Pub Date : 2023-01-02DOI: 10.1080/24751448.2023.2176133
C. Berman
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Pub Date : 2023-01-02DOI: 10.1080/24751448.2023.2176147
Mahan Motalebi, Marcus Shaffer
Incorporating the process of ecological decay into architectural design acknowledges the dynamic lifecycle of materials and dissolves existing boundaries between artificial and natural environments. Decay-informed materials enhance material-environmental engagement and lead to building designs responsive to site-specific ecologies. Pigeon towers are studied as an architectural typology that exemplifies human-nature engagement as a case for embracing nature and natural processes. We explored salt-induced decay in earth blocks to study the planned obsolescence of earthen blocks and their tectonic and morphogenic capacities. Planned obsolescence leads to the idea of cyclical construction and temporal tectonics.
{"title":"Tectonics and the Illogic of Durability for Earthen Structures","authors":"Mahan Motalebi, Marcus Shaffer","doi":"10.1080/24751448.2023.2176147","DOIUrl":"https://doi.org/10.1080/24751448.2023.2176147","url":null,"abstract":"Incorporating the process of ecological decay into architectural design acknowledges the dynamic lifecycle of materials and dissolves existing boundaries between artificial and natural environments. Decay-informed materials enhance material-environmental engagement and lead to building designs responsive to site-specific ecologies. Pigeon towers are studied as an architectural typology that exemplifies human-nature engagement as a case for embracing nature and natural processes. We explored salt-induced decay in earth blocks to study the planned obsolescence of earthen blocks and their tectonic and morphogenic capacities. Planned obsolescence leads to the idea of cyclical construction and temporal tectonics.","PeriodicalId":36812,"journal":{"name":"Technology Architecture and Design","volume":"44 1","pages":"83 - 94"},"PeriodicalIF":0.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87534197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/24751448.2023.2176124
T. Adekunle, Matan Mayer
TA D 7 : 1 This issue’s call for papers invited authors to revisit and reshape a decades-long debate given emerging contemporary concerns like the climate crisis, social change, supply dynamics, and the value of digital fabrication. Such topics cast the ongoing discourse around architectural form in a new light. One that considers disciplinary motivations and references, and looks at a broad set of economic, societal, and environmental inputs to inform how architecture is devised, constructed, and critiqued. Indeed, the urgency of these external considerations is present in much more than just the form itself. It informs the internal structure, organization, and content of built work. Within that context, many of the articles in this issue of TAD offer an agenda largely driven by the performative nature of physical and societal constraints. This connection is evident in the contribution by Mahan Motalebi and Marcus Shaffer, studying the symbiotic exchange in traditional pigeon tower construction to propose a process of salt-induced decay in earthen blocks. The authors develop a workflow that embraces the chemical limitations of the material to envision a new syntax of temporal tectonics. A related interest in the tectonics of environmental drivers is present in Iman Fayyad’s research into structural surfaces formed from rectangular sheets of flexible material. Motivated by the objective of eliminating by-product waste, the author develops a set of incision and folding operations to create self-supporting surfaces that utilize entire material sheets. This process is demonstrated on a shading structure that simultaneously promotes both material economy and expressive tectonics. Performance as an aesthetic design driver is the focus of the contribution by Niloufar Emami. The author proposes a workflow that utilizes topology optimization, not to resolve a design problem with predefined boundary conditions, but to generate a series of possible design directions with an application domain to fabricate precast concrete tiles. The outcome is at once characterized by a clear structural logic and guided by the visual exuberance of the resulting patterns. Another paper in this issue is “Synergistic Optimization of Timber Structures and Space” by Johannes van der Wielen and Hans-Christian Wilhelm. The authors use the concept to discuss how to synergize structural material efficiency and design for circularity at the initial design phases. The research examines the material reduction ability of linear, large-scale, and mixed-use structural timber buildings. The study shows that computational tectonics can promote more meaningful and precise comparisons between design decisions and solutions, thus helping various parties involved in the process to make informed decisions. UNLOG, a term used to describe a lightweight and simply deployable timber framing technique, is the focus of the research by Leslie Lok, Sasa Zivkovic, and Lawson Spencer. The study explores
