Pub Date : 2022-07-03DOI: 10.1080/24751448.2022.2116226
Kenneth Tracy, Yinglei Tan, C. Bañón, H. Low
Digital Manufacturing and Design Centre Singapore University of Technology and DesignSingapore Established: 2015 Centre Leadership: Low Hong Yee (Director) David William Rosen (Director of Research) Pablo Valdivia y Alvarado (Deputy Director) Current Center Structure: Academic Faculty: 21 Research Staff: 12 Postdoctoral Researchers: 10 Graduate Students: 12 Visiting Faculty and Students: 1
新加坡科技与设计大学数字制造与设计中心成立:2015年中心领导:Low Hong Yee(主任)David William Rosen(研究主任)Pablo Valdivia y Alvarado(副主任)目前中心结构:学术人员:21名研究人员:12名博士后研究人员:10名研究生:12名访问教师和学生:1名
{"title":"Workflows for Advanced Manufacturing in Design","authors":"Kenneth Tracy, Yinglei Tan, C. Bañón, H. Low","doi":"10.1080/24751448.2022.2116226","DOIUrl":"https://doi.org/10.1080/24751448.2022.2116226","url":null,"abstract":"Digital Manufacturing and Design Centre Singapore University of Technology and DesignSingapore Established: 2015 Centre Leadership: Low Hong Yee (Director) David William Rosen (Director of Research) Pablo Valdivia y Alvarado (Deputy Director) Current Center Structure: Academic Faculty: 21 Research Staff: 12 Postdoctoral Researchers: 10 Graduate Students: 12 Visiting Faculty and Students: 1","PeriodicalId":36812,"journal":{"name":"Technology Architecture and Design","volume":"1 1","pages":"149 - 152"},"PeriodicalIF":0.0,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83209094","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-03DOI: 10.1080/24751448.2022.2116228
Nick Förster, Ivan Bratoev
Leonhard Obermeyer Center Technical University of Munich Munich, Germany Established: 2014 Leadership: André Borrmann (Chair of Computational Modeling and Simulation) Frank Petzold (Chair of Architectural Informatics) Thomas H. Kolbe (Chair of Geoinformatics) Konrad Nübel (Chair of Construction Process Management) Uwe Stilla (Chair of Photogrammetry and Remote Sensing) Current Center Structure: Participating Chairs: 5 Research Staff: 70-80 Postdoctoral Researchers: approximately 10
德国慕尼黑技术大学Leonhard Obermeyer中心成立:2014年领导:andr Borrmann(计算建模与仿真主席)Frank Petzold(建筑信息学主席)Thomas H. Kolbe(地理信息学主席)Konrad n bel(建筑过程管理主席)Uwe Stilla(摄影测量与遥感主席)目前中心结构:参与主席:5研究人员:70-80博士后研究人员:约10人
{"title":"Critical Modeling","authors":"Nick Förster, Ivan Bratoev","doi":"10.1080/24751448.2022.2116228","DOIUrl":"https://doi.org/10.1080/24751448.2022.2116228","url":null,"abstract":"Leonhard Obermeyer Center Technical University of Munich Munich, Germany Established: 2014 Leadership: André Borrmann (Chair of Computational Modeling and Simulation) Frank Petzold (Chair of Architectural Informatics) Thomas H. Kolbe (Chair of Geoinformatics) Konrad Nübel (Chair of Construction Process Management) Uwe Stilla (Chair of Photogrammetry and Remote Sensing) Current Center Structure: Participating Chairs: 5 Research Staff: 70-80 Postdoctoral Researchers: approximately 10","PeriodicalId":36812,"journal":{"name":"Technology Architecture and Design","volume":"21 1","pages":"157 - 158"},"PeriodicalIF":0.0,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79165171","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-02DOI: 10.1080/24751448.2022.2040296
Sarah E. Baires
{"title":"Technologies and Stewardship of a Native American City","authors":"Sarah E. Baires","doi":"10.1080/24751448.2022.2040296","DOIUrl":"https://doi.org/10.1080/24751448.2022.2040296","url":null,"abstract":"","PeriodicalId":36812,"journal":{"name":"Technology Architecture and Design","volume":"58 1","pages":"5 - 9"},"PeriodicalIF":0.0,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75463914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-02DOI: 10.1080/24751448.2022.2040313
Robert Kesack
