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Instance Segmentation, Body Part Parsing, and Pose Estimation of Human Figures in Pictorial Maps 图形地图中人物的实例分割、身体部位解析与姿态估计
IF 0.5 Q4 COMPUTER SCIENCE, INFORMATION SYSTEMS Pub Date : 2021-08-10 DOI: 10.1080/23729333.2021.1949087
R. Schnürer, A. Cengiz Öztireli, M. Heitzler, R. Sieber, L. Hurni
ABSTRACT In recent years, convolutional neural networks (CNNs) have been applied successfully to recognise persons, their body parts and pose keypoints in photos and videos. The transfer of these techniques to artificially created images is rather unexplored, though challenging since these images are drawn in different styles, body proportions, and levels of abstraction. In this work, we study these problems on the basis of pictorial maps where we identify included human figures with two consecutive CNNs: We first segment individual figures with Mask R-CNN, and then parse their body parts and estimate their poses simultaneously with four different UNet++ versions. We train the CNNs with a mixture of real persons and synthetic figures and compare the results with manually annotated test datasets consisting of pictorial figures. By varying the training datasets and the CNN configurations, we were able to improve the original Mask R-CNN model and we achieved moderately satisfying results with the UNet++ versions. The extracted figures may be used for animation and storytelling and may be relevant for the analysis of historic and contemporary maps.
近年来,卷积神经网络(cnn)已经成功地应用于识别照片和视频中的人物、身体部位和姿势关键点。将这些技术转移到人工创建的图像是相当未开发的,尽管具有挑战性,因为这些图像以不同的风格,身体比例和抽象水平绘制。在这项工作中,我们在图像地图的基础上研究了这些问题,我们用两个连续的cnn来识别被包含的人物:我们首先用Mask R-CNN分割个人人物,然后用四个不同的unet++版本同时解析他们的身体部位并估计他们的姿势。我们用真人和合成图混合训练cnn,并将结果与人工标注的由图形组成的测试数据集进行比较。通过改变训练数据集和CNN配置,我们能够改进原始的Mask R-CNN模型,并在unnet++版本中获得了中等满意的结果。提取的数据可以用于动画和讲故事,也可以用于历史和当代地图的分析。
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引用次数: 2
Mapping mountains 映射山
IF 0.5 Q4 COMPUTER SCIENCE, INFORMATION SYSTEMS Pub Date : 2021-08-09 DOI: 10.1080/23729333.2021.1962076
K. Kriz
tography as a collective that covers both map production and map use, the study of art and cartography, projections and semantics, generalization and cognitive issues, while Edney equates (the ideal of) cartography to the production of maps (considered normative) according to a restricted set of specific practices. Edney has roamed wide for collecting his arguments and, thanks to the extensive bibliographic apparatus he adds, his book is a goldmine for theoretical study. His critique on the various preconceptions of (the Ideal of) Cartography is valid, they are not universal, there are many exceptions, and it is very proper that cartographers should be made aware of them. As such this book is an important contribution to our field. But what he replaces it by, his alternative for cartography as ‘a prescriptive, normative science’ (‘how best to render specific spatial information’) is rather poor: the study of X mapping, X being a description of how specific subjects are being mapped. It is not only a poor substitute for cartography but also for the history of cartography: for instance for thematic maps, we can describe the development of mapping of all spatial phenomena separately, but in doing so we should create an enormous overlap as similar representative and map use techniques would have been applied for the different subject fields. Edney claims map scholars should cease prescribing people how to make maps but instead should try to understand and describe how people produce, circulate and consume maps. This is a rather passive role, and it disregards the contributions cartography can make: the ICA just published a guide how cartography can help reaching the 17 UN Sustainable Development Goals (Mapping for a sustainable world, ICA and UN 2020) showing best practices (in which the term mapping stands for both map production and map use, and also makes one aware of the dynamics and urgency of the process) and this for me is a more positive approach to our field.