TA D 7: 1本期论文征集邀请作者重新审视和重塑一个长达数十年的辩论，考虑到气候危机、社会变化、供应动态和数字制造的价值等新兴的当代问题。这些话题为围绕建筑形式的持续讨论提供了新的视角。一个考虑学科动机和参考，并着眼于广泛的经济、社会和环境输入，以告知建筑是如何设计、建造和批评的。事实上，这些外部考虑的紧迫性不仅仅体现在形式本身。它告知构建工作的内部结构、组织和内容。在这种背景下，本期《科技进步与发展》的许多文章提供了一个议程，主要是由物理和社会约束的表演性质驱动的。这种联系在Mahan Motalebi和Marcus Shaffer的贡献中很明显，他们研究了传统鸽子塔建筑中的共生交换，提出了土块中盐诱导衰变的过程。作者开发了一个工作流，该工作流包含了材料的化学限制，以设想一种新的时间构造语法。Iman Fayyad对由矩形柔性材料片形成的结构表面的研究中，出现了对环境驱动因素构造的相关兴趣。出于消除副产品浪费的目的，作者开发了一套切口和折叠操作，以创建利用整个材料片的自支撑表面。这一过程体现在一个遮阳结构上，同时促进了材料经济和表达构造。作为美学设计驱动力的性能是Niloufar Emami贡献的重点。作者提出了一种利用拓扑优化的工作流程，它不是解决具有预定义边界条件的设计问题，而是生成一系列具有应用领域的可能设计方向来制造预制混凝土瓦片。结果立即以清晰的结构逻辑为特征，并以由此产生的图案的视觉丰富为指导。本期的另一篇论文是Johannes van der Wielen和Hans-Christian Wilhelm的“木结构和空间的协同优化”。作者利用这一概念讨论了如何在初始设计阶段协调结构材料效率和圆形设计。研究考察了线性、大型和混合用途木结构建筑的材料减少能力。研究表明，计算构造可以促进设计决策和解决方案之间更有意义和更精确的比较，从而帮助参与过程的各方做出明智的决策。UNLOG是一个用来描述轻量级和简单部署的木结构技术的术语，是Leslie Lok、Sasa Zivkovic和Lawson Spencer的研究重点。该研究探索了机器人切割方法，以生产材料高效的叶弹簧组件。该研究的结论是，UNLOG可以产生一个不断变化的结构，可以很容易地拆卸和重新组装，从而促进一种易于移动、可部署、循环和限制废物的建筑技术。Charlie O 'Geen和Catherine Harris讨论了织物产生的不稳定浇筑土:四维墙系统。该研究评估了设计研究的早期阶段，包括干燥、收缩和不稳定织物产生的浇筑土的开裂。作者研究了建筑师gauzin - m ller和Fuchs使用传统平面材料模板的作品，模板用4%的水泥稳定该研究指出，与传统模板不同，织物模板增强了不稳定浇筑土的均匀干燥。该研究遵循收缩材料的固有材料特性，并远离传统的直线成形技术。贸发局的本期刊物涵盖了广泛的相关领域。从传统鸽子塔建筑中的共生交换，到环境驱动因素的构造，到作为美学设计的表演，到计算构造，到UNLOG，再到织物产生的不稳定浇筑土，这期杂志呈现了一系列不同的声音和方法。虽然目前的问题绝不是详尽的，但我们相信它将激发有关构造在21世纪的作用的进一步讨论和研究。蒂莫西·阿德昆勒，犹他大学副主编
{"title":"The Performance of Tectonics","authors":"T. Adekunle, Matan Mayer","doi":"10.1080/24751448.2023.2176124","DOIUrl":"https://doi.org/10.1080/24751448.2023.2176124","url":null,"abstract":"TA D 7 : 1 This issue’s call for papers invited authors to revisit and reshape a decades-long debate given emerging contemporary concerns like the climate crisis, social change, supply dynamics, and the value of digital fabrication. Such topics cast the ongoing discourse around architectural form in a new light. One that considers disciplinary motivations and references, and looks at a broad set of economic, societal, and environmental inputs to inform how architecture is devised, constructed, and critiqued. Indeed, the urgency of these external considerations is present in much more than just the form itself. It informs the internal structure, organization, and content of built work. Within that context, many of the articles in this issue of TAD offer an agenda largely driven by the performative nature of physical and societal constraints. This connection is evident in the contribution by Mahan Motalebi and Marcus Shaffer, studying the symbiotic exchange in traditional pigeon tower construction to propose a process of salt-induced decay in earthen blocks. The authors develop a workflow that embraces the chemical limitations of the material to envision a new syntax of temporal tectonics. A related interest in the tectonics of environmental drivers is present in Iman Fayyad’s research into structural surfaces formed from rectangular sheets of flexible material. Motivated by the objective of eliminating by-product waste, the author develops a set of incision and folding operations to create self-supporting surfaces that utilize entire material sheets. This process is demonstrated on a shading structure that simultaneously promotes both material economy and expressive tectonics. Performance as an aesthetic design driver is the focus of the contribution by Niloufar Emami. The author proposes a workflow that utilizes topology optimization, not to resolve a design problem with predefined boundary conditions, but to generate a series of possible design directions with an application domain to fabricate precast concrete tiles. The outcome is at once characterized by a clear structural logic and guided by the visual exuberance of the resulting patterns. Another paper in this issue is “Synergistic Optimization of Timber Structures and Space” by Johannes van der Wielen and Hans-Christian Wilhelm. The authors use the concept to discuss how to synergize structural material efficiency and design for circularity at the initial design phases. The research examines the material reduction ability of linear, large-scale, and mixed-use structural timber buildings. The study shows that computational tectonics can promote more meaningful and precise comparisons between design decisions and solutions, thus helping various parties involved in the process to make informed decisions. UNLOG, a term used to describe a lightweight and simply deployable timber framing technique, is the focus of the research by Leslie Lok, Sasa Zivkovic, and Lawson Spencer. The study explores ","PeriodicalId":36812,"journal":{"name":"Technology Architecture and Design","volume":"75 1","pages":"52 - 52"},"PeriodicalIF":0.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74188049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/24751448.2023.2176148
