filmindustrie bestand wie jede andere Institution aus Netzwerken von Menschen, die sich kannten oder die Menschen kannten, die sich kannten. In diesem Artikel untersucht Joan Neuberger einige dieser Beziehungen mithilfe der Analyse digitaler sozialer Netzwerke. Sie wendet die digitale Netzwerkanalyse an, um Verbindungen zwischen sowjetischen Regisseuren und Schauspielern im Zeitraum von 1918 bis 1953 zu untersuchen, und zeigt zum einen, inwieweit Unbekanntheit vorteilhaft sein konnte, und zum anderen, dass Veranderungen in der ethnischen und regionalen Integration in dieser Zeit ein anderes Bild der Zentralisierung aufweisen als jenes in Studien der politischen Zentralisierung.
苏联电影业已建立起来,就像其他任何机构一样,由那些彼此认识,彼此认识的人组成网络。在本文中,琼·诺伯格通过分析数字社交网络分析了其中的一些关系。她数字Netzwerkanalyse,苏联导演和演员之间的联系,1953年至1918年期间,检查显示,一能Unbekanntheit成绩上有所体现,且Veranderungen族裔和区域一体化在此期间另一个常用的图像具有集中化高出研究政治集中化.
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引用次数: 2
Lena Jonson and Andrei Erofeev (eds.): Russia – Art Resistance and the Conservative-Authoritarian Zeitgeist Lena Jonson和Andrei Erofeev(编):俄罗斯-艺术抵抗和保守-威权的时代精神
Q2 Arts and Humanities Pub Date : 2020-10-03 DOI: 10.17892/APP.2020.00010.229
Sylvia Chassaing
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引用次数: 0
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Apparatus
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