9. In some climates, the efficiency of the envelope and energy-recovery ventilation enables active heating and cooling systems to be eliminated entirely, as was the case in the 1990 Passivhaus demonstration project in Darmstadt, Germany. If the efficient, electrified future represents one scenario, another possible future may be found in the work of 2021 Pritzker Prize laureates Anne Lacaton and JeanPhillipe Vassal. Their buildings often include auxiliary, unconditioned spaces that provide flexibility of use at low cost, in terms of budget, materials, and energy. For example, their Nantes School of Architecture (2009) incorporates unprogrammed, unconditioned double-height spaces with operable, transparent facades. These indoor/outdoor rooms serve a variety of functions in the life of the school, in all types of weather. Whichever scenario architects choose, Barber’s narratives—the “dropped threads” of modern architectural history—can help today’s practitioners imagine new possibilities for an architecture that is less dependent on fossil fuels.
{"title":"Processing in Progress: A Benchmark Analysis of Photogrammetry Applications for Digital Architectural Documentation","authors":"Robert Kesack","doi":"10.1080/24751448.2022.2040313","DOIUrl":"https://doi.org/10.1080/24751448.2022.2040313","url":null,"abstract":"9. In some climates, the efficiency of the envelope and energy-recovery ventilation enables active heating and cooling systems to be eliminated entirely, as was the case in the 1990 Passivhaus demonstration project in Darmstadt, Germany. If the efficient, electrified future represents one scenario, another possible future may be found in the work of 2021 Pritzker Prize laureates Anne Lacaton and JeanPhillipe Vassal. Their buildings often include auxiliary, unconditioned spaces that provide flexibility of use at low cost, in terms of budget, materials, and energy. For example, their Nantes School of Architecture (2009) incorporates unprogrammed, unconditioned double-height spaces with operable, transparent facades. These indoor/outdoor rooms serve a variety of functions in the life of the school, in all types of weather. Whichever scenario architects choose, Barber’s narratives—the “dropped threads” of modern architectural history—can help today’s practitioners imagine new possibilities for an architecture that is less dependent on fossil fuels.","PeriodicalId":36812,"journal":{"name":"Technology Architecture and Design","volume":"57 1","pages":"118 - 122"},"PeriodicalIF":0.0,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76926030","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-02DOI: 10.1080/24751448.2022.2040300
Guido Pietropoli, A. Schultz
It does not make sense to use the term “tomb” for the project built by Carlo Scarpa in San Vito di Altivole between 1968 and 1978 for Onorina Brion in memory of her husband Giuseppe. The word “tomb” says little about this place, about its architecture, or the ideas and forms it evokes in the mind. There is nothing comparable to this monumental cemetery complex in the history of antiquities or modern architecture; one could say that the cemeteries we know minister to our injuries with topical ointments acting from the outside, but do not help to work through the pain of a great loss. With his buildings, Carlo Scarpa offers us instruments for processing our mourning and for conserving the memory of those who are no longer with us. Scarpa’s project was the outcome of dedicated research that lasted for ten years and was a personal excavation conducted within himself. He produced more than 2,200 drawings to develop the program, Standing or Sitting: The Water Pavilion at Carlo Scarpa’s Brion Memorial and its Restoration
Carlo Scarpa于1968年至1978年在San Vito di Altivole为Onorina Brion建造的项目，以纪念她的丈夫Giuseppe，使用“坟墓”这个词是没有意义的。“坟墓”这个词并不能说明这个地方，它的建筑，或者它在脑海中唤起的想法和形式。在古物或现代建筑史上，没有什么能与这个巨大的墓地建筑群相提并论;有人可能会说，我们所知道的墓地用外用药膏治疗我们的伤口，但无助于克服巨大损失带来的痛苦。通过他的建筑，卡洛·斯卡帕为我们提供了一种工具来处理我们的哀悼，并保存对那些不再与我们在一起的人的记忆。斯卡帕的项目是持续十年的专门研究的结果，是他自己进行的一次个人挖掘。他绘制了2200多张图纸来开发这个项目，站着还是坐着:卡洛·斯卡帕的布里昂纪念馆的水亭及其修复