地图学是一个集合,涵盖了地图制作和地图使用,艺术和地图学的研究,投影和语义,概括和认知问题,而埃德尼将(理想的)地图学等同于根据一组有限的具体实践制作地图(被认为是规范性的)。埃德尼为了收集他的论点而四处漫游,由于他补充说,他的书是一个理论研究的金矿。他对制图学(理想)的各种先入之见的批评是有效的,它们不是普遍的,有很多例外,制图师应该意识到这些是非常适当的。因此,这本书是对我们这个领域的重要贡献。但他所替代的是,他将地图学作为“一门规范的,规范的科学”(“如何最好地呈现特定的空间信息”)是相当贫乏的:对X制图的研究,X是对如何绘制特定主题的描述。它不仅是地图学的糟糕替代品,而且也是地图学历史的替代品:例如,对于专题地图,我们可以单独描述所有空间现象的制图发展,但这样做我们应该创造一个巨大的重叠,因为类似的代表性和地图使用技术将应用于不同的主题领域。埃德尼认为,地图学者不应该再规定人们如何制作地图,而应该尝试理解和描述人们如何制作、传播和消费地图。这是一个被动的角色,它忽视了地图学的贡献可以:ICA发表指导制图如何帮助达到17联合国可持续发展目标(映射为一个可持续发展的世界,ICA和联合国2020年)显示最佳实践(术语映射的代表两个地图生产和使用,也使人意识到过程的动力学和紧迫性),这对我来说是一个更积极的方法我们的领域。
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引用次数: 0
Delineating historical and contemporary agricultural production regions for China 划定中国历史和当代的农业生产区
IF 0.5 Q4 COMPUTER SCIENCE, INFORMATION SYSTEMS Pub Date : 2021-08-04 DOI: 10.1080/23729333.2021.1925495
G. Veeck
ABSTRACT Chinese and western scholars have long drafted maps delineating China’s diverse agricultural regions. Historically, these agro-regionalization schemes were based on dominant crops, first-order soil groups, elevation, climatic variables, or some combination of these factors. However, rapid changes in supply chains, production systems and agro-technologies, including crop breeding, have significantly altered agricultural land use in recent years and blurred the boundaries of classical depictions of China’s agricultural regions. This article presents some of the most influential maps of this type for the past century, and adds a new map derived from 39 agricultural production variables selected using Principal Components Analysis (PCA) and aggregated using Ward’s hierarchical cluster analysis routine to create a final map of contemporary agricultural regions. This quantitatively derived map of agricultural production regions circa 2016 incorporates variables, such as gross production of key crops, rates of change for production, relative changes to sown area of all major crops and increased use of inputs, such as fertilizer and irrigation, and also includes two traditional classification variables: mean elevation of arable land by province and mean slope of farmland by province in recognition of geomorphological variations across the vast nation.
长期以来,中外学者都在绘制中国不同农业区域的地图。历史上,这些农业区划方案是基于优势作物、一级土壤类群、海拔、气候变量或这些因素的某种组合。然而,近年来,供应链、生产系统和农业技术(包括作物育种)的快速变化极大地改变了农业用地,模糊了中国农业区域的经典描述的界限。本文介绍了过去一个世纪中最具影响力的这类地图,并添加了一个新的地图,该地图由39个农业生产变量衍生而来,使用主成分分析(PCA)选择,并使用Ward的分层聚类分析程序进行汇总,以创建当代农业区域的最终地图。这张2016年前后农业生产区的定量衍生图包含了主要作物的总产量、产量变化率、所有主要作物播种面积的相对变化以及肥料和灌溉等投入物使用量的增加等变量,还包括两个传统分类变量:各省平均耕地高程和各省平均农田坡度,以识别广袤国家各地的地貌变化。
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引用次数: 3
The development of individuals’ map-reading skill: what research and theory tell us 个人地图阅读技能的发展:研究和理论告诉我们的
IF 0.5 Q4 COMPUTER SCIENCE, INFORMATION SYSTEMS Pub Date : 2021-08-04 DOI: 10.1080/23729333.2021.1950318
L. Arthurs, Sarah P. Baumann, Joel M. Rice, Shelby Litton
ABSTRACT Map-reading skill is relevant to education and professions in many disciplines. Understanding how individuals develop map-reading skill has useful educational applications for the intentional development of such skill across grade levels. Through an integrative literature review, this study aims to answer the question: How do individuals develop map-reading skill from childhood to adulthood? Fischer’s skill theory informs the coding manual developed to record targeted information from 154 articles, its discussion, and a synthesis. The analysis reveals broad interest in map-related tasks among three main research communities: cartographers, cognitive psychologists, and science education researchers. Most research studies do not focus on the development of map-reading skills and, instead, focus on map-use skills. Performance of one’s map-use skills, such as navigation or wayfinding, is dependent on one’s map-reading skill; however, research on the development of map-reading skill is meager. The dearth of research in this area is linked to the absence of identified skills, tasks, strategies, and processes concerned with map reading. We utilize within-map skills and tasks identified in the reviewed literature and apply inspiration from Fischer’s skill theory to develop a theory of map-reading skill development that unifies otherwise seemingly disparate and unconnected map-related skills addressed in different studies.
