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How to See the Essential. Hedwig Conrad Martius’ Theory of Representation 如何看待本质。海德维格·康拉德·马修斯的表征理论
Q3 Arts and Humanities Pub Date : 2022-08-12 DOI: 10.17990/rpf/2022_78_3_0825
Daniel Neumann
This paper investigates Hedwig Conrad-Martius’ theory of representation, which is unique in that it introduces a method of ideation that is completely different from the one of transcendental phenomenology. Instead of separating the essence from the individual real entity through reduction, Conrad-Martius’ method of representation elucidates what constitutes the reality of the actual individual. In a representation, we can explore and play with our receptivity to the self-emergence of reality by observing the different ways in which our representations themselves appear as real. I will discuss this access to reality as a realistic phenomenological method not just in terms of lived experience, but also as eidetic reduction. My thesis is that Conrad-Martius’ theory of representation allows for conceiving how essences, as the immutable features of reality beyond surface perception, can be addressed by intuition, viz. representation. In a second step, a shift in Conrad-Martius’ thinking towards the constitution of reality in itself is discussed based on her second major work, Realontologie. Thirdly, Conrad-Martius’ theory of representation is roughly contrasted with Husserl’s to further elucidate what constitutes the “really real” in her phenomenology beyond the simple alternative between idealism and realism.
本文考察了海德维格·康拉德·马修斯的表征理论,其独特之处在于它引入了一种与先验现象学完全不同的概念方法。Conrad Martius的表现方法没有通过还原将本质与个体的真实实体分离,而是阐明了什么构成了实际个体的真实。在表征中,我们可以通过观察我们的表征本身表现为真实的不同方式来探索和发挥我们对现实自我出现的接受能力。我将把这种进入现实的途径作为一种现实的现象学方法来讨论,不仅从生活经验的角度,而且作为一种内在还原。我的论点是,Conrad Martius的表征理论允许设想本质,作为超越表面感知的现实的不变特征,如何通过直觉来处理,即表征。第二步,以康拉德的第二部主要作品《现实本体论》为基础,探讨了其对现实构成本身的思考转变。第三,康拉德·马修斯的表征理论与胡塞尔的表征理论进行了粗略的对比,以进一步阐明在理想主义和现实主义之间的简单选择之外,什么构成了她的现象学中的“真正真实”。
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引用次数: 0
La ricezione critica del pensiero husserliano nel primo Sartre. Intenzionalità, Ego e coscienza 胡塞里安思想在第一个萨特的关键接受。意图,自我和良心
Q3 Arts and Humanities Pub Date : 2022-08-12 DOI: 10.17990/rpf/2022_78_3_0953
Ciro Adinolfi
Edmund Husserl has certainly been one of the first important sources of Sartrean philosophy. Despite having been very critical of many aspects of Husserl’s thought once adopted his positions, the French philosopher has a great debt with the father of phenomenology. In this paper, which is a development of a section of our doctoral thesis, we will firstly try to explore Husserl’s key concepts, so that the fundamental aspects of his philosophy can be clarified and understood in their own meaning. Secondly, we will explain why Sartre adopted some of them, refusing others instead. Once done that, in a third moment we will be able to comprehend that Sartre was not only trying to criticize, but he strongly wanted to re-elaborate Husserlian phenomenology, in order to explore consciousness in an original way. In the end, we will discover why intentionality is the key element of this Sartrean turn, thanks to which the concepts of Ego and consciousness became the roots of his later thought.
埃德蒙·胡塞尔无疑是萨特哲学最早的重要来源之一。尽管在接受胡塞尔的观点后,这位法国哲学家对胡塞尔思想的许多方面都持批评态度,但这位现象学之父还是欠了他一大笔债。在这篇论文中,作为我们博士论文的一部分的发展,我们将首先尝试探索胡塞尔的关键概念,这样他的哲学的基本方面就可以在他们自己的意义上得到澄清和理解。其次,我们将解释为什么萨特采用了其中的一些,而拒绝了另一些。一旦这样做了,在第三个时刻,我们将能够理解萨特不仅试图批判,而且他强烈希望重新阐述胡塞尔现象学,以便以一种原始的方式探索意识。最后,我们将发现为什么意向性是萨特转向的关键因素,正是由于意向性,自我和意识的概念成为他后来思想的根源。
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引用次数: 0
Prolégomènes à une métaphysique de l’amour. Sources et ressources 《爱的形而上学》的序言。来源和资源
Q3 Arts and Humanities Pub Date : 2022-08-12 DOI: 10.17990/rpf/2022_78_3_0697
P. Ide
This article seeks to show the relevance of a metaphysics of love. The first part proposes a state of the art, establishing that current philosophers are increasingly interested in love, and even that some have proposed a metaphysical approach that remains more programmatic than effective. The second part shows an unexpected convergence between ten aporias posed by love and those questioning metaphysics. The third part confronts the fifth aporia – is love free or self-interested? The third part confronts the fifth aporia – is love gratuitous or self-interested? –, to decide in favor of disinterestedness, while recognizing its completion in the reciprocity or communion of persons.