{"title":"Standing or Sitting: The Water Pavilion at Carlo Scarpa’s Brion Memorial and its Restoration","authors":"Guido Pietropoli, A. Schultz","doi":"10.1080/24751448.2022.2040300","DOIUrl":"https://doi.org/10.1080/24751448.2022.2040300","url":null,"abstract":"It does not make sense to use the term “tomb” for the project built by Carlo Scarpa in San Vito di Altivole between 1968 and 1978 for Onorina Brion in memory of her husband Giuseppe. The word “tomb” says little about this place, about its architecture, or the ideas and forms it evokes in the mind. There is nothing comparable to this monumental cemetery complex in the history of antiquities or modern architecture; one could say that the cemeteries we know minister to our injuries with topical ointments acting from the outside, but do not help to work through the pain of a great loss. With his buildings, Carlo Scarpa offers us instruments for processing our mourning and for conserving the memory of those who are no longer with us. Scarpa’s project was the outcome of dedicated research that lasted for ten years and was a personal excavation conducted within himself. He produced more than 2,200 drawings to develop the program, Standing or Sitting: The Water Pavilion at Carlo Scarpa’s Brion Memorial and its Restoration","PeriodicalId":36812,"journal":{"name":"Technology Architecture and Design","volume":"37 1","pages":"33 - 41"},"PeriodicalIF":0.0,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85545352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-02DOI: 10.1080/24751448.2022.2040303
S. Johnson, M. Dixit, Lawry Boyer, S. Melville
In this project, three drawings for a horizontal skyscraper by El Lissitzky are analyzed and reconstructed using an iterative design process. The historical drawings serve as the basis of a series of models that attempt to visualize the architect’s design process by focusing on gaps, interruptions, inconsistencies, and contradictions in the representational field. A coherent and integrated massing, structure, and materials can be reconstructed by selecting a stable set of elements from the drawings. Improbable geometries constructed based on other elements foreground the normative force of the design as an ideal object that the historical architect never produced. Thanks to a counterfactual model, this ideal object can be examined in relation to historical design methodologies.
{"title":"Counterfactual Modeling in Historical Reconstruction: El Lissitzky’s Horizontal Skyscraper WB2","authors":"S. Johnson, M. Dixit, Lawry Boyer, S. Melville","doi":"10.1080/24751448.2022.2040303","DOIUrl":"https://doi.org/10.1080/24751448.2022.2040303","url":null,"abstract":"In this project, three drawings for a horizontal skyscraper by El Lissitzky are analyzed and reconstructed using an iterative design process. The historical drawings serve as the basis of a series of models that attempt to visualize the architect’s design process by focusing on gaps, interruptions, inconsistencies, and contradictions in the representational field. A coherent and integrated massing, structure, and materials can be reconstructed by selecting a stable set of elements from the drawings. Improbable geometries constructed based on other elements foreground the normative force of the design as an ideal object that the historical architect never produced. Thanks to a counterfactual model, this ideal object can be examined in relation to historical design methodologies.","PeriodicalId":36812,"journal":{"name":"Technology Architecture and Design","volume":"14 1","pages":"46 - 58"},"PeriodicalIF":0.0,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75481196","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：