地图阅读技能与许多学科的教育和专业相关。了解个人如何发展地图阅读技能对跨年级有意发展这种技能具有有用的教育应用。摘要本研究旨在通过文献综述来回答一个问题:个体从童年到成年是如何发展地图阅读技能的?Fischer的技能理论为编码手册提供了信息,该手册记录了154篇文章的目标信息、讨论和综合。分析揭示了三个主要研究群体对地图相关任务的广泛兴趣:制图师、认知心理学家和科学教育研究人员。大多数研究并不关注地图阅读技能的发展,而是关注地图使用技能。一个人的地图使用技能,如导航或寻路,取决于他的地图阅读能力;然而,对地图阅读技能发展的研究却很少。这一领域研究的缺乏与缺乏与地图阅读相关的识别技能、任务、策略和过程有关。我们利用在文献综述中确定的地图内技能和任务,并从Fischer的技能理论中获得灵感,开发了一种地图阅读技能发展理论,该理论将不同研究中处理的看似不同和不相关的地图相关技能统一起来。
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引用次数: 3
Panoramic: ancient Chinese maps on the world stage 全景:世界舞台上的中国古代地图
IF 0.5 Q4 COMPUTER SCIENCE, INFORMATION SYSTEMS Pub Date : 2021-07-12 DOI: 10.1080/23729333.2021.1930917
Jiajing Zhang
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引用次数: 0
Maps in History: Renaissance door maps in Florence 历史上的地图:文艺复兴时期佛罗伦萨的门地图
IF 0.5 Q4 COMPUTER SCIENCE, INFORMATION SYSTEMS Pub Date : 2021-05-27 DOI: 10.1080/23729333.2021.1926622
Imre Josef Demhardt
Dominating the Piazza della Signoria in the heart of Florence stands the massive fourteenth-century cubical town hall with a thin but 94-m tall clocktower. Here Dominican friar Ignazio Danti (1536–1586, Figure 1), a leading scholar-cum-artist of painted cartography, transformed a room into a treasure trove of Renaissance painted cartography. The sixteenth century was the city’s golden age but a turbulent period. In 1527, the Florentines for a second time drove out the ruling Medici family and re-established the republic, but already in 1532, the Pope and the Emperor helped to return the Medici as now hereditary Dukes of Tuscany. As a signal that his family’s reign was consolidated, Duke Cosimo I de’ Medici (1519–1573, reigned since 1537) in 1540 set up his official seat in the former town hall. When in the 1550s he moved into Palazzo Pitti on the other side of River Arno, his former residence continued to be used by his administration and became known as Palazzo Vecchio or ‘old palace’, a name that stuck. After moving across the river, Duke Cosimo I. in 1563 commissioned the artist, art historian and architect Giorgio Vasari (1511–1574), to remodel some of the second floors of the town hall. As part of this reconstruction, Vasari created a stately study chamber or ‘cabinet of curiosities’. These became popular features during the Renaissance to store and display in a semi-public court setting precious artifacts and thereby signal the learnedness of the owner. Upon Vasari’s advice, the Duke decided to store his collection of marvels from across the world in finely carved walnut cabinets reaching high up the walls. The objects were organized by region in huge square cupboards, the doors of which showing maps of the area of origin of the contained curios (Figure 2). In 1562, young friar Ignazio Danti, accomplished as an artist and cosmographer, joined a monastery in Florence. Already in the next year, he was commissioned to cartographically decorate Vasari’s cabinets in the new chamber for Cosimo’s collection of curiosities, which simultaneously was to serve the duke as a wardrobe. Until 1575, Danti constructed and painted in oil on wooden door panels the first 31 (of 57) regional or chorographic maps. These were based on prints by acclaimed mapmakers like Gastaldi, Mercator and Ortelius, who for the Old World regions