这篇文章试图展示爱的形而上学的相关性。第一部分提出了一种艺术状态,确立了当前哲学家对爱越来越感兴趣,甚至一些人提出了一个形而上学的方法,这种方法仍然更具纲领性而非有效性。第二部分展示了爱情提出的十个寓言与那些质疑形而上学的寓言之间的意外融合。第三部分面对第五个aporia——爱是自由的还是自利的?第三部分面对第五个aporia——爱是无偿的还是自利的?——,决定支持无利害关系,同时承认其在人的互惠或交流中的完整性。
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引用次数: 0
Book Review - Quintero, Catalina González. Academic Skepticism in Hume and Kant. A Ciceronian Critique of Metaphysics. Studies in Epistemology, Logic, Methodology, and Philosophy of Science. Cham: Springer Nature, 2022. 书评-金特罗,卡特琳娜González。休谟和康德的学术怀疑主义。《西塞罗式形而上学批判》。认识论、逻辑学、方法论和科学哲学研究。Cham: b施普林格Nature, 2022。
Q3 Arts and Humanities Pub Date : 2022-08-12 DOI: 10.17990/rpf/2022_78_3_1151
R. Batista
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引用次数: 0
Os nossos corpos e o legado da pandemia. Uma leitura de Heidegger e Drummond de Andrade 我们的身体和流行病的遗产。海德格尔和德拉蒙德·安德拉德的解读
Q3 Arts and Humanities Pub Date : 2022-08-12 DOI: 10.17990/rpf/2022_78_3_1115
Tito Marques Palmeiro
The pandemic made room for a series of denialist behaviors and speeches that sought to deny the need for social distancing. For this reason, its legacy amounts to the thousands of deaths that could have been avoided. Based on the analysis of texts by Heidegger, excerpts from the tradition and poems by the Brazilian poet Carlos Drummond de Andrade, this study will show that denialism takes root in profound tendencies of our tradition, and shows that its criteria are not adequate to the event of pandemic. Its main objective is to propose a new measure through which we can come to think, together, about this terrible legacy that lies ahead for all of us.
大流行为一系列否认主义行为和言论提供了空间,这些行为和言论试图否认保持社交距离的必要性。由于这个原因,它的遗产相当于可以避免成千上万的死亡。本研究将通过对海德格尔的文本分析、对传统的摘录以及巴西诗人卡洛斯·德拉蒙德·德安德拉德的诗歌,表明否认主义根植于我们传统的深刻倾向,并表明其标准不足以应对大流行事件。它的主要目标是提出一项新的措施,通过这项措施,我们可以一起思考摆在我们所有人面前的这一可怕遗产。
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引用次数: 0
Obra de arte e verdade: Sobre a inversão de Heidegger da estética de Platão 艺术与真理:论海德格尔对柏拉图美学的倒置
Q3 Arts and Humanities Pub Date : 2022-08-12 DOI: 10.17990/rpf/2022_78_3_1049
Gaetano Chiurazzi
According to the doctrine set out in Book X of the Republic, art is for Plato three degrees far from truth. This doctrine is based on the representative character of art: in his productions, the artist takes sensible things and not the ideas as his model, and ignores the use of the objects that the craftsman produces. In the essay The Origin of the Work of Art, Heidegger completely reverses this Platonic hierarchy. The essay seems to be an indirect response to Plato, as it discusses exactly the distinctions Plato draws, between natural object (the idea, which is “by nature”), object of use and work of art. The work of art – even when it imitates an object of use, as in the case of van Gogh’s painting of a pair of shoes – is for Heidegger the “setting-itself-to-work of truth”, because it shows the primarily ontological character of every work: its fabrication, that is, its historical being. The truth of the work of art lies in its historical character, and the work of art is the happening of truth because, more than any other object, its essence consists precisely in showing the temporal character as the essence of every object, even the natural ones.