Charlie O’Geen, Catherine Page Harris
This paper presents prototype design research into the drying, shrinkage, and cracking of unstabilized fabric-formed poured earth. An unstabilized poured earth mix became self-supporting in fabric formwork and hardened to the touch after 11 days. The same poured earth mix in conventional concrete planar impermeable formwork was wet and pliable after 22 days. Fabric formwork hung by expandable elastics also reduced cracking, allowing material shrinkage at form ties. Poured earth without Portland cement stabilization can create non-structural wall forms with less transportation of material to the site and less overall use of Portland cement. The mix tested here would match a site soil with a 29–30% illite or kaolinite clay content found by the authors in the southwestern United States.
{"title":"Fabric Formed Unstabilized Poured Earth: Four-Dimensional Wall Systems","authors":"Charlie O’Geen, Catherine Page Harris","doi":"10.1080/24751448.2023.2176148","DOIUrl":"https://doi.org/10.1080/24751448.2023.2176148","url":null,"abstract":"This paper presents prototype design research into the drying, shrinkage, and cracking of unstabilized fabric-formed poured earth. An unstabilized poured earth mix became self-supporting in fabric formwork and hardened to the touch after 11 days. The same poured earth mix in conventional concrete planar impermeable formwork was wet and pliable after 22 days. Fabric formwork hung by expandable elastics also reduced cracking, allowing material shrinkage at form ties. Poured earth without Portland cement stabilization can create non-structural wall forms with less transportation of material to the site and less overall use of Portland cement. The mix tested here would match a site soil with a 29–30% illite or kaolinite clay content found by the authors in the southwestern United States.","PeriodicalId":36812,"journal":{"name":"Technology Architecture and Design","volume":"1 1","pages":"109 - 119"},"PeriodicalIF":0.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91257352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/24751448.2023.2176126
A. Schultz
{"title":"Architectural Tectonics in the Age of Climate Crisis, Social Change and Digital Fabrication","authors":"A. Schultz","doi":"10.1080/24751448.2023.2176126","DOIUrl":"https://doi.org/10.1080/24751448.2023.2176126","url":null,"abstract":"","PeriodicalId":36812,"journal":{"name":"Technology Architecture and Design","volume":"12 1","pages":"2 - 3"},"PeriodicalIF":0.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79001122","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/24751448.2023.2176127
Germane Barnes
O P / PO STIO N S The allied disciplines for the built environment have been under siege due to social and health issues that have surfaced throughout the globe.1 Professional architecture organizations are reorienting their historical approach of Eurocentrism to bring awareness to marginalized communities due to a clear demand from their constituents.2 This reflection has highlighted a dependence on western building techniques and ignorance of tectonics from nonpopular cultures. A positive of this new expansive approach is the platforming of new authors who draw from underrepresented legacies and social identities. This essay utilizes the tectonics of the American porch and watervulnerable landscapes to illuminate issues of economics, space, and race to critically examine the collision of architecture and identity, specifically social identity and authorship. While many architectural theorists have offered conflicting views on defining tectonics, Kenneth Frampton’s definition is most closely associated with cultural influences, and thus will be the point of departure to be dissected further.3 Frampton loosely explains tectonics in his text Studies in Tectonic Culture. The critical message is that Frampton removed the purely scientific reading of architectural construction, adding an artistic dimension that would become an exciting read of the interaction between architecture’s critical elements in mass, details, joint, material, construction, and structure.4 Notably missing from this catalog was the author’s agency as author. Far too often is the material evidence of man absent during discussion of architectural tectonics. However, one could argue the impossibility of one without the other. Frampton, like many others, centers on Western European ideologies when articulating the legacy of tectonics. Tectonics is Germane Barnes University of Miami Tectonics by Any Other Name