often used contemporary updates to projections in Ptolemy’s second century AD Geographia. The last two dozen map panels were painted by Olivetan monk Stefano Bonsignori in 1575–1586. In addition to the map panels, Danti in 1564–1571 created a pair of a celestial and a terrestrial globe, both with a diameter of 210 cm, with a special turning mechanism that allowed the spheres to rotate effortlessly just by the tip of a finger. While Danti’s later and more famous murals at the Vatican (see the previous column) can be described as a
位于佛罗伦萨中心的贵族广场上矗立着一座14世纪的巨大的方形市政厅,它有一座94米高的钟楼。在这里,多米尼加修士伊格纳齐奥·丹蒂(Ignazio Danti, 1536-1586年,图1),一位著名的绘图学者兼艺术家,将一个房间变成了文艺复兴时期绘图的宝库。16世纪是这座城市的黄金时代,但也是一个动荡的时期。1527年,佛罗伦萨人第二次驱逐了统治的美第奇家族,重建了共和国,但早在1532年,教皇和皇帝就帮助美第奇家族回归,成为托斯卡纳的世袭公爵。作为家族统治稳固的标志,科西莫·德·美第奇公爵(1519-1573,1537年起在位)于1540年在以前的市政厅设立了自己的办公地点。16世纪50年代,他搬到了阿尔诺河对岸的皮蒂宫,他的故居继续为他的政府所用,并被称为旧宫或“旧宫”,这个名字一直沿用至今。公爵科西莫一世(Duke Cosimo i)搬到河对岸后,于1563年委托艺术家、艺术史学家和建筑师乔治·瓦萨里(Giorgio Vasari, 1511-1574)对市政厅的一些二楼进行改造。作为重建的一部分,瓦萨里创建了一个庄严的书房或“珍品柜”。这些在文艺复兴时期成为流行的特征,在一个半公共的法庭上储存和展示珍贵的文物,从而表明主人的学识。在瓦萨里的建议下,公爵决定把他从世界各地收集的奇珍异宝收藏在雕刻精美的胡桃木橱柜里,橱柜高至墙壁。这些物品按地区排列在巨大的方形橱柜里,橱柜的门上显示着这些古董的产地地图(图2)。1562年,年轻的修道士伊格纳齐奥·丹蒂(Ignazio Danti)加入了佛罗伦萨的一所修道院,他是一位颇有成就的艺术家和宇宙学家。早在第二年,他就受命在科西莫的珍品收藏新展室里为瓦萨里的橱柜做制图装饰,与此同时,这个展室也是公爵的衣橱。直到1575年,丹提在木门上绘制了31张(57张中的31张)地区或地理地图。这些地图是根据Gastaldi、Mercator和Ortelius等著名地图绘制者的版画绘制的,他们在描绘旧大陆地区时,经常使用托勒密公元二世纪的《地理》(Geographia)中对当时地图的更新。最后的二十几幅地图面板是由奥利维塔僧侣斯特凡诺·邦西格里在1575-1586年间绘制的。除了地图面板,丹蒂在1564-1571年间还制作了一副天球和一副地球,直径均为210厘米,带有特殊的旋转装置,只需用指尖轻轻转动,球体就可以毫不费力地旋转。而丹蒂后来在梵蒂冈更著名的壁画(见前一栏)可以被描述为一个
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引用次数: 0
Antarctic Atlas 南极阿特拉斯
IF 0.5 Q4 COMPUTER SCIENCE, INFORMATION SYSTEMS Pub Date : 2021-05-19 DOI: 10.1080/23729333.2021.1925062
M. King
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引用次数: 0
Using converted WW1 Army Grid Referencing Systems to identify locations where Australian soldiers fell Europe 使用改装的第一次世界大战陆军网格参考系统来识别澳大利亚士兵在欧洲倒下的地点
IF 0.5 Q4 COMPUTER SCIENCE, INFORMATION SYSTEMS Pub Date : 2021-05-13 DOI: 10.1080/23729333.2021.1877890
R. Deakin
ABSTRACT Topographic maps (1:40,000) used by the British Army on the Western Front in World War 1 had a five-part Grid Reference System consisting of: (1) Map Number; (2) Letter-Square – 24 letter squaresA to X on each map; (3) Number-Square – 36 (and sometimes 30) 1000-yard squares in each letter square; (4) Minor-Square – four 500-yard squares denoted a, b, c, d in each number square; (5) Small-Square – 10 × 10 = 100 small-squares in a minor-square. Letter and number grid Woesten references (e.g. X: 28.A.6.b.73) cannot be used by modern GPS navigation devices that require geographical coordinates (latitude and longitude) or current map grid coordinates. This paper provides the background behind this project and demonstrates a method of transforming WW1 grid references to Universal Transverse Mercator (UTM) grid coordinates using Google Maps to obtain geographical coordinates, Geographic to UTM grid conversion and a 2D Conformal transformation. As well, it provides a ‘snapshot’ of practical methods that were used to develop a software package that would allow amateur military historians to convert the WW1 Grid Reference System to contemporary coordinates.