根据《理想国》第十卷中的学说,艺术对柏拉图来说离真理有三度之遥。这种学说是基于艺术的代表性:在他的作品中,艺术家以感性的东西而不是思想作为他的模型,并忽视了对工匠生产的物体的使用。在《艺术作品的起源》一文中,海德格尔完全颠倒了这种柏拉图式的等级制度。这篇文章似乎是对柏拉图的间接回应,因为它确切地讨论了柏拉图在自然对象(“自然”的概念)、使用对象和艺术作品之间的区别。艺术作品——即使是模仿使用对象,就像梵高的一双鞋的画一样——对海德格尔来说也是“将自己设定为真理的作品”,因为它展示了每一部作品的本体论特征:它的虚构,即它的历史存在。艺术作品的真实性在于它的历史特征,而艺术作品是真实的发生,因为它的本质比任何其他物体都更在于表现出作为每一个物体,甚至是自然物体的本质的时间特征。
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引用次数: 0
Göttingen contra Husserl: The Transcendental Turn and its Discontents 哥廷根反对胡塞尔:超越的转向及其不满
Q3 Arts and Humanities Pub Date : 2022-08-12 DOI: 10.17990/rpf/2022_78_3_0877
Victor Portugal
In this article I attempt to deal with Husserl’s transcendental turn in connection with the reception by the Göttingen circle through three different aspects. My contribution aims to be chiefly historical, in order to provide a general picture of one of the most important events in the history of phenomenology, but also to enact possible systematic consequences related to the interpretation of Husserlian phenomenology after this event. First, I briefly recover the background within which Husserl erected with his Logische Untersuchungen, going over his development until the publication of his Ideen I, reconstructing the main points and features expounded in the latter that characterized transcendental phenomenology. Secondly, I put forward a general characterization of some of the main critiques raised by his students at the time, namely the concept of pure consciousness and world, as well as the performance of the phenomenological method. Thirdly, I attempt to expose, by means of Husserl’s later texts, some of his main responses to misunderstandings regarding his phenomenology.
本文试图通过三个不同的方面来处理胡塞尔的超越转向与哥廷根圈子的接受。我的贡献主要是历史性的,目的是提供现象学史上最重要事件之一的全貌,但也要在这一事件之后产生与胡塞尔现象学解释相关的可能的系统性后果。首先,我简要地回顾了胡塞尔用他的《逻辑论》建立的背景,回顾了他的发展历程,直到他的《伊丁一世》出版,重建了后者所阐述的超越现象学的主要观点和特征。其次,我对他的学生当时提出的一些主要批评,即纯粹意识和世界的概念,以及现象学方法的表现,提出了一个总体的定性。第三,我试图通过胡塞尔后来的文本来揭示他对现象学误解的一些主要回应。
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引用次数: 0
Edith Stein: Celebrating the 80th Anniversary of Her Death 伊迪丝·斯坦:庆祝她逝世80周年
Q3 Arts and Humanities Pub Date : 2022-07-31 DOI: 10.17990/rpf/2022_78_1_0013
Etelvina Pires Lopes Nunes, A. Lind, João Carlos Onofre Pinto
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引用次数: 0
Book Review - Bobbio, Norberto. Mutamento politico e rivoluzione: lezioni di filosofia politica. Roma: Donzelli, 2021. 书评-Bobbio,Norberto。政治变革与革命:政治哲学课程。罗马:顿泽利,2021年。
Q3 Arts and Humanities Pub Date : 2022-07-31 DOI: 10.17990/rpf/2022_78_1_0611
Edoardo Belando
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引用次数: 0
«L’enigma dell’esistenza dell’altro». Empatia e intersoggettività in Edith Stein “彼此存在的谜”。伊迪丝·斯坦的同理心和人际关系
Q3 Arts and Humanities Pub Date : 2022-07-31 DOI: 10.17990/rpf/2022_78_1_0053
Antonio Di Chiro
In this paper we will try to reconstruct, starting from Husserl’s path, the genesis of Edith Stein’s philosophical itinerary and to show that, just in her detachment from Husserl’s orthodoxy, Stein will end up opening new paths to phenomenology and to reckon with questions left open by the father of phenomenology. Therefore, we will try to show that one of the most interesting aspects of the husserlian legacy revolves around the concepts of empathy and intersubjectivity developed in Edith Stein’s reflection. Moreover, we will try to refute Paul Ricoeur’s remark that speaks of an illusion arising from all attempts of phenomenology to account for the existence of the other and, in doing so, we will see that the solution proposed by Stein is not only not disappointing at all but contributes to open the way to a phenomenology of otherness that does not merely flatten and confine the other to one’s self.
在本文中,我们将尝试从胡塞尔的路径出发,重建伊迪丝·斯坦因哲学旅程的起源,并表明,正是在她脱离胡塞尔的正统时,斯坦因将最终为现象学开辟新的道路,并解决现象学之父留下的问题。因此,我们将试图表明胡塞尔遗产中最有趣的一个方面是围绕伊迪丝·斯坦反思中发展起来的移情和主体间性的概念。此外,我们将试图反驳Paul Ricoeur的评论,他说现象学试图解释他者的存在产生了一种幻觉,在这样做的过程中,我们将看到斯坦提出的解决方案不仅一点也不令人失望,而且有助于打开通往他者现象学的道路,而不仅仅是将他者平面化并限制在自己的自我中。
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Revista Portuguesa de Filosofia
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