{"title":"Tectonics by Any Other Name","authors":"Germane Barnes","doi":"10.1080/24751448.2023.2176127","DOIUrl":"https://doi.org/10.1080/24751448.2023.2176127","url":null,"abstract":"O P / PO STIO N S The allied disciplines for the built environment have been under siege due to social and health issues that have surfaced throughout the globe.1 Professional architecture organizations are reorienting their historical approach of Eurocentrism to bring awareness to marginalized communities due to a clear demand from their constituents.2 This reflection has highlighted a dependence on western building techniques and ignorance of tectonics from nonpopular cultures. A positive of this new expansive approach is the platforming of new authors who draw from underrepresented legacies and social identities. This essay utilizes the tectonics of the American porch and watervulnerable landscapes to illuminate issues of economics, space, and race to critically examine the collision of architecture and identity, specifically social identity and authorship. While many architectural theorists have offered conflicting views on defining tectonics, Kenneth Frampton’s definition is most closely associated with cultural influences, and thus will be the point of departure to be dissected further.3 Frampton loosely explains tectonics in his text Studies in Tectonic Culture. The critical message is that Frampton removed the purely scientific reading of architectural construction, adding an artistic dimension that would become an exciting read of the interaction between architecture’s critical elements in mass, details, joint, material, construction, and structure.4 Notably missing from this catalog was the author’s agency as author. Far too often is the material evidence of man absent during discussion of architectural tectonics. However, one could argue the impossibility of one without the other. Frampton, like many others, centers on Western European ideologies when articulating the legacy of tectonics. Tectonics is Germane Barnes University of Miami Tectonics by Any Other Name","PeriodicalId":36812,"journal":{"name":"Technology Architecture and Design","volume":"155 1","pages":"11 - 14"},"PeriodicalIF":0.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79799087","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/24751448.2023.2176146
Leslie Lok, S. Živković, Lawson Spencer
UNLOG is a lightweight and easily deployable timber framing method that utilizes robotic kerfing techniques to transform emerald ash borer (EAB)-infested timbers into materially efficient leaf-spring components. We developed this bending-active structural system through geometric studies and physical prototypes. They contribute to ongoing research in robotic fabrication with natural log geometries, bending-active structural systems, deployable structures, minimum-waste fabrication, material circularity, and Mixed Reality (MR) applications for component assembly. Using only six logs, threaded rods, and custom recycled HPDE washers, the resulting pavilion demonstrates the feasibility of the UNLOG method to construct leaf-spring components through MR instruction and robotic kerfing techniques with EAB-infested ash wood.
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Pub Date : 2023-01-02DOI: 10.1080/24751448.2023.2176134
Ville Hara, Anu Puustinen
Löyly sauna’s unique timber cladding is designed with circular economy principles using invaluable small-scale timber normally used to produce just pulp. The façade structure’s aging is studied in detail to minimize the maintenance costs, and special attention was paid to details so that singular lamellas can be replaced easily. The building is situated in Hernesaari, a former industrial area developed into a new residential area. The plot is part of the narrow Helsinki coastal park connecting the capital city to the sea. The sauna is a free-form faceted construction, more like an artificial landform in the park than a conventional building (Figure 1). Now that the wooden building has turned gray, it looks like one of the rocks on the shoreline. The architectural idea is simple: there is a rectangular black box containing all the warm spaces covered with a free-form wooden “cloak” that provides people inside with visual privacy (Figure 2). It shades the interior spaces with large glass surfaces and reduces the use of energy to cool the building. The construction forms a big outdoor auditorium to watch the activities on the sea (Figure 2). The form finding of the building was done low-tech without using any advanced parametric software. The steel structural designer SS-Teracon Ltd. did the geometry’s final detailed model with the Tekla Structures program (Figure 3). As the structure is situated right next to and extends into the sea, Avanto Architects decided to make the load-bearing structures of the cloak from durable galvanized steel and use wood only for cladding (Figure 4). Using steel also made the design of joints easier, as there are points in the shell where beams from eight angles collide at one point (Figure 5). There are around Ville Hara Avanto Architects
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