第一次世界大战中英国军队在西线使用的地形图(1:40 000)有一个由五部分组成的网格参考系统:(1)地图编号;(2)字母正方形-每张地图上有24个字母正方形(从a到X);(3)数字方格——每个字母方格有36个(有时30个)1000码的方格;(4)小正方形——4个500码的正方形,每个数字正方形分别用a、b、c、d表示;(5)小正方形- 10 × 10 = 100个小正方形。字母和数字网格Woesten参考(例如X: 28.A.6.b.73)不能用于需要地理坐标(经纬度)或当前地图网格坐标的现代GPS导航设备。本文介绍了该项目的背景,并演示了使用Google Maps将一战网格参考转换为通用横向墨卡托(UTM)网格坐标的方法,以获得地理坐标,地理到UTM网格的转换和二维保角变换。此外,它还提供了一个实用方法的“快照”,用于开发一个软件包,该软件包允许业余军事历史学家将一战网格参考系统转换为当代坐标。
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引用次数: 0
Temporal transitions of demographic dot maps 人口点阵图的时间转换
IF 0.5 Q4 COMPUTER SCIENCE, INFORMATION SYSTEMS Pub Date : 2021-05-11 DOI: 10.1080/23729333.2021.1910184
Jeff Allen
ABSTRACT Dot maps are often used to display the distributions of populations over space. This paper details a method for extending dot maps in order to visualize changes in spatial patterns over time. Specifically, we outline a selective linear interpolation procedure to encode the time range in which dots are visible on a map, which then allows for temporal queries and animation. This methodology is exemplified first by animating population growth across the United States, and second, through an interactive application showing changing poverty distributions in Toronto, Canada.
点阵图通常用于显示人口在空间上的分布。本文详细介绍了一种扩展点图的方法,以使空间模式随时间的变化可视化。具体来说,我们概述了一个选择性线性插值程序来编码时间范围,其中点在地图上可见,然后允许时间查询和动画。这种方法的例子首先是美国各地的人口增长动态,其次是通过显示加拿大多伦多贫困分布变化的交互式应用程序。
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引用次数: 0
Reorienting the narrative: Chapin Jr.’s ‘Red China’ map 重新定位叙事:小卓别林的“红色中国”地图
IF 0.5 Q4 COMPUTER SCIENCE, INFORMATION SYSTEMS Pub Date : 2021-05-04 DOI: 10.1080/23729333.2021.1917291
Ian Muehlenhaus
All maps support spatial narratives. But some narratives are more impressive – or rather impressing – than others. Spatial narrative here refers not to the story being explicitly shown in a map, but rather the implicit meanings that people are likely to receive from a map. Maps that excel at persuasion are often designed to promote deeper interpretation than is explicitly presented. They are embedded with implicit cues, subliminally targeting, reinforcing, and disarming map users’ everyday belief systems. Frankly, most maps don’t do this well and that’s okay. Most people don’t want their beliefs about Danish geopolitics reinforced or contested when looking at a tourist map of Aarhus. Some maps, though, are exemplars of implicit narrative building. This essay is about one such map. Red China by Robert M. Chapin, Jr. is, on the surface, a reference map. No different than a tourist map of Aarhus, really. Except spend a short while looking at it, and it becomes apparent it is a subliminal masterpiece. A compelling, designed narrative reinforcing a popular belief in ‘the domino effect’ of global communism (Figure 1).
所有地图都支持空间叙事。但有些故事比另一些更令人印象深刻——或者说更令人印象深刻。这里的空间叙事并不是指地图中明确呈现的故事,而是指人们可能从地图中获得的隐含意义。在说服方面表现出色的地图通常是为了促进比明确呈现更深入的解释而设计的。它们嵌入了隐含的线索,下意识地瞄准、强化和解除地图用户的日常信念系统。坦率地说,大多数地图都做得不好,这没关系。大多数人在看到奥胡斯的旅游地图时,都不希望自己对丹麦地缘政治的看法得到加强或受到质疑。不过,有些地图是隐性叙事构建的典范。这篇文章就是关于一张这样的地图。小罗伯特·m·查平的《红色中国》表面上是一张参考地图。跟奥胡斯的旅游地图没什么区别,真的。但只要花一小会儿时间看它,就会发现它显然是一部潜意识的杰作。一个引人注目的、精心设计的故事,强化了人们对全球共产主义“多米诺骨牌效应”的普遍信念(图1)。
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引用次数: 0
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International Journal of Cartography
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